Originally from the States, I've been lecturing at UQ since 2017. I teach Multimedia and Digital Project in the Bachelor of Communications, both of which center on embedding critical perspectives on media into creative and collaborative design and production processes. My research focuses on the relationship among gender, technological change and space. My methodological approaches combine textual analysis (looking at media content) with more industry-facing, hands-on approaches.
The current book projects turn to representations of gender violence in popular media. My second book, Representing Gender Violence in Contemporary Screen Media: Cutting Through the Park, is under contract with Routledge and it studies themes of surveillance technology in representations of stranger rape in television and film. My third book project, Feeling Safe: Gender Harm and Safety DIscourses in Platform Media, studies themes in gender safety discourses across various platforms including safety apps and dating apps.
My first book The Aesthetics of TV Nostalgia (Bloomsbury, 2019) is an industry study of the people designing sets and costumes for nostalgic US television programmes. I address how questions around gender play out on television alongside larger concerns around historical progress and regress that are attached to technological change. You can find my other publications in the areas of television representations of gender, the female body in narratives around nationhood, digital archives, and creative production in Adaptation, Television & New Media, Feminist Media Studies, Cinema Journal, Continuum, Surveillance & Society and Convergence.
Bonnie Evans is an Associate Lecturer in Media Studies at the University of Queensland. Her research has addressed the intersections between feminist politics and screen media, particularly film and television, and she has published on true crime documentary. Her PhD thesis explores aesthetic and thematic links between contemporary feminisms, including the Me Too Movement, and recent horror and true crime film and television. She received a UQ Dean's Award for Oustanding HDR Theses in 2022. She teaches across film and television studies and media studies.
