2011 Conference Publication The use of virtual reality models in capturing the spatiality of early modern venuesTompkins, Joanne (2011). The use of virtual reality models in capturing the spatiality of early modern venues. 9th World Shakespeare Congress 2011, Prague, Czech Republic, 17-22 July, 2011. |
2010 Journal Article 'Be thou familiar, but by no means vulgar': Australian theatre blogging practiceHarvey, Neal, Grehan, Helena and Tompkins, Joanne (2010). 'Be thou familiar, but by no means vulgar': Australian theatre blogging practice. Contemporary Theatre Review, 20 (1), 109-119. doi: 10.1080/10486800903225626 |
2010 Book Chapter Spatiality and contaminated land: Staging MaralingaTompkins, Joanne (2010). Spatiality and contaminated land: Staging Maralinga. Halfway house the poetics of Australian spaces. (pp. 310-319) edited by Jennifer Rutherford and Barbara Holloway. Crawley, W.A., Australia: UWA. |
2010 Book Chapter Balancing the 'Local' and the 'Global' in theatre for the international stage: The stage adaptation of David Malouf's JohnnoTompkins, Joanne (2010). Balancing the 'Local' and the 'Global' in theatre for the international stage: The stage adaptation of David Malouf's Johnno. The local meets the global in performance. (pp. 81-98) edited by Pirkko Koski and Melissa Sihra. Newcastle upon Tyne: Cambridge Scholars Publishing. |
2010 Journal Article The politics of locating Othello in FinlandTomkins, Joanne (2010). The politics of locating Othello in Finland. Nordic Theatre Studies, 22, 20-29. |
2009 Journal Article Staging International Feminisms. Edited by Elaine Aston and Sue-Ellen CaseTompkins, Joanne E. (2009). Staging International Feminisms. Edited by Elaine Aston and Sue-Ellen Case. Contemporary Theatre Review, 19 (1 Special Issue: The Broadway Musical: New Approaches), 118-119. doi: 10.1080/10486800802556444 |
2009 Journal Article Urban entanglements in three African Canadian plays: Lorena Gale's Angelique, George Boyd's Consecrated Ground, and Andrew Moodie's RiotTompkins, Joanne (2009). Urban entanglements in three African Canadian plays: Lorena Gale's Angelique, George Boyd's Consecrated Ground, and Andrew Moodie's Riot. Theatre Research in Canada, 30 (1-2), 17-36. |
2009 Journal Article Review: Impact of the Modern: Vernacular Modernities in Australia 1870s-1960s edited by Robert Dixon and Veronica KellyTompkins, Joanne (2009). Review: Impact of the Modern: Vernacular Modernities in Australia 1870s-1960s edited by Robert Dixon and Veronica Kelly. Contemporary Theatre Review, 19 (3), 372-374. doi: 10.1080/10486800903000151 |
2009 Book Chapter Staging the imagined city in Australian theatreTompkins, Joanne (2009). Staging the imagined city in Australian theatre. Performance and the city. (pp. 187-203) edited by D. J. Hopkins, Shelley Orr and Kim Solga. UK: Palgrave Macmillan. |
2009 Book Chapter AusStage: From database of performing arts to a performing database of the artsHarvey, Neal, Grehan, Helena and Tompkins, Joanne (2009). AusStage: From database of performing arts to a performing database of the arts. Resourceful reading: The new empiricism, eResearch and Australian literary culture. (pp. 325-333) edited by Katherine Bode and Robert Dixon. Sydney, Australia: Sydney University Press. |
2009 Conference Publication Using virtual reality modelling in cultural management, archiving and researchTompkins, Joanne and Delbridge, Matt (2009). Using virtual reality modelling in cultural management, archiving and research. EVA 2009 London Conference, London, UK, 6-8 July 2009. Swindon, UK: British Informatics Society. |
2009 Conference Publication BoF: AusStage and the Aus-e-Stage Project: Collaborative eResearch in the performing artsTompkins, Joanne and Erskine, Shona (2009). BoF: AusStage and the Aus-e-Stage Project: Collaborative eResearch in the performing arts. eResearch Australasia 2009, Sydney, Australia, 9 - 13 November, 2009. Brisbane, Queensland, Australia: The University of Queensland. |
2009 Conference Publication Virtual recreations of historical theatres: How VR meets theatre historyTompkins, Joanne (2009). Virtual recreations of historical theatres: How VR meets theatre history. eResearch Australasia 2009, Sydney, Australia, 9 - 13 November 2009. Brisbane, Queensland, Australia: The University of Queensland. |
2009 Journal Article The politics of location in Othello, Djanet Sears's Harlem Duet, and Ong Keng Sen's DesdemonaTompkins, Joanne (2009). The politics of location in Othello, Djanet Sears's Harlem Duet, and Ong Keng Sen's Desdemona. Contemporary Theatre Review, 19 (3), 269-278. doi: 10.1080/10486800902985881 |
2008 Journal Article Adapting Australian novels for the stage: La Boite Theatre's versions of Last Drinks, Perfect Skin, and JohnnoTompkins, Joanne (2008). Adapting Australian novels for the stage: La Boite Theatre's versions of Last Drinks, Perfect Skin, and Johnno. Australian Literary Studies, 23 (3), 305-317. |
2008 Book Chapter Landscapes and Soundscapes in Noelle Janaczewska's TheatreTompkins, Joanne (2008). Landscapes and Soundscapes in Noelle Janaczewska's Theatre. Songket; This territory/two plays by Noëlle Janaczewska. (pp. ix-xiv) edited by Noelle Janaczewska. Strawberry Hills, Sydney, N.S.W: Currency Press. |
2007 Book Chapter Performing history's unsettlementTompkins, Joanne (2007). Performing history's unsettlement. Critical theory and performance. (pp. 71-84) edited by J. Reinelt and J. Roach. Ann Arbor, Michigan, U.S.A.: The University of Michigan Press. |
2007 Journal Article Review: Staging social welfareTompkins, Joanne (2007). Review: Staging social welfare. Canadian Literature: A Quarterly of Criticism and Review (193), 112-115. |
2006 Journal Article Remember the nation: Lorena Gale's Je me souviensTompkins, J. E. (2006). Remember the nation: Lorena Gale's Je me souviens. Canadian Theatre Review, 125, 56-61. |
2006 Book Chapter The Shape of a Life: Constructing the ‘Self’ and ‘Other’ in Joan MacLeod’s The Shape of a Girl and Guillermo Verdecchia and Marcus Youssef’s A Line in the SandTompkins, Joanne (2006). The Shape of a Life: Constructing the ‘Self’ and ‘Other’ in Joan MacLeod’s The Shape of a Girl and Guillermo Verdecchia and Marcus Youssef’s A Line in the Sand. Theatre and autobiography: Writing and Performing Lives in Theory and Practice. (pp. 124-136) edited by Sherrill Grace and Jerry Wasserman. Penticton, British Columbia: Talonbooks. |