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2024 Book Chapter To put a human face on the question of labour: photographic portraiture and the Australian-Pacific indentured labour tradeMagagnoli, Paolo (2024). To put a human face on the question of labour: photographic portraiture and the Australian-Pacific indentured labour trade. Coercion and wage labour: exploring work relations through history and art. (pp. 331-356) edited by Anamarija Batista, Viola Müller and Corinna Peres. London, United Kingdom: UCL Press. doi: 10.2307/jj.4329861.20 |
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2023 Book Chapter To put a human face on the question of labour: photographic portraiture and the Australian-Pacific indentured labour tradeMagagnoli, Paolo (2023). To put a human face on the question of labour: photographic portraiture and the Australian-Pacific indentured labour trade. Coercion and wage labour: exploring work relations through history and art. (pp. 315-340) edited by Anamarija Batista, Viola Müller and Corinna Peres. London, United Kingdom: UCL Press. |
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2022 Book Chapter Museums in late populist democracies: the photographic archive and the working classMagagnoli, Paolo (2022). Museums in late populist democracies: the photographic archive and the working class. Museums and the working class. (pp. 90-107) edited by Adele Chynoweth. New York, NY United States: Routledge. doi: 10.4324/9781003029519-6 |
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2018 Book Chapter ‘How Mining Made Australia’: Populist Nostalgia and the Spectre of Climate Change in the Television Documentary Dirty BusinessMagagnoli, Paolo (2018). ‘How Mining Made Australia’: Populist Nostalgia and the Spectre of Climate Change in the Television Documentary Dirty Business. Climate Change and The Media: Vol. 2. (pp. 120-138) edited by Benedetta Brevini and Justin Lewis. New York, NY United States: Peter Lang. doi: 10.3726/b14826 |
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2017 Book Chapter Moulène, Rancière and 24 Objets de Grève: productive ambivalence or Reifying Opacity?Magagnoli, Paolo (2017). Moulène, Rancière and 24 Objets de Grève: productive ambivalence or Reifying Opacity?. Work. (pp. 140-142) edited by Friederike Sigler. Cambridge, MA, United States: MIT Press. |
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2013 Book Chapter 'Let meaning disintegrate': digital compression as revelation in the art of Sean SnyderMagagnoli, Paolo (2013). 'Let meaning disintegrate': digital compression as revelation in the art of Sean Snyder. The Versatile Image: Photography, Digital Technologies and the Internet. (pp. 223-240) edited by Alexandra Moschovi, Carol McKay and Arabella Plouviez. Leuven, België: Leuven University Press. |
