Originally from the States, I've been lecturing at UQ since 2017. I teach Multimedia and Digital Project in the Bachelor of Communications, both of which center on embedding critical perspectives on media into creative and collaborative design and production processes. My research focuses on the relationship among gender, technological change and space. My methodological approaches combine textual analysis (looking at media content) with more industry-facing, hands-on approaches.
The current book projects turn to representations of gender violence in popular media. My second book, Representing Gender Violence in Contemporary Screen Media: Cutting Through the Park, is under contract with Routledge and it studies themes of surveillance technology in representations of stranger rape in television and film. My third book project, Feeling Safe: Gender Harm and Safety DIscourses in Platform Media, studies themes in gender safety discourses across various platforms including safety apps and dating apps.
My first book The Aesthetics of TV Nostalgia (Bloomsbury, 2019) is an industry study of the people designing sets and costumes for nostalgic US television programmes. I address how questions around gender play out on television alongside larger concerns around historical progress and regress that are attached to technological change. You can find my other publications in the areas of television representations of gender, the female body in narratives around nationhood, digital archives, and creative production in Adaptation, Television & New Media, Feminist Media Studies, Cinema Journal, Continuum, Surveillance & Society and Convergence.
Sally Butler took up the position as lecturer in Art History at the University of Queensland in 2004 after a period as Art History lecturer at the Australian National Univeristy in Canberra. Visual arts industry experience includes working for the Queensland Art Gallery and a number of freelance curating projects, and several years as Associate Editor of Australian Art Collector magazine and one of the edtiors for the Australia and New Zealand Journal of Art. Sally regularly writes for Australian visual arts magazines, maintaining a particular interest in contemporary Australian art, Australian indigenous art and new media art.
Research
Her research interests include cross-cultural critical theory, Australian Indigenous art, Australian contemporary art, photography and new media art. Current research includes: Indigenous art from Far North Queensland, Virtual Reality theory and photography, contemporary Queensland photography, and art and cultural tourism.
Faculty of Engineering, Architecture and Information Technology
Availability:
Available for supervision
Media expert
Dr Fred Fialho Teixeira is an architect, media artist and senior lecturer at University of Queensland, School of Architecture, Design and Planning. He has been working in the fields of computational architecture and immersive environments for the last 20 years. He has been awarded the Dean's Fellowship from the University of California and Media Arts and TechnologyFellowship where he initiated is PhD on innovative biological-based design strategies at the California Nano Systems Institute. Additionally he co-established and developed an international research program on the studies of Perception of Space in Architecture and Culture and the UQ Visualisation Lab with a focus on the used of immersive technologies and extended realities (VR/AR/XR). With over 50 publications on design methods and research in digital design and fabrication, his research focuses on bio-augmented spaces through the experiential traits of immersive media and spatial computing strategies. He's an alumni of the Architectural Association, School of Architecture (AA) and accredited architect by Royal Institute of British Architects (RIBA) and Portuguese Chamber of Architects (OA) and also practiced for high profile offices such as Zaha Hadid Architects. Through his innovative strategies he designed over 30 projects from which he was internationally awarded within biology, art and architectural domains. Presently his research work on spatial computation combines the use of mixed reality and advanced manufacturing to enable the next generation of built environments.
Memberships
Architectural Association, School of Architecture (UK),Royal Institute of British Architects (UK), Chamber of Architects (PT), Australian Smart Communities Association (AU).
Faculty of Engineering, Architecture and Information Technology
Availability:
Available for supervision
Media expert
Professor Sandra Kaji-O'Grady is an architectural educator, academic leader and researcher with a PhD in Philosophy from Monash University (2001) and professional architectural qualifications and experience. She led the design and delivering of a new progressive design education while Head of School at UTS (2005-2009) and in September 2013 commenced as Head of School and Dean of Architecture at the University of Queensland. She is committed to critical approaches to design learning and to preparing students for a radically volatile professional future.
Sandra's research is in the architectural humanties and seeks to understand the political and philosophical contexts for contemporary architecture. She has recently completed a project with Chris L. Smith on the architectural expression of contemporary science and its ideologies in laboratory buildings. This research was supported by the Australian Research Council, through the Discovery Grant ‘From Alchemist’s Den to Science City: Architecture and the Expression of Experimental Science’. Laboratory Lifestyles, the first of two major book outcomes from the study, examines the history, ambitions and and effects of the addition of gymnasia, cafes, and social spaces to scientific esearch campuses and will published by MIT Press in 2018. Life science laboratories also incorporate Animal Houses and our consideration of these has led to a new research project, in its early stages. This research will explore the ways in which buildings designed to house animals evidence and determine the relationships we have with non-human animals. Previous work has been published in leading journals including the Journal of Architecture, The Journal of Architectural Education, Architecture &, and le Journal Spéciale’Z. She has presented invited lectures and peer-reviewed conference papers in the USA, Japan, Australia and New Zealand, Finland, Amsterdam, France, Belgium, Germany, England and Scotland, where she was a Visiting Fellow at the University of Edinburgh (2012). Her own artwork investigating serial systems using pianola rolls and commercial paint samples has been exhibited in Singapore and Australia.
Sandra has been a member of the College of Experts of the Australian Research Council (2010-2011) and has reviewed submissions for several scholarly journals and sits on the editorial boards of Architecture and Culture, Studies in Material Thinking, Ardeth, and Architecture Theory Review. She is a reviewer for DrawingOn Journal and regularly contributes as a critic to Architecture Australia, Architecture Review Australia, Monument and Artichoke. Actively engaged with the architectural profession, she has written over fifty reviews for the design press and co-directed the AIA National Conference in 2013.
Associate Professor Eve Klein’s compositions have been called vivid, revolutionary, inclusive, moving and must-see. Winner of the 2023 Art Music Award for Experimental Practice, Klein brings orchestral music into dialogue with immersive and interactive technologies for screen, art music and mass festival audiences. Klein's work has been experienced by hundreds of thousands of people globally at Salisbury Cathedral, Burning Man, New York University, VIVID Sydney, MONA, GOMA, Brisbane Festival, World Science Festival, the Arts Centre Melbourne and the State Library of Queensland. As Lead Composer for Textile Audio, Eve crafts City Symphony, an interactive AR music experience overlaying Brisbane CBD (available via iOS and Android app stores).
Klein creates artworks in collaboration with community groups, festivals, researchers, and NGOs to achieve community transformation goals. Recent projects have explored gendered and racial violence, climate change, disaster recovery and refugee rights. Klein's work, Vocal Womb, is an example of this practice, allowing the audience to explore the relationship between voice, identity and power by stepping into and directly manipulating the voice of another. The premier was called the "#1 coolest thing at MOFO 2018" (Timeout Melbourne) and "One of the must-see music/artworks of the 2018 festival... a deeply considered engagement with the history and traditions of opera" (The Conversation).
Klein is Associate Professor of Music Technology, leading an interactive music and spatial audio research cluster at the University of Queensland, guiding postgraduate composers on the creation of immersive, interacitve, virtual reality and augmented reality concert works and operas.
"This is contemporary music at its most relevant – it is simultaneously inward and outward focused in addressing the challenge of its existence and its capacity to produce something great.” - Melonie Bayl-Smith, Cyclic Defrost, Issue 31
“Excellence in Experimental Practice was awarded to Eve Klein for City Symphony, a Brisbane sound walk revolutionising audiences' engagement with urban environments, underpinned by an ethos of collaborative inclusivity and accessibility.” -Australian Music Centre
“One of the must-see music/art works of the 2018 festival was Eve Klein’s Vocal Womb … a deeply considered engagement with the history and traditions of opera.” - Svenja J. Kratz -The Conversation
Centre of Architecture, Theory, Criticism and History
Faculty of Engineering, Architecture and Information Technology
Professor in Architecture
School of Architecture, Design and Planning
Faculty of Engineering, Architecture and Information Technology
Availability:
Available for supervision
Media expert
John Macarthur is Professor of architecture at the University of Queensland where he conducts research and teaches in the history and theory of architecture, and in architectural design. John graduated from the University of Queensland with Bachelor (Hons 1st) and Master of Design Studies degrees (1984) before taking a doctorate at the University of Cambridge (1989). He is a Fellow of the Australian Academy of Humanities and a Fellow of the Queensland Academy of Arts and Sciences. He was the founding Director of the research centre for Architecture, Theory, Criticism and History (ATCH) and remains an active member of the Centre. He has previously served as Dean and Head of the School of Architecture at UQ and as a member of the Australian Research Council’s College of Experts. He is a past President and a Life Member of the Society of Architectural Historians, Australia and New Zealand.
His research in the intellectual history architecture has focused on the conceptual framework of the interrelation of architecture, aesthetics and the arts. His book The Picturesque: architecture, disgust and other irregularities, was published by Routledge in 2007. John has edited and authored a further tenbooks and published over 150 papers including contributions to the journals Assemblage, Transition, Architecture Research Quarterly, Oase and the Journal of Architecture. John's book Is Architecture Art? an introduction to the aesthetics of architecture, will be published by Bloomsbury in October 2024.
Memberships
Fellow, Australian Academy of Humanities Fellow; Queensland Academy of Arts and Sciences; Life Member, Society of Architectural Historians, Australia and New Zealand