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2020 Book Chapter 'Seven young men on Hautboys': the oboe band in England, c. 1680–1740Owens, Samantha (2020). 'Seven young men on Hautboys': the oboe band in England, c. 1680–1740. Musical exchange between Britain and Europe, 1500–1800: essays in honour of Peter Holman. (pp. 257-268) edited by John Cunnginham and Bryan White. Woodbridge, Suffolk: Boydell Press. |
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2018 Book Chapter "A gothic cathedral in music": the performance and reception of Bach's Mass in B minor in 1920s AustraliaOwens, Samantha (2018). "A gothic cathedral in music": the performance and reception of Bach's Mass in B minor in 1920s Australia. J.S. Bach in Australia: studies in reception and performance. (pp. 101-116) edited by Denis Collins, Kerry Murphy and Samantha Owens. Melbourne, VIC, Australia: Lyrebird Press. |
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2018 Book Chapter Appendix 1Collins, Denis, Murphy, Kerry and Owens, Samantha (2018). Appendix 1. J.S. Bach in Australia: studies in Reception and performance. (pp. 218-221) edited by Denis Collins, Kerry Murphy and Samantha Owens. Melbourne, Australia: Lyrebird Press. |
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2018 Book Chapter IntroductionCollins, Denis, Murphy, Kerry and Owens, Samantha (2018). Introduction. J.S. Bach in Australia: studies in Reception and performance. (pp. 1-7) edited by Denis Collins, Kerry Murphy and Samantha Owens. Melbourne, Australia: Lyrebird Press. |
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2017 Book Chapter Theatre and stageOwens, Samantha (2017). Theatre and stage. Early modern emotions: an introduction. (pp. 228-230) edited by Susan Broomhall. London, United Kingdom: Routledge. doi: 10.4324/9781315441368 |
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2017 Book Chapter ‘Er kan zum Muster dienen’: Kapellmeister Johann Sigismund Kusser and the performance materials for the opera AdonisOwens, Samantha (2017). ‘Er kan zum Muster dienen’: Kapellmeister Johann Sigismund Kusser and the performance materials for the opera Adonis. Transformationen und Metamorphosen. Bericht über die Symposien der Internationalen Händel-Akademie Karlsruhe 2011 bis 2013. (pp. 53-69) edited by Thomas Seedorf and Christian Schaper.. Laaber, Germany: Laaber-Verlag. |
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2017 Book Chapter ‘Schott aus Hamburg mit seinen Leuthen’: Connections between the public opera houses in Braunschweig and Hamburg, 1690–1738Owens, Samantha (2017). ‘Schott aus Hamburg mit seinen Leuthen’: Connections between the public opera houses in Braunschweig and Hamburg, 1690–1738. Telemann und die urbanen milieus der aufklärung. (pp. 41-52) Munich, Germany: + Kritik. |
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2017 Book Chapter London, Leipzig or Local? – German Musical Influence and the Establishment of a New Zealand Conservatorium of Music, 1906–8Owens, Samantha (2017). London, Leipzig or Local? – German Musical Influence and the Establishment of a New Zealand Conservatorium of Music, 1906–8. Searches for tradition: Essays on New Zealand music, past and present. (pp. 46-58) edited by Michael Brown and Samantha Owens. Wellington, New Zealand: Victoria University Press. |
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2015 Book Chapter Dalley-Scarlett, RobertMcCredie, Andrew D. and Owens, Samantha (2015). Dalley-Scarlett, Robert. Grove Music Online. (pp. x-xx) New York, NY United States: Oxford University Press. |
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2015 Book Chapter Tunley, DavidMcCredie, Andrew D. and Owens, Samantha (2015). Tunley, David. Grove Music Online. (pp. x-xx) New York, NY United States: Oxford Univerisity Press. |
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2015 Book Chapter 'Serious Music': the Brisbane reception of Grainger's historical chamber music recitals (1934)Owens, Samantha (2015). 'Serious Music': the Brisbane reception of Grainger's historical chamber music recitals (1934). Grainger the Modernist. (pp. 181-199) edited by Suzanne Robinson and Kay Dreyfus. Farnham, Surrey, United Kingdom: Ashgate. |
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2014 Book Chapter 'Just as Great as Noverre’: the ballet composer Florian Johann Deller (1729–73) and music at the Wuerttemberg CourtOwens, Samantha (2014). 'Just as Great as Noverre’: the ballet composer Florian Johann Deller (1729–73) and music at the Wuerttemberg Court. The Works of Monsieur Noverre translated from the French: Noverre, his Circle and the English 'Lettres sur la Danse'. (pp. 21-36) edited by Michael Burden and Jennifer Thorpe. Hillsdale, NY, United States: Pendragon Press. |
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2014 Book Chapter An historical perspective on creative collaboration: the composition of theatrical dance music at the early modern German CourtOwens, Samantha (2014). An historical perspective on creative collaboration: the composition of theatrical dance music at the early modern German Court. Collaborative creative thought and practice in music. (pp. 143-155) edited by Margaret S. Barrett. Burlington, VT, United States: Ashgate. doi: 10.4324/9781315572635-19 |
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2013 Book Chapter Haydn's Creation 'Shamelessly Mangled' in Melbourne: Joseph Summers and a musical libel action against the Age (1893)Owens, Samantha and Stockigt, Janice B. (2013). Haydn's Creation 'Shamelessly Mangled' in Melbourne: Joseph Summers and a musical libel action against the Age (1893). A Musicological Gift: Libro Homenaje for Jane Morlet Hardie. (pp. 255-282) edited by Kathleen Nelson and Mariacarmen Gómez. Lions Bay, BC, Canada: Institute of Mediaeval Music. |
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2012 Book Chapter Early modern German perspectives on 'moving the affections'Owens, Samantha (2012). Early modern German perspectives on 'moving the affections'. Grief and joy: emotions in the music of the 18th century. (pp. 23-25) edited by Rebekah Prince. Crawley, W.A., Australia: The University of Western Australia, ARC Centre of Excellence for the History of Emotions. |
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2011 Book Chapter 'Das gantze Corpus derer musicirenden Personen': An Introduction to German 'Hofkapellen'Owens, Samantha and Reul, Barbara M. (2011). 'Das gantze Corpus derer musicirenden Personen': An Introduction to German 'Hofkapellen'. Music at German Courts, 1715–1760: Changing Artistic Priorities. (pp. 1-14) edited by Samantha Owens, Barbara M. Reul and Janice B. Stockigt. Woodbridge, U.K.: The Boydell Press. doi: 10.1515/9781846159312-007 |
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2011 Book Chapter The court of Wurttemberg-StuttgartOwens, Samantha (2011). The court of Wurttemberg-Stuttgart. Music at German Courts, 1715–1760: Changing Artistic Priorities. (pp. 165-196) edited by Samantha Owens, Barbara M. Reul and Janice B. Stockigt. Woodbridge, U.K.: The Boydell Press. |
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2007 Book Chapter On the concept of the "Kleine Cammer-Music" in early eighteenth-century German court musicOwens, Samantha K. (2007). On the concept of the "Kleine Cammer-Music" in early eighteenth-century German court music. Johann Friedrich Fasch als Instrumentalkomponist. (pp. 95-108) edited by Konstanze Musketa. Beeskow, Germany: Ortus Verlag. |
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2007 Book Chapter "....nicht so leicht in einer Protestantischen Hoff Cappell einen Catholischen Cappell Meister..." Notes on the early career of Giuseppe Antonio Brescianello (c. 1690-1758)Owens, Samantha K. (2007). "....nicht so leicht in einer Protestantischen Hoff Cappell einen Catholischen Cappell Meister..." Notes on the early career of Giuseppe Antonio Brescianello (c. 1690-1758). Musik in Baden-Württemberg Jahrbuch. (pp. 199-214) edited by Gabriele Busch-Salmen, Walter Salmen and Markus Zepf. Munich: Strube Verlag. |
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2006 Book Chapter The rise and decline of opera at the Württemberg Court, 1698-1733Owens, Samantha (2006). The rise and decline of opera at the Württemberg Court, 1698-1733. Italian Opera in Central Europe. (pp. 99-114) edited by Melania Bucciarelli, Norbert Dubowy and Reinhard Strohm. Berlin: Berliner Wissenschafts-Verlag. |
