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2017 Book Chapter Teaching spatial theory and theatre ‘site-specifically’Tompkins, Joanne (2017). Teaching spatial theory and theatre ‘site-specifically’. International Performance Research Pedagogies: Towards an Unconditional Discipline?. (pp. 163-174) edited by Sruti Bala, Milija Gluhovic, Hanna Korsberg and Kati Röttger. Cham, Switzerland: Springer International Publishing. doi: 10.1007/978-3-319-53943-0_12 |
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2014 Book Chapter Making the invisible visible: virtual stage props and Christopher Marlowe's Dr FaustusTompkins, Joanne (2014). Making the invisible visible: virtual stage props and Christopher Marlowe's Dr Faustus. Performing objects and theatrical things. (pp. 161-172) edited by Marlis Schweitzer and Joanne Zerdy. Basingstoke, Hampshire, United Kingdom: Palgrave Macmillan. doi: 10.1057/9781137402455 |
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2013 Book Chapter Noëlle Janaczewska’s twenty-first-century theatre: explorations of Australian cultural constructs and theatrical formTompkins, Joanne (2013). Noëlle Janaczewska’s twenty-first-century theatre: explorations of Australian cultural constructs and theatrical form. Catching Australian theatre in the 2000s. (pp. 207-220) edited by Richard Fotheringham and James Smith. Amsterdam, Netherlands: Rodopi. |
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2012 Book Chapter Reproduction, mediation, and experience : virtual reality, motion capture and early modern theatreDelbridge, Matthew and Tompkins, Joanne (2012). Reproduction, mediation, and experience : virtual reality, motion capture and early modern theatre. SPACE–EVENT–AGENCY–EXPERIENCE: open access epublication of the DREX Project Centre for Practice as Research in Theatre. (pp. 56-65) Tampere, Finland: University of Tampere. |
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2012 Book Chapter The 'Place' and practice of site-specific theatre and performanceTompkins, Joanne (2012). The 'Place' and practice of site-specific theatre and performance. Performing site-specific theatre: politics, place, practice. (pp. 1-17) edited by Anna Birch and Joanne Tompkins. Houndmills, Basingstoke, United Kingdom: Palgrave Macmillan. doi: 10.1057/9781137283498 |
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2010 Book Chapter Spatiality and contaminated land: Staging MaralingaTompkins, Joanne (2010). Spatiality and contaminated land: Staging Maralinga. Halfway house the poetics of Australian spaces. (pp. 310-319) edited by Jennifer Rutherford and Barbara Holloway. Crawley, W.A., Australia: UWA. |
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2010 Book Chapter Balancing the 'Local' and the 'Global' in theatre for the international stage: The stage adaptation of David Malouf's JohnnoTompkins, Joanne (2010). Balancing the 'Local' and the 'Global' in theatre for the international stage: The stage adaptation of David Malouf's Johnno. The local meets the global in performance. (pp. 81-98) edited by Pirkko Koski and Melissa Sihra. Newcastle upon Tyne: Cambridge Scholars Publishing. |
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2009 Book Chapter Staging the imagined city in Australian theatreTompkins, Joanne (2009). Staging the imagined city in Australian theatre. Performance and the city. (pp. 187-203) edited by D. J. Hopkins, Shelley Orr and Kim Solga. UK: Palgrave Macmillan. |
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2009 Book Chapter AusStage: From database of performing arts to a performing database of the artsHarvey, Neal, Grehan, Helena and Tompkins, Joanne (2009). AusStage: From database of performing arts to a performing database of the arts. Resourceful reading: The new empiricism, eResearch and Australian literary culture. (pp. 325-333) edited by Katherine Bode and Robert Dixon. Sydney, Australia: Sydney University Press. |
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2008 Book Chapter Landscapes and Soundscapes in Noelle Janaczewska's TheatreTompkins, Joanne (2008). Landscapes and Soundscapes in Noelle Janaczewska's Theatre. Songket; This territory/two plays by Noëlle Janaczewska. (pp. ix-xiv) edited by Noelle Janaczewska. Strawberry Hills, Sydney, N.S.W: Currency Press. |
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2007 Book Chapter Performing history's unsettlementTompkins, Joanne (2007). Performing history's unsettlement. Critical theory and performance. (pp. 71-84) edited by J. Reinelt and J. Roach. Ann Arbor, Michigan, U.S.A.: The University of Michigan Press. |
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2006 Book Chapter Virtual reality and negotiating problems of real theater spaceHarvey, N. A. and Tompkins, J. E. (2006). Virtual reality and negotiating problems of real theater space. Mapping Uncertain Territories: Space and Place in Contemporary Theater and Drama. (pp. 169-178) edited by T. Rommel and M. Schreiber. Germany: Wissenschaftlicher Verlag Trier. |
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2006 Book Chapter The Shape of a Life: Constructing the ‘Self’ and ‘Other’ in Joan MacLeod’s The Shape of a Girl and Guillermo Verdecchia and Marcus Youssef’s A Line in the SandTompkins, Joanne (2006). The Shape of a Life: Constructing the ‘Self’ and ‘Other’ in Joan MacLeod’s The Shape of a Girl and Guillermo Verdecchia and Marcus Youssef’s A Line in the Sand. Theatre and autobiography: Writing and Performing Lives in Theory and Practice. (pp. 124-136) edited by Sherrill Grace and Jerry Wasserman. Penticton, British Columbia: Talonbooks. |
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2006 Book Chapter Counter-monumentalising and Janis Balodis's The Ghost TrilogyTompkins, J. E. (2006). Counter-monumentalising and Janis Balodis's The Ghost Trilogy. Unstable Ground: Performance and the Politics of Place. (pp. 81-93) edited by McAuley, Gay. Berlin: P.I.E. Peter Lang. |
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2006 Book Chapter Gendering space: The desert and the psyche in contemporary Australian theatreTompkins, Joanne (2006). Gendering space: The desert and the psyche in contemporary Australian theatre. Feminist Futures? Theatre, Performance, Theory. (pp. 190-208) edited by Elaine Aston and Geraldine Harris. New York, N.Y, United States: Palgrave Macmillan. |
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2005 Book Chapter Conflicting fields of vision: Performing self and other in two intercultural Shakespeare productionsTompkins, Joanne (2005). Conflicting fields of vision: Performing self and other in two intercultural Shakespeare productions. A companion to Shakespeare and performance. (pp. 610-624) edited by Barbara Hodgdon and W. B. Worthen. Oxford: Blackwell. doi: 10.1002/9780470996706.ch33 |
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2003 Book Chapter Yellow Fever, Yellow Claw, Yellow Peril: Performing the Fantasy of theTompkins, Joanne (2003). Yellow Fever, Yellow Claw, Yellow Peril: Performing the Fantasy of the. Performing National Identities: International Perspectives on Contemporary Canadian Theatre. (pp. 289-302) edited by Grace, Sherrill and Glaap, Albert-Reiner. Vancouver, Canada: Talonbooks. |
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2001 Book Chapter "Fatherlands and Mother-tongues": Family Histories and Futures in Recent Australian and Canadian Multicultural TheatreTompkins, J. E. (2001). "Fatherlands and Mother-tongues": Family Histories and Futures in Recent Australian and Canadian Multicultural Theatre. Siting the Other. (pp. 347-362) edited by M. Maufort and F. Bellarsi. Brussels: P.I.E.-Peter Lang. |
