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Andrea is a Post Doctoral Fellow in Digital Cultures and Societies at the University of Queensland . She got her PhD at USC Annenberg, and is originally from Colombia. Broadly, her research interests lie at the intersection of media and Science and Technology Studies.She studies mobilities; cultures of transnational, remote work; on-demand workers and freelancers; feminized maintenance of workspaces; media tales of tech; civic social media in Latin America.

Her research can be found in New Media and Society, the International Journal of Communication, Mass Communication & Society, and in the edited volume Popular Culture and the Civic Imagination: A Casebook. She has also conducted research with the IDRC and USAID in projects about the "future of work" in the "Global South".

Originally from the States, I've been lecturing at UQ since 2017. I teach Multimedia and Digital Project in the Bachelor of Communications, both of which center on embedding critical perspectives on media into creative and collaborative design and production processes. My research focuses on the relationship among gender, technological change and space. My methodological approaches combine textual analysis (looking at media content) with more industry-facing, hands-on approaches.

The current book projects turn to representations of gender violence in popular media. My second book, Representing Gender Violence in Contemporary Screen Media: Cutting Through the Park, is under contract with Routledge and it studies themes of surveillance technology in representations of stranger rape in television and film. My third book project, Feeling Safe: Gender Harm and Safety DIscourses in Platform Media, studies themes in gender safety discourses across various platforms including safety apps and dating apps.

My first book The Aesthetics of TV Nostalgia (Bloomsbury, 2019) is an industry study of the people designing sets and costumes for nostalgic US television programmes. I address how questions around gender play out on television alongside larger concerns around historical progress and regress that are attached to technological change. You can find my other publications in the areas of television representations of gender, the female body in narratives around nationhood, digital archives, and creative production in Adaptation, Television & New Media, Feminist Media Studies, Cinema Journal, Continuum, Surveillance & Society and Convergence.

Assoc. Prof’s Andrew Bonnell’s research interests include: Modern German and European history. German cultural and intellectual history in social and political context. History of German Social Democracy.

Assoc. Prof. Bonnell holds a BA (Hons) (Sydney), and a PhD (Sydney). He is currently Associate Professor in History at UQ.

His teaching areas include Modern German history, European intellectual history, European fascism and the radical right, Film and history and Nationalism.

Assoc. Prof. Bonnell’s current research projects include Robert Michels and the political discontents of modernity and aspects of the history of German Social Democracy.

He is also the editor (History), Australian Journal of Politics and History.

Dr Cassandra Byrnes (she/her) is a History Lecturer at the University of Queensland, Australia, and researches histories of gender and sexuality focusing on reproductive rights and control. She is working on a history of reproductive coercion in Australia’s recent past, and how that directly influences our current understandings of laws and social practices. Her past research has examined reproduction regulation in Queensland in the mid-to-late twentieth century, illustrating how political, moral, and social control over contracepting bodies influenced broader attitudes regarding agency and autonomy. She was a National Library of Australia Summer Scholar and a Global Change Scholar at UQ, collaborating with peers in interdisciplinary networks, and has recently completed a Postdoctoral Fellowship on the interdisciplinary project The Limits of Consent.

I studied archaeology at the University of Queensland, then completed my PhD at the Australian National University under the supervision of Prof Peter Hiscock and Distinguished Professor Sue O'Connor on Holocene technological and cultural change in Wardaman Country, Northern Territory. I then took up a postdoctoral Fellowship in the Leverhulme Centre for Human Evolution at the University of Cambridge, working closely with Professors Robert Foley, Marta Mirazon Lahr and Michael Petraglia. I returned to UQ as an ARC Fellow in 2004 and then took up a lectureship in the School of Social Science in 2005. My teaching is centred on stone tools, ancient technologies, Anustralian Indigenous heritage, Human Evolution and other topics. My research involves working closely with Aboriginal people documenting their cultural heritage, understanding the evolution of our species and the migration of Homo sapiens out of Africa and long-term change in many parts of the world, including East Timor, France, Africa, and India. I am currently working on Australia's oldest known site of Madjedbebe in close collaboration with the Mirarr and Gundjeihmi Aboriginal Corporation, and the site of Malangangerr with the Manilikarr, Njanmja Aboriginal Corporation and Kakadu National Park.

Emma is a dramaturg, classicist, and a theatre and performance studies scholar. She works across industry and academia, with particular expertise in the performance of Greek tragedy in contemporary theatre. She has received funding from the Australian Research Council for her work on tragedy and translation, and from the Arts and Humanities Research Council in the UK for her work with British theatre company Punchdrunk. Her monograph Punchdrunk on the Classics: Experiencing Immersion in The Burnt City and Beyond showcased the research emerging from her work with Punchdrunk and was awarded the 2024 ADSA Rob Jordan Prize for best book on a subject related to drama, theatre, dance or performance studies. Her collaboration with Punchdrunk on The Burnt City was profiled in the New York Times here.

Emma's current research projects include an edited collection titled Experiencing Immersion in Antiquity and Modernity: From Narrative to Virtual Reality (Bloomsbury) and an invited chapter on dance, immersivity, and translation in Punchdrunk's The Burnt City. She is also working on her own translations of Euripides' final trilogy: Bacchae, Iphigenia at Aulis, and Alcmaeon in Corinth.

Her previous publications encompass both classics and theatre and performance studies outputs, and include studies of plays, playwrights, and directors. Highlights include a student edition of Women of Troy (2024), a co-edited special issue of Contemporary Theatre Review on the director Simon Stone, the book Postdramatic Tragedies (OUP, 2019), and the co-edited collection Adapting Translation for the Stage (with Geraldine Brodie, for Routledge's Advances in Theatre and Performance Studies series, shortlisted for the 2019 TaPRA prize for editing), as well as articles and chapters on Punchdrunk, Sarah Kane, Martin Crimp, and Katie Mitchell. Her pieces for a general audience have appeared in popular publications including The Theatre Times, The Conversation, and Exeunt Magazine. Dictionary and encyclopedia entries include the 'drama, reception of' entry for the Oxford Classical Dictionary, and 'Ancient Greek Drama in the Twentieth and Twenty-First Century' in the Methuen Drama Encyclopedia of Modern Theatre (forthcoming).

Emma is a Fellow of the Higher Education Academy and the Royal Historical Society, and a UQ Ally. She joined the University of Queensland in 2023. Prior to this, she worked at the University of Bristol from 2015-2023.

Associate Professor Martin Crotty’s research interests include war and Australian society, sports history, masculinity, and education.

Associate Professor Martin Crotty studied in New Zealand before moving to Australia to undertake postgraduate studies at Monash University and the University of Melbourne. After four years of teaching History at the University of Newcastle in NSW, he took up his current position teaching History at the University of Queensland in early 2003. He has since served as the Deputy Dean of the Graduate School and as the Head of School for the School of Historical and Philosophical Inquiry from mid-2013 to mid-2017, and in a variety of other administrative roles.

Martin's major publications include Making the Australian Male: Middle-Class Masculinity, 1870-1920 (1901) and a variety of journal articles, book chapters and edited collections, including The Great Mistakes of Australian History (2006), Turning Points in Australian History (2008) and Anzac Legacies: Australians and the Aftermath of War (2010) and The Politics of Veteran Benefits in the Twentieth Century (2020). He has supervised widely, and has seen some twenty M.Phil and PhD students through to completion.

Martin has served on the executive of the Australian Historical Association for the last six years and convened the 2014 AHA conference at the University of Queensland in 2014. He currently co-edits Australian Historical Studies.

Professor Peter Cryle’s research interests include representations of psycho-sexual pathology in popular and middle-brow French fiction of the fin-de-siècle. He also has a strong interest in the literature of libertine enlightenment in French.

BA (Queensland), MA (Queensland), DU (Nice)

Chevalier dans l'Ordre des Palmes Académiques, FAHA

Peter Cryle is the author of Bilan Critique : "L'Exil et le royaume" d'Albert Camus. Essai d'analyse (Paris: Lettres Modernes, 1973); Roger Martin du Gard, ou De l'intégrité de l'être à l'intégrité du roman (Paris: Lettres Modernes, 1984); The Thematics of Commitment: The Tower and the Plain (Princeton: Princeton University Press, 1985); Geometry in the Boudoir: Shifting Positions in Classical French Erotic Narrative (Ithaca: Cornell University Press, 1994); The Telling of the Act: Eroticism as Narrative in French Fiction of the Eighteenth and Nineteenth Centuries (Delaware: Delaware University Press, 2001); La Crise du plaisir, 1740-1830 (Lille: Septentrion, 2003). He is co-editor, with Lisa O'Connell, of Libertine Enlightenment: Sex, Liberty, and Licence in the Eighteenth Century (London: Palgrave, 2003).

Recent articles and book chapters include "Etat présent de la critique sadienne", Dix-Huitième Siècle, 31, 1999, 507-524; "Beyond the Canonical Sade", Paragraph, Vol. XXIII, 1, March 2000, 15-25; "Making Room for Women in Pornographic Writing of the Early Nineteenth Century: Entre chien et loup, by Félicité de Choiseul-Meuse", in Lloyd and Nelson (eds) Women Seeking Expression, Monash, Monash Romance Studies, 2001, 11-23; "Petite-maîtrise: The Ethics of Libertine Foppery", Esprit Créateur, 2003, and "Le Marbre féminin", Revue des Sciences Humaines, 2003.

He is currently preparing a book on representations of psycho-sexual pathology in popular and middle-brow French fiction of the fin-de-siècle, tentatively entitled The Pathological Unknown.

Dr Tom Doig is a creative nonfiction author, investigative journalist and scholar. Tom was the recipient of the 2023 CLNZ-NZSA Writer's Award for his work on prepper subcultures in Aotearoa New Zealand. He has written two books about the unprecedented 2014 Hazelwood mine fire disaster: Hazelwood (Penguin Random House, 2020) and The Coal Face (Penguin Books Australia, 2015). Hazelwood was a finalist for the 2020 Walkley Book Award, Journalism and the 2021 Ned Kelly Awards, Best True Crime and Highly Commended in the 2020 Victorian Premier's Literary Awards, Non-Fiction. The Coal Face was joint winner of the 2015 Oral History Victoria Education Innovation Award. Dr Doig has also written a humorous travel memoir, Mörön to Mörön: Two men, two bikes, one Mongolian misadventure (Allen & Unwin, 2013). He is the contributing editor of the interdisciplinary collection Living with the Climate Crisis: Voices from Aotearoa (Bridget Williams Books, 2020).

Dr Doig teaches creative nonfiction and poetry.

As a scholar, Dr Doig is interested in interdisciplinary approaches to the accelerating climate crisis, with a focus on the cultural, social and psychological aspects of climate breakdown. He is currently researching a new book: We Are All Preppers Now (forthcoming with Scribe Publications), documenting survivalists, doomsday preppers, climate activists and other subcultures of imminent collapse around the world.

Emeritus Professor Robert Elson’s research interests include the modern and contemporary history of Southeast Asia, especially Indonesia.

His recently completedresearch project, entitled "the history of maritime territoriality in the Indonesian seas since 1850” was published in 2017.

Professor Elson's other research interests include Indonesian political thinking, leadership in Indonesia; changing identity in Indonesia; the social and economic history of Southeast Asia; social and economic change in nineteenth and twentieth century Java; colonialism and its impact in Southeast Asia, especially in Indonesia; the economic history of peasant production in Southeast Asia, 1800-1990.

He is involved in the following activities:

• Member, Editorial Board, Southeast Asia Publications Series, Asian Studies Association of Australia.

• Member, Academic Commission (Wetenschapscommissie), NIOD Instituut voor Oorlogs-, Holocaust- en Genocidestudies (Institute for War, Holocaust- and Genocide Studies) (2004-2014).

• Adjunct Professor, University of the Sunshine Coast.

• External Examiner University of Malaya, Kuala Lumpur for Bachelor of Arts (International and Strategic Studies); Master of Strategic and Defence Studies); Bachelor of Arts (Southeast Asian Studies): Master of Arts (Southeast Asian Studies); Bachelor of Arts (History); Master of Arts (Malaysian History) and Master of Arts (Southeast Asian History) (2014- ).

Dr Roberto H. Esposto is a Senior Lecturer in the Spanish and Latin American Studies program in the School of Languages and Cultures at the University of Queensland.

Roberto’s research output focuses on Argentinean and Latin American literature. His work also centres on Latin American thought, with a particular attention to decolonial thinking. His research publications deal with questions of Argentinean and Latin American cultural identity and intellectual history and problematizes the ways in which Latin American intellectuals grapple, from a situated perspective, with a colonial legacy that underpins Western modernity today.

Due to Roberto’s significant contribution to the study of 20th century Argentinean literature, in 2015 he was nominated Corresponding Fellow of the Argentinean Academy of Letters. Roberto is the first Australian Hispanist to be awarded such an honour by an academy of the Spanish language, of which there are twenty-four around the world.

He is an internationally recognized expert on the Argentine novelist and diplomat Abel Posse (1934-2023). Roberto has also published on the -Argentine philosopher Günther Rodolfo Kusch (1922-1979). Kusch is a philosophical anthropologist who made a significant contribution to the articulation of Argentinean and Latin American philosophy, harnessed from indigenous and popular thinking, which has influenced a broad set of disciplines, including metaphysics and theology, art and literary studies, and decolonial thought.

More recently Roberto has contributed to make better known the poetry of the Argentinean Hugo Caamaño (1923-2015), by leading an edited publication in collaboration with numbered members of the academy and published by the Argentinean Academy of Letters, titled Hugo Caamaño, poeta de mundo propio.

Roberto engages regularly with Latin America, by participating in conferences in Argentina, Brazil and Chile.

Since 2003, Roberto has made a significant contribution to fostering the learning and use of Spanish in the international community, by writing the popular, high impact, bestselling Lonely Planet Latin American Spanish Phrasebook and Dictionary, which has seen many editions, including the 10th which appeared in September 2023. This publication has also been translated into French and Italian.

Research interests

• 20th Century Argentinean literature and the historical novel; Latin American literature; Latin American intellectual tradition and decolonial thought

I research ancient agriculture, plant use and human environmental impact in Turkey, Italy (Pompeii) and Australasia via the analysis of archaeological plant remains (seeds, fruits leaves etc)

I started my archaeological career in 1988, working on the excavation of Blawearie Cairn in my native Northumberland (UK). I studies at the Institute of Archaeology, UCL (London) gaining BSc Archaeology (1991), MSc Bio and Geoarchaeology (1992) and PhD (2001), specialising in the study of plant macrofossil remains, such as seeds, fruits, leaves and wood, from archaeological sites to reconstruct past environments and economic practices. I also developed a large consulting portfolio, working as an environmental archaeologist for the Museum of London Archaeology Service (1993-1994) and UCL Geoarchaeology Unit (1992-1993) and as an independent contractor (1994-2001). From 1999-2001 I worked as a research assistant for the Catalhoyuk Research Project, based at Cambridge University and during that time moved to Australia. From 2001 - 2004 I worked at The Australian National University in Canberra as a research assistant to the Engendering Roman Spaces Project and then received a research fellowship at the Research School of Pacific and Asian Studies. I moved to UQ in January 2006. My research interests are currently focused on the origins of agriculture in Central Anatolia (Turkey) and the later development of the region's state economies. I also work in Australasia where I have been developing plant macrofossil techniques to disentangle ancient tree-fruit use and the development of food production in Papua New Guinea.

Stephanie Gilbert is in its truest word an inter-discplinary scholar. Her undergraduate work lies in community welfare and social work. Moving then to Women's studies and history Associate Professor Gilbert encapsulates the lives of removed chlldren in Australia and elsewhere. Her work in Indigenising work in universities is ground-breaking and works to embodies Indigenous data principles, ethical perspecitives and centring Indigenous knowledges and new knowledge creation.

Geoff teaches British history, urban history, historigraphy and public history in the School of Historical & Philosophical Inquiry. His biography of the English mystic, antiquarian, Freemason and museums pioneer J.S.M. Ward appeared as Archangels & Archaeology: JSM Ward's Kingdom of the Wise in 2012, followed by Culture, Philanthopy and the Poor in Late-Victorian London (Routledge, 2017, paperback edition 2019). His current projects include an ARC Linkage project (2019-2022) to develop a Queensland Atlas of Religon, as well as a book project on the intimate politics of social liberalism in Britain, 1880-1920. Since 2005 he has served on the Board of the State Library of Queensland (to 2008) and the Queensland Museum (2008-2013, 2017-2023), and as a judge in the Queensland Literary Awards.

Peter Harrison was educated at the University of Queensland and Yale University. In 2011 he moved to Queensland from the University of Oxford where he was the Idreos Professor of Science and Religion. At Oxford he was a member of the Faculties of Theology and History, a Fellow of Harris Manchester College, and Director of the Ian Ramsey Centre. He is a Professorial Research Fellow at the Universityof Notre Dame, Australia, and a Senior Research Fellow at Oxford's Ian Ramsey Centre. He has published extensively on the philosophical, scientific and religious thought of the early modern period, and is interested in secularization theory and historical and contemporary relations between science and religion. He has been a Visiting Fellow at Oxford, Yale, Princeton, and the University of Chicago, is a Fellow of the Australian Academy of the Humanities, a founding member of the International Society for Science and Religion, and a corresponding member of the International Academy for the History of Science. In 2003, he recieved a Centenary Medal for 'service to Australian Society and the Humanities in the Study of Philosophy and Religion’. In 2011 he delivered the Gifford Lectures at the University of Edinburgh. He was awarded a DLitt by the University of Oxford in 2013, and delivered the Bampton Lectures at Oxford in 2019. From 2015-20 has was an Australian Laureate Fellow.

His twelve books include, most recently, Some New World: Myths of Supernatural Belief in a Secular Age (Cambridge, 2024), After Science and Religion (Cambridge, 2022), co-edited with John Milbank, and The Territories of Science and Religion (Chicago, 2015), winner of the Aldersgate Prize.

Kerry Heckenberg is currently an active research member in the School of Communication and Arts at the University of Queensland with experience in teaching both science (physiology) and art history at this university.

Margaret teaches in the literature area in the School of Communication and Arts. Her teaching interests are literary theory, contemporary women’s writing, and postmodern fiction.

Margaret is the author of Marking Feminist Times: Remembering the Longest Revolution in Australia, a study of Australian feminist cultural memory; Kathy Acker: Punk Writer; and co-author with Anthea Taylor of Postfeminism in Context: Women, Australian Popular Culture, and the Unsettling of Postfeminism. She is the co-editor of Terra-Recognita: New Essays in Australian Studies, Manifesting Australian Literary Feminisms: Nexus and Faultlines, and Things that Liberate: An Australian Feminist Wunderkammer. She has also published numerous articles on feminist fiction and culture, and autobiography.

She has been a consultant to the National Museum of Australia, advising on a modern Australian women's movement collection. Her current project is a monograph on women’s punk and post-punk memoirs.

Ian Hesketh is Associate Professor of History in the School of Historical and Philosophical Inquiry at the University of Queensland. Most broadly, his research considers the relationship between history, science, and religion with a focus on nineteenth-century Britain. More specifically, he has written extensively on the Darwinian Revolution, nineteenth-century physics, and large-scale forms of history from the nineteenth century to the present. His latest books include A History of Big History (Cambridge University Press, 2023) and, the edited collection, Imagining the Darwinian Revolution: Historical Narratives of Evolution from the Nineteenth Century to the Present (University of Pittsburgh Press, 2022). He is currently writing a monograph entitled "The Making of Darwin, Darwinians, and Darwinism."

He teaches courses on historiography (HIST2312; HUMN6600), revolutions in history (HIST2024), American history (HIST2023), and British history (HIST2417).

Susan is an architect, educator and researcher at the University of Queensland with expertise in architectural design histories and theories, heritage and sustainability, and design governance and policy. Susan has experience in leading cross-disciplinary research involving stakeholders in academia, industry and government. She has been involved in large-scale national and international funded research projects and has ongoing collaborations at the University of Ghent, supported by the UQ-UGhent Strategic International Partnership. At UQ she is a member of the ATCH Research Centre (Architecture, Theory, Culture, History).

Prior to her academic career Susan worked in architectural practice for over 10 years in Australia and the UK, gaining experience on a range of project scales and types including community, civic, housing and urban design. She maintains strong connections to industry and is a Fellow of the Australian Institute of Architects and has contributed to its education and gender equity committees, and regional and state awards programs in urban design, public architecture, residential design and art-architecture. She currently contributes to the AIA National Gender Equity Committee Research and Publication Taskforce.

Susan’s current research follows three themes, which are explained further under Available Projects:

• Material Values of the Built Environment: Heritage, Maintenance, Demolition, Salvage, Storage;
• Design Expertise, Design Governance and the Architecture Profession; and
• Quality in Architecture: Statements, Settings, Substance.

Susan is an author, editor or contributing author to 9 books. Her research and criticism is widely published in academic, professional and industry journals including Journal of Architecture, Interstices, European Journal of Creative Practices in Cities and Landscapes, AA Files, Leonardo, Fabrications and Architecture Australia. She regularly presents her research in national and international forums, including academic and industry conferences, at cultural institutions, and for continuing professional development. Susan has been an invited guest lecturer, guest critic and RHD guest critic at Ghent University, Monash University, and Griffith University. She has also been an invited chair and contributor to expert panels at the SCCI Architecture Hub Sydney, Museum of Brisbane, the UQ Art Museum and for the Committee for Brisbane. In 2012 Susan was a Visiting Professor in the VAMA (Visual Arts Media and Architecture) Masters Programme at the Vrije Universiteit Amsterdam. In 2013 she was an invited scholar at the Deutsches Forum für Kunstgeschichte in Paris. In 2018 and 2023 Susan was a visiting researcher at UGhent. Susan has extensive experience in research collaboration, research mentorship and research leadership, and she regularly co-authors with academic and industry collaborators and students.

Susan has been the recipient of a number of competitive awards and grants for her research. She was a Chief Investigator on the ARC funded Discover Project Is Architecture Art?: A history of categories, concepts and recent practices(2016-2022) which analyses the changing place of architecture in culture and cultural administration. This project produced three books: Pavilion Propositions: Nine Points on an Architectural Phenomenon (2018), Trading Between Architecture and Art: Strategies and Practices of Exchange (2019) and Valuing Architecture: Heritage and the Economics of Culture(2020), numerous academic and industry publications, and convened two conferences. Susan was also a Chief Investigator on the ARC funded Discovery Project Campus: Building Modern Australian Universities (2016-2020), which brought together experts from five Australian Universities in an inter-disciplinary team to research the landscape, architecture, planning and heritage of modern univeristy campuses in Australia. She is a contributing author to Campus: Building Modern Australian Universities (UWA Press, 2023). In 2021-24 Susan is leading research on the participation and career experience of women in design leadership roles in Australia, with support from the Australian Institute of Architects. Her ongoing research with UGhent collaborators has recieved support from the UQ Global Strategy and Seed Funding Scheme.

Susan has contributed extensively to the leadership of the Architecture, Design and Planning School at UQ, most recently as Chair of Research (2022), Chair of Teaching and Learning (2018-21) and Academic Advisor for the Master of Urban Development and Design Program (2021). Her research also informs teaching and curriculum development in the Faculty of Engineering, Architecture and Information Technology at UQ. In 2021 Susan contributed to two projects to develop Indigenous and inter-cultural content for built environment and design education, as part of teams led by indigenous experts.

Awards

2023 UQ Global Strategy and Partnerships Seed Funding (with Ashley Paine and John Macarthur)

2019 UQ Promoting Women Fellowship

2010 David Saunders Founders Grant Award (SAHANZ) (with Jared Bird)

2000 QIA Medallion (Australian Institute of Architects, Qld Chapter)

2000 Board of Architects Prize (Board of Architects, Queensland)

Memberships

Registered Architect, Board of Architects Queensland

Fellow, Australian Institute of Architects (FRAIA)

Society of Architectural Historians Australia and New Zealand (SAHANZ)