|
2024 Journal Article ‘There was a cone of silence as though this was normal’: tuning in and turning up the conversation on ‘Teach Us Consent’Mackinlay, Elizabeth, Mickelburgh, Renée T., Henderson, Margaret, Evans, Bonnie and Gowlett, Christina (2024). ‘There was a cone of silence as though this was normal’: tuning in and turning up the conversation on ‘Teach Us Consent’. Gender and Education, 36 (3), 213-229. doi: 10.1080/09540253.2024.2305949 |
|
2023 Other Outputs Interim project report: what’s worrying young people? Tuning into and turning up the conversation on consent in tertiary residential collegesMackinlay, Liz, Mickelburgh, Renee, Monro, Anita and Evans, Bonnie (2023). Interim project report: what’s worrying young people? Tuning into and turning up the conversation on consent in tertiary residential colleges. Lismore, NSW Australia: Southern Cross University. doi: 10.25918/report.298 |
|
2022 Other Outputs Evoking embodied experience: contemporary feminisms and gendered violence in horror and true crime film and televisionEvans, Bonnie (2022). Evoking embodied experience: contemporary feminisms and gendered violence in horror and true crime film and television. PhD Thesis, School of Communication and Arts, The University of Queensland. doi: 10.14264/2eb2fc7 |
|
2022 Book Chapter The affect of writing to it: a collaborative response to encountering Deleuze and Guattari for the first timeAllotta, Elizabeth, Doherty, Eloise, Andriani, Dewi, Burke, Kathy, Cooke, Emma, Evans, Bonnie, Green, Mel, Madden, Karen, Mickelburgh, Renee, Musofer, Muhammad Ali, Vayada, Preeti, Mackinlay, Elizabeth and Wyatt, Jonathan (2022). The affect of writing to it: a collaborative response to encountering Deleuze and Guattari for the first time. Doing Rebellious Research In and beyond the Academy. (pp. 188-207) edited by Pamela Burnard, Elizabeth Mackinlay, David Rousell and Tatjana Dragovic. Leiden, Netherlands: Brill. doi: 10.1163/9789004516069_015 |
|
2020 Book Chapter Screen memories in true crime documentary: trauma, bodies, and places in The Keepers (2017) and Casting JonBenet (2017)Evans, Bonnie (2020). Screen memories in true crime documentary: trauma, bodies, and places in The Keepers (2017) and Casting JonBenet (2017). Places of traumatic memory: a global context. (pp. 263-283) edited by Amy Lynn Hubbell, Natsuko Akagawa, Sol Rojas-Lizana and Annie Pohlman. Cham, Switzerland: Palgrave Macmillan. doi: 10.1007/978-3-030-52056-4_13 |
