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2025 Conference Publication Die samtlichen Hautboisten von der Fürstlichen Hofbande’– The Role of Oboe Bands at German Courts, 1730–1755Owens, Samantha (2025). Die samtlichen Hautboisten von der Fürstlichen Hofbande’– The Role of Oboe Bands at German Courts, 1730–1755. Fasch-Orte: Zerbst, Jever, Berlin (Internationale Wissenschaftliche Konferenz anlässlich der 18. Internationalen Fasch-Festtage), Zerbst, Germany, 20–21 June 2025. |
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2024 Conference Publication Lessons by Correspondence: Nathalie Dolmetsch, Mona Castle and the Viola da Gamba in 1940s New ZealandOwens, Samantha (2024). Lessons by Correspondence: Nathalie Dolmetsch, Mona Castle and the Viola da Gamba in 1940s New Zealand. The Spirit of Gambo: The State of Viol Research, Berkeley, CA United States, 15-17 March 2024. |
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2019 Conference Publication "Eine schöne Stimm”: Kapellknaben at German Lutheran Courts, 1680–1730Owens, Samantha (2019). "Eine schöne Stimm”: Kapellknaben at German Lutheran Courts, 1680–1730. International Fasch Festival, Zerbst, Germany, 12–13 April 2019. Beeskow, Germany: Ortus Verlag. |
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2016 Conference Publication J. S. Cousser and the Irish State Musick at Dublin CastleOwens, Samantha (2016). J. S. Cousser and the Irish State Musick at Dublin Castle. Pre-concert talk (45 minutes), Wigmore Hall, London, 24 April 2016. |
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2016 Conference Publication The “Hunting Song” in eighteenth-century england: a copy of James Hook’s "Ye sluggards who murder your lifetime in sleep" from the Zerbster musikstubOwens, Samantha (2016). The “Hunting Song” in eighteenth-century england: a copy of James Hook’s "Ye sluggards who murder your lifetime in sleep" from the Zerbster musikstub. International Scientific Conference during the 13th International Fasch Festival, Zerbst, Anhalt, Germany, 17-18 April 2015. Beeskow, Germany: Ortus Musikverlag. |
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2016 Conference Publication ‘Here No Rank is to be Observed’: The Role(s) of Dancing Masters and Dancing Nobility in German Courtly Ballets, 1650–170Owens, Samantha (2016). ‘Here No Rank is to be Observed’: The Role(s) of Dancing Masters and Dancing Nobility in German Courtly Ballets, 1650–170. 18th Annual Oxford Dance Symposium, New College Oxford, 19-20 April 2016. |
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2015 Conference Publication Music via Correspondence: A List of the Music Collection of Kreuzorganist Emanuel BenischOwens, Samantha (2015). Music via Correspondence: A List of the Music Collection of Kreuzorganist Emanuel Benisch. 7th Bach Network UK Dialogue Meeting, Madingley Hall, University of Cambridge, United Kingdom, 8–10 July 2015. |
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2015 Conference Publication "Miss Buckland in Dresden": the role of German-trained musicians in New Zealand, 1850–1914Owens, Samantha (2015). "Miss Buckland in Dresden": the role of German-trained musicians in New Zealand, 1850–1914. Searches for Tradition: Annual Meeting of the New Zealand Musicological Society, Wellington, New Zealand, 31 October–1 November 2015. |
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2015 Conference Publication Duplex Genius: The French and Italian Musical Styles in the Instrumental Works of Johann Christoph Pez (1664–1716)Owens, Samantha (2015). Duplex Genius: The French and Italian Musical Styles in the Instrumental Works of Johann Christoph Pez (1664–1716). Music in Transition: Changing Styles and Approaches in the Mid-Baroque (1650–1710), Birmingham Conservatoire, Birmingham City University, United Kingdom, 2-3 July 2015. |
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2015 Conference Publication The ‘Hunting Song’ in Eighteenth-Century England: A Copy of James Hook’s Ye Sluggards Who Murder Your Lifetime in Sleep from the Zerbster Musikstube (B 9)Owens, Samantha (2015). The ‘Hunting Song’ in Eighteenth-Century England: A Copy of James Hook’s Ye Sluggards Who Murder Your Lifetime in Sleep from the Zerbster Musikstube (B 9). Wissenschaftliche Konferenz zu den 13. Internationalen Fasch-Festtagen, Zerbst, Germany, 15-19 April 2015. |
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2015 Conference Publication ‘The Above Mentioned Aliens’: The Internment of Rudolf Mersy’s German Band on Wellington’s Somes Island, 1914–1918Owens, Samantha (2015). ‘The Above Mentioned Aliens’: The Internment of Rudolf Mersy’s German Band on Wellington’s Somes Island, 1914–1918. Musical Dialogues, 38th National Conference of the Musicological Society of Australia, Sydney, NSW, Australia, 1-4 October 2015. |
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2014 Conference Publication "A gothic cathedral in music": the reception of Australian performances of Bach's B-minor Mass in the 1920sOwens, Samantha (2014). "A gothic cathedral in music": the reception of Australian performances of Bach's B-minor Mass in the 1920s. Melbourne Bach Forum, Melbourne, Australia, 25-27 July 2014. |
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2014 Conference Publication "A Hoarse and Impure Voice": Vocal Training at the Württemberg Court, 1680-1730Owens, Samantha (2014). "A Hoarse and Impure Voice": Vocal Training at the Württemberg Court, 1680-1730. The Voice and Histories of Emotion, 1500-1800. Performance Collaboratory, University of Sydney, Camperdown Campus, NSW, 29 September-1 October 2014. |
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2014 Conference Publication "Won't Sing in German": responses to German music in war-time New ZealandOwens, Samantha (2014). "Won't Sing in German": responses to German music in war-time New Zealand. Recovering Forbidden Voices 2014: Responding to the Suppression of Music in World War Two, Wellington, NZ, 22-25 August, 2014. |
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2014 Conference Publication "The Incomparable Director": J.S. Cousser at Hamburg's Hamburg's Gänsemarkt Theatre, 1694–96Owens, Samantha (2014). "The Incomparable Director": J.S. Cousser at Hamburg's Hamburg's Gänsemarkt Theatre, 1694–96. 16th Biennial International Conference on Baroque Music, Salzburg, Austria, 9-13 July, 2014. |
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2013 Conference Publication 'Mr Viner's Divisions on Corelli's Solos': the dissemination of Italian music in early eighteenth-century DublinOwens, Samantha (2013). 'Mr Viner's Divisions on Corelli's Solos': the dissemination of Italian music in early eighteenth-century Dublin. Global Corelli: Fame and Music in the Early Modern World, Canberra, ACT, Australia, 4-5 November, 2013. Canberra, ACT, Australia: Australian National University. |
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2013 Conference Publication 'A clock of Mr Sale's worck': a musician at home in early eighteenth-century DublinOwens, Samantha (2013). 'A clock of Mr Sale's worck': a musician at home in early eighteenth-century Dublin. ANZAMEMS 2013: Australian and New Zealand Association of Medieval and Early Modern Studies Ninth Biennial Conference, Melbourne, VIC, Australia, 12-16 February, 2013. Clayton, VIC, Australia: Monash University. |
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2013 Conference Publication "Bach the Sublime": Australasian reception of the St Matthew Passion (BWV 244), 1875–1950. Brisbane and WellingtonOwens, Samantha (2013). "Bach the Sublime": Australasian reception of the St Matthew Passion (BWV 244), 1875–1950. Brisbane and Wellington. The Sixth J. S. Bach Dialogue Meeting: Bach Looking East, Warsaw, Poland, 3-7 July, 2013. |
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2012 Conference Publication Passports, packet-boats, and parcels: Johann Sigismund Cousser as a collector and disseminator of music in early eighteenth-century EuropeOwens, Samantha (2012). Passports, packet-boats, and parcels: Johann Sigismund Cousser as a collector and disseminator of music in early eighteenth-century Europe. Fifteenth Biennial International Conference on Baroque Music, Southampton, United Kingdom, 11-15 July 2012. |
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2012 Conference Publication ‘The Most Elaborate and Difficult of All Choral Works’: Wellington Performances of J. S. Bach’s St Matthew Passion, 1899–1945Owens, Samantha (2012). ‘The Most Elaborate and Difficult of All Choral Works’: Wellington Performances of J. S. Bach’s St Matthew Passion, 1899–1945. Past Tensions: Reflections on Making History, 2011 New Zealand Historical Association Conference, University of Waikato, Hamilton, New Zealand, 16-18 November 2011. |
