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2007 Book Chapter Performing history's unsettlementTompkins, Joanne (2007). Performing history's unsettlement. Critical theory and performance. (pp. 71-84) edited by J. Reinelt and J. Roach. Ann Arbor, Michigan, U.S.A.: The University of Michigan Press. |
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2006 Book Unsettling Space: Contestations in Contemporary Australian TheatreTompkins, Joanne E. (2006). Unsettling Space: Contestations in Contemporary Australian Theatre. Basingstoke: Palgrave Macmillan. doi: 10.1057/9780230286245 |
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2006 Book Chapter Virtual reality and negotiating problems of real theater spaceHarvey, N. A. and Tompkins, J. E. (2006). Virtual reality and negotiating problems of real theater space. Mapping Uncertain Territories: Space and Place in Contemporary Theater and Drama. (pp. 169-178) edited by T. Rommel and M. Schreiber. Germany: Wissenschaftlicher Verlag Trier. |
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2006 Journal Article Remember the nation: Lorena Gale's Je me souviensTompkins, J. E. (2006). Remember the nation: Lorena Gale's Je me souviens. Canadian Theatre Review, 125, 56-61. |
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2006 Book Chapter The Shape of a Life: Constructing the ‘Self’ and ‘Other’ in Joan MacLeod’s The Shape of a Girl and Guillermo Verdecchia and Marcus Youssef’s A Line in the SandTompkins, Joanne (2006). The Shape of a Life: Constructing the ‘Self’ and ‘Other’ in Joan MacLeod’s The Shape of a Girl and Guillermo Verdecchia and Marcus Youssef’s A Line in the Sand. Theatre and autobiography: Writing and Performing Lives in Theory and Practice. (pp. 124-136) edited by Sherrill Grace and Jerry Wasserman. Penticton, British Columbia: Talonbooks. |
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2006 Book Chapter Gendering space: The desert and the psyche in contemporary Australian theatreTompkins, Joanne (2006). Gendering space: The desert and the psyche in contemporary Australian theatre. Feminist Futures? Theatre, Performance, Theory. (pp. 190-208) edited by Elaine Aston and Geraldine Harris. New York, N.Y, United States: Palgrave Macmillan. |
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2006 Book Chapter Counter-monumentalising and Janis Balodis's The Ghost TrilogyTompkins, J. E. (2006). Counter-monumentalising and Janis Balodis's The Ghost Trilogy. Unstable Ground: Performance and the Politics of Place. (pp. 81-93) edited by McAuley, Gay. Berlin: P.I.E. Peter Lang. |
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2005 Journal Article Theoretical methodologies and the advent of virtual analytical tools in theatreHarvey, N. and Tompkins, J. (2005). Theoretical methodologies and the advent of virtual analytical tools in theatre. Contemporary Theatre Review, 15 (4), 455-469. doi: 10.1080/10486800500280479 |
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2005 Edited Outputs Modern DramaModern Drama. (2005). 48 (3) |
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2005 Edited Outputs Modern DramaModern Drama. (2005). 48 (1) |
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2005 Book Chapter Conflicting fields of vision: Performing self and other in two intercultural Shakespeare productionsTompkins, Joanne (2005). Conflicting fields of vision: Performing self and other in two intercultural Shakespeare productions. A companion to Shakespeare and performance. (pp. 610-624) edited by Barbara Hodgdon and W. B. Worthen. Oxford: Blackwell. doi: 10.1002/9780470996706.ch33 |
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2005 Edited Outputs Modern DramaModern Drama. (2005). 48 (4) |
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2005 Edited Outputs Modern DramaModern Drama. (2005). 48 (2) |
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2004 Edited Outputs Modern DramaModern Drama. (2004). 46 (3) |
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2004 Journal Article Directing and producing theatre with the help of virtual realityTompkins, J. E. (2004). Directing and producing theatre with the help of virtual reality. Scenography International (7), 1-5. |
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2004 Journal Article Review: The semiotics of theatre and drama, second edition by Keir ElamTompkins, J. E. (2004). Review: The semiotics of theatre and drama, second edition by Keir Elam. Australasian Drama Studies, 44, 146-148. |
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2004 Edited Outputs Modern DramaModern Drama. (2004). 46 (3) |
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2004 Edited Outputs Modern DramaModern Drama. (2004). 46 (3) |
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2004 Edited Outputs Modern DramaModern Drama. (2004). 46 (4) |
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2003 Journal Article Canadian Theatre and Memorializing: Memorializing and counter-memorializing in The Death of General Wolfe, Angélique and SledTompkins, Joanne (2003). Canadian Theatre and Memorializing: Memorializing and counter-memorializing in The Death of General Wolfe, Angélique and Sled. Canadian Theatre Review (115), 5-11. |
