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2020

Book Chapter

When is a door not a door? Transmedia to the nth degree in David Lynch’s multiverse

Hainge, Greg (2020). When is a door not a door? Transmedia to the nth degree in David Lynch’s multiverse. Transmedia directors: artistry, industry and new audiovisual aesthetics. (pp. 271-284) edited by Carol Vernallis, Holly Rogers and Lisa Perrott. New York, United States: Bloomsbury Academic. doi: 10.5040/9781501339295.0028

When is a door not a door? Transmedia to the nth degree in David Lynch’s multiverse

2023

Book Chapter

Distortion

Hainge, Greg (2023). Distortion. Sound affects: a user’s guide. (pp. 186-198) edited by Sharon Jane Mee and Luke Robinson. New York, NY, United States: Bloomsbury Publishing. doi: 10.5040/9781501388910.0024

Distortion

2021

Book Chapter

Sound is silence

Hainge, Greg (2021). Sound is silence. The Oxford handbook of sound art. (pp. 255-271) edited by Jane Grant, John Matthias and David Prior. Oxford, United Kingdom: Oxford University Press. doi: 10.1093/oxfordhb/9780190274054.013.20

Sound is silence

2020

Book Chapter

The uncanny hinterland of things: on Chambers’s An atmospherics of the city and speculative realism

Hainge, Greg (2020). The uncanny hinterland of things: on Chambers’s An atmospherics of the city and speculative realism. Still loitering: Australian essays in honour of Ross Chambers. (pp. 83-97) edited by Valentina Gosetti and Alistair Rolls. Oxford, United Kingdom: Peter Lang.

The uncanny hinterland of things: on Chambers’s An atmospherics of the city and speculative realism

2016

Book Chapter

Material music: speculations on non-human agency in music

Hainge, Greg (2016). Material music: speculations on non-human agency in music. Music's immanent future: the Deleuzian turn in music studies. (pp. 207-217) edited by Sally Macarthur, Judy Lochhead and Jennifer Shaw. Abingdon, Oxon, United Kingdom: Routledge. doi: 10.4324/9781315597027-23

Material music: speculations on non-human agency in music

2015

Book Chapter

L'art (immersif) des bruits

Hainge, Greg (2015). L'art (immersif) des bruits. Le corps du Rock et arts immersifs. (pp. 151-161) edited by Luc Robene and Philippe Liotard. Paris, France: CNRS (Centre National de la Recherche Scientifique) Éditions. doi: 10.3917/corp1.013.0151

L'art (immersif) des bruits

2012

Book Chapter

Unlocking the cage with/in the key of silence

Hainge, Greg (2012). Unlocking the cage with/in the key of silence. Dead silence. (pp. 53-55) edited by Lawrence English. Brisbane, Australia: Room 40.

Unlocking the cage with/in the key of silence

2010

Book Chapter

Red velvet : Lynch's cinemat(ograph)ic ontology

Hainge, Greg (2010). Red velvet : Lynch's cinemat(ograph)ic ontology. David Lynch in theory. (pp. 24-39) edited by Glezon, Francois-Xavier. Prague, Czech Republic: Litteraria Pragensia Books.

Red velvet : Lynch's cinemat(ograph)ic ontology

2009

Book Chapter

No sympathy for the devil, or, Lobby Music: Spaces of disjunction in Barton Fink, The Shining and Muzak

Hainge, Greg (2009). No sympathy for the devil, or, Lobby Music: Spaces of disjunction in Barton Fink, The Shining and Muzak. Moving Pictures/Stopping Places. Hotels and Motels on Film. (pp. 255-276) edited by Clarke, David B., Crawford Pfannhauser, Valerie and Doel, Marcus A.. Plymouth, UK: Lexington Books.

No sympathy for the devil, or, Lobby Music: Spaces of disjunction in Barton Fink, The Shining and Muzak

2008

Book Chapter

L'Invention du Troisième Peuple: The utopian vision of Philippe Grandrieux's dystopias

Hainge, Greg (2008). L'Invention du Troisième Peuple: The utopian vision of Philippe Grandrieux's dystopias. Nowhere is perfect: French and Francophone utopias/dystopias. (pp. 228-239) edited by John West-Sooby. Newark, DE, United States: University of Delaware Press.

L'Invention du Troisième Peuple: The utopian vision of Philippe Grandrieux's dystopias

2006

Book Chapter

Interdisciplinarity in rhizome minor: on avoiding rigor mortis through a rigorous approach to jazz, metal, wasps, orchids and other strange couplings

Hainge, G. (2006). Interdisciplinarity in rhizome minor: on avoiding rigor mortis through a rigorous approach to jazz, metal, wasps, orchids and other strange couplings. Rhizomes: connecting languages, cultures and literatures. (pp. 2-12) edited by Ramière, N. and Varshney, R.. Newcastle, UK: Cambridge Scholars Publishing.

Interdisciplinarity in rhizome minor: on avoiding rigor mortis through a rigorous approach to jazz, metal, wasps, orchids and other strange couplings

2005

Book Chapter

To(rt)uring the Minotaur: Radiohead, Pop, Unnatural Couplings and Mainstream Subversion

Hainge, Greg (2005). To(rt)uring the Minotaur: Radiohead, Pop, Unnatural Couplings and Mainstream Subversion. Strobe-Lights and Blown Speakers: The Music and Art of Radiohead. (pp. 62-84) edited by J. Tate. Aldershot: Ashgate Publishers.

To(rt)uring the Minotaur: Radiohead, Pop, Unnatural Couplings and Mainstream Subversion

2005

Book Chapter

Allegorical Geographies: Topographical Transposition and Allegorical Function in Louis-Ferdinand Céline’s Aesthetic Spaces

Hainge, Greg. (2005). Allegorical Geographies: Topographical Transposition and Allegorical Function in Louis-Ferdinand Céline’s Aesthetic Spaces. Discursive Geographies: Writing space and place in French. (pp. 25-38) edited by Jeanne Garane. Amsterdam, Netherlands: Rodopi.

Allegorical Geographies: Topographical Transposition and Allegorical Function in Louis-Ferdinand Céline’s Aesthetic Spaces

2004

Book Chapter

Weird or Loopy? Specular Spaces, Feedback and Artifice in Lost Highway’s Aesthetics of Sensation

Hainge, Greg (2004). Weird or Loopy? Specular Spaces, Feedback and Artifice in Lost Highway’s Aesthetics of Sensation. The Cinema of David Lynch: American Dreams, Nightmare Visions. (pp. 136-150) edited by Annette Davison and Erica Sheen. London: Wallflower Press.

Weird or Loopy? Specular Spaces, Feedback and Artifice in Lost Highway’s Aesthetics of Sensation

2004

Book Chapter

Is Pop Music?

Hainge, Greg (2004). Is Pop Music?. Deleuze and Music. (pp. 36-53) edited by I. Buchanan and M. Swiboda. Edinburgh: Edinburgh University Press.

Is Pop Music?

2004

Book Chapter

The Death of Education, a Sad Tale: Of Anti-Pragmatic Pragmatics and the Loss of the Absolute in Australian Tertiary Education

Hainge, Greg (2004). The Death of Education, a Sad Tale: Of Anti-Pragmatic Pragmatics and the Loss of the Absolute in Australian Tertiary Education. Innovation and Tradition: Arts, Humanities and the Knowledge Economy. (pp. 35-45) edited by Kenway, Jane, Bullen, Elizabeth and Robb, Simon. New York: Peter Lang.

The Death of Education, a Sad Tale: Of Anti-Pragmatic Pragmatics and the Loss of the Absolute in Australian Tertiary Education

2001

Book Chapter

Le fol amour du Dr Destouches, ou comment j'ai appris à ne plus m'en faire et à lire les pamphlets: Louis-Ferdinand Céline et Stanley Kubrick

Hainge, Greg (2001). Le fol amour du Dr Destouches, ou comment j'ai appris à ne plus m'en faire et à lire les pamphlets: Louis-Ferdinand Céline et Stanley Kubrick. Actualité de Céline. (pp. 143-158) Tusson: Du Lérot.

Le fol amour du Dr Destouches, ou comment j'ai appris à ne plus m'en faire et à lire les pamphlets: Louis-Ferdinand Céline et Stanley Kubrick

1999

Book Chapter

When the End is the Means; Becoming-Music

Hainge, Greg (1999). When the End is the Means; Becoming-Music. Louis-Ferdinand Céline’s German Trilogy’, Dialogues, 2. (pp. 77-83) edited by Amherst, Ann and Astbury , Katherine. Exeter: Elmbank Publications.

When the End is the Means; Becoming-Music

1995

Book Chapter

Quand je ne peut être autre; Féerie pour une autre fois de Louis-Ferdinand Céline

Hainge, Greg (1995). Quand je ne peut être autre; Féerie pour une autre fois de Louis-Ferdinand Céline. Le Moi littéraire. (pp. 85-93) edited by Russell King and Essais sur la Littérature Française et Francophone, 1. Nottingham: University of Nottingham, Department of French.

Quand je ne peut être autre; Féerie pour une autre fois de Louis-Ferdinand Céline