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2020 Conference Publication Using optical music recognition to encode 17th-century music prints: the canonic works of Paolo Agostini (c.1583–1629) as a test caseStoessel, Jason, Collins, Denis and Bolland, Scott (2020). Using optical music recognition to encode 17th-century music prints: the canonic works of Paolo Agostini (c.1583–1629) as a test case. 7th International Conference on Digital Libraries for Musicology, Montreal, Canada, 16 October 2020. New York, United States: Association for Computing Machinery. doi: 10.1145/3424911.3425517 |
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2017 Conference Publication Panel Discussion:'What’s missing in music and emotion research?'Schubert, Emery, MacKinnon, Dolly, Collins, Denis and Garrido, Sandra (2017). Panel Discussion:'What’s missing in music and emotion research?'. The 3rd Conference of the Australian Music & Psychology Society (AMPS) including the 5th International Conference on Music and Emotion (ICME)., School of Music, The University of Queensland, Brisbane, 7-9 December 2017.. |
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2010 Conference Publication Henry Purcell's Three Parts Upon a Ground and the traditions of English counterpointCollins, Denis (2010). Henry Purcell's Three Parts Upon a Ground and the traditions of English counterpoint. Seventh International Conference on Music Theory and Analysis, Belgrade, Serbia-Montenegro, May 15-17 2009. Belgrade, Serbia: University of Arts, Belgrade. |
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2007 Conference Publication 'Sufficient to quench the thirst of the most insaciate scholler whatsoeuer': George Waterhouse's 1,163 canons on the plainsong MiserereCollins, D. (2007). 'Sufficient to quench the thirst of the most insaciate scholler whatsoeuer': George Waterhouse's 1,163 canons on the plainsong Miserere. Canons and Canonic Techniques, 14th-16th Centuries, Katholieke Universiteit, Leuven, 4-6 October, 2005. Leuven, Belgium: Peeters. |
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2004 Conference Publication Compositional strategies in sixteenth-century three- and four-part canonsCollins, Denis (2004). Compositional strategies in sixteenth-century three- and four-part canons. International Congress of the Musicological Society of Japan (IMJ 2002): Musicology and Globalisation, Shizuoka, Japan, 2-5 November 2002. Tokyo, Japan: Musicological Society of Japan. |
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2002 Conference Publication Metric space as a cognitive-structural model of musical pitchCollins, D. B. and Pavlovic, B. (2002). Metric space as a cognitive-structural model of musical pitch. 7th International Conference on Music Perception and Cognition, Sydney, 17-21 July 2002. Adelaide: Causal Productions. |
