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2024 Book Chapter A world undoneBarikin, Amelia (2024). A world undone. Nicholas Mangan: a world undone. (pp. 14-36) edited by Anneke Jaspers and Anna Davis. Sydney and Milan: Museum of Contemporary Art Australia and Lenz Press. |
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2019 Book Chapter After the end: The temporality of melancholiaBarikin, Amelia (2019). After the end: The temporality of melancholia. The Persistence of Melancholia in Arts and Culture. (pp. 107-121) edited by Andrea Bubenik. New York, NY United States: Taylor and Francis. doi: 10.4324/9780429468469 |
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2018 Book Chapter Blindness and figuration: the dialectics of picture-making in the work of Tom NicholsonBarikin, Amelia (2018). Blindness and figuration: the dialectics of picture-making in the work of Tom Nicholson. Tom Nicholson: lines towards another. (pp. 39-52) edited by Amelia Barikin and Helen Hughes. Berlin, Germany: Sternberg Press. |
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2018 Book Chapter Towards an impossible summit: the journey as decoy in the work of Pierre HuygheBarikin, Amelia (2018). Towards an impossible summit: the journey as decoy in the work of Pierre Huyghe. Art as adventure: going beyond. (pp. 76-93) edited by James P. Werner and Rosemary O'Neill. Newcastle upon Tyne, United Kingdom: Cambridge Scholars Publishing. |
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2017 Book Chapter Sound fossils and speaking stones: towards a mineral ontology of contemporary artBarikin, Amelia (2017). Sound fossils and speaking stones: towards a mineral ontology of contemporary art. Animism in art and performance. (pp. 253-275) edited by Christopher Braddock. Cham, Switzerland: Palgrave Macmillan. doi: 10.1007/978-3-319-66550-4_13 |
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2016 Book Chapter Mobile methods and large screensPapastergiadis, Nikos, Barikin, Amelia, Gu, Xin, McQuire, Scott and Yue, Audrey (2016). Mobile methods and large screens. Ambient screens and transnational public spaces. (pp. 131-208) edited by Nikos Papastergiadis. Hong Kong: Hong Kong University Press. |
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2016 Book Chapter Chronophobia, presence and presentness in the work of Liam O'BrienBarikin, Amelia (2016). Chronophobia, presence and presentness in the work of Liam O'Brien. New16. (pp. 54-55) edited by Annika Kristensen and Margaret Farmer. Melbourne, Australia: Australian Centre for Contemporary Art. |
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2016 Book Chapter Conclusion: ambient screensPapastergiadis, Nikos, Barikin, Amelia and McQuire, Scott (2016). Conclusion: ambient screens. Ambient screens and transnational public spaces. (pp. 211-238) edited by Nikos Papastergiadis. Hong Kong: Hong Kong University Press. |
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2016 Book Chapter Introduction: screen cultures and public spacesPapastergiadis, Nikos, Barikin, Amelia, McQuire, Scott and Yue, Audrey (2016). Introduction: screen cultures and public spaces. Ambient screens and transnational public spaces. (pp. 3-27) edited by Nikos Papastergiadis. Hong Kong: Hong Kong University Press. |
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2015 Book Chapter Quantum entanglements and the construction of time: do we need a science-fictional history of art?Barikin, Amelia (2015). Quantum entanglements and the construction of time: do we need a science-fictional history of art?. Soleil double. (pp. 17-24) edited by era-unavailable. Paris, France: Editions Dilecta. |
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2015 Book Chapter Ambient aesthetics: altered subjectivities in the new museumBarikin, Amelia, Papastergiadis, Nikos, Radywyl, Natalia and McQuire, Scott (2015). Ambient aesthetics: altered subjectivities in the new museum. The international handbooks of museum studies. (pp. 417-436) edited by Sharon Macdonald and Helen Rees Leahy. Chichester, West Sussex, United Kingdom: John Wiley & Sons. doi: 10.1002/9781118829059.wbihms120 |
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2015 Book Chapter Ambient perspective and the citizen's moving eyesBarikin, Amelia and Papastergiadis, Nikos (2015). Ambient perspective and the citizen's moving eyes. Future publics (the rest can and should be done by the people): a critical reader in contemporary art. (pp. 90-115) edited by Maria Hlavajova and Ranjit Hoskote. Utrecht, Netherlands: BAK: base for active knowledge. |
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2015 Book Chapter The museum in hiding: framing conflictBarikin, Amelia, Green, Charles and Brown, Lyndell (2015). The museum in hiding: framing conflict. International handbooks of museum studies. (pp. 485-510) edited by Sharon Macdonald and Helen Rees Leahy. Chichester, West Sussex, United Kingdom: John Wiley & Sons. doi: 10.1002/9781118829059.wbihms123 |
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2014 Book Chapter Arche-fossils and future fossils: the speculative paleontology of Julian CharrièreBarikin, Amelia (2014). Arche-fossils and future fossils: the speculative paleontology of Julian Charrière. Julian Charrière: future fossil spaces. (pp. 18-29) edited by Nicole Schweizer. Milan, Italy: Mousse Publishing. |
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2014 Book Chapter Super mechanical super organical: Emily Floyd's science fictionBarikin, Amelia (2014). Super mechanical super organical: Emily Floyd's science fiction. Emily Floyd: Far Rainbow. (pp. 59-67) edited by Linda Michael. Melbourne, VIC, Australia: Heide Museum of Modern Art. |
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2014 Book Chapter Bill Henson, untitled sequence, image no. 11Barikin, Amelia (2014). Bill Henson, untitled sequence, image no. 11. Five Centuries of Melancholia: Exhibition Catalogue. (pp. 63-63) edited by Andrea Bubenik. St. Lucia, QLD, Australia: The University of Queensland Art Museum. |
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2014 Book Chapter Zombie history: contemporary art in the jungles of cosmic timeBarikin, Amelia (2014). Zombie history: contemporary art in the jungles of cosmic time. Three Reflections on Contemporary Art History. (pp. 55-74) edited by Helen Hughes and Nicholas Croggon. Melbourne, VIC, Australia: Discipline. |
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2014 Book Chapter Public screens and participatory public spaceBarikin, Amelia, Papastergiadis, Nikos, McQuire, Scott and Yue, Audrey (2014). Public screens and participatory public space. Art in the Asia-Pacific Intimate Publics. (pp. 161-172) edited by Larissa Hjorth, Natalie King and Mami Kataoka. New York, NY, USA: Routledge. doi: 10.4324/9781315858104 |
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2014 Book Chapter Bill Henson, untitled sequence, image no. 5Barikin, Amelia (2014). Bill Henson, untitled sequence, image no. 5. Five Centuries of Melancholia: Exhibition Catalogue. (pp. 61-61) edited by Andrea Bubenik. St. Lucia, QLD, Australia: The University of Queensland Art Museum. |
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2013 Book Chapter Souvenirs du futur: du temps de l'artBarikin, Amelia (2013). Souvenirs du futur: du temps de l'art. Pierre Huyghe. (pp. 213-216) edited by Emma Lavigne and Pierre Huyghe. Paris, France: Centre Georges Pompidou. |
