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2007 Journal Article Sending a message: How Indigenous Australian women use contemporary music recording technologies to provide a space for agency, viewpoints and agendasBarney, Katelyn (2007). Sending a message: How Indigenous Australian women use contemporary music recording technologies to provide a space for agency, viewpoints and agendas. World of Music, 49 (1), 105-123. |
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2007 Journal Article On the margins: Torres Strait Islander women performing contemporary musicBarney, Katelyn (2007). On the margins: Torres Strait Islander women performing contemporary music. Shima: The International Journal of Research into Island Cultures, 1 (2), 70-90. |
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2006 Journal Article 'Women singing up big': the growth of contemporary music recordings by Indigenous Australian women artists.Barney, K. S. (2006). 'Women singing up big': the growth of contemporary music recordings by Indigenous Australian women artists.. Australian Aboriginal Studies, 1, 44-56. |
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2006 Journal Article Book Review of: Deadly sounds, deadly places: contemporary Aboriginal music in Australia.Barney, Katelyn S. (2006). Book Review of: Deadly sounds, deadly places: contemporary Aboriginal music in Australia.. Popular Music and Society, 29 (5), 633-636. |
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2006 Other Outputs Playing musical hopscotch : how Indigenous Australian women perform around, within and against AboriginalismBarney, Katelyn Sarah (2006). Playing musical hopscotch : how Indigenous Australian women perform around, within and against Aboriginalism. PhD Thesis, School of Music, The University of Queensland. doi: 10.14264/158217 |
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2006 Journal Article Playing Hopscotch: How Indigenous women performers resist Aboriginalist constructs of race.Barney, K. S. (2006). Playing Hopscotch: How Indigenous women performers resist Aboriginalist constructs of race.. Crossings, 11 (1), 1-11. |
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2006 Journal Article Landscapes of Indigenous performance: Music, song and dance of theTorres Strait and Arnhem Land.Barney, K. S. (2006). Landscapes of Indigenous performance: Music, song and dance of theTorres Strait and Arnhem Land.. The Australian Journal of Indigenous Education., 35, 102-103. |
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2006 Journal Article Rethinking, redesigning and reflecting on teaching and learning Indigenous Australian musicBarney, K. S. (2006). Rethinking, redesigning and reflecting on teaching and learning Indigenous Australian music. Music Education Research and Innovation, 13 (1), 2-30. |
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2005 Book Chapter Celebration or Cover Up? "My island home" Australian national identity and the spectacle of Sydney 2000.Barney, K.S. (2005). Celebration or Cover Up? "My island home" Australian national identity and the spectacle of Sydney 2000.. Aesthetics and Experience in Music Performance. (pp. 141-150) edited by E. Mackinlay, D. Collins and S. Owens. Newcastle, UK: Cambridge Scholars Press. |
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2004 Journal Article "Where is their costume, where is their paint?" Exploring how Indigenous Australian women construct and negotiate their Indigeneity through contemporary musicBarney, K.S. (2004). "Where is their costume, where is their paint?" Exploring how Indigenous Australian women construct and negotiate their Indigeneity through contemporary music. Perfect Beat. The Pacific Journal of Research into Contemporary Music and Popular Culture., 7 (1), 42-59. |
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2004 Book Chapter Repositioning Music Analysis: Preparatory thoughts for a case study of Indigenous Australian women's contemporary musicBarney, K.S. (2004). Repositioning Music Analysis: Preparatory thoughts for a case study of Indigenous Australian women's contemporary music. Music Research: New Directions for a New Century. (pp. 156-165) edited by M. Ewans, R. Halton and J.A. Philips. Buckinghamshire: Cambridge Scholars Press. |
