|
2022 Book Chapter DisplayBubenik, Andrea (2022). Display. Early modern court culture. (pp. 325-342) edited by Erin Griffey. London, United Kingdom: Routledge. doi: 10.4324/9780429277986-26 |
|
2024 Book Chapter Giants as primordial ancestors in sixteenth-century art and poetryBubenik, Andrea (2024). Giants as primordial ancestors in sixteenth-century art and poetry. Giants and dwarfs in European art and culture, ca. 1350-1750. (pp. 125-154) edited by Robin O’Bryan and Felicia Else. Amsterdam, Netherlands: Amsterdam University Press. doi: 10.2307/jj.12381767.8 |
|
2023 Book Chapter The radical ecologies of eX de MediciBubenik, Andrea (2023). The radical ecologies of eX de Medici. eX de Medici: beautiful wickedness. (pp. 63-74) Melbourne, VIC, Australia: Thames and Hudson Australia. |
|
2019 Book Chapter Introduction: the persistence of melancholia in arts and cultureBubenik, Andrea (2019). Introduction: the persistence of melancholia in arts and culture. The persistence of melancholia in arts and culture. (pp. 1-12) New York, NY, United States: Routledge. |
|
2019 Book Chapter IntroductionBubenik, Andrea (2019). Introduction. The persistence of melancholia in arts and culture. (pp. 1-12) edited by Andrea Bubenik. New York, NY, United States: Routledge. doi: 10.4324/9780429468469-1 |
|
2019 Book Chapter The shape of things to come: Dürer's PolyhedronBubenik, Andrea (2019). The shape of things to come: Dürer's Polyhedron. The persistence of melancholia in arts and culture. (pp. 68-93) edited by Andrea Bubenik. New York, NY, United States: Routledge. doi: 10.4324/9780429468469-5 |
|
2016 Book Chapter Wenceslaus Hollar and the (re)production of Albrecht DürerBubenik, Andrea (2016). Wenceslaus Hollar and the (re)production of Albrecht Dürer. Perspectives on the art of Wenceslaus Hollar. (pp. 79-89) edited by A. Bubenik and A. Thackray. Turnhouts, Belgium: Brepols. |
|
2012 Book Chapter Imitation, emulation, forgery?: copies of Albrecht Dürer's Feast of the RosegarlandsBubenik, Andrea (2012). Imitation, emulation, forgery?: copies of Albrecht Dürer's Feast of the Rosegarlands. Inganno - the art of deception: imitation, reception, and deceit in early modern art. (pp. 83-98) edited by Sharon Gregory and Sally Anne Hickson. Burlington, VT, United States: Ashgate Publishing. |
