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2010

Conference Publication

Henry Purcell's Three Parts Upon a Ground and the traditions of English counterpoint

Collins, Denis (2010). Henry Purcell's Three Parts Upon a Ground and the traditions of English counterpoint. Seventh International Conference on Music Theory and Analysis, Belgrade, Serbia-Montenegro, May 15-17 2009. Belgrade, Serbia: University of Arts, Belgrade.

Henry Purcell's Three Parts Upon a Ground and the traditions of English counterpoint

2009

Journal Article

William Bathe's tabular method and late Renaissance theories of Canon composition

Collins, Denis B. (2009). William Bathe's tabular method and late Renaissance theories of Canon composition. Music Theory and Analysis, 1, 87-95.

William Bathe's tabular method and late Renaissance theories of Canon composition

2008

Journal Article

"So you want to write a canon?" An historically-informed new approach for the modern theory class

Collins, Denis (2008). "So you want to write a canon?" An historically-informed new approach for the modern theory class. College Music Symposium, 48, 108-123. doi: 10.2307/25664812

"So you want to write a canon?" An historically-informed new approach for the modern theory class

2008

Journal Article

William Byrd's motets and canonic writing in England

Collins, Denis (2008). William Byrd's motets and canonic writing in England. Context: Journal of Music Research, 1 (33), 45-65.

William Byrd's motets and canonic writing in England

2007

Book

A briefe and short instruction of the art of musicke by Elway Bevin

Collins, Denis B. and Bevin, Elway (2007). A briefe and short instruction of the art of musicke by Elway Bevin. Aldershot, U.K.: Ashgate.

A briefe and short instruction of the art of musicke by Elway Bevin

2007

Journal Article

From Bull to Bach: In search of precedents for the "Complete" version of the Canon by augmentation and contrary motion in J.S. Bach's Musical Offering

Collins, Denis B. (2007). From Bull to Bach: In search of precedents for the "Complete" version of the Canon by augmentation and contrary motion in J.S. Bach's Musical Offering. BACH: The Journal of the Riemenschneider Bach Institute, 38 (2), 39-63.

From Bull to Bach: In search of precedents for the "Complete" version of the Canon by augmentation and contrary motion in J.S. Bach's Musical Offering

2007

Conference Publication

'Sufficient to quench the thirst of the most insaciate scholler whatsoeuer': George Waterhouse's 1,163 canons on the plainsong Miserere

Collins, D. (2007). 'Sufficient to quench the thirst of the most insaciate scholler whatsoeuer': George Waterhouse's 1,163 canons on the plainsong Miserere. Canons and Canonic Techniques, 14th-16th Centuries, Katholieke Universiteit, Leuven, 4-6 October, 2005. Leuven, Belgium: Peeters.

'Sufficient to quench the thirst of the most insaciate scholler whatsoeuer': George Waterhouse's 1,163 canons on the plainsong Miserere

2005

Journal Article

The art of fugue: Bach fugues for keyboard, 1715-1750

Collins, Denis (2005). The art of fugue: Bach fugues for keyboard, 1715-1750. Musicology Australia, 28 (1), 143-146. doi: 10.1080/08145857.2005.10415287

The art of fugue: Bach fugues for keyboard, 1715-1750

2004

Conference Publication

Compositional strategies in sixteenth-century three- and four-part canons

Collins, Denis (2004). Compositional strategies in sixteenth-century three- and four-part canons. International Congress of the Musicological Society of Japan (IMJ 2002): Musicology and Globalisation, Shizuoka, Japan, 2-5 November 2002. Tokyo, Japan: Musicological Society of Japan.

Compositional strategies in sixteenth-century three- and four-part canons

2004

Journal Article

Review of Peter Williams, Bach: The Goldberg Variations

Collins, D. B. (2004). Review of Peter Williams, Bach: The Goldberg Variations. Eighteenth-Century Music, 1 (2), 318-319.

Review of Peter Williams, Bach: The Goldberg Variations

2004

Book Chapter

Approaches to invertible canonic composition in late sixteenth-century theory and practice.

Collins, D. B. (2004). Approaches to invertible canonic composition in late sixteenth-century theory and practice.. Music Research: New Directions for a New Century. (pp. 368-375) edited by M. Ewans, R. Halton and J. Phillips. London: Cambridge Scholars Press.

Approaches to invertible canonic composition in late sixteenth-century theory and practice.

2003

Journal Article

The transmission of Zarlino's canonic theory in seventeenth-century organ chorale settings

Collins, Denis (2003). The transmission of Zarlino's canonic theory in seventeenth-century organ chorale settings. Musicology Australia, 26 (1), 38-64. doi: 10.1080/08145857.2003.10416508

The transmission of Zarlino's canonic theory in seventeenth-century organ chorale settings

2003

Book Chapter

The vocal canons of Fernando Sor

Collins, D. B. (2003). The vocal canons of Fernando Sor. Estudios Sobre Fernando Sor/Sor Studies. (pp. 305-312) edited by Luis Gasser. Madrid, Spain: Instituto Complutense de Ciencias Musicales.

The vocal canons of Fernando Sor

2002

Journal Article

Bach's occasional canon BWV 1073 and 'stacked' canonic procedure in the eighteenth century

Collins, Denis (2002). Bach's occasional canon BWV 1073 and 'stacked' canonic procedure in the eighteenth century. BACH: The Journal of the Riemenschneider Bach Institute, 33 (2), 15-34.

Bach's occasional canon BWV 1073 and 'stacked' canonic procedure in the eighteenth century

2002

Conference Publication

Metric space as a cognitive-structural model of musical pitch

Collins, D. B. and Pavlovic, B. (2002). Metric space as a cognitive-structural model of musical pitch. 7th International Conference on Music Perception and Cognition, Sydney, 17-21 July 2002. Adelaide: Causal Productions.

Metric space as a cognitive-structural model of musical pitch

2001

Journal Article

An Unusual Effect in the Canon Per Tonos from J. S. Bach's Musical Offering

Collins, Denis and Schloss, W. Andrew (2001). An Unusual Effect in the Canon Per Tonos from J. S. Bach's Musical Offering. Music Perception, 19 (2), 141-154. doi: 10.1525/mp.2001.19.2.141

An Unusual Effect in the Canon Per Tonos from J. S. Bach's Musical Offering

1999

Journal Article

Voice leading in cantus firmus-based composition: a comparison between theory and practice in Renaissance and Baroque music using computer-assisted inferential measures

Collins, Denis and Huron, David (1999). Voice leading in cantus firmus-based composition: a comparison between theory and practice in Renaissance and Baroque music using computer-assisted inferential measures. Computers in Music Research, 6 (Spring), 53-95.

Voice leading in cantus firmus-based composition: a comparison between theory and practice in Renaissance and Baroque music using computer-assisted inferential measures

1999

Journal Article

Bach and approaches to canonic composition in early eighteenth-century theoretical and chamber music sources

Collins, Denis (1999). Bach and approaches to canonic composition in early eighteenth-century theoretical and chamber music sources. BACH: The Journal of the Riemenschneider Bach Institute, 30 (2), 27-48.

Bach and approaches to canonic composition in early eighteenth-century theoretical and chamber music sources

1996

Journal Article

Spiegel-Kontrapunkt in Theorie und Praxis: Vorlaufer fur Contrapunctus 12 und 13 aus Bachs Kunst der Fuge

Collins, Denis (1996). Spiegel-Kontrapunkt in Theorie und Praxis: Vorlaufer fur Contrapunctus 12 und 13 aus Bachs Kunst der Fuge. Bach-Jahrbuch, 82, 77-92.

Spiegel-Kontrapunkt in Theorie und Praxis: Vorlaufer fur Contrapunctus 12 und 13 aus Bachs Kunst der Fuge

1995

Journal Article

Musical terminology in the canonic works of Bach: an historical context

Collins, Denis (1995). Musical terminology in the canonic works of Bach: an historical context. BACH: The Journal of the Riemenschneider Bach Institute, 26 (1/2), 91-101.

Musical terminology in the canonic works of Bach: an historical context