Faculty of Engineering, Architecture and Information Technology
Availability:
Available for supervision
Susan is an architect, educator and researcher at the University of Queensland with expertise in architectural design histories and theories, heritage and sustainability, and design governance and policy. Susan has experience in leading cross-disciplinary research involving stakeholders in academia, industry and government. She has been involved in large-scale national and international funded research projects and has ongoing collaborations at the University of Ghent, supported by the UQ-UGhent Strategic International Partnership. At UQ she is a member of the ATCH Research Centre (Architecture, Theory, Culture, History).
Prior to her academic career Susan worked in architectural practice for over 10 years in Australia and the UK, gaining experience on a range of project scales and types including community, civic, housing and urban design. She maintains strong connections to industry and is a Fellow of the Australian Institute of Architects and has contributed to its education and gender equity committees, and regional and state awards programs in urban design, public architecture, residential design and art-architecture. She currently contributes to the AIA National Gender Equity Committee Research and Publication Taskforce.
Susan’s current research follows three themes, which are explained further under Available Projects:
Material Values of the Built Environment: Heritage, Maintenance, Demolition, Salvage, Storage;
Design Expertise, Design Governance and the Architecture Profession; and
Quality in Architecture: Statements, Settings, Substance.
Susan is an author, editor or contributing author to 9 books. Her research and criticism is widely published in academic, professional and industry journals including Journal of Architecture, Interstices, European Journal of Creative Practices in Cities and Landscapes, AA Files, Leonardo, Fabrications and Architecture Australia. She regularly presents her research in national and international forums, including academic and industry conferences, at cultural institutions, and for continuing professional development. Susan has been an invited guest lecturer, guest critic and RHD guest critic at Ghent University, Monash University, and Griffith University. She has also been an invited chair and contributor to expert panels at the SCCI Architecture Hub Sydney, Museum of Brisbane, the UQ Art Museum and for the Committee for Brisbane. In 2012 Susan was a Visiting Professor in the VAMA (Visual Arts Media and Architecture) Masters Programme at the Vrije Universiteit Amsterdam. In 2013 she was an invited scholar at the Deutsches Forum für Kunstgeschichte in Paris. In 2018 and 2023 Susan was a visiting researcher at UGhent. Susan has extensive experience in research collaboration, research mentorship and research leadership, and she regularly co-authors with academic and industry collaborators and students.
Susan has been the recipient of a number of competitive awards and grants for her research. She was a Chief Investigator on the ARC funded Discover Project Is Architecture Art?: A history of categories, concepts and recent practices(2016-2022) which analyses the changing place of architecture in culture and cultural administration. This project produced three books: Pavilion Propositions: Nine Points on an Architectural Phenomenon (2018), Trading Between Architecture and Art: Strategies and Practices of Exchange (2019) and Valuing Architecture: Heritage and the Economics of Culture(2020), numerous academic and industry publications, and convened two conferences. Susan was also a Chief Investigator on the ARC funded Discovery Project Campus: Building Modern Australian Universities (2016-2020), which brought together experts from five Australian Universities in an inter-disciplinary team to research the landscape, architecture, planning and heritage of modern univeristy campuses in Australia. She is a contributing author to Campus: Building Modern Australian Universities (UWA Press, 2023). In 2021-24 Susan is leading research on the participation and career experience of women in design leadership roles in Australia, with support from the Australian Institute of Architects. Her ongoing research with UGhent collaborators has recieved support from the UQ Global Strategy and Seed Funding Scheme.
Susan has contributed extensively to the leadership of the Architecture, Design and Planning School at UQ, most recently as Chair of Research (2022), Chair of Teaching and Learning (2018-21) and Academic Advisor for the Master of Urban Development and Design Program (2021). Her research also informs teaching and curriculum development in the Faculty of Engineering, Architecture and Information Technology at UQ. In 2021 Susan contributed to two projects to develop Indigenous and inter-cultural content for built environment and design education, as part of teams led by indigenous experts.
Awards
2023 UQ Global Strategy and Partnerships Seed Funding (with Ashley Paine and John Macarthur)
2019 UQ Promoting Women Fellowship
2010 David Saunders Founders Grant Award (SAHANZ) (with Jared Bird)
2000 QIA Medallion (Australian Institute of Architects, Qld Chapter)
2000 Board of Architects Prize (Board of Architects, Queensland)
Memberships
Registered Architect, Board of Architects Queensland
Fellow, Australian Institute of Architects (FRAIA)
Society of Architectural Historians Australia and New Zealand (SAHANZ)
Marguerite Johnson is a cultural historian of the ancient Mediterranean, specialising in sexuality and gender, particularly in the poetry of Sappho, Catullus, and Ovid, as well as magical traditions in Greece, Rome, and the Near East. She also researches Classical Reception Studies, with a regular focus on Australia. In addition to ancient world studies, Marguerite is interested in sexual histories in modernity as well as magic in the west more broadly, especially the practices and art of Australian witch, Rosaleen Norton. She is a Fellow of the Australian Academy of the Humanities.
Qualifications: 1988 - BA Hons (First Class), University of Western Australia 1998 - PhD (Southeast Asian History), Australian National University
Employment History
1995 - 2001: Department of Asian Studies, University of Western Australia 2001 - 2009: Regional Studies Program (Southeast Asia), Walailak University, Thailand 2011- : School of Historical and Philosophical Inquiry, University of Queensland
Dr James A. T. Lancaster is an intellectual historian who received his PhD from the Warburg Institute, University of London. He is presently Lecturer in Studies in Western Religious Traditions in the School of Historical and Philosophical Inquiry, as well as the Editor (special issues) of Intellectual History Review. Previously, he was a UQ Research Fellow at the Institute for Advanced Studies in the Humanities at the University of Queensland. As a member of the Editorial Board of the Oxford Francis Bacon edition, he has published widely on the philosophical and religious thought of Francis Bacon. His research and teaching interests and experience include the history of science and religion, the history of atheism and irreligion in the early modern period, and the history of the psychology of religion.
Dr. Anne Levitskyis a scholar and performer of medieval vernacular song, in particular troubadour lyric poetry, and its connections to the larger cultural milieu of the twelfth and thirteenth centuries. She is a graduate of Stanford University and earned her PhD in Historical Musicology from Columbia University in May 2018. At present, she is Lecturer in Music at the University of Queensland in Brisbane, Australia, and has taught previously at Columbia, Dixie State University (now called Utah Tech), and Stony Brook University. As an academic, she is interested in medieval vernacular song, poetry, and narrative literature, and she is currently at work on two projects. The first, Sound(ing) Bodies: Song and Materiality in Troubadour Lyric Poetry, is under contract with Liverpool University Press for their series Exeter Studies in Medieval Culture. It reads troubadour lyric poetry in the context of philosophical, theological, and medical writings available in the twelfth century, and uses this analytical frame to employ new methods for the analysis of medieval monophonic song. The second project, Singing in the Reign: Song, Grammar, and Politics in the Thirteenth-Century Northern Mediterranean, explores how song is used in the courts of the northern Mediterranean in the thirteenth century to produce specific notions of space and geography, and demonstrates how Occitan song and grammars were involved in the (re)formation of these regimes. Dr. Levitsky is also interested in the presence and role of medievalisms in popular music, especially in heavy metal.
She supplements this academic interest in vernacular song with an active performance career, and has studied and performed lyric poetry with the Narbonne-based Troubadours Art Ensemble, and recorded troubadour and trouvère songs both with the group and as a soloist. Dr. Levitsky performs regularly with professional ensemble Fractio Modi (of which she is a founding member), and in Brisbane. Past performances include a June 2013 performance with the Rolling Stones in Washington, DC, tours to Germany with NYC-based chamber ensemble GHOSTLIGHT Chorus, and concerts of monophony and polyphony from the 12th, 13th, and 14th centuries on Columbia's Music at St. Paul's concert series. Dr. Levitsky has also served as the director of the Collegium Musicum, one of Columbia University's leading choral ensembles.
Emeritus Professor Ian Lilley FSA FAHA (BA Hons, MA Qld, PhD ANU) is an internationally-renowned discipline leader whose interests focus on archaeology and heritage across Australasia, the Indo-Pacific and globally.
Ian is an archaeologist and heritage practitioner in the UQ School of Social Science, to where he moved in retirement in 2019 after 25 years leading the academic program in UQ's Aboriginal and Torres Strait Islander Studies Unit (ATSIS). From 2015, he was also the invited inaugural Willem Willems Chair for Contemporary Issues in Archaeological Heritage Management at Leiden University in the Netherlands, from which he retired at the end of 2022. Leiden is continental Europe's leading university in archaeology and among the global Top 10 in the discipline. Ian remains an Advisor to the Centre for Global Heritage and Development (Leiden University, Delft University of Technology and Erasmus University Rotterdam), based in Leiden's Faculty of Archaeology. In Australia, he is an Honorary Professor at the University of Southern Queensland, where he provides strategic advice to help build research capacity in the Centre for Heritage and Culture within the Institute for Resilient Regions.
Ian's pioneering Honours and Masters research examined the precolonial archaeology of Southeast Queensland. Following ground-breaking work in Papua New Guinea with the Australian Museum, Ian then did his PhD on ancient maritime trading systems which linked the New Guinea mainland and nearby Bismarck Archipelago. During his PhD, he took time out to lead a team in PNG's Duke of York Islands as a part of the international ANU-National Geographic Lapita Homeland Project. He then built on his PhD with a UQ Postdoctoral Fellowship, for which he independently won National Geographic funding to return to PNG. He has since undertaken archaeological and cultural heritage research, consultancies and advisory missions throughout Australia, in Asia and the Pacific Islands and in North and South America. Ian's current heritage research focuses on global issues regarding World Heritage, particularly in relation to Indigenous people and other traditional/ descendent communities. He is also an accredited Subject Matter Expert with the US Defense POW-MIA Accounting Agency (DPAA). In this capacity, he provides strategic advice to the US Defense Department regarding the recovery of missing US service members from WWII to the present and oversees field missions to locate missing personnel. In that broad connection, he has recently completed a project with Dutch partners including the Netherlands Ministry of Defence and funded by the Netherlands Embassy, concerning the WWII headquarters of the Netherlands East Indies government in exile, which were located at Wacol just outside Brisbane. Ian has also supervised over 20 PhD and MPhil research projects to completion in many different schools across UQ as well as others at Leiden.
Ian is a Fellow and past International Secretary and Vice President of the Australian Academy of Humanities, a Fellow of the Society of Antiquaries of London and a member of the Australian Institute of Aboriginal and Torres Strait Islander Studies, a Federal statutory body. At UQ, Ian is a Senior Research Associate in the Centre for Policy Futures in the Faculty of Humanities and Social Sciences and an emeritus member of the UQ Centre for Marine Science. Externally, Ian is a member of Australia ICOMOS, an ICOMOS World Heritage Assessor and past Secretary-General of the ICOMOS International Committee on Archaeological Heritage Management (ICAHM). In these connections, he sits on the Conservation Advisory Committee for the Port Arthur World Heritage site complex and previously sat on the Scientific Advisory Committee for the Willandra Lakes World Heritage region. In addition, he is a member of the IUCN World Commission on Protected Areas and the IUCN Commission on Environmental, Economic and Social Policy. In these capacities, he undertakes IUCN assessments of World Heritage cultural landscapes. He was also a member of the Advisory Group for a major IUCN-coordinated multi-agency project to reshape the assessment of protected area management effectiveness to include cultural as well as natural factors. ICOMOS and IUCN are the statutory independent Advisory Bodies to UNESCO on cultural and natural heritage respectively, and Ian is one of the few people globally who is a member of both world bodies. He is also immediate past Secretary-General of the Indo-Pacific Prehistory Association, the region's peak professional archaeological body, past Chair of the International Government Affairs Committee of the Society for American Archaeology, the world's largest professional archaeological body, and served three consecutive terms as President of the Australian Archaeological Association. Ian's other professional interests are archaeology and social identity, archaeological ethics, and the role of archaeology and archaeological heritage in contemporary society.
Dr Morris Low’s research interests include the history of Japanese science and technology, history of Australia-Japan relations, Japanese visual culture, and issues relating to identity.
His current research projects include: the history of nuclear power in Japan; and the history of Japan’s participation in international expositions and Olympic Games.
He is Editor of the East Asia Series of research monographs published by Routledge for the Asian Studies Association of Australia (ASAA).
Faculty of Engineering, Architecture and Information Technology
Availability:
Available for supervision
Media expert
John Macarthur is Professor of architecture at the University of Queensland where he conducts research and teaches in the history and theory of architecture, and in architectural design. John graduated from the University of Queensland with Bachelor (Hons 1st) and Master of Design Studies degrees (1984) before taking a doctorate at the University of Cambridge (1989). He is a Fellow of the Australian Academy of Humanities and a Fellow of the Queensland Academy of Arts and Sciences. He was the founding Director of the research centre for Architecture, Theory, Criticism and History (ATCH) and remains an active member of the Centre. He has previously served as Dean and Head of the School of Architecture at UQ and as a member of the Australian Research Council’s College of Experts. He is a past President and a Life Member of the Society of Architectural Historians, Australia and New Zealand.
His research in the intellectual history architecture has focused on the conceptual framework of the interrelation of architecture, aesthetics and the arts. His book The Picturesque: architecture, disgust and other irregularities, was published by Routledge in 2007. John has edited and authored a further tenbooks and published over 150 papers including contributions to the journals Assemblage, Transition, Architecture Research Quarterly, Oase and the Journal of Architecture. John's book Is Architecture Art? an introduction to the aesthetics of architecture, will be published by Bloomsbury in October 2024.
Memberships
Fellow, Australian Academy of Humanities Fellow; Queensland Academy of Arts and Sciences; Life Member, Society of Architectural Historians, Australia and New Zealand
Associate Professor Dolly MacKinnon is an Honorary Associate Professor in Early Modern History at The University of Queensland. Her research background spans history and music, and her cultural history research, teaching, and service concentrate on the marginalized and institutionalized by analysing the mental, physical (including material culture) and auditory landscapes of past cultures.
Dolly won the inaugural Arts Faculty Research Excellence Award for Senior Researchers (2011) at The University of Queensland. Dolly was also awarded a UQ New Staff Research Fund (2011), a University of Queensland Promoting Women Fellowship(2014), and an inaugural Faculty Fellowship at the Institute of Advanced Studies in the Humanities (2015), Faculty of HASS, UQ.
She is an Associate Investigator (2012 & 2016) with the Australian Research Council Centre for Excellence for the History of Emotions (The University of Queensland/The University of Western Australia), and a guest musician for the following projects:
ARC CHE AI Project 2012: Emotional Landscapes: English and Scottish battlefield memorials 1638-1936
ARC CHE AI Project 2016: Soundscapes of Emotion: bell ringing in England c1500-c1800
One of the guest artists with the Baroque Orchestra for ARC CHEPublic Performances (2013) of Pepusch's Venus and Adonis, The University of Queensland Art Museum, Saturday 23 November 2013, 2.30pm Tuesday 26 November 2013, 6.30pm. Musical Director: Donald Nicolson, Producer: Jane Davidson, Soloists, and Chorus. The Orchestra was The Badinerie Players joined by guest artists from across Australia. [You Tube: https://www.youtube.com/watch?v=qS0KcYfAC-8]
Dolly's international research is demonstrated by her consistent collaborative grant successes including multiple ARC (both Linkage and Discoveries) projects, and an international Marsden Fund-Royal Society of New Zealand, totaling just under 1 million dollars.
Her most recent ARC grants include the following:
ARC Discovery Grant ($249,000) with Professor ELizabeth Malcolm (The University of Melbourne) and Dr John Waller (Michigan State University).
Project: ‘A History of psychiatric Institutions and community care in Australia, 1830-1990’). See online database, Australian Psychiatric Care: A History of Psychiatric Institutionalisation and Community Care in Australia c.1811-c.1990 (http://www.ahpi.esrc.unimelb.edu.au/researchteam.html) (2007-2011);
ARC Linkage Grant ($149,000) with Professor ELizabeth Malcolm & Dr Nurin Veis (Museum Victoria) (2009-2012) at The University of Melbourne.
ARC Discovery Grant ($300,000) with Megan Casidy-Welch (Monash University) analysing 'Battlefields of memory: places of war and remembrance in medieval and early modern England and Scotland' (2014-2016).
Dolly has written and co-edited five books, over thirty chapters and journal articles, and has edited two Special Journal Issues. Her monograph is entitled Earls Colne's Early Modern Landscapes (Farnham, Surrey:Asghate, 2014). She has co-edited Madness in Australia: Histories, Heritage and the Asylum (St. Lucia: UQP, 2003) and Exhibiting Madness: Exhibiting Madness: Remembering Psychiatry through Collections and Display (New York: Routledge, 2011) both with Professor Catherine Coleborne, and Hearing Places: Sound, Place, Time and Culture [Paperback 2007 and hardback 2009 editions] (2007; Newcastle, UK: Cambridge Scholars Press, 2009), co- edited with Dr Ros Bandt and Dr Michelle Duffy, and containing a CD of Sound Examples.
Tribute to Dr D E Kennedy (1928-2021), written by Dolly MacKinnon, Alexandra Walsham, Amanda Whiting and Wilf Prest, for the FORUM, School of Historical and Philosophical Studies, The University of Melbourne (28 October 2022). See https://blogs.unimelb.edu.au/shaps-research/2022/10/28/dr-donald-edward-kennedy-1928-2021/
Edinburgh World Heritage, Heritage Fund, and Making Lasting Impressions Greyfriars Kirkyard [Edinburgh, Scotland] Online Conference:
2021 (26 June) “Belief, burial, tombs and tourists: the past and future of Greyfriars Kirkyard’, hosted by the Edinburgh World Heritage, Heritage Fund, and Making Lasting Impressions Greyfriars Kirkyard [Edinburgh, Scotland]. Invite Speaker: ‘‘'Halt Passengers take head what thou dost see": Scottish Covenanter commemoration, Greyfriars, and its echoes today’, (20 min pre-recorded and live online presentation and question time).
Museum Exhibition:
2015 Exhibition: “Wunderkammer: The strange and the curious”:
11 July – 13 September 2015, University of Queensland Art Museum. Curated by Dolly MacKinnon, Emily Poor (Honours Student), and Michelle Helmrich organised to coincide with the Australian and New Zealand Association of Medieval and Early Modern Studies (ANZAMEMS) 10th Biennial Conference to be held at The University of Queensland (14–18 & 20 July 2015).
Wunderkammer is inspired by those eclectic collections of objects that first emerged in the late sixteenth century known as ‘Cabinets of curiosity’, which included natural marvels, religious relics, works of art, and antiquities, among other things. These objects were often gathered on expeditions and trading voyages, and reveal the fascinations and preoccupations of the Age of Discovery. Wunderkammern were intended to be a microcosm of the broader world and are acknowledged as Early Modern precursors to the contemporary museum. An exhibition in two parts, the first comprises objects that embody a Medieval or Early Modern (c. 600–1800) aesthetic. It includes scientific and medical instruments, religious paraphernalia, coins, illuminated manuscripts and contemporary artworks drawn from across The University of Queensland’s collections.
Pre-concert Lecture, Melbourne Recital Centre, South Bank, Melbourne & CD notes:
2015 Royal Consort and the History of Emotions. Pre-consort lecture and performance.
Presented by ARC Centre of Excellence for the History of Emotions and Latitude 37 (early music ensemble), Melbourne Recital Centre, South Bank, Melbourne. Free event marking the release of their latest recording for ABC Classics, Royal Consorts. With stunning music from the time of the English Civil War period. This event offers an opportunity to learn about the repertoire from the artists and the music’s historical context with Dr Dolly MacKinnon, The University of Queensland, Associate Investigator, Australian Research Council’s Centre of Excellence for the History of Emotions) in a conversational-style talk, including performance excerpts by Latitude 37 from this exciting new ABC Classics CD.
Historical Consultant:
SBS Who Do You Think You Are ? (for 2018 & 2019 episodes)
Born in Sydney Australia, 1941. Educated at North Sydney High, then Sydney University (B.A. in Philosophy, first class honours). Commonwealth Scholarship to Oxford University UK,leading to D.Phil. 1965 with thesis on "Rules of truth for modal logic". From 1965 to 1982 worked at the American University of Beirut, Lebanon (Assistant, Associate, Full Professor in the Philosophy Department), then from 1980 to 2000 as Programme Specialist in Unesco (Philosophy Division). From 2001 to 2006 Professor at King's College London (Computer Science Department), then from 2007 to 2019 Guest Professor in the Department of Philosophy, Logic and Scientific Method, London School of Economics (LSE). Currently living in Paris, and since September 2022 Honorary Associate Professor in the School of Historical and Philosophical Inquiry, University of Queensland.
An intellectual autobiography entitled "A tale of five cities" was published in S.O. Hansson ed., David Makinson on Classical Methods for Non-Classical Problems (Series: Outstanding Contributions to Logic) Springer 2014, pp 19-32, with recollections also in an interview in The Reasoner 2014, also available at personal website mentioned below..
I'm a biological anthropologist specialising in bone histology of humans and other mammals. I work with modern, archaeological, and palaeontological samples. I have been an Honorary Senior Lecturer at UQ since 2021, a Correspondent Researcher at Naturalis Biodiversity Center in Leiden (The Netherlands) since 2022, and an Honorary Research Associate at the University of Kent in Canterbury (UK) since 2016. I have >60 publications and have secured ~$1.6 million in grants as a PI, including a 2019–2022 ARC DECRA (DE190100068) and 2025–2028 ARC Future Fellowship (FT240100030). As a CI/AI, I have featured on ~$1.7 million worth of grants, including a 2023–2027 ARC DP (DP230100440).
In 2022 I was a Martin & Temminck Fellow at Naturalis Biodiversity Center in The Netherlands. Until 2022, I spent almost 7 years at the Australian National University in Canberra working as an ARC DECRA Fellow (2019–2022), Senior Lecturer, and Lecturer. Between 2015 and 2016 I was a Research Assistant in medicine at Imperial College in London. Until 2014, I spent about 8 years at the University of Kent in Canterbury completing a BSc (2010), PhD (2014), and PGCHE (2014), and working in various teaching roles, including tutoring, lab demonstration, sessional lecturing, and lecturing. I was previously Treasurer of the Australasian Society for Human Biology, Editor (2022) and Associate Editor (2023) of The Proceedings of the Royal Society of Queensland, and Editorial Board Member (2022–2024) of Scientific Reports. I am currently Editorial Board Member of Anthropological Review and Review Editor (2023) of Human Bioarchaeology and Paleopathology (Frontiers in Environmental Archaeology).
Emeritus Prof Moore’s research interests include: history of Australia, Queensland, Pacific Islands, New Guinea, Papua New Guinea, and Solomon Islands,.
Emeritus Prof Moore holds a BA and PhD from James Cook University. His teaching at UQ covered Australia, Queensland, and the Pacific Islands, colonial and race relations history, and the history of gender and sexuality. He was Head of the School of History, Philosophy, Religion and Classics from 2008 to 2013.
Emeritus Prof Moore held the McCaughey Chair in History. He has been a member of the Board of the Journal of Pacific History since 1998. In 1999 he headed the Queensland team for the National Archives Founding Documents Webpage. During 2000-01 he served on a Panel of Enquiry into the restructure of the University of PNG and authored a UNESCO report on higher distance education in UPNG. In 2005 he was awarded a Cross of Solomon Islands for his work on Solomon Islands history. He was President of the Australian Association for the Advancement of Pacific Studies from 2006 to 2010 and was elected a Fellow of the Australian Academic of the Humanities in 2011.
He has contunued to research and publish on Solomon Islands and Queensland.
Professor Moorhead works in late antique and early medieval history.
A graduate of the universities of New England and Liverpool, he is a Fellow of the Australian Academy of the Humanities and has walked the medieval pilgrim trail from Le Puy to Santiago.
Gary has a range of research interests in the historical and contemporary dimensions of sport. These include Indigenous Australian sport histories, Australian and Pacific aquatic sport, racial stereotyping, sport myth, social memory and sporting histories beyond the written word.
Gary gained his PhD in the field of sport history from the University of Queensland, following joint enrolment in the School of Human Movement Studies and the School of History, Philosophy, Religion and Classics. Dr Osmond teaches in the socio-cultural dimensions of sport and physical activity.
Hs major grants include:
Chief Investigator on an ARC Discovery project (DP190100647: 2020-2023), titled Pride, Resilience and Identity: Reimagining Aboriginal Sport History [Murray Phillips (UQ), Gary Osmond, Barry Judd (Melbourne)].
ARC Future Fellowship (FT160100212: 2017-21), titled Sport, Stories and Survival: Reframing Indigenous Sport History.
Chief Investigator on a ARC Linkage digital history project (LP130101031: 2014-2019) titled Creating Histories of the Australian Paralympic Movement: A New Relationship between Researchers and the Community [Murray G. Phillips, Gary Osmond, Tony Naar (Australian Paralympic Committee)].
Samantha’s research and postgraduate supervision centres on historical performance practices and performance cultures. Her published output comprises two main strands. First: the influence and reception of German music and musicians in Australasia, 1850–1950 (including itinerant German bands, and the music of J. S. Bach) and the history of listening cultures in Australasia during the first half of the 20th century (including the impact of the gramophone and radio broadcasting). And, second: early modern German court music (in particular the Württemberg Hofkapelle); professional women musicians in the 17th and 18th centuries; the early history of the orchestra and oboe bands (Hautboistenbande); and John Sigismond Cousser (Kusser) and the musical life of early 18th-century Dublin.
She is a Fellow of the Australian Academy of the Humanities (from 2012), and has also held visiting fellowships at the Herzog August Bibliothek in Wolfenbüttel, Germany (2004); Clare Hall, University of Cambridge (2007–2008); and, as an Alexander von Humboldt Foundation Research Fellow, at the Institut für Musik, Martin-Luther-Universität Halle-Wittenberg (2009–2010) and the Bach-Archiv in Leipzig, Germany (2018).
In 2011–2017, Samantha was an Associate and (from 2015) International Investigator with the Australian Research Council's Centre of Excellence for the History of Emotions: Europe 1100–1800. Her monograph, The Well-Travelled Musician: John Sigismond Cousser and Musical Exchange in Baroque Europe (Boydell Press, 2017), was funded by an Australian Research Council Discovery Project grant (2013– 2015). Most recently, she received funding from the Lilburn Trust for hosting a scholarly symposium on Music in Colonial New Zealand Cities (November 2022); an edited volume of the papers is currently in preparation.
From 1994 until 2023, Samantha taught papers on historical performance practice, the history of Western European music of the 17th and 18th centuries, and the history of Western art music in New Zealand, 1850–1950 (including jazz, classical and popular music). She was employed full time at the University of Queensland from 2001 until 2015 (Lecturer–Associate Professor). In 2015 she returned to New Zealand, where she held the positions of Associate Professor (2015–2018) and Professor of Musicology (2019–2024) at the New Zealand School of Music – Te Kōkī.
Samantha has been the editor of numerous scholarly books and works as a freelance indexer; her index for Music at German Courts: Changing Artistic Priorities (Boydell Press, 2011) won the 2012 medal of the Australian and New Zealand Society of Indexers.
Dr Jan Packer has a background in Psychology having completed a BA (Hons) at UQ in 1976. Her PhD (Education, QUT, 2004) focussed on motivations for learning in educational leisure settings. She has published broadly in the area of educational psychology over many years. The current major focus of her research is in applying the principles of educational, environmental and positive psychology to understand and facilitate visitor experiences in leisure settings such as museums and other tourist and leisure contexts. Jan was co-editor of the international journal, Visitor Studies from 2005 through 2011.
Dr. Christine Peters is Senior Lecturer in Endodontics at the University of Queensland School of Dentistry. Dr. Peters received her degree in dentistry from the University of Heidelberg, Germany in 1992 and held a position as Assistant Professor in the Department of Prosthetic Dentistry from 1992 till 1996. From 1997 till 2004, Dr. Peters worked as Assistant Professor in the Division of Endodontics at University of Zurich Dental School, where she completed her postgraduate endodontic training in 2001. During that time, she spent two years at the University of the Pacific in San Francisco from 2001 till 2003 and from 2004. In 2006, Christine became Associate Professor at the University of the Pacific Dental School, and subsequently in 2012 Professor of Endodontology. In 2020, Christine moved to Brisbane, Australia, and accepted a position as Senior Lecturer at the University of Queensland School of Dentistry.
Christine Peters has published in textbooks and peer-reviewed journals and lectured both nationally and internationally.
She serves on the review panel of several endodontic journals, including the Journal of Endodontics and the International Endodontic Journal. Christine is a member of OKU, past president of the Northern California Academy of Endodontics and secretary and board member of the Australian Society of Endodontics, Queensland Branch.
Professor Phillips has a range of research interests in the historical and contemporary dimensions of sport. He has written on the historical and contemporary aspects of sport and war, sport and gender, sports' coaching, golf, rugby league, rugby union, sport structures as well as the ontological, epistemological and methodological aspects of sport history.
With these interests in mind, Professor Phillips has received external funding from the Australian Research Council, Australian Sports Commission, the Australian Coaching Council, the Australian War Memorial, as well as internal funding from the Universities of Canberra, South Australia and Queensland. He was commissioned by the Women and Sport Unit at the Australian Sports Commission to write An Illusory Image: A Report on the Media Coverage and Portrayal of Women's Sport in Australia 1996, has written a history of coaching in Australia entitled From Sidelines to Centre Field for the Australian Coaching Council, and is currently writing the centennial history of swimming in Australia for the National Sporting Organisation, Australian Swimming. In addition, Professor Phillips has been contracted to edit a book on the ontological, epistemological and methodological dimensions of sport history that draws on the collective experience of twelve of the leading sport historians around the world.
Professor Phillips has been an associate editor and book reviews editor for the Journal of Football Studies and is also on the executive committee of the Australian Society for Sport Historians and is the book reviews editor for the national journal, Sporting Traditions.
Background
Murray Phillips is a senior lecturer in the School of Human Movement Studies. He joined the School in 2000 from the University of South Australia (1998-2000) and also from the University of Canberra (1990-1997). He gained his PhD in the field of Sport History in 1992 from the University of Queensland. Professor Phillips teaches in the socio-cultural dimensions of sport and physical activities.
