Find an expert

Professor Moorhead works in late antique and early medieval history.

A graduate of the universities of New England and Liverpool, he is a Fellow of the Australian Academy of the Humanities and has walked the medieval pilgrim trail from Le Puy to Santiago.

Maggie Nolan is an Associate Professor in Digital Cultural Heritage in the School of Communication and Arts and the recently appointed Director of AustLit. AustLit is a comprehensive information resource and research environment for Australian literary, print, and narrative culture and it supports and promotes research into Australian story-telling.

Maggie values interdisciplinary and collaborative approaches to humanities research.

Maggie's research is in the broad field of Australian Literary Cultures. Her most recent project, "Close Relations: Irishness in Australian Literature", with Professor Ronan McDonald (UoM) and Professor Kath Bode (ANU) was awarded an ARC Discovery Grant in 2022.

Her research interests include:

• Contemporary Indigenous Literatures
• Hoaxes, Imposture and Mistaken Identity in Australian Literary Culture
• Reading, reception and the civic role of book clubs
• Digital literary studies
• Value in literary studies and the impact of ranking systems on the discipline.

Maggie is an experienced postgraduate supervisor and is available to supervise topics on Australian literary cultures. She also welcomes students and researcher who would like to work on projects linked to AustLit.

Sol's research interests include: (Critical) Discourse Analysis, Trauma and Memory Studies, Perceived Discrimination, Critical Translation Studies, Decolonial Thought.

Sol is a Senior Lecturer in the School of Languages and Cultures, University of Queensland in Australia. She teaches language, literature, and cultural studies courses. Sol’s research interests include memory and trauma studies, everyday discourses of discrimination, and Decolonial Thought. Sol has over 50 publications, including four books, one co-edited book, and five books as a translator. Her work has appeared in journals such as Social Semiotics, Critical Discourse Studies, Memory Studies, Journal of Pragmatics, Languages in Contrast, Babel, Delaware Review of Latin American Studies, and JILAR among others. Her co-authored historical Graphic Memoir Historias Clandestinas (2014) had a second edition in 2023 and is currently being made into a film. The English version of the graphic novel was published in 2023 in the U.S.

Elizabeth Stephens is an Associate Professor of Cultural Studies in the School of Communication and Arts. She was previously an Australian Research Council Future Fellow in the Institute for Advanced Studies in the Humanities (UQ, 2017-2021), Associate Dean Research at Southern Cross University (2014-2017), and an ARC Australian Research Fellow in the Centre for the History of European Discourses (UQ, 2010-2014). Her background is in gender and sexuality studies, and her current research focuses on three interconnected themes:

• popular histories and representations of science, medicine and technology
• collaborations between the arts and sciences
• the critical medical humanities

A new research project examines the history and culture of work, productivity and fatigue. Elizabeth is author of over 100 publications, including four books: Artificial Life: The Art of Automating Living Systems (University of Western Australia Press, 2025), co-authored with Oron Catts, Sarah Collins, and Ionat Zurr, A Critical Genealogy of Normality (University of Chicago Press, 2017), co-authored with Peter Cryle; Anatomy as Spectacle: Public Exhibitions of the Body from 1700 to the Present (Liverpool University Press, 2011), and Queer Writing: Homoeroticism in Jean Genet's Fiction (Palgrave 2009).

She welcomes inquiries from potential PhD students, and can offer supervision in the following areas:

• cultural studies of science, medicine and/or technology
• art/science collaboration
• medical humanities
• digital cultures
• gender and sexuality studies

Dr Akiko Uchiyama specialises in translation studies and her research interests include postcolonial translation theory, gender in translation, girls’ fiction in translation and the history of translation in Japan. She is the Convenor of the Master of Arts in Japanese Interpreting and Translation (MAJIT) program, and is accredited by the National Accreditation Authority for Translators and Interpreters as a professional translator.

Dr Walters has published on Cavendish, Shakespeare, and Renaissance women in relation to science, philosophy, gender, sexuality and political thought. She welcomes research proposals relating to these topics.

She is author of Margaret Cavendish: Gender, Science and Politics (Cambridge University Press, hardback 2014, paperback 2017) and is co-editor of Margaret Cavendish: An Interdisciplinary Perspective (Cambridge University Press, 2022), which won Co-Honorable Mention for the 2022 Collaborative Project Award from the Society for the Study of Early Modern Women and Gender. Dr Walters is also one of the joint editors of the Restoration section of the Palgrave Encyclopedia of Early Modern Women's Writing.

Her edition, The Blazing World and other Writings, is forthcoming with Oxford World's Classics (Oxford University Press, 2024). She is currently co-editing Cavendish and Milton, which is under contract with Oxford University Press.

Dr Walters is also Deputy Chair of the Equity, Diversity and Inclusion Committee for the Faculty of Humanities and Social Sciences (HASS).

She obtained her doctorate and masters degree from the University of Edinburgh, Scotland and her BA from the University of California Santa Cruz. Previously, she was a postdoctoral research fellow at Ghent University, Belgium. She has also held academic positions in England, America, and Scotland and was a visiting professor at Université Catholique de Lille, France. Between studies, she worked in Tokyo, Japan.

In 2016 she won a Teaching and Innovation Award from Liverpool Hope University, UK and has served on the Education Committee for Shakespeare North, a world-class Jacobean replican theatre in England.

Currently, she serves on the Editorial Board of ANQ: A Quarterly Journal of Short Articles, Notes and Reviews, Anthem Press, and was President of the International Margaret Cavendish Society. She is the founder and managing editor of Margaret Cavendish: A Multidisciplinary Journal.

Kim Wilkins is a recognised expert on storytelling, popular literature, and the publishing industry. She is the author of more than 30 full-length works of fiction, and her work is translated into more than 20 languages globally. Her scholarly research centres on creative communities, such as writing groups and fan cultures. She is most recently the author of Genre Worlds: Popular Fiction and 21st-Century Book Culture (with Beth Driscoll and Lisa Fletcher), which outlines a new theory for understanding popular fiction through its related industrial, social, and textual pleasures and processes.

Kim is also passionate about working with partners and has recently undertaken funded research on technology foresight with the Commonwealth Department of Defence, and with a series of regional councils for the Linkage Project 'Community Publishing in Regional Australia'. Since 2019, she has served a range of leadership roles, including in the HASS Office of the ADR, and the UQ Graduate School. She is Academic Director of the newly established Research Centre in Creative Arts and Human Flourishing.