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2018 Journal Article Book review: Rattling art history: the discipline's uncertain conditions: "Rattling spears: a history of Indigenous Australian Art by Ian McLean, London: Reaktion, 2016"Butler, Sally (2018). Book review: Rattling art history: the discipline's uncertain conditions: "Rattling spears: a history of Indigenous Australian Art by Ian McLean, London: Reaktion, 2016". Art History, 41 (4), 761-764. doi: 10.1111/1467-8365.12392 |
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2018 Book Chapter IndigeneityButler, Sally (2018). Indigeneity. Visual Global Politics. (pp. 189-195) edited by Roland Bleiker. New York, NY United States: Routledge. |
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2017 Journal Article Are dead artists' paintings more lively? - Agency in description of artworks before and after an artist's deathSullivan, Karen and Butler, Sally (2017). Are dead artists' paintings more lively? - Agency in description of artworks before and after an artist's death. Word, 63 (3), 198-206. doi: 10.1080/00437956.2017.1347312 |
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2017 Book Chapter Embodied witnessing: Indigenous performance art as political dissentButler, Sally and Bleiker, Roland (2017). Embodied witnessing: Indigenous performance art as political dissent. Art as political witness. (pp. 99-115) edited by Kia Lindroos and Frank Moller. Berlin, Germany: Barbara Budrich Publishers. |
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2017 Book Chapter 'Temporary belonging': Indigenous cultural tourism and community art centresButler, Sally (2017). 'Temporary belonging': Indigenous cultural tourism and community art centres. Performing cultural tourism: communities, tourists and creative practices. (pp. 13-28) edited by Susan Carson and Mark Pennings. Abingdon, Oxon, United Kingdom: Routledge. doi: 10.4324/9781315174464 |
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2017 Book Chapter Australian indigenous art and literatureButler, Sally (2017). Australian indigenous art and literature. Worldmaking: literature, language, culture. (pp. 107-116) edited by Tom Clark, Emily Finlay and Phillipa Kelly. Amsterdam, Netherlands: John Benjamins. doi: 10.1075/fillm.5.09but |
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2016 Journal Article Here’s looking at: Cindy Sherman ‘Head Shots’Butler, Sally (2016, 05 24). Here’s looking at: Cindy Sherman ‘Head Shots’ |
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2016 Journal Article Radical dreaming: Indigenous art and cultural diplomacyButler, Sally and Bleiker, Roland (2016). Radical dreaming: Indigenous art and cultural diplomacy. International Political Sociology, 10 (1), 56-74. doi: 10.1093/ips/olv004 |
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2015 Conference Publication Weaving worldviews and waste: GhostNets art personalizing environmental ethicsButler, Sally (2015). Weaving worldviews and waste: GhostNets art personalizing environmental ethics. Unmaking Waste 2015, University of South Australia, Adelaide, 22-24 May 2015. Architecture and Design University of South Australia, Adelaide, South Australia: Zero Waste SA Research Centre for Sustainable Design and Behaviour. |
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2014 Journal Article 'My Country' but 'Not My Style'Butler, Sally (2014). 'My Country' but 'Not My Style'. Eyeline: Contemporary Visual Arts, 81, 36-41. |
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2013 Journal Article J. THOMAS RIMER(ed)Since Meiji: Perspectives on the Japanese Visual Arts, 1868–2000,Butler, Sally (2013). J. THOMAS RIMER(ed)Since Meiji: Perspectives on the Japanese Visual Arts, 1868–2000,. Asian Studies Review, 37 (1), 103-105. doi: 10.1080/10357823.2013.767164 |
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2012 Other Outputs The "presence" of Queensland Indigenous artButler, Sally (2012). The "presence" of Queensland Indigenous art. Crossing cultures: the Owen and Wagner collection of contemporary aboriginal Australian art at the Hood Museum of Art. (pp. 82-91) edited by Stephen Gilchrist. Hanover, New Hampshire, USA: Hood Museum of Art, Dartmouth College. |
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2010 Book Before time today: Reinventing tradition in Aurukun Aboriginal artSally Butler ed. (2010). Before time today: Reinventing tradition in Aurukun Aboriginal art. St Lucia, QLD, Australia: University of Queensland Press. |
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2009 Book Chapter Translating the spectacle: John Mawurndjul's intercultural aestheticButler, Sally (2009). Translating the spectacle: John Mawurndjul's intercultural aesthetic. Between indigenous Australia and Europe : John Mawurndjul : Art histories in context. (pp. 161-174) edited by Claus Volkenandt and Christian Kaufmann. Canberra ACT: Aboriginal Studies Press. |
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2007 Book Our way: Contemporary Aboriginal art from Lockhart RiverButler, Sally (2007). Our way: Contemporary Aboriginal art from Lockhart River. St. Lucia, QLD, Australia: University of Queensland Press. |
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2003 Journal Article Multiple views: Pluralism as curatorial perspectiveButler, S. (2003). Multiple views: Pluralism as curatorial perspective. Australian and New Zealand Journal of Art, 4 (1), 11-28. doi: 10.1080/14434318.2003.11432722 |
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2002 Other Outputs Emily Kngwarreye and the enigmatic object of discourseButler, Sally (2002). Emily Kngwarreye and the enigmatic object of discourse. PhD Thesis, School of English, Media Studies and Art History, The University of Queensland. doi: 10.14264/106210 |
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2022 Journal Article The Karrabing Film Collective's decolonising signsButler, Sally (2022). The Karrabing Film Collective's decolonising signs. Eye Filmmuseum. |
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2022 Other Outputs Shielding the spirit - Jennifer Herd (MBarbarum) and Joanne Currie (Gungurri)Butler, Sally (2022). Shielding the spirit - Jennifer Herd (MBarbarum) and Joanne Currie (Gungurri). Veiled Histories, Works by leading First Nations artists Jennifer Herd (MBarbarum) and Joanne Currie (Gungurri). (pp. 22-29) edited by Caloundra Regional Gallery. Caloundra, QLD, Australia: Caloundra Regional Gallery. |
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2019 Journal Article Inalienable signs and invited guests: Australian Indigenous art and cultural tourismButler, Sally (2019). Inalienable signs and invited guests: Australian Indigenous art and cultural tourism. Arts, 8 (161) 4, 161. doi: 10.3390/arts8040161 |
