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2018 Book Chapter IntroductionCollins, Denis, Murphy, Kerry and Owens, Samantha (2018). Introduction. J.S. Bach in Australia: studies in Reception and performance. (pp. 1-7) edited by Denis Collins, Kerry Murphy and Samantha Owens. Melbourne, Australia: Lyrebird Press. |
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2018 Book Chapter Appendix 1Collins, Denis, Murphy, Kerry and Owens, Samantha (2018). Appendix 1. J.S. Bach in Australia: studies in Reception and performance. (pp. 218-221) edited by Denis Collins, Kerry Murphy and Samantha Owens. Melbourne, Australia: Lyrebird Press. |
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2018 Book Chapter Music as symbolic image: Christological narratives in the Agnus Dei sections of renaissance massesCollins, Denis and Stoessel, Jason (2018). Music as symbolic image: Christological narratives in the Agnus Dei sections of renaissance masses. Music/image: transpositions, translations, transformations. (pp. 60-71) edited by Mirjana Veselinovic-Hofman, Vesna Mikic, Tijana Popovic-Mladjenovic and Ivana Perkovic. Belgrade: Faculty of Music, University of Arts in Belgrade. |
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2017 Journal Article Instructions for keyboard accompaniment in Music Manuscript 244 of the University of MelbourneCollins, Denis (2017). Instructions for keyboard accompaniment in Music Manuscript 244 of the University of Melbourne. Musica Disciplina, 60, 173-200. |
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2017 Conference Publication Panel Discussion:'What’s missing in music and emotion research?'Schubert, Emery, MacKinnon, Dolly, Collins, Denis and Garrido, Sandra (2017). Panel Discussion:'What’s missing in music and emotion research?'. The 3rd Conference of the Australian Music & Psychology Society (AMPS) including the 5th International Conference on Music and Emotion (ICME)., School of Music, The University of Queensland, Brisbane, 7-9 December 2017.. |
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2016 Journal Article Discomfit them, O Lord, that trust in their own multitude: a new editorial approach to the Tallis-Byrd Cantiones sacraeCollins, Denis (2016). Discomfit them, O Lord, that trust in their own multitude: a new editorial approach to the Tallis-Byrd Cantiones sacrae. Musicology Australia, 38 (2), 172-181. doi: 10.1080/08145857.2016.1239243 |
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2016 Journal Article Review of Mark Hijleh, Towards a Global Music Theory: Practical Concepts and Methods for the Analysis of Music across Human CulturesCollins, Denis (2016). Review of Mark Hijleh, Towards a Global Music Theory: Practical Concepts and Methods for the Analysis of Music across Human Cultures. Musicology Australia, 38 (2), 194-197. doi: 10.1080/08145857.2016.1239244 |
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2016 Journal Article Review of Mary Louise O'Donnell, Ireland's Harp: The Shaping of Irish Modernity, c.1770-1880.Collins, Denis (2016). Review of Mary Louise O'Donnell, Ireland's Harp: The Shaping of Irish Modernity, c.1770-1880.. Australasian Journal of Irish Studies, 16, 133-135. |
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2016 Book Chapter Continuity and discontinuity in contrapuntal techniques ca. 1500Collins, Denis (2016). Continuity and discontinuity in contrapuntal techniques ca. 1500. Music: transitions/continuities. (pp. 120-132) edited by Mirjana Veselinovic-Hofman, Vesna Mikic, Tijana Popovic Mladenovic and Ivana Perkovic. Belgrade, Serbia: Faculty of Music, University of Arts in Belgrade. |
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2015 Journal Article Taneyev's theories of moveable counterpoint and the music of J.S. BachCollins, Denis (2015). Taneyev's theories of moveable counterpoint and the music of J.S. Bach. BACH: Journal of the Riemenschneider Bach Institute, 46 (2), 22-45. |
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2015 Journal Article Thomas Schmidt-Beste (ed.), The Motet Around 1500: On the Relationship of Imitation and Text Treatment? (2012); and Albert Clement and Eric Jas (eds), Josquin and the Sublime (2011)Collins, Denis (2015). Thomas Schmidt-Beste (ed.), The Motet Around 1500: On the Relationship of Imitation and Text Treatment? (2012); and Albert Clement and Eric Jas (eds), Josquin and the Sublime (2011). Journal of the Society for Musicology in Ireland, 10 (14-15), 57-64. |
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2014 Book Chapter Creative collaborative thought and puzzle canons in renaissance musicCollins, Denis (2014). Creative collaborative thought and puzzle canons in renaissance music. Collaborative creative thought and practice in music. (pp. 111-126) edited by Margaret Barrett. Farnham, Surrey, United Kingdom: Ashgate. |
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2013 Other Outputs CounterpointCollins, Denis (2013). Counterpoint. |
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2013 Book Chapter John Bull's "Art of Canon" and plainsong-based counterpoint in the late renaissanceCollins, Denis (2013). John Bull's "Art of Canon" and plainsong-based counterpoint in the late renaissance. Music Theory and its Methods: Structures, Challenges, Directions. (pp. 99-127) edited by Denis Collins. Frankfurt Am Main, Germany: Peter Lang. |
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2013 Book Histories and narratives of music analysisMiloš Zatkalik, Milena Medić and Denis Collins eds. (2013). Histories and narratives of music analysis. Newcastle upon Tyne, England: Cambridge Scholars Publishing. |
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2013 Book Chapter PrefaceCollins, Denis (2013). Preface. Music Theory and its Methods: Structures, Challenges, Directions . (pp. VII-VIII) edited by Collins, D.. Berlin, Germany: Peter Lang. doi: 10.3726/978-3-653-02906-2 |
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2013 Book Music theory and its methods: structures, challenges, directionsDenis Collins ed. (2013). Music theory and its methods: structures, challenges, directions. Methodology of Music Research: Methodologie der Musikforschung, Frankfurt Am Main, Germany: Peter Lang. |
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2013 Book Chapter Palestrina's Missa Sacerdotes Domini and analytical approaches to renaissance counterpointCollins, Denis (2013). Palestrina's Missa Sacerdotes Domini and analytical approaches to renaissance counterpoint. Histories and Narratives of Music Analysis. (pp. 120-134) edited by Miloš Zatkalik, Milena Medić and Denis Collins. Newcastle upon Tyne, United Kingdom: Cambridge Scholars Publishing. |
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2012 Journal Article Fundamentals of Musical Performance [by] Zdenek BruderhansCollins, Denis (2012). Fundamentals of Musical Performance [by] Zdenek Bruderhans. Musicology Australia, 34 (2), 339-340. doi: 10.1080/08145857.2012.738057 |
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2012 Journal Article Musicianship in the 21st Century: Issues, Trends, and PossibilitiesCollins, Denis (2012). Musicianship in the 21st Century: Issues, Trends, and Possibilities. Musicology Australia, 34 (2), 335-338. doi: 10.1080/08145857.2012.738056 |
