|
2013 Journal Article Metacritique in the eighth circle of hellHainge, Greg (2013). Metacritique in the eighth circle of hell. Symploke, 21 (1-2), 341-345. doi: 10.1353/sym.2013.0024 |
|
2012 Journal Article To have done with the perspective of the (biological) body: Gaspar Noe´’s Enter the Void, somatic film theory and the biocinematic imaginaryHainge, Greg (2012). To have done with the perspective of the (biological) body: Gaspar Noe´’s Enter the Void, somatic film theory and the biocinematic imaginary. Somatechnics, 2 (2), 305-324. doi: 10.3366/soma.2012.0063 |
|
2012 Journal Article A full face bright red money shot: Incision, wounding and film spectatorship in Marina de Van's Dans ma peauHainge, Greg (2012). A full face bright red money shot: Incision, wounding and film spectatorship in Marina de Van's Dans ma peau. Continuum: Journal of Media and Cultural Studies, 26 (4), 565-577. doi: 10.1080/10304312.2012.698036 |
|
2012 Journal Article Celine Chez les fils de la Perfide Albion: Les etudes Celiniennes dans le contexte Universitaire Anglophone depuis 1961Hainge, Greg (2012). Celine Chez les fils de la Perfide Albion: Les etudes Celiniennes dans le contexte Universitaire Anglophone depuis 1961. Études Céliniennes, 7, 5-19. |
|
2011 Journal Article Formulating God: The ongoing place of theology in the philosophy of Gilles DeleuzeHainge, Greg and Cullen, Jason (2011). Formulating God: The ongoing place of theology in the philosophy of Gilles Deleuze. Culture, Theory and Critique, 52 (2-3), 303-319. doi: 10.1080/14735784.2011.630888 |
|
2011 Journal Article Larry SchehrPratt, Murray, Stephens, Elizabeth, Rolls, Alistair, Hardwick, Joe and Hainge, Greg (2011). Larry Schehr. Australian Journal of French Studies, 48 (3), 348-352. doi: 10.3828/ajfs.48.3.348 |
|
2011 Journal Article Tekhne, technique, technologieHainge, Greg, De Nooy, Juliana and Hanna, Barbara E. (2011). Tekhne, technique, technologie. Australian Journal of French Studies, 48 (2), 121-128. doi: 10.3828/AJFS.48.2.121 |
|
2010 Journal Article Une voix déplacée: La ventriloquie chez Céline ou pour en finir avec le jugement historiqueHainge, Greg (2010). Une voix déplacée: La ventriloquie chez Céline ou pour en finir avec le jugement historique. Études Céliniennes, 5 (Hiver 2009-2010), 71-94. |
|
2009 Journal Article Airport music: Muzak, 'Non-lieux' and film sound in Stéphanik's Stand-by and Lioret's Tombés du cielHainge, Greg (2009). Airport music: Muzak, 'Non-lieux' and film sound in Stéphanik's Stand-by and Lioret's Tombés du ciel. Studies in French Cinema, 9 (3), 201-214. doi: 10.1386/sfc.9.3.201/1 |
|
2008 Journal Article Three non-places of supermodernity in the history of French cinema: 1967, 1985, 2000. Playtime, Subway and Stand-byHainge, G. (2008). Three non-places of supermodernity in the history of French cinema: 1967, 1985, 2000. Playtime, Subway and Stand-by. Australian Journal of French Studies, 45 (3), 197-211. doi: 10.3828/AJFS.45.3.197 |
|
2008 Journal Article A tale of (at least) two Hiroshimas: Nobuhiro Suwa's H Story and Alain Resnais's Hiroshima Mon AmourHainge, Greg (2008). A tale of (at least) two Hiroshimas: Nobuhiro Suwa's H Story and Alain Resnais's Hiroshima Mon Amour. Contemporary French Civilization, 32 (2), 147-174. doi: 10.3828/cfc.2008.8 |
|
2008 Journal Article Unfixing the photographic image: Photography, indexicality, fidelity and normativityHainge, G. (2008). Unfixing the photographic image: Photography, indexicality, fidelity and normativity. Continuum: Journal of Media & Cultural Studies, 22 (5), 715-730. doi: 10.1080/10304310802311659 |
|
2008 Journal Article The unbearable blandness of Being: The everyday and Muzak in Barton Fink and FargoHainge, G. (2008). The unbearable blandness of Being: The everyday and Muzak in Barton Fink and Fargo. Post Script: Essays in Film and the Humanities, 27 (2), 38-47. |
|
2007 Journal Article The architect’s scalpel: The monstrous digital futures of Alexa Wright’s PreciousHainge, G. (2007). The architect’s scalpel: The monstrous digital futures of Alexa Wright’s Precious. Social Semiotics, 17 (3), 327-340. doi: 10.1080/10350330701448652 |
|
2007 Journal Article Vinyl is dead, long live vinyl: the work of recording and mourning in the age of digital reproductionHainge, Greg (2007). Vinyl is dead, long live vinyl: the work of recording and mourning in the age of digital reproduction. Culture Machine, 9, 1-23. |
|
2007 Journal Article Le corps concret: Of bodily and filmic material excess in Philippe Grandrieux's cinemaHainge, Greg (2007). Le corps concret: Of bodily and filmic material excess in Philippe Grandrieux's cinema. Australian Journal of French Studies, 44 (2), 153-171. doi: 10.3828/AJFS.44.2.153 |
|
2007 Journal Article Of glitch and men: The place of the human in the successful integration of failure and noise in the digital realmHainge, Greg (2007). Of glitch and men: The place of the human in the successful integration of failure and noise in the digital realm. Communication Theory, 17 (1), 26-42. doi: 10.1111/j.1468-2885.2007.00286.x |
|
2006 Journal Article Tempest in another time: Shakespeare, Greenaway, CélineHainge, Greg. (2006). Tempest in another time: Shakespeare, Greenaway, Céline. Romanic Review, 97 (1), 15-32. doi: 10.1215/26885220-97.1.15 |
|
2006 Journal Article Review of Le Grand Transit Moderne: Mobility, Modernity and French Naturalist Fiction by L. DuffyHainge, G. (2006). Review of Le Grand Transit Moderne: Mobility, Modernity and French Naturalist Fiction by L. Duffy. Carnet Austral, 24, 12-14. |
|
2006 Journal Article Review of Formless: Ways In and Out of Form by P. Crowley & P. Hegarty (eds)Hainge, Greg. (2006). Review of Formless: Ways In and Out of Form by P. Crowley & P. Hegarty (eds). Carnet Austral, 25, 33-34. |
