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I am a Senior Lecturer in Art History in the School of Communication and Arts. My research often focusses on the relationship between contemporary art and time, working across the areas of philosophy, time studies, art history and critical theory. I completed my art history PhD at the University of Melbourne. Prior to joining UQ, I was ARC Senior Research Associate at the University of Melbourne, and have also worked as a curator and editor with various arts institutions.

My books include the monograph Parallel Presents: The Art of Pierre Huyghe (MIT Press, 2012, winner of AAANZ Best Book Prize 2013); the co-edited anthology and now low-key cult classic Making Worlds: Art and Science Fiction (Surpllus, 2015); Pierre Huyghe: TarraWarra International 2015 (catalogue for the first major solo exhibition of Huyghe's work in Australia); Tom Nicholson: Lines Towards Another (IMA and Sternberg Press, 2018); and Robert Smithson: Time Crystals (Monash University Publishing, 2018), the latter published to accompany a major exhibition of works by Robert Smithson that I co-curated with Chris McAuliffe for presentation at the UQ Art Museum and Monash University Museum of Art. My research has been supported by organisations including the Australia Council for the Arts, Creative Australia, Arts Victoria, the Terra Foundation for American Art, City of Melbourne, the Australia Korea Foundation, the Australia Research Council, and the Gordon Darling Foundation, and I also publish widely in arts magazines and exhibition catalogues.

I have presented invited talks on my research at numerous institutions including for the Biennale of Sydney, Mildura Palimpsest Biennale, Wellington City Gallery New Zealand, Marian Goodman Gallery New York, the Australian Center for the Moving Image, Institute of Modern Art Brisbane, Queensland Art Gallery / Gallery of Modern Art Brisbane, the National Gallery of Australia, the National Gallery of Victoria, Gertrude Contemporary, Auckland University of Technology, Institute for Visual Research University of Oxford, Artspace Sydney, and Helsinki Academy of Fine Arts, Finland. In 2013, I was the recipient of a 2013 Art Gallery of New South Wales residential fellowship at the Cité internationale des arts, Paris.

My current work includes research into the histories of queer art in Australia, as part of the KINK research collective, accessible at queeraustralianart.com. In 2024, KINK were appointed as Adjunct Curators to the Institute of Modern Art, Brisbane.

Currently available to supervise art history MPhil and PhD projects: I particularly welcome applications from researchers working in the areas of contemporary art, queer theory, feminisms, geophilosophy, science fiction, Australian art, or time studies (or all of the above!).

Andrea Bubenik is an expert in Renaissance and Baroque Art, and the continued reception of early modern visual culture. She is an Associate Professor in Art History in the School of Communication and Arts, and was the Director of the UQ Node of the ARC Centre of Excellence for the History of Emotions between 2019-2022. Her research interests include early modern printmaking, links between art and science, court cultures and collecting, and histories of reception for both iconic and lesser known works of art.

Her books include The Persistence of Melancholia in Art and Culture (edited, 2019), Perspectives on the Art of Wenceslaus Hollar (co-edited with Anne Thackray, 2016), and Reframing Albrecht Dürer: The Appropriation of Art, 1528-1700 (2013), which was awarded the AAANZ best book prize (2014). Andrea’s forthcoming monograph, Living Pictures: The Renaissance Artist-Scientist explores the afterlives of the animal, plant, and rock studies by Albrecht Dürer and Leonardo da Vinci, and is supported by a grant from AIAH/AAANZ.

Andrea's international profile includes visiting fellowships at the Warburg Institute in London, the Central Institute of Art History (Zentralinstitut für Kunstgeschichte) in Munich, the Institute of Art History (Ustav Dějin Umění) in Prague, and the Huntington Library in LA. Andrea is a strong advocate for collaboration with arts and culture institutions and the translation of academic research into more public platforms. She curated two major exhibitions at the UQ Art Museum: Ecstasy: Baroque and Beyond (2017), and Five Centuries of Melancholia (2014), both accompanied by exhibition catalogues. She also delivers an annual public art history course at QAGOMA (Queensland Gallery of Art), and has given public lectures at galleries in Australia, Canada, the Czech Republic, Germany, and the UK.

As an experienced teacher and supervisor, with more than twenty successful supervisions at the Honours, MPhil and PhD levels, Andrea is especially proud of her students’ successes. She supervises local, national, and international internship placements in art galleries and museums, and developed an undergraduate study abroad option for UQ students, ‘Art and Architecture in Venice’ which takes place on site in Venice, Italy. She welcomes expressions of interest from prospective HDR students.

Sally Butler is a Reader in Art History.

Sally Butler took up the position as lecturer in Art History at the University of Queensland in 2004 after a period as Art History lecturer at the Australian National Univeristy in Canberra. Visual arts industry experience includes working for the Queensland Art Gallery and a number of freelance curating projects, and several years as Associate Editor of Australian Art Collector magazine and one of the edtiors for the Australia and New Zealand Journal of Art. Sally regularly writes for Australian visual arts magazines, maintaining a particular interest in contemporary Australian art, Australian indigenous art and new media art.

Research

Her research interests include cross-cultural critical theory, Australian Indigenous art, Australian contemporary art, photography and new media art. Current research includes: Indigenous art from Far North Queensland, Virtual Reality theory and photography, contemporary Queensland photography, and art and cultural tourism.

Dr Fred Fialho Teixeira is an architect, media artist and senior lecturer at University of Queensland, School of Architecture, Design and Planning. He has been working in the fields of computational architecture and immersive environments for the last 20 years. He has been awarded the Dean's Fellowship from the University of California and Media Arts and Technology Fellowship where he initiated is PhD on innovative biological-based design strategies at the California Nano Systems Institute. Additionally he co-established and developed an international research program on the studies of Perception of Space in Architecture and Culture and the UQ Visualisation Lab with a focus on the used of immersive technologies and extended realities (VR/AR/XR). With over 50 publications on design methods and research in digital design and fabrication, his research focuses on bio-augmented spaces through the experiential traits of immersive media and spatial computing strategies. He's an alumni of the Architectural Association, School of Architecture (AA) and accredited architect by Royal Institute of British Architects (RIBA) and Portuguese Chamber of Architects (OA) and also practiced for high profile offices such as Zaha Hadid Architects. Through his innovative strategies he designed over 30 projects from which he was internationally awarded within biology, art and architectural domains. Presently his research work on spatial computation combines the use of mixed reality and advanced manufacturing to enable the next generation of built environments.

Memberships

Architectural Association, School of Architecture (UK),Royal Institute of British Architects (UK), Chamber of Architects (PT), Australian Smart Communities Association (AU).

Kerry Heckenberg is currently an active research member in the School of Communication and Arts at the University of Queensland with experience in teaching both science (physiology) and art history at this university.

Professor Sandra Kaji-O'Grady is an architectural educator, academic leader and researcher with a PhD in Philosophy from Monash University (2001) and professional architectural qualifications and experience. She led the design and delivering of a new progressive design education while Head of School at UTS (2005-2009) and in September 2013 commenced as Head of School and Dean of Architecture at the University of Queensland. She is committed to critical approaches to design learning and to preparing students for a radically volatile professional future.

Sandra's research is in the architectural humanties and seeks to understand the political and philosophical contexts for contemporary architecture. She has recently completed a project with Chris L. Smith on the architectural expression of contemporary science and its ideologies in laboratory buildings. This research was supported by the Australian Research Council, through the Discovery Grant ‘From Alchemist’s Den to Science City: Architecture and the Expression of Experimental Science’. Laboratory Lifestyles, the first of two major book outcomes from the study, examines the history, ambitions and and effects of the addition of gymnasia, cafes, and social spaces to scientific esearch campuses and will published by MIT Press in 2018. Life science laboratories also incorporate Animal Houses and our consideration of these has led to a new research project, in its early stages. This research will explore the ways in which buildings designed to house animals evidence and determine the relationships we have with non-human animals. Previous work has been published in leading journals including the Journal of Architecture, The Journal of Architectural Education, Architecture &, and le Journal Spéciale’Z. She has presented invited lectures and peer-reviewed conference papers in the USA, Japan, Australia and New Zealand, Finland, Amsterdam, France, Belgium, Germany, England and Scotland, where she was a Visiting Fellow at the University of Edinburgh (2012). Her own artwork investigating serial systems using pianola rolls and commercial paint samples has been exhibited in Singapore and Australia.

Sandra has been a member of the College of Experts of the Australian Research Council (2010-2011) and has reviewed submissions for several scholarly journals and sits on the editorial boards of Architecture and Culture, Studies in Material Thinking, Ardeth, and Architecture Theory Review. She is a reviewer for DrawingOn Journal and regularly contributes as a critic to Architecture Australia, Architecture Review Australia, Monument and Artichoke. Actively engaged with the architectural profession, she has written over fifty reviews for the design press and co-directed the AIA National Conference in 2013.

John Macarthur is Professor of architecture at the University of Queensland where he conducts research and teaches in the history and theory of architecture, and in architectural design. John graduated from the University of Queensland with Bachelor (Hons 1st) and Master of Design Studies degrees (1984) before taking a doctorate at the University of Cambridge (1989). He is a Fellow of the Australian Academy of Humanities and a Fellow of the Queensland Academy of Arts and Sciences. He was the founding Director of the research centre for Architecture, Theory, Criticism and History (ATCH) and remains an active member of the Centre. He has previously served as Dean and Head of the School of Architecture at UQ and as a member of the Australian Research Council’s College of Experts. He is a past President and a Life Member of the Society of Architectural Historians, Australia and New Zealand.

His research in the intellectual history architecture has focused on the conceptual framework of the interrelation of architecture, aesthetics and the arts. His book The Picturesque: architecture, disgust and other irregularities, was published by Routledge in 2007. John has edited and authored a further tenbooks and published over 150 papers including contributions to the journals Assemblage, Transition, Architecture Research Quarterly, Oase and the Journal of Architecture. John's book Is Architecture Art? an introduction to the aesthetics of architecture, will be published by Bloomsbury in October 2024.

Memberships

Fellow, Australian Academy of Humanities Fellow; Queensland Academy of Arts and Sciences; Life Member, Society of Architectural Historians, Australia and New Zealand

I completed my MA and PhD in Art History at University College London in 2012, and moved to Australia in 2015 to take up my position at UQ. I am an art historian with expertise in the history of photography, artists’ cinema and video. I have written widely on modern and contemporary art and his articles have appeared in Oxford Art Journal, Third Text, Afterall, Philosophy of Photography, Photography and Culture. I am also the author of Documents of Utopia: The Politics of Experimental Documentary (2015). I am in favour of a broader approach to image culture, one which crosses traditional boundaries between disciplines such as art history, media studies, sociology, anthropology, and cultural studies. My research interests are contemporary artists’ use of images for the production of history and memory, and the aesthetics and politics of documentary. I am interested in the history of Australian photography and the role that lens-based images and visual culture have played in advancing social and environmental justice movements in Australia and the Asia-Pacific region.

Associate Professor Margaret Maynard’s research is interests include Australian dress, identity and fashion; fashion photography and gender studies.

Her current research includes dress studies, history of fashion, and Australian fashion photography.

She is the author of:

• Fashioned from Penury: Dress as Cultural Practice in Colonial Australia, CU Press (Cambridge University) 1994.
• Out of Line: Australian Women and Style, Uni. of New South Wales Press, 2001.
• Dress and Globalisation, Manchester Uni. Press, 2004.

Dr Maynard is a dress historian and an Honorary Consultant of the Queensland Museum.

Emeritus Professor Peter Spearritt is the co-editor of five major public websites, Queensland Places (over 1100 places, with their history and economy), Queensland Speaks (interviews with key government ministers and public servants), the Queensland Historical Atlas and Text Queensland, a resource for studying the state. He is also the co-editor of Victorian Places, a project with Monash University, detailing over 1500 settlements in Victoria.

A Fellow of the Academy of Social Sciences in Australia, his research interests include coastal urbanisation and conservation, housing and the developer-led apartment boom, green space provision in urban areas and the use and abuse of water in our cities.