Skip to menu Skip to content Skip to footer

2021

Journal Article

Putting virtual theatre models to work: ‘virtual praxis’ for performance research in theatre history

Bollen, Jonathan, Holledge, Julie and Tompkins, Joanne (2021). Putting virtual theatre models to work: ‘virtual praxis’ for performance research in theatre history. Theatre and Performance Design, 7 (1-2), 6-23. doi: 10.1080/23322551.2021.1925469

Putting virtual theatre models to work: ‘virtual praxis’ for performance research in theatre history

2020

Journal Article

Roger Clegg, principal investigator, and Eric Tatham, developer. Reconstructing the Rose: 3D Computer Modelling Philip Henslowe’s Playhouse. Other

Tompkins, Joanne (2020). Roger Clegg, principal investigator, and Eric Tatham, developer. Reconstructing the Rose: 3D Computer Modelling Philip Henslowe’s Playhouse. Other. Renaissance and Reformation, 43 (1), 177-180.

Roger Clegg, principal investigator, and Eric Tatham, developer. Reconstructing the Rose: 3D Computer Modelling Philip Henslowe’s Playhouse. Other

2017

Journal Article

Staging supernatural creatures in a computer-based visualisation of London’s sixteenth-century Rose Theatre

Tompkins, Joanne and Kastanis, Lazaros (2017). Staging supernatural creatures in a computer-based visualisation of London’s sixteenth-century Rose Theatre. International Journal of Performance Arts and Digital Media, 13 (1), 1-17. doi: 10.1080/14794713.2017.1280306

Staging supernatural creatures in a computer-based visualisation of London’s sixteenth-century Rose Theatre

2015

Journal Article

Editorial comment: possible worlds

Tompkins, Joanne (2015). Editorial comment: possible worlds. Theatre Journal, 67 (2), ix-xi. doi: 10.1353/tj.2015.0036

Editorial comment: possible worlds

2015

Journal Article

Editing matters: an editorial

Delgado, Maria M. and Tompkins, Joanne (2015). Editing matters: an editorial. Contemporary Theatre Review, 25 (1), 11-16. doi: 10.1080/10486801.2015.1007759

Editing matters: an editorial

2013

Journal Article

Performing ghosts in Australia: Ibsen and an example of Australian cultural translation

Tompkins, Joanne (2013). Performing ghosts in Australia: Ibsen and an example of Australian cultural translation. Ibsen Studies, 13 (1), 2-27. doi: 10.1080/15021866.2013.792663

Performing ghosts in Australia: Ibsen and an example of Australian cultural translation

2013

Journal Article

National Performance: Representing Quebec from Expo 67 to Celine Dion. By Erin Hurley.

Tompkins, Joanne (2013). National Performance: Representing Quebec from Expo 67 to Celine Dion. By Erin Hurley.. Theatre Survey, 54 (1), 141-143. doi: 10.1017/S0040557412000452

National Performance: Representing Quebec from Expo 67 to Celine Dion. By Erin Hurley.

2013

Journal Article

Ros Merkin, ed. "Liverpool Playhouse: A Theatre and Its City"

Tompkins, Joanne (2013). Ros Merkin, ed. "Liverpool Playhouse: A Theatre and Its City". Modern Drama, 56 (3), 416-417. doi: 10.1353/mdr.2013.0034

Ros Merkin, ed. "Liverpool Playhouse: A Theatre and Its City"

2012

Journal Article

Theatre's heterotopia and the site-specific production of Suitcase

Tompkins, Joanne (2012). Theatre's heterotopia and the site-specific production of Suitcase. TDR, 56 (2), 101-112. doi: 10.1162/DRAM_a_00169

Theatre's heterotopia and the site-specific production of Suitcase

2011

Journal Article

Site-specific theatre and political engagement across space and time: The psychogeographic mapping of British Petroleum in Platform's And While London Burns

Tompkins, Joanne (2011). Site-specific theatre and political engagement across space and time: The psychogeographic mapping of British Petroleum in Platform's And While London Burns. Theatre Journal, 63 (2), 225-243. doi: 10.1353/tj.2011.0048

Site-specific theatre and political engagement across space and time: The psychogeographic mapping of British Petroleum in Platform's And While London Burns

2010

Journal Article

'Be thou familiar, but by no means vulgar': Australian theatre blogging practice

Harvey, Neal, Grehan, Helena and Tompkins, Joanne (2010). 'Be thou familiar, but by no means vulgar': Australian theatre blogging practice. Contemporary Theatre Review, 20 (1), 109-119. doi: 10.1080/10486800903225626

'Be thou familiar, but by no means vulgar': Australian theatre blogging practice

2010

Journal Article

The politics of locating Othello in Finland

Tomkins, Joanne (2010). The politics of locating Othello in Finland. Nordic Theatre Studies, 22, 20-29.

The politics of locating Othello in Finland

2009

Journal Article

Staging International Feminisms. Edited by Elaine Aston and Sue-Ellen Case

Tompkins, Joanne E. (2009). Staging International Feminisms. Edited by Elaine Aston and Sue-Ellen Case. Contemporary Theatre Review, 19 (1 Special Issue: The Broadway Musical: New Approaches), 118-119. doi: 10.1080/10486800802556444

Staging International Feminisms. Edited by Elaine Aston and Sue-Ellen Case

2009

Journal Article

The politics of location in Othello, Djanet Sears's Harlem Duet, and Ong Keng Sen's Desdemona

Tompkins, Joanne (2009). The politics of location in Othello, Djanet Sears's Harlem Duet, and Ong Keng Sen's Desdemona. Contemporary Theatre Review, 19 (3), 269-278. doi: 10.1080/10486800902985881

The politics of location in Othello, Djanet Sears's Harlem Duet, and Ong Keng Sen's Desdemona

2009

Journal Article

Review: Impact of the Modern: Vernacular Modernities in Australia 1870s-1960s edited by Robert Dixon and Veronica Kelly

Tompkins, Joanne (2009). Review: Impact of the Modern: Vernacular Modernities in Australia 1870s-1960s edited by Robert Dixon and Veronica Kelly. Contemporary Theatre Review, 19 (3), 372-374. doi: 10.1080/10486800903000151

Review: Impact of the Modern: Vernacular Modernities in Australia 1870s-1960s edited by Robert Dixon and Veronica Kelly

2009

Journal Article

Urban entanglements in three African Canadian plays: Lorena Gale's Angelique, George Boyd's Consecrated Ground, and Andrew Moodie's Riot

Tompkins, Joanne (2009). Urban entanglements in three African Canadian plays: Lorena Gale's Angelique, George Boyd's Consecrated Ground, and Andrew Moodie's Riot. Theatre Research in Canada, 30 (1-2), 17-36.

Urban entanglements in three African Canadian plays: Lorena Gale's Angelique, George Boyd's Consecrated Ground, and Andrew Moodie's Riot

2008

Journal Article

Adapting Australian novels for the stage: La Boite Theatre's versions of Last Drinks, Perfect Skin, and Johnno

Tompkins, Joanne (2008). Adapting Australian novels for the stage: La Boite Theatre's versions of Last Drinks, Perfect Skin, and Johnno. Australian Literary Studies, 23 (3), 305-317.

Adapting Australian novels for the stage: La Boite Theatre's versions of Last Drinks, Perfect Skin, and Johnno

2007

Journal Article

Review: Staging social welfare

Tompkins, Joanne (2007). Review: Staging social welfare. Canadian Literature: A Quarterly of Criticism and Review (193), 112-115.

Review: Staging social welfare

2006

Journal Article

Remember the nation: Lorena Gale's Je me souviens

Tompkins, J. E. (2006). Remember the nation: Lorena Gale's Je me souviens. Canadian Theatre Review, 125, 56-61.

Remember the nation: Lorena Gale's Je me souviens

2005

Journal Article

Theoretical methodologies and the advent of virtual analytical tools in theatre

Harvey, N. and Tompkins, J. (2005). Theoretical methodologies and the advent of virtual analytical tools in theatre. Contemporary Theatre Review, 15 (4), 455-469. doi: 10.1080/10486800500280479

Theoretical methodologies and the advent of virtual analytical tools in theatre