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2019 Book Chapter Dürer, Music, and Melencolia ICollins, Denis (2019). Dürer, Music, and Melencolia I. The Persistence of Melancholia in Arts and Culture. (pp. 49-67) edited by Andrea Bubenik . New York, NY United States: Routledge. doi: 10.4324/9780429468469-4 |
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2023 Book Chapter Crosses, circles and shared identities in riddle canons by Elway Bevin and Giovanni Maria NaninoCollins, Denis (2023). Crosses, circles and shared identities in riddle canons by Elway Bevin and Giovanni Maria Nanino. Belonging, detachment and the representation of musical identities in visual culture. (pp. 177-196) edited by Antonio Baldassarre and Arabella Teniswood-Harvey. Vienna, Austria: Hollitzer. doi: 10.2307/jj.5211766.10 |
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2023 Book Chapter Bevin, ElwayHooper, Graham (original author) and Collins, Denis (2023). Bevin, Elway. Grove music online. (pp. 1-4) edited by Collins, Denis. Oxford, United Kingdom: Oxford University Press. doi: 10.1093/gmo/9781561592630.article.02990 |
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2022 Book Chapter 'La grandezza del numero sonoro': canonic techniques, combinatorics, and early scientific thought in seventeenth-century RomeStoessel, Jason and Collins, Denis (2022). 'La grandezza del numero sonoro': canonic techniques, combinatorics, and early scientific thought in seventeenth-century Rome. Music and science from Leonardo to Galileo. (pp. 155-186) edited by Rudolf Rasch. Turnhout, Belgium: Brepols. |
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2019 Book Chapter Music and danceCollins, Denis and Nevile, Jennifer (2019). Music and dance. A Cultural History of the Emotions in the Late Medieval, Reformation and Renaissance Age. (pp. 49-67) edited by Andrew Lynch and Susan Broomhall. London, United Kingdom: Bloomsbury Academic. |
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2019 Book Chapter Emotion and communities of musical expression in the high renaissanceCollins, Denis (2019). Emotion and communities of musical expression in the high renaissance. Musica movet: affectus, ludus, corpus. (pp. 91-101) edited by Milena Medić. Belgrade, Serbia: Faculty of Music, University of Arts. |
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2018 Book Chapter Canon in Baroque Italy: Paolo Agostini's collections of masses, motets and counterpoints from 1627Collins, Denis (2018). Canon in Baroque Italy: Paolo Agostini's collections of masses, motets and counterpoints from 1627. Music preferred: Essays in musicology, cultural history and analysis in honour of Harry White. (pp. 117-140) edited by Lorraine Byrne Bodley. Vienna, Austria: Hollitzer Wissenschaftsverlag. |
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2018 Book Chapter Appendix 1Collins, Denis, Murphy, Kerry and Owens, Samantha (2018). Appendix 1. J.S. Bach in Australia: studies in Reception and performance. (pp. 218-221) edited by Denis Collins, Kerry Murphy and Samantha Owens. Melbourne, Australia: Lyrebird Press. |
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2018 Book Chapter IntroductionCollins, Denis, Murphy, Kerry and Owens, Samantha (2018). Introduction. J.S. Bach in Australia: studies in Reception and performance. (pp. 1-7) edited by Denis Collins, Kerry Murphy and Samantha Owens. Melbourne, Australia: Lyrebird Press. |
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2018 Book Chapter Music as symbolic image: Christological narratives in the Agnus Dei sections of renaissance massesCollins, Denis and Stoessel, Jason (2018). Music as symbolic image: Christological narratives in the Agnus Dei sections of renaissance masses. Music/image: transpositions, translations, transformations. (pp. 60-71) edited by Mirjana Veselinovic-Hofman, Vesna Mikic, Tijana Popovic-Mladjenovic and Ivana Perkovic. Belgrade: Faculty of Music, University of Arts in Belgrade. |
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2016 Book Chapter Continuity and discontinuity in contrapuntal techniques ca. 1500Collins, Denis (2016). Continuity and discontinuity in contrapuntal techniques ca. 1500. Music: transitions/continuities. (pp. 120-132) edited by Mirjana Veselinovic-Hofman, Vesna Mikic, Tijana Popovic Mladenovic and Ivana Perkovic. Belgrade, Serbia: Faculty of Music, University of Arts in Belgrade. |
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2014 Book Chapter Creative collaborative thought and puzzle canons in renaissance musicCollins, Denis (2014). Creative collaborative thought and puzzle canons in renaissance music. Collaborative creative thought and practice in music. (pp. 111-126) edited by Margaret Barrett. Farnham, Surrey, United Kingdom: Ashgate. |
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2013 Book Chapter Palestrina's Missa Sacerdotes Domini and analytical approaches to renaissance counterpointCollins, Denis (2013). Palestrina's Missa Sacerdotes Domini and analytical approaches to renaissance counterpoint. Histories and Narratives of Music Analysis. (pp. 120-134) edited by Miloš Zatkalik, Milena Medić and Denis Collins. Newcastle upon Tyne, United Kingdom: Cambridge Scholars Publishing. |
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2013 Book Chapter John Bull's "Art of Canon" and plainsong-based counterpoint in the late renaissanceCollins, Denis (2013). John Bull's "Art of Canon" and plainsong-based counterpoint in the late renaissance. Music Theory and its Methods: Structures, Challenges, Directions. (pp. 99-127) edited by Denis Collins. Frankfurt Am Main, Germany: Peter Lang. |
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2013 Book Chapter PrefaceCollins, Denis (2013). Preface. Music Theory and its Methods: Structures, Challenges, Directions . (pp. VII-VIII) edited by Collins, D.. Berlin, Germany: Peter Lang. doi: 10.3726/978-3-653-02906-2 |
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2004 Book Chapter Approaches to invertible canonic composition in late sixteenth-century theory and practice.Collins, D. B. (2004). Approaches to invertible canonic composition in late sixteenth-century theory and practice.. Music Research: New Directions for a New Century. (pp. 368-375) edited by M. Ewans, R. Halton and J. Phillips. London: Cambridge Scholars Press. |
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2003 Book Chapter The vocal canons of Fernando SorCollins, D. B. (2003). The vocal canons of Fernando Sor. Estudios Sobre Fernando Sor/Sor Studies. (pp. 305-312) edited by Luis Gasser. Madrid, Spain: Instituto Complutense de Ciencias Musicales. |
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1993 Book Chapter Fugue, Canon and Double Counterpoint in Nicola Vicentino's L'antica musicaCollins, Denis (1993). Fugue, Canon and Double Counterpoint in Nicola Vicentino's L'antica musica. Music and the Church. (pp. 276-301) edited by Harry White and Gerard Gillen. Dublin, Ireland: Four Courts Press. |
