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2006

Journal Article

Southern geographies and the domestication of science in the photography of J. W. Lindt

de Lorenzo, C. and van der Plaat, Deborah Anne (2006). Southern geographies and the domestication of science in the photography of J. W. Lindt. Australian and New Zealand Journal of Art, 6/7 (2/1), 143-166.

Southern geographies and the domestication of science in the photography of J. W. Lindt

2004

Journal Article

More than meets the eye: Photographic records of Humboldtian imaginings

De Lorenzo, Catherine and van der Plaat, Deborah (2004). More than meets the eye: Photographic records of Humboldtian imaginings. Mosaic : A Journal for the Interdisciplinary Study of Literature, 37 (4), 237-253.

More than meets the eye: Photographic records of Humboldtian imaginings

2004

Journal Article

'Our Australian Switzerland': Lindt, Humboldt and the Victorian landscape

De Lorenzo, C and Van der Plaat, D (2004). 'Our Australian Switzerland': Lindt, Humboldt and the Victorian landscape. Studies in the History of Gardens & Designed Landscapes, 24 (2), 133-149.

'Our Australian Switzerland': Lindt, Humboldt and the Victorian landscape

2004

Journal Article

‘Our Australian Switzerland’: Lindt, Humboldt and the Victorian landscape

de Lorenzo, Catherine and van der Plaat, Deborah (2004). ‘Our Australian Switzerland’: Lindt, Humboldt and the Victorian landscape. Studies in the History of Gardens & Designed Landscapes, 24 (2), 133-150.

‘Our Australian Switzerland’: Lindt, Humboldt and the Victorian landscape

2004

Journal Article

The significance of the "temple idea" in William Lethaby's Architecture, Mysticism and Myth (1891)

van der plaat, Deborah (2004). The significance of the "temple idea" in William Lethaby's Architecture, Mysticism and Myth (1891). Nineteenth-Century Art World-Wide: A Journal of Nineteenth-Century Visual Culture, 3 (1).

The significance of the "temple idea" in William Lethaby's Architecture, Mysticism and Myth (1891)

2003

Journal Article

Navigating the sea of diversity: Multicultural place-making in Sydney

Stewart, Susan, Hanna, Bronwyn, Thompson, Susan, Gusheh, Maryam, Armstrong, Helen and Van der Plaat, Deborah (2003). Navigating the sea of diversity: Multicultural place-making in Sydney. International Journal of Diversity in Organisations, Communities and Nations, 3, 233-246.

Navigating the sea of diversity: Multicultural place-making in Sydney

2002

Journal Article

(FAB12_1_002) 'Would you know the new, you must search the old': William Lethaby's 'Architecture, Mysticism and Myth' (1891) and the 'Hypnerotomachia Poliphili' (1499)

van der Plaat, Deborah (2002). (FAB12_1_002) 'Would you know the new, you must search the old': William Lethaby's 'Architecture, Mysticism and Myth' (1891) and the 'Hypnerotomachia Poliphili' (1499). Fabrications : The Journal of the Society of Architectural Historians, Australia and New Zealand, 12 (1), 1-26.

(FAB12_1_002) 'Would you know the new, you must search the old': William Lethaby's 'Architecture, Mysticism and Myth' (1891) and the 'Hypnerotomachia Poliphili' (1499)

2002

Journal Article

Seeking a 'symbolism comprehensible' to 'the great majority of spectators': William Lethaby's Architecture, Mysticism, and Myth and its debt to Victorian Mythography

van der Plaat, Deborah (2002). Seeking a 'symbolism comprehensible' to 'the great majority of spectators': William Lethaby's Architecture, Mysticism, and Myth and its debt to Victorian Mythography. Architectural History, 45, 364-385.

Seeking a 'symbolism comprehensible' to 'the great majority of spectators': William Lethaby's Architecture, Mysticism, and Myth and its debt to Victorian Mythography

2002

Journal Article

Seeking a 'symbolism comprehensible' to 'the great majority of spectators': William Lethaby's architecture, mysticism and myth and its debt to Victorian mythography

Van der Plaat, D (2002). Seeking a 'symbolism comprehensible' to 'the great majority of spectators': William Lethaby's architecture, mysticism and myth and its debt to Victorian mythography. Architectural History, 45, 363-385. doi: 10.2307/1568789

Seeking a 'symbolism comprehensible' to 'the great majority of spectators': William Lethaby's architecture, mysticism and myth and its debt to Victorian mythography