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2022

Journal Article

Holograms, (Dis-) Embodied Intimacy, and Posthumanism in an Age of Ubiquitous Computing

Lindop, Samantha Jane (2022). Holograms, (Dis-) Embodied Intimacy, and Posthumanism in an Age of Ubiquitous Computing. Journal of Posthuman Studies, 6 (1), 73-88. doi: 10.5325/jpoststud.6.1.0073

Holograms, (Dis-) Embodied Intimacy, and Posthumanism in an Age of Ubiquitous Computing

2022

Book

The Stepford Wives

Lindop, Samantha (2022). The Stepford Wives. Liverpool, United Kingdom: Liverpool University Press.

The Stepford Wives

2021

Journal Article

Neoliberalism and the undead gothic subject in Daybreakers

Lindop, Samantha (2021). Neoliberalism and the undead gothic subject in Daybreakers. Continuum, 35 (2), 282-293. doi: 10.1080/10304312.2021.1936835

Neoliberalism and the undead gothic subject in Daybreakers

2020

Book Chapter

Masculine cultures of technology and the robotic female avenger in Ex Machina (Alex Garland, 2015)

Lindop, Samantha (2020). Masculine cultures of technology and the robotic female avenger in Ex Machina (Alex Garland, 2015). Women who kill: gender and sexuality in film and series of the post-feminist era. (pp. 279-295) edited by Cristelle Maury and David Roche. London, United Kingdom: Bloomsbury Publishing. doi: 10.5040/9781350150799.0023

Masculine cultures of technology and the robotic female avenger in Ex Machina (Alex Garland, 2015)

2018

Journal Article

Violent women in contemporary cinema

Lindop, Samantha (2018). Violent women in contemporary cinema. Continuum-Journal of Media and Cultural Studies, 32 (5), 664-666. doi: 10.1080/10304312.2018.1458821

Violent women in contemporary cinema

2017

Book Chapter

It's a love story -  involving vampires: the cinematic trope of the wedded bloodsucker

Lindop, Samantha (2017). It's a love story -  involving vampires: the cinematic trope of the wedded bloodsucker. Hospitality, rape and consent in vampire popular culture: letting the wrong one in. (pp. 165-182) edited by David Baker, Stephanie Green and Agnieszka Stasiewicz-Bieńkowska. Cham, Switzerland: Palgrave Macmillan. doi: 10.1007/978-3-319-62782-3_10

It's a love story -  involving vampires: the cinematic trope of the wedded bloodsucker

2016

Journal Article

Female subjectivity, sexuality, and the femme fatale in Born to Kill

Lindop, Samantha (2016). Female subjectivity, sexuality, and the femme fatale in Born to Kill. Quarterly Review of Film and Video, 33 (4), 322-331. doi: 10.1080/10509208.2016.1144026

Female subjectivity, sexuality, and the femme fatale in Born to Kill

2015

Book

Postfeminism and the fatale figure in neo-noir cinema

Lindop, Samantha (2015). Postfeminism and the fatale figure in neo-noir cinema. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan. doi: 10.1057/9781137503596

Postfeminism and the fatale figure in neo-noir cinema

2014

Other Outputs

Femmes, filles, and hommes: postfeminism and the fatal(e) figure in contemporary American film noir

Lindop, Samantha Jane (2014). Femmes, filles, and hommes: postfeminism and the fatal(e) figure in contemporary American film noir. PhD Thesis, School of English, Media Studies and Art History, The University of Queensland. doi: 10.14264/uql.2019.957

Femmes, filles, and hommes: postfeminism and the fatal(e) figure in contemporary American film noir

2014

Journal Article

Carmilla, Camilla: the influence of the Gothic on David Lynch's Mulholland Drive

Lindop, Samantha Jane (2014). Carmilla, Camilla: the influence of the Gothic on David Lynch's Mulholland Drive. M/C Journal, 17 (4), 1-6.

Carmilla, Camilla: the influence of the Gothic on David Lynch's Mulholland Drive

2013

Journal Article

Gender and Popular Culture

Lindop, Samantha (2013). Gender and Popular Culture. Australian Feminist Studies, 28 (76), 236-237. doi: 10.1080/08164649.2013.789578

Gender and Popular Culture

2013

Journal Article

Postmillennial cinema and the avenging fatale in Sin City, Hard Candy, and Descent

Lindop, Samantha Jane (2013). Postmillennial cinema and the avenging fatale in Sin City, Hard Candy, and Descent. Scope: An Online Journal of Film Studies, 1 (26), 1-18.

Postmillennial cinema and the avenging fatale in Sin City, Hard Candy, and Descent

2012

Journal Article

The homme fatal and the subversion of suspicion in Mr Brooks and The Killer Inside Me

Lindop, Samantha Jane (2012). The homme fatal and the subversion of suspicion in Mr Brooks and The Killer Inside Me. M/C Journal, 15 (1).

The homme fatal and the subversion of suspicion in Mr Brooks and The Killer Inside Me

2012

Conference Publication

No ordinary action heroine: the subversion of postfeminist discourse in the quest to kill Bill

Lindop, Samantha (2012). No ordinary action heroine: the subversion of postfeminist discourse in the quest to kill Bill. Cultural Studies Association of Australasia Annual Conference (CSAA 2012), Sydney, Australia, 4-6 December 2012.

No ordinary action heroine: the subversion of postfeminist discourse in the quest to kill Bill

2011

Journal Article

‘Out wiv the old ay plumma?’ The uncanny marginalized wastelands of memory and matter in David Cronenberg’s spider

Lindop, Samantha (2011). ‘Out wiv the old ay plumma?’ The uncanny marginalized wastelands of memory and matter in David Cronenberg’s spider. Refractory, 19 (2).

‘Out wiv the old ay plumma?’ The uncanny marginalized wastelands of memory and matter in David Cronenberg’s spider

2010

Journal Article

Out of control: Masculine crisis and the Aussie working-class male in Suburban Mayhem

Lindop, Samantha (2010). Out of control: Masculine crisis and the Aussie working-class male in Suburban Mayhem. Metro Magazine, 2010 (166), 148-153.

Out of control: Masculine crisis and the Aussie working-class male in Suburban Mayhem