|
2024 Book Chapter The forest palimpsest in As You Like It and the medieval imaginaryBladen, Victoria (2024). The forest palimpsest in As You Like It and the medieval imaginary. Medieval afterlives: transforming traditions in Shakespeare and early English drama. (pp. 283-310) edited by Daisy Black and Katharine Goodland. Manchester, United Kingdom: Manchester University Press. |
|
2023 Book Chapter Introduction - From Canon to Queer: Romeo and Juliet on ScreenBladen, Victoria, Hatchuel, Sarah and Vienne-Guerrin, Nathalie (2023). Introduction - From Canon to Queer: Romeo and Juliet on Screen. Shakespeare on Screen: Romeo and Juliet. (pp. 1-29) edited by Bladen, V, Hatchuel, S and Vienne-Guerrin, N. Cambridge, United Kingdom: Cambridge University Press. |
|
2023 Book Chapter Aquatic and Celestial Space in Baz Luhrmann's William Shakespeare's Romeo plus Juliet (1996)Bladen, Victoria (2023). Aquatic and Celestial Space in Baz Luhrmann's William Shakespeare's Romeo plus Juliet (1996). Shakespeare On Screen: Romeo and Juliet. (pp. 62-78) edited by Bladen, V, Hatchuel, S and Vienne-Guerrin, N. Cambridge, United Kingdom: Cambridge University Press. |
|
2022 Book Chapter Introduction to onscreen allusions to ShakespeareJoubin, Alexa Alice and Bladen, Victoria (2022). Introduction to onscreen allusions to Shakespeare. Onscreen allusions to Shakespeare: international films, television, and theatre. (pp. 1-12) edited by Alexa Alice Joubin and Victoria Bladen. Cham, Switzerland: Springer. doi: 10.1007/978-3-030-93783-6_1 |
|
2022 Book Chapter Antipodean Shakespeares: appropriating Shakespeare in Australian filmBladen, Victoria (2022). Antipodean Shakespeares: appropriating Shakespeare in Australian film. Onscreen allusions to Shakespeare: international films, television, and theatre. (pp. 33-55) edited by Alexa Alice Joubin and Victoria Bladen. Cham, Switzerland: Springer. doi: 10.1007/978-3-030-93783-6_3 |
|
2022 Book Chapter Elsinore's ecosystem: the natural and the supernatural in Hamlet Bladen, Victoria (2022). Elsinore's ecosystem: the natural and the supernatural in Hamlet . Hamlet in the twenty-first century. (pp. 133-147) edited by Victoria Bladen and Yan Brailowsky. Paris, France: CNED- Belin Education. |
|
2020 Book Chapter Two tragedies of love: Romeo and Juliet and OthelloBladen, Victoria (2020). Two tragedies of love: Romeo and Juliet and Othello. The Cambridge companion to Shakespeare on screen. (pp. 92-104) edited by Russell Jackson. Cambridge, United Kingdom: Cambridge University Press. doi: 10.1017/9781108367479.009 |
|
2019 Book Chapter Introduction: dis-locating King Lear on screenBladen, Victoria, Hatchuel, Sarah and Vienne-Guerrin, Nathalie (2019). Introduction: dis-locating King Lear on screen. Shakespeare on screen: King Lear. (pp. 1-30) Cambridge, United Kingdom: Cambridge University Press. doi: 10.1017/9781108589727.001 |
|
2019 Book Chapter Looking for Lear in The Eye of the StormBladen, Victoria (2019). Looking for Lear in The Eye of the Storm. Shakespeare on screen: King Lear. (pp. 185-201) edited by Victoria Bladen, Sarah Hatchuel and Nathalie Vienne-Guerrin. Cambridge, United Kingdom: Cambridge University Press. doi: 10.1017/9781108589727.012 |
|
2017 Book Chapter Screen magic in Peter Greenaway’s Prospero’s Books and Julie Taymor’s The TempestBladen, Victoria (2017). Screen magic in Peter Greenaway’s Prospero’s Books and Julie Taymor’s The Tempest. Shakespeare on screen: The Tempest and late romances. (pp. 215-231) edited by Sarah Hatchuel and Nathalie Vienne-Guerrin. Cambridge, United Kingdom: Cambridge University Press. doi: 10.1017/9781316286449.014 |
|
2015 Book Chapter The intersections of supernatural and secular powerBladen, Victoria and Harmes, Marcus (2015). The intersections of supernatural and secular power. Supernatural and Secular Power in Early Modern England. (pp. 1-14) edited by Marcus Harmes and Victoria Bladen. Farnham, Surrey, England: Ashgate Publishing. |
|
2015 Book Chapter Othello on screen: monsters, marvellous space and the power of the taleBladen, Victoria (2015). Othello on screen: monsters, marvellous space and the power of the tale. Shakespeare on screen: Othello. (pp. 24-42) edited by Sarah Hatchuel and Nathalie Vienne-Guerrin. Cambridge, United Kingdom: Cambridge University Press. doi: 10.1017/CBO9781316272060 |
|
2015 Book Chapter Shaping supernatural identity in The Witch of Edmonton (1621)Bladen, Victoria (2015). Shaping supernatural identity in The Witch of Edmonton (1621). Supernatural and Secular Power in Early Modern England. (pp. 95-116) edited by Marcus Harmes and Victoria Bladen. Farnham, Surrey, United Kingdom: Ashgate Publishing. |
|
2013 Book Chapter Weird space in macbeth on screenBladen, Victoria (2013). Weird space in macbeth on screen. Shakespeare on screen: macbeth. (pp. 81-106) edited by Sarah Hatchuel, Nathalie Vienne-Guerrin and Victoria Bladen. Mont-Saint-Aignan, France: Presses Universitaires de Rouen et du Havre. |
|
2011 Book Chapter The ghost and the skull: Rupturing borders between the living and the dead in filmed HamletsBladen, Victoria (2011). The ghost and the skull: Rupturing borders between the living and the dead in filmed Hamlets. Shakespeare on screen: Hamlet. (pp. 143-174) edited by Sarah Hatchuel and Nathalie Vienne-Guerrin. Le Havre, France: Universities De Rouen Et Du Havre. |
|
2011 Book Chapter Imagining Zeus and the Zeus of Olympia in early modern cultureBladen, Victoria (2011). Imagining Zeus and the Zeus of Olympia in early modern culture. The statue of Zeus at Olympia: New approaches. (pp. 173-188) edited by Janette McWilliam, Sonia Puttock, Tom Stevenson and Rashna Taraporewalla. Newcastle-upon-Tyne: Cambridge Scholars Publishing. |
|
2010 Book Chapter The "Tree of Life" and the King's arboreal bodies in Shakespeare's CymbelineBladen, Victoria (2010). The "Tree of Life" and the King's arboreal bodies in Shakespeare's Cymbeline. "Rapt in secret studies" : Emerging Shakespeares. (pp. 213-229) edited by Darryl Chalk and Lawrence Johnson. Newcastle upon Tyne, U.K.: Cambridge Scholars Publishing. |
|
2010 Book Chapter Pruning the tree of virtue in in Shakespeare’s Titus AndronicusBladen, Victoria (2010). Pruning the tree of virtue in in Shakespeare’s Titus Andronicus. 'This earthly stage': World and stage in late medieval and early modern England. (pp. 39-61) edited by Brett D. Hirsch and Christopher Wortham. Turnhout, Belgium: Brepols. |
|
2009 Book Chapter The lopped lavinia-tree: Intersections of fallen terrain between William Shakespeare's Titus Andronicus (1594) and Julie Taymor's Titus (2000)Bladen, Victoria (2009). The lopped lavinia-tree: Intersections of fallen terrain between William Shakespeare's Titus Andronicus (1594) and Julie Taymor's Titus (2000). Shakespeare on screen: The Roman plays. (pp. 67-103) edited by Sarah Hatchuel and Nathalie Vienne-Guerrin. France: Publications des Universities De Rouen Et Du Havre. |
|
2008 Book Chapter Andrew Marvell and the tree of lifeBladen, Victoria (2008). Andrew Marvell and the tree of life. Renaissance Poetry and Drama in Context: Essays for Christopher Wortham. (pp. 269-284) edited by Lynch, Andrew and Scott, Anne M.. Newcastle UK: Cambridge Scholars Publishing. |
