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2023

Journal Article

From national hero to national problem: the image of the worker in Pix Magazine (1938-1954)

Magagnoli, Paolo (2023). From national hero to national problem: the image of the worker in Pix Magazine (1938-1954). Journal of Australian Studies, 47 (1), 49-70. doi: 10.1080/14443058.2022.2155685

From national hero to national problem: the image of the worker in Pix Magazine (1938-1954)

2022

Journal Article

Histories of the illustrated magazine in Australia

Johnston, Anna and Magagnoli, Paolo (2022). Histories of the illustrated magazine in Australia. Journal of Australian Studies, 47 (1), 1-7. doi: 10.1080/14443058.2023.2156085

Histories of the illustrated magazine in Australia

2020

Journal Article

“A library of photographs covering the entire continent”: Walkabout magazine and the politics of documentary in post-war Australia

Magagnoli, Paolo (2020). “A library of photographs covering the entire continent”: Walkabout magazine and the politics of documentary in post-war Australia. Photography and Culture, 13 (1), 29-56. doi: 10.1080/17514517.2019.1693878

“A library of photographs covering the entire continent”: Walkabout magazine and the politics of documentary in post-war Australia

2020

Journal Article

Blinded by quarry vision: Nicholas Mangan, Australia, and the history of extraction in the South Pacific

Magagnoli, Paolo (2020). Blinded by quarry vision: Nicholas Mangan, Australia, and the history of extraction in the South Pacific. Third Text, 34 (6), 415-435. doi: 10.1080/09528822.2020.1823703

Blinded by quarry vision: Nicholas Mangan, Australia, and the history of extraction in the South Pacific

2019

Journal Article

The 9th Asia Pacific Triennial of Contemporary Art

Magagnoli, Paolo (2019). The 9th Asia Pacific Triennial of Contemporary Art. Burlington Contemporary.

The 9th Asia Pacific Triennial of Contemporary Art

2016

Journal Article

The civilized artist beautifies pollution: Zhao Liang’s Water and Beijing Green

Magagnoli, Paolo (2016). The civilized artist beautifies pollution: Zhao Liang’s Water and Beijing Green. Journal of Contemporary Chinese Art, 3 (3), 367-377. doi: 10.1386/jcca.3.3.367_1

The civilized artist beautifies pollution: Zhao Liang’s Water and Beijing Green

2016

Journal Article

The Internet as Ruin: Nostalgia for the Early World Wide Web in Contemporary Art

Magagnoli, Paolo (2016). The Internet as Ruin: Nostalgia for the Early World Wide Web in Contemporary Art. Transformations, 28.

The Internet as Ruin: Nostalgia for the Early World Wide Web in Contemporary Art

2016

Journal Article

'Just Enough Critique’: the 8th Asia Pacific Triennial of Contemporary Art

Magagnoli, Paolo (2016). 'Just Enough Critique’: the 8th Asia Pacific Triennial of Contemporary Art. Seismopolite (13)

'Just Enough Critique’: the 8th Asia Pacific Triennial of Contemporary Art

2015

Journal Article

Mapping Artists’ Films: Exhibiting Cinema in Contemporary Art

Magagnoli, Paolo (2015). Mapping Artists’ Films: Exhibiting Cinema in Contemporary Art. Senses of Cinema (74)

Mapping Artists’ Films: Exhibiting Cinema in Contemporary Art

2013

Journal Article

Capitalism as Creative Destruction: The Representation of the Economic Crisis in Hito Steyerl’s In Free Fall

Magagnoli, Paolo (2013). Capitalism as Creative Destruction: The Representation of the Economic Crisis in Hito Steyerl’s In Free Fall. Third Text, 27 (6), 723-734. doi: 10.1080/09528822.2013.857899

Capitalism as Creative Destruction: The Representation of the Economic Crisis in Hito Steyerl’s In Free Fall

2012

Journal Article

Moulène, Rancière and 24 Objets de Grève: Productive Ambivalence or Reifying Opacity?

Magagnoli, Paolo (2012). Moulène, Rancière and 24 Objets de Grève: Productive Ambivalence or Reifying Opacity?. Philosophy of Photography, 3 (1), 155-171. doi: 10.1386/pop.3.1.155_1

Moulène, Rancière and 24 Objets de Grève: Productive Ambivalence or Reifying Opacity?

2012

Journal Article

"European Cinema and Intertextuality: History, Memory and Politics", Ewa Mazierska

Magagnoli, Paolo (2012). "European Cinema and Intertextuality: History, Memory and Politics", Ewa Mazierska. Transnational Cinemas, 3 (2), 239-241. doi: 10.1386/trac.3.2.231_5

"European Cinema and Intertextuality: History, Memory and Politics", Ewa Mazierska

2012

Journal Article

Between Mimetic Exacerbation and Abstraction: Images of Atrocities in Contemporary Art

Magagnoli, Paolo (2012). Between Mimetic Exacerbation and Abstraction: Images of Atrocities in Contemporary Art. Akademisk Kvarter, 5, 89-100.

Between Mimetic Exacerbation and Abstraction: Images of Atrocities in Contemporary Art

2012

Journal Article

Spectres, Sven Augustijnen (2011). Belgium: Auguste Orts Production

Magagnoli, Paolo (2012). Spectres, Sven Augustijnen (2011). Belgium: Auguste Orts Production. Transnational Cinemas, 3 (1), 129-131. doi: 10.1386/trac.3.1.129_5

Spectres, Sven Augustijnen (2011). Belgium: Auguste Orts Production

2012

Journal Article

The pull of violence: Paul Chan's trilogy of war

Magagnoli, Paolo (2012). The pull of violence: Paul Chan's trilogy of war. Afterall, 1 (31), 26-35. doi: 10.1086/668920

The pull of violence: Paul Chan's trilogy of war

2011

Journal Article

A method in madness: historical truth in Walid Raad's Hostage: The Bachar Tapes

Magagnoli, Paolo (2011). A method in madness: historical truth in Walid Raad's Hostage: The Bachar Tapes. Third Text, 25 (3), 311-324. doi: 10.1080/09528822.2011.573316

A method in madness: historical truth in Walid Raad's Hostage: The Bachar Tapes

2011

Journal Article

Critical nostalgia in the art of Joachim Koester

Magagnoli, Paolo (2011). Critical nostalgia in the art of Joachim Koester. Oxford Art Journal, 34 (1), 97-121. doi: 10.1093/oxartj/kcr012

Critical nostalgia in the art of Joachim Koester

2010

Journal Article

Documentary fictions: new concepts of truth and representation in the works of Anri Sala and Hito Steyerl

Magagnoli, Paolo (2010). Documentary fictions: new concepts of truth and representation in the works of Anri Sala and Hito Steyerl. Object: Graduate Research and Reviews in the History of Art and Visual Culture, 1 (12), 41-59.

Documentary fictions: new concepts of truth and representation in the works of Anri Sala and Hito Steyerl