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2024 Book Chapter Singing Country in the Land Now Known as AustraliaBracknell, Clint and Bennett, Lou (2024). Singing Country in the Land Now Known as Australia. The Cambridge Companion to Music in Australia. (pp. 56-71) Cambridge University Press. doi: 10.1017/9781108991209.005 |
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2024 Book Chapter Introduction and Historiography of Music in AustraliaHarris, Amanda and Bracknell, Clint (2024). Introduction and Historiography of Music in Australia. The Cambridge Companion to Music in Australia. (pp. 1-20) Cambridge University Press. doi: 10.1017/9781108991209.002 |
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2024 Book Chapter Exclusion and Inclusion in Australian MetalGlitsos, Laura and Bracknell, Clint (2024). Exclusion and Inclusion in Australian Metal. The Cambridge Companion to Music in Australia. (pp. 173-187) Cambridge University Press. doi: 10.1017/9781108991209.012 |
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2024 Book Chapter Learning from Music in AustraliaBracknell, Clint and Harris, Amanda (2024). Learning from Music in Australia. The Cambridge Companion to Music in Australia. (pp. 395-411) Cambridge University Press. doi: 10.1017/9781108991209.026 |
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2023 Book Chapter Hecate: adaptation, education and cultural activismBracknell, Clint and Bracknell, Kylie (2023). Hecate: adaptation, education and cultural activism. Reimagining Shakespeare education: teaching and learning through collaboration. (pp. 145-158) edited by Liam E. Semler, Claire Hansen and Jacqueline Manuel. Cambridge, United Kingdom: Cambridge University Press. doi: 10.1017/9781108778510.016 |
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2023 Book Chapter Old dogs and ice ages in Noongar countryBracknell, Clint (2023). Old dogs and ice ages in Noongar country. Everywhen: Australia and the language of deep history. (pp. 75-92) edited by Ann McGrath, Laura Rademaker and Jakelin Troy. Lincoln, NE United States ; Sydney, NSW, Australia: University of Nebraska Press ; UNSW Press (NewSouth Publishing). |
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2023 Book Chapter Rock band: a third, brave space for Indigenous languageBracknell, Clint (2023). Rock band: a third, brave space for Indigenous language. Musical collaboration between Indigenous and non-Indigenous people in Australia: exchanges in the third space. (pp. 23-42) edited by Katelyn Barney. New York, NY, United States: Routledge. doi: 10.4324/9781003288572-3 |
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2022 Book Chapter Reanimating 1830s Nyungar songs of MiagoBracknell, Clint (2022). Reanimating 1830s Nyungar songs of Miago. Music, dance and the archive. (pp. 93-116) edited by Amanda Harris, Linda Barwick and Jakelin Troy. Sydney, NSW, Australia: University of Sydney Press. doi: 10.30722/sup.9781743328675.06 |
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2021 Book Chapter Educative power and the respectful curricular inclusion of Aboriginal and Torres Strait Islander musicWebb, Michael and Bracknell, Clint (2021). Educative power and the respectful curricular inclusion of Aboriginal and Torres Strait Islander music. The politics of diversity in music education. (pp. 71-86) edited by Alexis Anja Kallio, Heidi Westerlund, Sidsel Karlsen, Kathryn Marsh and Eva Sæther. Cham, Switzerland: Springer International Publishing. doi: 10.1007/978-3-030-65617-1_6 |
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2019 Book Chapter Ever-widening circles: consolidating and enhancing Wirlomin Noongar archival material in the communityBracknell, Clint and Scott, Kim (2019). Ever-widening circles: consolidating and enhancing Wirlomin Noongar archival material in the community. Archival Returns: Central Australia and Beyond. (pp. 325-338) edited by Linda Barwick, Jennifer Green and Petronella Vaarson-Morel. Honolulu, HI, United States: University of Hawai'i Press. |
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2019 Book Chapter Identity, language and collaboration in Indigenous musicBracknell, Clint (2019). Identity, language and collaboration in Indigenous music. The difference identity makes: Indigenous cultural capital in Australian cultural fields. (pp. 99-123) edited by Lawrence Bamblett, Fred Myers and Tim Rowse. Canberra, ACT, Australia: Aboriginal Studies Press. |
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2017 Book Chapter Maaya Waabiny (playing with sound): Nyungar song language and spoken languageBracknell, Clint (2017). Maaya Waabiny (playing with sound): Nyungar song language and spoken language. Recirculating songs: revitalising the singing practices of Indigenous Australia. (pp. 43-55) edited by Jim Wafer and Myfany Turpin. Hamilton, NSW: Hunter Press. |
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2017 Book Chapter Could a 'Noongarpedia' form the basis for an emerging form of citizenship in the age of new media?Collard, Leonard, Hartley, John, Scott, Kim, Bracknell, Clint and Lucy, Niall (2017). Could a 'Noongarpedia' form the basis for an emerging form of citizenship in the age of new media?. Media and citizenship: between marginalisation and participation. (pp. 159-180) edited by Anthea Garman and Herman Wasserman. Cape Town, South Africa: HSRC Press. |
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2016 Book Chapter Bobby Roberts: intermediary and outlaw of Western Australia's south coastBracknell, Clint (2016). Bobby Roberts: intermediary and outlaw of Western Australia's south coast. Brokers and boundaries: colonial exploration in Indigenous territory. (pp. 119-139) edited by Tiffany Shellam, Maria Nugent, Shino Konishi and Allison Cadzow. Canberra, ACT, Australia: Australian National University. doi: 10.22459/BB.04.2016.06 |
