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2023 Journal Article From national hero to national problem: the image of the worker in Pix Magazine (1938-1954)Magagnoli, Paolo (2023). From national hero to national problem: the image of the worker in Pix Magazine (1938-1954). Journal of Australian Studies, 47 (1), 49-70. doi: 10.1080/14443058.2022.2155685 |
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2022 Journal Article Histories of the illustrated magazine in AustraliaJohnston, Anna and Magagnoli, Paolo (2022). Histories of the illustrated magazine in Australia. Journal of Australian Studies, 47 (1), 1-7. doi: 10.1080/14443058.2023.2156085 |
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2020 Journal Article “A library of photographs covering the entire continent”: Walkabout magazine and the politics of documentary in post-war AustraliaMagagnoli, Paolo (2020). “A library of photographs covering the entire continent”: Walkabout magazine and the politics of documentary in post-war Australia. Photography and Culture, 13 (1), 29-56. doi: 10.1080/17514517.2019.1693878 |
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2020 Journal Article Blinded by quarry vision: Nicholas Mangan, Australia, and the history of extraction in the South PacificMagagnoli, Paolo (2020). Blinded by quarry vision: Nicholas Mangan, Australia, and the history of extraction in the South Pacific. Third Text, 34 (6), 415-435. doi: 10.1080/09528822.2020.1823703 |
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2019 Journal Article The 9th Asia Pacific Triennial of Contemporary ArtMagagnoli, Paolo (2019). The 9th Asia Pacific Triennial of Contemporary Art. Burlington Contemporary. |
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2016 Journal Article The civilized artist beautifies pollution: Zhao Liang’s Water and Beijing GreenMagagnoli, Paolo (2016). The civilized artist beautifies pollution: Zhao Liang’s Water and Beijing Green. Journal of Contemporary Chinese Art, 3 (3), 367-377. doi: 10.1386/jcca.3.3.367_1 |
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2016 Journal Article The Internet as Ruin: Nostalgia for the Early World Wide Web in Contemporary ArtMagagnoli, Paolo (2016). The Internet as Ruin: Nostalgia for the Early World Wide Web in Contemporary Art. Transformations, 28. |
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2016 Journal Article 'Just Enough Critique’: the 8th Asia Pacific Triennial of Contemporary ArtMagagnoli, Paolo (2016). 'Just Enough Critique’: the 8th Asia Pacific Triennial of Contemporary Art. Seismopolite (13) |
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2015 Journal Article Mapping Artists’ Films: Exhibiting Cinema in Contemporary ArtMagagnoli, Paolo (2015). Mapping Artists’ Films: Exhibiting Cinema in Contemporary Art. Senses of Cinema (74) |
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2013 Journal Article Capitalism as Creative Destruction: The Representation of the Economic Crisis in Hito Steyerl’s In Free FallMagagnoli, Paolo (2013). Capitalism as Creative Destruction: The Representation of the Economic Crisis in Hito Steyerl’s In Free Fall. Third Text, 27 (6), 723-734. doi: 10.1080/09528822.2013.857899 |
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2012 Journal Article "European Cinema and Intertextuality: History, Memory and Politics", Ewa MazierskaMagagnoli, Paolo (2012). "European Cinema and Intertextuality: History, Memory and Politics", Ewa Mazierska. Transnational Cinemas, 3 (2), 239-241. doi: 10.1386/trac.3.2.231_5 |
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2012 Journal Article Between Mimetic Exacerbation and Abstraction: Images of Atrocities in Contemporary ArtMagagnoli, Paolo (2012). Between Mimetic Exacerbation and Abstraction: Images of Atrocities in Contemporary Art. Akademisk Kvarter, 5, 89-100. |
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2012 Journal Article Spectres, Sven Augustijnen (2011). Belgium: Auguste Orts ProductionMagagnoli, Paolo (2012). Spectres, Sven Augustijnen (2011). Belgium: Auguste Orts Production. Transnational Cinemas, 3 (1), 129-131. doi: 10.1386/trac.3.1.129_5 |
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2012 Journal Article The pull of violence: Paul Chan's trilogy of warMagagnoli, Paolo (2012). The pull of violence: Paul Chan's trilogy of war. Afterall, 1 (31), 26-35. doi: 10.1086/668920 |
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2012 Journal Article Moulène, Rancière and 24 Objets de Grève: Productive Ambivalence or Reifying Opacity?Magagnoli, Paolo (2012). Moulène, Rancière and 24 Objets de Grève: Productive Ambivalence or Reifying Opacity?. Philosophy of Photography, 3 (1), 155-171. doi: 10.1386/pop.3.1.155_1 |
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2011 Journal Article A method in madness: historical truth in Walid Raad's Hostage: The Bachar TapesMagagnoli, Paolo (2011). A method in madness: historical truth in Walid Raad's Hostage: The Bachar Tapes. Third Text, 25 (3), 311-324. doi: 10.1080/09528822.2011.573316 |
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2011 Journal Article Critical nostalgia in the art of Joachim KoesterMagagnoli, Paolo (2011). Critical nostalgia in the art of Joachim Koester. Oxford Art Journal, 34 (1), 97-121. doi: 10.1093/oxartj/kcr012 |
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2010 Journal Article Documentary fictions: new concepts of truth and representation in the works of Anri Sala and Hito SteyerlMagagnoli, Paolo (2010). Documentary fictions: new concepts of truth and representation in the works of Anri Sala and Hito Steyerl. Object: Graduate Research and Reviews in the History of Art and Visual Culture, 1 (12), 41-59. |
