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2021 Journal Article Putting virtual theatre models to work: ‘virtual praxis’ for performance research in theatre historyBollen, Jonathan, Holledge, Julie and Tompkins, Joanne (2021). Putting virtual theatre models to work: ‘virtual praxis’ for performance research in theatre history. Theatre and Performance Design, 7 (1-2), 6-23. doi: 10.1080/23322551.2021.1925469 |
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2020 Journal Article Roger Clegg, principal investigator, and Eric Tatham, developer. Reconstructing the Rose: 3D Computer Modelling Philip Henslowe’s Playhouse. OtherTompkins, Joanne (2020). Roger Clegg, principal investigator, and Eric Tatham, developer. Reconstructing the Rose: 3D Computer Modelling Philip Henslowe’s Playhouse. Other. Renaissance and Reformation, 43 (1), 177-180. |
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2017 Book Chapter Teaching spatial theory and theatre ‘site-specifically’Tompkins, Joanne (2017). Teaching spatial theory and theatre ‘site-specifically’. International Performance Research Pedagogies: Towards an Unconditional Discipline?. (pp. 163-174) edited by Sruti Bala, Milija Gluhovic, Hanna Korsberg and Kati Röttger. Cham, Switzerland: Springer International Publishing. doi: 10.1007/978-3-319-53943-0_12 |
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2017 Journal Article Staging supernatural creatures in a computer-based visualisation of London’s sixteenth-century Rose TheatreTompkins, Joanne and Kastanis, Lazaros (2017). Staging supernatural creatures in a computer-based visualisation of London’s sixteenth-century Rose Theatre. International Journal of Performance Arts and Digital Media, 13 (1), 1-17. doi: 10.1080/14794713.2017.1280306 |
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2016 Book A global doll's house: Ibsen and distant visionsHolledge, Julie, Bollen, Jonathan, Helland, Frode and Tompkins, Joanne (2016). A global doll's house: Ibsen and distant visions. London: Palgrave Macmillan. doi: 10.1057/978-1-137-43899-7 |
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2015 Journal Article Editorial comment: possible worldsTompkins, Joanne (2015). Editorial comment: possible worlds. Theatre Journal, 67 (2), ix-xi. doi: 10.1353/tj.2015.0036 |
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2015 Edited Outputs Contemporary Theatre ReviewContemporary Theatre Review. (2015). 25 (1) |
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2015 Journal Article Editing matters: an editorialDelgado, Maria M. and Tompkins, Joanne (2015). Editing matters: an editorial. Contemporary Theatre Review, 25 (1), 11-16. doi: 10.1080/10486801.2015.1007759 |
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2014 Book Chapter Making the invisible visible: virtual stage props and Christopher Marlowe's Dr FaustusTompkins, Joanne (2014). Making the invisible visible: virtual stage props and Christopher Marlowe's Dr Faustus. Performing objects and theatrical things. (pp. 161-172) edited by Marlis Schweitzer and Joanne Zerdy. Basingstoke, Hampshire, United Kingdom: Palgrave Macmillan. doi: 10.1057/9781137402455 |
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2014 Book Theatre's heterotopias: performance and the cultural politics of spaceTompkins, Joanne (2014). Theatre's heterotopias: performance and the cultural politics of space. Sydney, NSW, Australia: Palgrave Macmillan. doi: 10.1057/9781137362124 |
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2013 Journal Article Ros Merkin, ed. "Liverpool Playhouse: A Theatre and Its City"Tompkins, Joanne (2013). Ros Merkin, ed. "Liverpool Playhouse: A Theatre and Its City". Modern Drama, 56 (3), 416-417. doi: 10.1353/mdr.2013.0034 |
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2013 Book Chapter Noëlle Janaczewska’s twenty-first-century theatre: explorations of Australian cultural constructs and theatrical formTompkins, Joanne (2013). Noëlle Janaczewska’s twenty-first-century theatre: explorations of Australian cultural constructs and theatrical form. Catching Australian theatre in the 2000s. (pp. 207-220) edited by Richard Fotheringham and James Smith. Amsterdam, Netherlands: Rodopi. |
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2013 Journal Article National Performance: Representing Quebec from Expo 67 to Celine Dion. By Erin Hurley.Tompkins, Joanne (2013). National Performance: Representing Quebec from Expo 67 to Celine Dion. By Erin Hurley.. Theatre Survey, 54 (1), 141-143. doi: 10.1017/S0040557412000452 |
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2013 Journal Article Performing ghosts in Australia: Ibsen and an example of Australian cultural translationTompkins, Joanne (2013). Performing ghosts in Australia: Ibsen and an example of Australian cultural translation. Ibsen Studies, 13 (1), 2-27. doi: 10.1080/15021866.2013.792663 |
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2012 Journal Article Theatre's heterotopia and the site-specific production of SuitcaseTompkins, Joanne (2012). Theatre's heterotopia and the site-specific production of Suitcase. TDR, 56 (2), 101-112. doi: 10.1162/DRAM_a_00169 |
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2012 Edited Outputs Contemporary Theatre ReviewContemporary Theatre Review. (2012). 22 (2) |
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2012 Book Chapter Reproduction, mediation, and experience : virtual reality, motion capture and early modern theatreDelbridge, Matthew and Tompkins, Joanne (2012). Reproduction, mediation, and experience : virtual reality, motion capture and early modern theatre. SPACE–EVENT–AGENCY–EXPERIENCE: open access epublication of the DREX Project Centre for Practice as Research in Theatre. (pp. 56-65) Tampere, Finland: University of Tampere. |
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2012 Book Performing site-specific theatre: politics, place, practiceAnna Birch and Joanne Tompkins eds. (2012). Performing site-specific theatre: politics, place, practice. Performance Interventions, Hampshire, U. K.: Palgrave Macmillan. |
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2012 Book Chapter The 'Place' and practice of site-specific theatre and performanceTompkins, Joanne (2012). The 'Place' and practice of site-specific theatre and performance. Performing site-specific theatre: politics, place, practice. (pp. 1-17) edited by Anna Birch and Joanne Tompkins. Houndmills, Basingstoke, United Kingdom: Palgrave Macmillan. doi: 10.1057/9781137283498 |
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2011 Journal Article Site-specific theatre and political engagement across space and time: The psychogeographic mapping of British Petroleum in Platform's And While London BurnsTompkins, Joanne (2011). Site-specific theatre and political engagement across space and time: The psychogeographic mapping of British Petroleum in Platform's And While London Burns. Theatre Journal, 63 (2), 225-243. doi: 10.1353/tj.2011.0048 |
