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2024 Book Chapter The forest palimpsest in As You Like It and the medieval imaginaryBladen, Victoria (2024). The forest palimpsest in As You Like It and the medieval imaginary. Medieval afterlives: transforming traditions in Shakespeare and early English drama. (pp. 283-310) edited by Daisy Black and Katharine Goodland. Manchester, United Kingdom: Manchester University Press. |
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2023 Book Chapter Introduction - From Canon to Queer: Romeo and Juliet on ScreenBladen, Victoria, Hatchuel, Sarah and Vienne-Guerrin, Nathalie (2023). Introduction - From Canon to Queer: Romeo and Juliet on Screen. Shakespeare on Screen: Romeo and Juliet. (pp. 1-29) edited by Bladen, V, Hatchuel, S and Vienne-Guerrin, N. Cambridge, United Kingdom: Cambridge University Press. |
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2023 Book Shakespeare on Screen: Romeo and JulietVictoria Bladen, Sarah Hatchuel and Nathalie Vienne-Guerrin eds. (2023). Shakespeare on Screen: Romeo and Juliet. Shakespeare on Screen, Cambridge, United Kingdom: Cambridge University Press. doi: 10.1017/9781009200905 |
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2023 Book Chapter Aquatic and Celestial Space in Baz Luhrmann's William Shakespeare's Romeo plus Juliet (1996)Bladen, Victoria (2023). Aquatic and Celestial Space in Baz Luhrmann's William Shakespeare's Romeo plus Juliet (1996). Shakespeare On Screen: Romeo and Juliet. (pp. 62-78) edited by Bladen, V, Hatchuel, S and Vienne-Guerrin, N. Cambridge, United Kingdom: Cambridge University Press. |
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2022 Book Onscreen allusions to Shakespeare: international films, television, and theatreAlexa Alice Joubin and Victoria Bladen eds. (2022). Onscreen allusions to Shakespeare: international films, television, and theatre. Global Shakespeares, Cham, Switzerland: Palgrave Macmillan. doi: 10.1007/978-3-030-93783-6 |
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2022 Book Chapter Introduction to onscreen allusions to ShakespeareJoubin, Alexa Alice and Bladen, Victoria (2022). Introduction to onscreen allusions to Shakespeare. Onscreen allusions to Shakespeare: international films, television, and theatre. (pp. 1-12) edited by Alexa Alice Joubin and Victoria Bladen. Cham, Switzerland: Springer. doi: 10.1007/978-3-030-93783-6_1 |
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2022 Book The tree of life and arboreal aesthetics in early modern literatureBladen, Victoria (2022). The tree of life and arboreal aesthetics in early modern literature. New York, NY USA: Routledge. doi: 10.4324/9781003180043 |
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2022 Book Chapter Elsinore's ecosystem: the natural and the supernatural in Hamlet Bladen, Victoria (2022). Elsinore's ecosystem: the natural and the supernatural in Hamlet . Hamlet in the twenty-first century. (pp. 133-147) edited by Victoria Bladen and Yan Brailowsky. Paris, France: CNED- Belin Education. |
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2022 Book Chapter Antipodean Shakespeares: appropriating Shakespeare in Australian filmBladen, Victoria (2022). Antipodean Shakespeares: appropriating Shakespeare in Australian film. Onscreen allusions to Shakespeare: international films, television, and theatre. (pp. 33-55) edited by Alexa Alice Joubin and Victoria Bladen. Cham, Switzerland: Springer. doi: 10.1007/978-3-030-93783-6_3 |
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2022 Book Hamlet in the twenty-first centuryVictoria Bladen and Yan Brailowsky eds. (2022). Hamlet in the twenty-first century. Paris, France: CNED; Belin Education. |
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2020 Book Chapter Two tragedies of love: Romeo and Juliet and OthelloBladen, Victoria (2020). Two tragedies of love: Romeo and Juliet and Othello. The Cambridge companion to Shakespeare on screen. (pp. 92-104) edited by Russell Jackson. Cambridge, United Kingdom: Cambridge University Press. doi: 10.1017/9781108367479.009 |
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2020 Book William Shakespeare's The merchant of VeniceBladen, Victoria (2020). William Shakespeare's The merchant of Venice. Cheltenham, Victoria: Insight Publications. |
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2019 Book Chapter Introduction: dis-locating King Lear on screenBladen, Victoria, Hatchuel, Sarah and Vienne-Guerrin, Nathalie (2019). Introduction: dis-locating King Lear on screen. Shakespeare on screen: King Lear. (pp. 1-30) Cambridge, United Kingdom: Cambridge University Press. doi: 10.1017/9781108589727.001 |
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2019 Book William Shakespeare's Much ado about nothingBladen, Victoria (2019). William Shakespeare's Much ado about nothing. Cheltenham, Victoria: Insight Publications. |
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2019 Book Shakespeare on screen: King LearVictoria Bladen, Sarah Hatchuel and Nathalie Vienne-Guerrin eds. (2019). Shakespeare on screen: King Lear. Shakespeare on Screen, Cambridge, United Kingdom: Cambridge University Press. doi: 10.1017/9781108589727 |
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2019 Book Chapter Looking for Lear in The Eye of the StormBladen, Victoria (2019). Looking for Lear in The Eye of the Storm. Shakespeare on screen: King Lear. (pp. 185-201) edited by Victoria Bladen, Sarah Hatchuel and Nathalie Vienne-Guerrin. Cambridge, United Kingdom: Cambridge University Press. doi: 10.1017/9781108589727.012 |
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2017 Journal Article Performing the Child Motif in Kurzel’s Macbeth (2015)Bladen, Victoria (2017). Performing the Child Motif in Kurzel’s Macbeth (2015). Anglistik, 28 (2), 129-137. |
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2017 Book Chapter Screen magic in Peter Greenaway’s Prospero’s Books and Julie Taymor’s The TempestBladen, Victoria (2017). Screen magic in Peter Greenaway’s Prospero’s Books and Julie Taymor’s The Tempest. Shakespeare on screen: The Tempest and late romances. (pp. 215-231) edited by Sarah Hatchuel and Nathalie Vienne-Guerrin. Cambridge, United Kingdom: Cambridge University Press. doi: 10.1017/9781316286449.014 |
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2015 Journal Article Pastoral retreat and green texts: the 2009 Globe production of Love's Labour's LostBladen, Victoria (2015). Pastoral retreat and green texts: the 2009 Globe production of Love's Labour's Lost. Australian Literary Studies, 30 (2), 29-43. doi: 10.20314/als.6fad022437 |
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2015 Book Chapter The intersections of supernatural and secular powerBladen, Victoria and Harmes, Marcus (2015). The intersections of supernatural and secular power. Supernatural and Secular Power in Early Modern England. (pp. 1-14) edited by Marcus Harmes and Victoria Bladen. Farnham, Surrey, England: Ashgate Publishing. |
