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2024 Conference Publication Lessons by Correspondence: Nathalie Dolmetsch, Mona Castle and the Viola da Gamba in 1940s New ZealandOwens, Samantha (2024). Lessons by Correspondence: Nathalie Dolmetsch, Mona Castle and the Viola da Gamba in 1940s New Zealand. The Spirit of Gambo: The State of Viol Research, Berkeley, CA United States, 15-17 March 2024. |
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2019 Conference Publication "Eine schöne Stimm”: Kapellknaben at German Lutheran Courts, 1680–1730Owens, Samantha (2019). "Eine schöne Stimm”: Kapellknaben at German Lutheran Courts, 1680–1730. International Fasch Festival, Zerbst, Germany, 12–13 April 2019. Beeskow, Germany: Ortus Verlag. |
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2016 Conference Publication J. S. Cousser and the Irish State Musick at Dublin CastleOwens, Samantha (2016). J. S. Cousser and the Irish State Musick at Dublin Castle. Pre-concert talk (45 minutes), Wigmore Hall, London, 24 April 2016. |
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2016 Conference Publication The “Hunting Song” in eighteenth-century england: a copy of James Hook’s "Ye sluggards who murder your lifetime in sleep" from the Zerbster musikstubOwens, Samantha (2016). The “Hunting Song” in eighteenth-century england: a copy of James Hook’s "Ye sluggards who murder your lifetime in sleep" from the Zerbster musikstub. International Scientific Conference during the 13th International Fasch Festival, Zerbst, Anhalt, Germany, 17-18 April 2015. Beeskow, Germany: Ortus Musikverlag. |
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2016 Conference Publication ‘Here No Rank is to be Observed’: The Role(s) of Dancing Masters and Dancing Nobility in German Courtly Ballets, 1650–170Owens, Samantha (2016). ‘Here No Rank is to be Observed’: The Role(s) of Dancing Masters and Dancing Nobility in German Courtly Ballets, 1650–170. 18th Annual Oxford Dance Symposium, New College Oxford, 19-20 April 2016. |
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2015 Conference Publication Music via Correspondence: A List of the Music Collection of Kreuzorganist Emanuel BenischOwens, Samantha (2015). Music via Correspondence: A List of the Music Collection of Kreuzorganist Emanuel Benisch. 7th Bach Network UK Dialogue Meeting, Madingley Hall, University of Cambridge, United Kingdom, 8–10 July 2015. |
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2015 Conference Publication "Miss Buckland in Dresden": the role of German-trained musicians in New Zealand, 1850–1914Owens, Samantha (2015). "Miss Buckland in Dresden": the role of German-trained musicians in New Zealand, 1850–1914. Searches for Tradition: Annual Meeting of the New Zealand Musicological Society, Wellington, New Zealand, 31 October–1 November 2015. |
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2015 Conference Publication Duplex Genius: The French and Italian Musical Styles in the Instrumental Works of Johann Christoph Pez (1664–1716)Owens, Samantha (2015). Duplex Genius: The French and Italian Musical Styles in the Instrumental Works of Johann Christoph Pez (1664–1716). Music in Transition: Changing Styles and Approaches in the Mid-Baroque (1650–1710), Birmingham Conservatoire, Birmingham City University, United Kingdom, 2-3 July 2015. |
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2015 Conference Publication The ‘Hunting Song’ in Eighteenth-Century England: A Copy of James Hook’s Ye Sluggards Who Murder Your Lifetime in Sleep from the Zerbster Musikstube (B 9)Owens, Samantha (2015). The ‘Hunting Song’ in Eighteenth-Century England: A Copy of James Hook’s Ye Sluggards Who Murder Your Lifetime in Sleep from the Zerbster Musikstube (B 9). Wissenschaftliche Konferenz zu den 13. Internationalen Fasch-Festtagen, Zerbst, Germany, 15-19 April 2015. |
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2015 Conference Publication ‘The Above Mentioned Aliens’: The Internment of Rudolf Mersy’s German Band on Wellington’s Somes Island, 1914–1918Owens, Samantha (2015). ‘The Above Mentioned Aliens’: The Internment of Rudolf Mersy’s German Band on Wellington’s Somes Island, 1914–1918. Musical Dialogues, 38th National Conference of the Musicological Society of Australia, Sydney, NSW, Australia, 1-4 October 2015. |
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2014 Conference Publication "A gothic cathedral in music": the reception of Australian performances of Bach's B-minor Mass in the 1920sOwens, Samantha (2014). "A gothic cathedral in music": the reception of Australian performances of Bach's B-minor Mass in the 1920s. Melbourne Bach Forum, Melbourne, Australia, 25-27 July 2014. |
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2014 Conference Publication "A Hoarse and Impure Voice": Vocal Training at the Württemberg Court, 1680-1730Owens, Samantha (2014). "A Hoarse and Impure Voice": Vocal Training at the Württemberg Court, 1680-1730. The Voice and Histories of Emotion, 1500-1800. Performance Collaboratory, University of Sydney, Camperdown Campus, NSW, 29 September-1 October 2014. |
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2014 Conference Publication "Won't Sing in German": responses to German music in war-time New ZealandOwens, Samantha (2014). "Won't Sing in German": responses to German music in war-time New Zealand. Recovering Forbidden Voices 2014: Responding to the Suppression of Music in World War Two, Wellington, NZ, 22-25 August, 2014. |
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2014 Conference Publication "The Incomparable Director": J.S. Cousser at Hamburg's Hamburg's Gänsemarkt Theatre, 1694–96Owens, Samantha (2014). "The Incomparable Director": J.S. Cousser at Hamburg's Hamburg's Gänsemarkt Theatre, 1694–96. 16th Biennial International Conference on Baroque Music, Salzburg, Austria, 9-13 July, 2014. |
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2013 Conference Publication 'Mr Viner's Divisions on Corelli's Solos': the dissemination of Italian music in early eighteenth-century DublinOwens, Samantha (2013). 'Mr Viner's Divisions on Corelli's Solos': the dissemination of Italian music in early eighteenth-century Dublin. Global Corelli: Fame and Music in the Early Modern World, Canberra, ACT, Australia, 4-5 November, 2013. Canberra, ACT, Australia: Australian National University. |
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2013 Conference Publication 'A clock of Mr Sale's worck': a musician at home in early eighteenth-century DublinOwens, Samantha (2013). 'A clock of Mr Sale's worck': a musician at home in early eighteenth-century Dublin. ANZAMEMS 2013: Australian and New Zealand Association of Medieval and Early Modern Studies Ninth Biennial Conference, Melbourne, VIC, Australia, 12-16 February, 2013. Clayton, VIC, Australia: Monash University. |
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2013 Conference Publication "Bach the Sublime": Australasian reception of the St Matthew Passion (BWV 244), 1875–1950. Brisbane and WellingtonOwens, Samantha (2013). "Bach the Sublime": Australasian reception of the St Matthew Passion (BWV 244), 1875–1950. Brisbane and Wellington. The Sixth J. S. Bach Dialogue Meeting: Bach Looking East, Warsaw, Poland, 3-7 July, 2013. |
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2012 Conference Publication Passports, packet-boats, and parcels: Johann Sigismund Cousser as a collector and disseminator of music in early eighteenth-century EuropeOwens, Samantha (2012). Passports, packet-boats, and parcels: Johann Sigismund Cousser as a collector and disseminator of music in early eighteenth-century Europe. Fifteenth Biennial International Conference on Baroque Music, Southampton, United Kingdom, 11-15 July 2012. |
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2012 Conference Publication ‘The Most Elaborate and Difficult of All Choral Works’: Wellington Performances of J. S. Bach’s St Matthew Passion, 1899–1945Owens, Samantha (2012). ‘The Most Elaborate and Difficult of All Choral Works’: Wellington Performances of J. S. Bach’s St Matthew Passion, 1899–1945. Past Tensions: Reflections on Making History, 2011 New Zealand Historical Association Conference, University of Waikato, Hamilton, New Zealand, 16-18 November 2011. |
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2012 Conference Publication 'The most modern methods of propaganda’: Robert Dalley-Scarlett and the Halle Handel Medal(1940)Owens, Samantha (2012). 'The most modern methods of propaganda’: Robert Dalley-Scarlett and the Halle Handel Medal(1940). Conference of the New Zealand Musicological Society, Auckland, New Zealand, 30 November - 2 December 2012. |
