Dr James A. T. Lancaster is an intellectual historian who received his PhD from the Warburg Institute, University of London. He is presently Lecturer in Studies in Western Religious Traditions in the School of Historical and Philosophical Inquiry, as well as the Editor (special issues) of Intellectual History Review. Previously, he was a UQ Research Fellow at the Institute for Advanced Studies in the Humanities at the University of Queensland. As a member of the Editorial Board of the Oxford Francis Bacon edition, he has published widely on the philosophical and religious thought of Francis Bacon. His research and teaching interests and experience include the history of science and religion, the history of atheism and irreligion in the early modern period, and the history of the psychology of religion.
Dr. Anne Levitskyis a scholar and performer of medieval vernacular song, in particular troubadour lyric poetry, and its connections to the larger cultural milieu of the twelfth and thirteenth centuries. She is a graduate of Stanford University and earned her PhD in Historical Musicology from Columbia University in May 2018. At present, she is Lecturer in Music at the University of Queensland in Brisbane, Australia, and has taught previously at Columbia, Dixie State University (now called Utah Tech), and Stony Brook University. As an academic, she is interested in medieval vernacular song, poetry, and narrative literature, and she is currently at work on two projects. The first, Sound(ing) Bodies: Song and Materiality in Troubadour Lyric Poetry, is under contract with Liverpool University Press for their series Exeter Studies in Medieval Culture. It reads troubadour lyric poetry in the context of philosophical, theological, and medical writings available in the twelfth century, and uses this analytical frame to employ new methods for the analysis of medieval monophonic song. The second project, Singing in the Reign: Song, Grammar, and Politics in the Thirteenth-Century Northern Mediterranean, explores how song is used in the courts of the northern Mediterranean in the thirteenth century to produce specific notions of space and geography, and demonstrates how Occitan song and grammars were involved in the (re)formation of these regimes. Dr. Levitsky is also interested in the presence and role of medievalisms in popular music, especially in heavy metal.
She supplements this academic interest in vernacular song with an active performance career, and has studied and performed lyric poetry with the Narbonne-based Troubadours Art Ensemble, and recorded troubadour and trouvère songs both with the group and as a soloist. Dr. Levitsky performs regularly with professional ensemble Fractio Modi (of which she is a founding member), and in Brisbane. Past performances include a June 2013 performance with the Rolling Stones in Washington, DC, tours to Germany with NYC-based chamber ensemble GHOSTLIGHT Chorus, and concerts of monophony and polyphony from the 12th, 13th, and 14th centuries on Columbia's Music at St. Paul's concert series. Dr. Levitsky has also served as the director of the Collegium Musicum, one of Columbia University's leading choral ensembles.
Dr Morris Low’s research interests include the history of Japanese science and technology, history of Australia-Japan relations, Japanese visual culture, and issues relating to identity.
His current research projects include: the history of nuclear power in Japan; and the history of Japan’s participation in international expositions and Olympic Games.
He is Editor of the East Asia Series of research monographs published by Routledge for the Asian Studies Association of Australia (ASAA).
Centre of Architecture, Theory, Criticism and History
Faculty of Engineering, Architecture and Information Technology
Professor in Architecture
School of Architecture, Design and Planning
Faculty of Engineering, Architecture and Information Technology
Availability:
Available for supervision
Media expert
John Macarthur is Professor of architecture at the University of Queensland where he conducts research and teaches in the history and theory of architecture, and in architectural design. John graduated from the University of Queensland with Bachelor (Hons 1st) and Master of Design Studies degrees (1984) before taking a doctorate at the University of Cambridge (1989). He is a Fellow of the Australian Academy of Humanities and a Fellow of the Queensland Academy of Arts and Sciences. He was the founding Director of the research centre for Architecture, Theory, Criticism and History (ATCH) and remains an active member of the Centre. He has previously served as Dean and Head of the School of Architecture at UQ and as a member of the Australian Research Council’s College of Experts. He is a past President and a Life Member of the Society of Architectural Historians, Australia and New Zealand.
His research in the intellectual history architecture has focused on the conceptual framework of the interrelation of architecture, aesthetics and the arts. His book The Picturesque: architecture, disgust and other irregularities, was published by Routledge in 2007. John has edited and authored a further tenbooks and published over 150 papers including contributions to the journals Assemblage, Transition, Architecture Research Quarterly, Oase and the Journal of Architecture. John's book Is Architecture Art? an introduction to the aesthetics of architecture, will be published by Bloomsbury in October 2024.
Memberships
Fellow, Australian Academy of Humanities Fellow; Queensland Academy of Arts and Sciences; Life Member, Society of Architectural Historians, Australia and New Zealand
Associate Professor Dolly MacKinnon is an Honorary Associate Professor in Early Modern History at The University of Queensland. Her research background spans history and music, and her cultural history research, teaching, and service concentrate on the marginalized and institutionalized by analysing the mental, physical (including material culture) and auditory landscapes of past cultures.
Dolly won the inaugural Arts Faculty Research Excellence Award for Senior Researchers (2011) at The University of Queensland. Dolly was also awarded a UQ New Staff Research Fund (2011), a University of Queensland Promoting Women Fellowship(2014), and an inaugural Faculty Fellowship at the Institute of Advanced Studies in the Humanities (2015), Faculty of HASS, UQ.
She is an Associate Investigator (2012 & 2016) with the Australian Research Council Centre for Excellence for the History of Emotions (The University of Queensland/The University of Western Australia), and a guest musician for the following projects:
ARC CHE AI Project 2012: Emotional Landscapes: English and Scottish battlefield memorials 1638-1936
ARC CHE AI Project 2016: Soundscapes of Emotion: bell ringing in England c1500-c1800
One of the guest artists with the Baroque Orchestra for ARC CHEPublic Performances (2013) of Pepusch's Venus and Adonis, The University of Queensland Art Museum, Saturday 23 November 2013, 2.30pm Tuesday 26 November 2013, 6.30pm. Musical Director: Donald Nicolson, Producer: Jane Davidson, Soloists, and Chorus. The Orchestra was The Badinerie Players joined by guest artists from across Australia. [You Tube: https://www.youtube.com/watch?v=qS0KcYfAC-8]
Dolly's international research is demonstrated by her consistent collaborative grant successes including multiple ARC (both Linkage and Discoveries) projects, and an international Marsden Fund-Royal Society of New Zealand, totaling just under 1 million dollars.
Her most recent ARC grants include the following:
ARC Discovery Grant ($249,000) with Professor ELizabeth Malcolm (The University of Melbourne) and Dr John Waller (Michigan State University).
Project: ‘A History of psychiatric Institutions and community care in Australia, 1830-1990’). See online database, Australian Psychiatric Care: A History of Psychiatric Institutionalisation and Community Care in Australia c.1811-c.1990 (http://www.ahpi.esrc.unimelb.edu.au/researchteam.html) (2007-2011);
ARC Linkage Grant ($149,000) with Professor ELizabeth Malcolm & Dr Nurin Veis (Museum Victoria) (2009-2012) at The University of Melbourne.
ARC Discovery Grant ($300,000) with Megan Casidy-Welch (Monash University) analysing 'Battlefields of memory: places of war and remembrance in medieval and early modern England and Scotland' (2014-2016).
Dolly has written and co-edited five books, over thirty chapters and journal articles, and has edited two Special Journal Issues. Her monograph is entitled Earls Colne's Early Modern Landscapes (Farnham, Surrey:Asghate, 2014). She has co-edited Madness in Australia: Histories, Heritage and the Asylum (St. Lucia: UQP, 2003) and Exhibiting Madness: Exhibiting Madness: Remembering Psychiatry through Collections and Display (New York: Routledge, 2011) both with Professor Catherine Coleborne, and Hearing Places: Sound, Place, Time and Culture [Paperback 2007 and hardback 2009 editions] (2007; Newcastle, UK: Cambridge Scholars Press, 2009), co- edited with Dr Ros Bandt and Dr Michelle Duffy, and containing a CD of Sound Examples.
Tribute to Dr D E Kennedy (1928-2021), written by Dolly MacKinnon, Alexandra Walsham, Amanda Whiting and Wilf Prest, for the FORUM, School of Historical and Philosophical Studies, The University of Melbourne (28 October 2022). See https://blogs.unimelb.edu.au/shaps-research/2022/10/28/dr-donald-edward-kennedy-1928-2021/
Edinburgh World Heritage, Heritage Fund, and Making Lasting Impressions Greyfriars Kirkyard [Edinburgh, Scotland] Online Conference:
2021 (26 June) “Belief, burial, tombs and tourists: the past and future of Greyfriars Kirkyard’, hosted by the Edinburgh World Heritage, Heritage Fund, and Making Lasting Impressions Greyfriars Kirkyard [Edinburgh, Scotland]. Invite Speaker: ‘‘'Halt Passengers take head what thou dost see": Scottish Covenanter commemoration, Greyfriars, and its echoes today’, (20 min pre-recorded and live online presentation and question time).
Museum Exhibition:
2015 Exhibition: “Wunderkammer: The strange and the curious”:
11 July – 13 September 2015, University of Queensland Art Museum. Curated by Dolly MacKinnon, Emily Poor (Honours Student), and Michelle Helmrich organised to coincide with the Australian and New Zealand Association of Medieval and Early Modern Studies (ANZAMEMS) 10th Biennial Conference to be held at The University of Queensland (14–18 & 20 July 2015).
Wunderkammer is inspired by those eclectic collections of objects that first emerged in the late sixteenth century known as ‘Cabinets of curiosity’, which included natural marvels, religious relics, works of art, and antiquities, among other things. These objects were often gathered on expeditions and trading voyages, and reveal the fascinations and preoccupations of the Age of Discovery. Wunderkammern were intended to be a microcosm of the broader world and are acknowledged as Early Modern precursors to the contemporary museum. An exhibition in two parts, the first comprises objects that embody a Medieval or Early Modern (c. 600–1800) aesthetic. It includes scientific and medical instruments, religious paraphernalia, coins, illuminated manuscripts and contemporary artworks drawn from across The University of Queensland’s collections.
Pre-concert Lecture, Melbourne Recital Centre, South Bank, Melbourne & CD notes:
2015 Royal Consort and the History of Emotions. Pre-consort lecture and performance.
Presented by ARC Centre of Excellence for the History of Emotions and Latitude 37 (early music ensemble), Melbourne Recital Centre, South Bank, Melbourne. Free event marking the release of their latest recording for ABC Classics, Royal Consorts. With stunning music from the time of the English Civil War period. This event offers an opportunity to learn about the repertoire from the artists and the music’s historical context with Dr Dolly MacKinnon, The University of Queensland, Associate Investigator, Australian Research Council’s Centre of Excellence for the History of Emotions) in a conversational-style talk, including performance excerpts by Latitude 37 from this exciting new ABC Classics CD.
Historical Consultant:
SBS Who Do You Think You Are ? (for 2018 & 2019 episodes)
Emeritus Prof Moore’s research interests include: history of Australia, Queensland, Pacific Islands, New Guinea, Papua New Guinea, and Solomon Islands,.
Emeritus Prof Moore holds a BA and PhD from James Cook University. His teaching at UQ covered Australia, Queensland, and the Pacific Islands, colonial and race relations history, and the history of gender and sexuality. He was Head of the School of History, Philosophy, Religion and Classics from 2008 to 2013.
Emeritus Prof Moore held the McCaughey Chair in History. He has been a member of the Board of the Journal of Pacific History since 1998. In 1999 he headed the Queensland team for the National Archives Founding Documents Webpage. During 2000-01 he served on a Panel of Enquiry into the restructure of the University of PNG and authored a UNESCO report on higher distance education in UPNG. In 2005 he was awarded a Cross of Solomon Islands for his work on Solomon Islands history. He was President of the Australian Association for the Advancement of Pacific Studies from 2006 to 2010 and was elected a Fellow of the Australian Academic of the Humanities in 2011.
He has contunued to research and publish on Solomon Islands and Queensland.
Professor Moorhead works in late antique and early medieval history.
A graduate of the universities of New England and Liverpool, he is a Fellow of the Australian Academy of the Humanities and has walked the medieval pilgrim trail from Le Puy to Santiago.
Gary has a range of research interests in the historical and contemporary dimensions of sport. These include Indigenous Australian sport histories, Australian and Pacific aquatic sport, racial stereotyping, sport myth, social memory and sporting histories beyond the written word.
Gary gained his PhD in the field of sport history from the University of Queensland, following joint enrolment in the School of Human Movement Studies and the School of History, Philosophy, Religion and Classics. Dr Osmond teaches in the socio-cultural dimensions of sport and physical activity.
Hs major grants include:
Chief Investigator on an ARC Discovery project (DP190100647: 2020-2023), titled Pride, Resilience and Identity: Reimagining Aboriginal Sport History [Murray Phillips (UQ), Gary Osmond, Barry Judd (Melbourne)].
ARC Future Fellowship (FT160100212: 2017-21), titled Sport, Stories and Survival: Reframing Indigenous Sport History.
Chief Investigator on a ARC Linkage digital history project (LP130101031: 2014-2019) titled Creating Histories of the Australian Paralympic Movement: A New Relationship between Researchers and the Community [Murray G. Phillips, Gary Osmond, Tony Naar (Australian Paralympic Committee)].
Samantha’s research and postgraduate supervision centres on historical performance practices and performance cultures. Her published output comprises two main strands. First: the influence and reception of German music and musicians in Australasia, 1850–1950 (including itinerant German bands, and the music of J. S. Bach) and the history of listening cultures in Australasia during the first half of the 20th century (including the impact of the gramophone and radio broadcasting). And, second: early modern German court music (in particular the Württemberg Hofkapelle); professional women musicians in the 17th and 18th centuries; the early history of the orchestra and oboe bands (Hautboistenbande); and John Sigismond Cousser (Kusser) and the musical life of early 18th-century Dublin.
She is a Fellow of the Australian Academy of the Humanities (from 2012), and has also held visiting fellowships at the Herzog August Bibliothek in Wolfenbüttel, Germany (2004); Clare Hall, University of Cambridge (2007–2008); and, as an Alexander von Humboldt Foundation Research Fellow, at the Institut für Musik, Martin-Luther-Universität Halle-Wittenberg (2009–2010) and the Bach-Archiv in Leipzig, Germany (2018).
In 2011–2017, Samantha was an Associate and (from 2015) International Investigator with the Australian Research Council's Centre of Excellence for the History of Emotions: Europe 1100–1800. Her monograph, The Well-Travelled Musician: John Sigismond Cousser and Musical Exchange in Baroque Europe (Boydell Press, 2017), was funded by an Australian Research Council Discovery Project grant (2013– 2015). Most recently, she received funding from the Lilburn Trust for hosting a scholarly symposium on Music in Colonial New Zealand Cities (November 2022); an edited volume of the papers is currently in preparation.
From 1994 until 2023, Samantha taught papers on historical performance practice, the history of Western European music of the 17th and 18th centuries, and the history of Western art music in New Zealand, 1850–1950 (including jazz, classical and popular music). She was employed full time at the University of Queensland from 2001 until 2015 (Lecturer–Associate Professor). In 2015 she returned to New Zealand, where she held the positions of Associate Professor (2015–2018) and Professor of Musicology (2019–2024) at the New Zealand School of Music – Te Kōkī.
Samantha has been the editor of numerous scholarly books and works as a freelance indexer; her index for Music at German Courts: Changing Artistic Priorities (Boydell Press, 2011) won the 2012 medal of the Australian and New Zealand Society of Indexers.
Professor Phillips has a range of research interests in the historical and contemporary dimensions of sport. He has written on the historical and contemporary aspects of sport and war, sport and gender, sports' coaching, golf, rugby league, rugby union, sport structures as well as the ontological, epistemological and methodological aspects of sport history.
With these interests in mind, Professor Phillips has received external funding from the Australian Research Council, Australian Sports Commission, the Australian Coaching Council, the Australian War Memorial, as well as internal funding from the Universities of Canberra, South Australia and Queensland. He was commissioned by the Women and Sport Unit at the Australian Sports Commission to write An Illusory Image: A Report on the Media Coverage and Portrayal of Women's Sport in Australia 1996, has written a history of coaching in Australia entitled From Sidelines to Centre Field for the Australian Coaching Council, and is currently writing the centennial history of swimming in Australia for the National Sporting Organisation, Australian Swimming. In addition, Professor Phillips has been contracted to edit a book on the ontological, epistemological and methodological dimensions of sport history that draws on the collective experience of twelve of the leading sport historians around the world.
Professor Phillips has been an associate editor and book reviews editor for the Journal of Football Studies and is also on the executive committee of the Australian Society for Sport Historians and is the book reviews editor for the national journal, Sporting Traditions.
Background
Murray Phillips is a senior lecturer in the School of Human Movement Studies. He joined the School in 2000 from the University of South Australia (1998-2000) and also from the University of Canberra (1990-1997). He gained his PhD in the field of Sport History in 1992 from the University of Queensland. Professor Phillips teaches in the socio-cultural dimensions of sport and physical activities.
Annie Pohlman is Senior Lecturer in Indonesian Studies at The School of Languages and Cultures, St Lucia campus, UQ. Her research interests include Indonesian history and politics, comparative genocide studies, torture, gendered experiences of violence, and testimony studies. She also works with human rights NGOs in Indonesia on the documentation of human rights abuses.
David M. Pritchard is Associate Professor of Greek History at the University of Queensland (Australia), where he has chaired the Discipline of Classics and Ancient History. He has obtained 15 research fellowships in Australia, Denmark, France, the Netherlands, the United Kingdom and the United States of America. In 2022-3, he was a research fellow in the Nantes Institute for Advanced Study (France). Associate Professor Pritchard is currently the lead chief investigator on a large project that is funded by the Australian Research Council. He is the author of Athenian Democracy at War (Cambridge University Press 2019), Sport, Democracy and War in Classical Athens (Cambridge University Press 2013) and Public Spending and Democracy in Classical Athens (University of Texas Press 2015). Associate Professor Pritchard has edited The Athenian Funeral Oration: After Nicole Loraux (Cambridge University Press 2024) and War, Democracy and Culture in Classical Athens (Cambridge University Press 2010), and co-edited Sport and Festival in the Ancient Greek World (Classical Press of Wales 2003). He has also published 65 journal articles and book chapters. Associate Professor Pritchard has an h-index of 21 and more than 1500 known citations. He has obtained the equivalent of 2 million Australian dollars in research funding. Associate Professor Pritchard speaks on the radio and regularly writes for newspapers around the world. His 50 op.-eds have appeared in, among other outlets, Die Süddeutsche Zeitung (Germany), Le Monde (France), Le Figaro (France), Ouest-France, The Conversation (France), Kathimerini (Greece), Scroll.in (India), The Age (Australia), The Australian and Politike (Brazil). He obtained his PhD in Ancient History from Macquarie University (Australia).
School of Political Science and International Studies
Faculty of Humanities, Arts and Social Sciences
Availability:
Available for supervision
Honorary Professor, Centre for the Government of Queensland, School of History, Philosophy, Religion and Classics.
Professional Activities:
Executive Director, T.J.Ryan Foundation (2013 onwards)
Project Director, "Queensland Speaks" Oral History web-site, (2009 onwards)
Board Member, Youth + Marlene Moore Flexi-learning Centre Network, Edmund Rice Education Australia (2013 onwards).
National Fellow of the Institute of Public Administration Australia (since 1990).
Former editor of The Public Interest (Brisbane).
Former co-editor of the Australian Journal of Public Administration.
Former Review Editor for Politics (now AJPS).
Member/chair of several Quality Assessment Panels of the Queensland Office of Higher Education and formerly member of similar bodies operating in several states during the CAE era.
Member of several Federal Government committees of enquiry into education, including management education (Ralph Committee), aboriginal education (Yunipingu Committee) and university management (Linke Committee).
Former panel member of the Commonwealth Government Review Tribunal on Non-state Schooling.
Former consultant to international aid organizations, providing advice on public sector reform - Uganda, Kazakstan and Nepal.
Background:
1962-1965 : Rhodes Scholar at the University of Oxford; fieldwork for thesis on the development of trade unions in Uganda completed while Rockefeller Teaching Fellow at the University of East Africa, Kampala.
1965-1977 : Lecturing at University of Sydney, the Queen's University of Belfast, and the Canberra College of Advanced Education (Principal Lecturer in Politics in the School of Administrative Studies).
1977-1987: J.D.Story Professor of Public Administration, University of Queensland. President of the Academic Board, 1986-1987.
1987-1990: Principal of the Canberra CAE, Foundation Vice-Chancellor of the University of Canberra.
1990-1994 : Director General of Education, State Government of Queensland.
1994 : Visiting Professor, Graduate School of Management, Griffith University.
1994 - 2000: Dean of Arts, Queensland University of Technology.
2000 - 2002: Professor of Public Management, Faculty of Business, QUT.
2003 - 2011: Professor Emeritus and Teaching Fellow, School of Political Science and International Studies.
Centre of Architecture, Theory, Criticism and History
Faculty of Engineering, Architecture and Information Technology
Senior Lecturer in Architecture
School of Architecture, Design and Planning
Faculty of Engineering, Architecture and Information Technology
Availability:
Available for supervision
Media expert
Dr. Manu P. Sobti is a landscape historian and urban interlocutor of the Global South with research specialisations in South Asia, South East Asia, Central Asia, and the Middle East. Within the gamut of the Global, the Islamic, and the Non-Western, his continuing work examines borderland transgressions and their intertwinement with human mobilities, indigeneities, and the narratives of passage across these liminal sites. From his perspective, ‘land-centered’ and ‘deep’ place histories replete with human actors serve as critical and de-colonizing processes that negate the top-down master-narratives wherein borders and boundaries simplistically delineate nation states and their scalar range of internal geographies. He was previously Associate Professor at the School of Architecture & Urban Planning (SARUP), University of Wisconsin-Milwaukee USA (2006-16). He has a B.Dipl.Arch. from the School of Architecture-CEPT (Ahmedabad - INDIA), an SMarchS. from the Massachusetts Institute of Technology (Cambridge - USA), and a Ph.D. from the College of Architecture, Georgia Institute of Technology (Atlanta - USA).
As a recognized scholar and innovative educator, Sobti served as Director of SARUP-UWM’s India Winterim Program (2008-15). This foreign study program worked intensively with local architecture schools in Ahmedabad, Delhi and Chandigarh, allowing students and faculty to interact actively, often within the gamut of the same project. He also set up a similar, research-focused program in Uzbekistan, engaging advanced undergraduate and graduate students to undertake field research at sites, archives and cultural landscapes. In partnership with the Art History Program at the University of Wisconsin-Madison, and SARUP colleagues, Sobti also co-coordinated the Building-Landscapes-Cultures (BLC) Concentration of SARUP-UWM’s Doctoral Program (2011-13), creating opportunities for student research in diverse areas of architectural and urban history and in multiple global settings. He served as the Chair of SARUP's PhD Committee between 2014-16, leading an area of BLC's research consortium titled Urban Histories and Contested Geographies.
Sobti's research has been supported by multiple funding bodies, including the Graham Foundation of the Arts (USA), the Architectural Association (UK), the National Council for Eurasian and East European Research (USA), the French Institute of Central Asian Studies (UZBEKISTAN), the US Department of State Fulbright Foundation (USA), the Aga Khan Foundation (SWITZERLAND), the Andrew W. Mellon Foundation (USA), the Massachusetts Institute of Technology (USA), the Centre for 21st Century Studies University of Wisconsin-Milwaukee (USA), the Institute for Research in the Humanities University of Wisconsin-Madison (USA), Stanford University (USA), in addition to city governments in New Delhi/Chandigarh/Ahmedabad (INDIA), Samarqand/Bukhara (UZBEKISTAN), Erzurum (TURKEY) and New Orleans (USA). He has also served as a United States Department of State Fulbright Senior Specialist Scholar and received 7 Research Fellowships at important institutions worldwide. He is a nominated Expert Member of the ICOMOS-ICIP (Interpretation and Presentation of Cultural Heritage Sites) International Committee, responsible for debate and stewardship on contentious cultural heritage issues globally.
Beth Spacey is a Lecturer in Medieval History in the School of Historical and Philosophical Inquiry. Beth is a historian specialising in the religious cultures of Europe and the broader Mediterranean region. Her expertise lies in the history of the crusades and the Latin East, and she has broader research interests in medieval ideas about the supernatural, violence, gender, landscapes, and colonialism. She has published on the medieval Latin Christian historiography of the crusades, especially on ideas of the miraculous and masculinities, and is currently conducting research into attitudes towards nature and God's Creation in crusade texts. Her first book, The Miraculous and the Writing of Crusade Narrative, was published in March 2020 by Boydell and Brewer and was released in paperback in 2023.
Emeritus Professor Peter Spearritt is the co-editor of five major public websites, Queensland Places (over 1100 places, with their history and economy), Queensland Speaks (interviews with key government ministers and public servants), the Queensland Historical Atlas and Text Queensland, a resource for studying the state. He is also the co-editor of Victorian Places, a project with Monash University, detailing over 1500 settlements in Victoria.
A Fellow of the Academy of Social Sciences in Australia, his research interests include coastal urbanisation and conservation, housing and the developer-led apartment boom, green space provision in urban areas and the use and abuse of water in our cities.
Martin Stuart-Fox is Emeritus Professor of History at the University of Queensland. After completing a BSc in evolutionary biology, he worked in PNG, Hong Kong and Laos before joining United Press International as a foreign correspondent covering the Second Indochina War. On returning to Australia he tutored and lectured in Asian history at UQ while undertaking an MA (on the rationale for an evolutionary theory of history) and PhD (developing an evolutionary theory of history). As Head of History at UQ, Professor Stuart-Fox taught courses on History, Time and Meaning, and Theory of History at the Honours level. He is currently pursuing research on evolutionary theory of history.
Stephen Townsend is a lecturer in sport sociocultural studies with the School of Human Movement and Nutrition Sciences. Stephen joined HMNS in 2019 after completing his PhD in Sport History. His current research examines social, cultural, and historical aspects of sports concussion.
His previous research has interrogated the ways that racial, religious, gendered, and political ideologies are transmitted through sports media, in addition to digital history epistemologies. He has published widely in academic journals and books, with his most recent publications analysing historical representations on sports concussion in the Australian newspaper press. His teaching and research interests span multiple spheres of sport and culture, as he seeks to critically understand the ways that people have historically constructed and transmitted meaning through sport and physical activity.
