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2024 Other Outputs Nothing Has Changed: Interview with Ian MillisMagagnoli, Paolo (2024, 04 23). Nothing Has Changed: Interview with Ian Millis Labor Art Review 1-9. |
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2024 Other Outputs Jasmine Togo-Brisby: Intimate Archeologies of Australian SlaveryMagagnoli, Paolo (2024, 04 21). Jasmine Togo-Brisby: Intimate Archeologies of Australian Slavery Town Hall |
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2024 Book Chapter To put a human face on the question of labour: photographic portraiture and the Australian-Pacific indentured labour tradeMagagnoli, Paolo (2024). To put a human face on the question of labour: photographic portraiture and the Australian-Pacific indentured labour trade. Coercion and wage labour: exploring work relations through history and art. (pp. 331-356) edited by Anamarija Batista, Viola Müller and Corinna Peres. London, United Kingdom: UCL Press. doi: 10.2307/jj.4329861.20 |
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2023 Book Chapter To put a human face on the question of labour: photographic portraiture and the Australian-Pacific indentured labour tradeMagagnoli, Paolo (2023). To put a human face on the question of labour: photographic portraiture and the Australian-Pacific indentured labour trade. Coercion and wage labour: exploring work relations through history and art. (pp. 315-340) edited by Anamarija Batista, Viola Müller and Corinna Peres. London, United Kingdom: UCL Press. |
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2023 Journal Article From national hero to national problem: the image of the worker in Pix Magazine (1938-1954)Magagnoli, Paolo (2023). From national hero to national problem: the image of the worker in Pix Magazine (1938-1954). Journal of Australian Studies, 47 (1), 49-70. doi: 10.1080/14443058.2022.2155685 |
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2022 Journal Article Histories of the illustrated magazine in AustraliaJohnston, Anna and Magagnoli, Paolo (2022). Histories of the illustrated magazine in Australia. Journal of Australian Studies, 47 (1), 1-7. doi: 10.1080/14443058.2023.2156085 |
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2022 Book Chapter Museums in late populist democracies: the photographic archive and the working classMagagnoli, Paolo (2022). Museums in late populist democracies: the photographic archive and the working class. Museums and the working class. (pp. 90-107) edited by Adele Chynoweth. New York, NY United States: Routledge. doi: 10.4324/9781003029519-6 |
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2020 Journal Article “A library of photographs covering the entire continent”: Walkabout magazine and the politics of documentary in post-war AustraliaMagagnoli, Paolo (2020). “A library of photographs covering the entire continent”: Walkabout magazine and the politics of documentary in post-war Australia. Photography and Culture, 13 (1), 29-56. doi: 10.1080/17514517.2019.1693878 |
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2020 Journal Article Blinded by quarry vision: Nicholas Mangan, Australia, and the history of extraction in the South PacificMagagnoli, Paolo (2020). Blinded by quarry vision: Nicholas Mangan, Australia, and the history of extraction in the South Pacific. Third Text, 34 (6), 415-435. doi: 10.1080/09528822.2020.1823703 |
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2019 Journal Article The 9th Asia Pacific Triennial of Contemporary ArtMagagnoli, Paolo (2019). The 9th Asia Pacific Triennial of Contemporary Art. Burlington Contemporary. |
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2018 Book Chapter ‘How Mining Made Australia’: Populist Nostalgia and the Spectre of Climate Change in the Television Documentary Dirty BusinessMagagnoli, Paolo (2018). ‘How Mining Made Australia’: Populist Nostalgia and the Spectre of Climate Change in the Television Documentary Dirty Business. Climate Change and The Media: Vol. 2. (pp. 120-138) edited by Benedetta Brevini and Justin Lewis. New York, NY United States: Peter Lang. doi: 10.3726/b14826 |
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2017 Book Chapter Moulène, Rancière and 24 Objets de Grève: productive ambivalence or Reifying Opacity?Magagnoli, Paolo (2017). Moulène, Rancière and 24 Objets de Grève: productive ambivalence or Reifying Opacity?. Work. (pp. 140-142) edited by Friederike Sigler. Cambridge, MA, United States: MIT Press. |
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2016 Journal Article The civilized artist beautifies pollution: Zhao Liang’s Water and Beijing GreenMagagnoli, Paolo (2016). The civilized artist beautifies pollution: Zhao Liang’s Water and Beijing Green. Journal of Contemporary Chinese Art, 3 (3), 367-377. doi: 10.1386/jcca.3.3.367_1 |
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2016 Journal Article The Internet as Ruin: Nostalgia for the Early World Wide Web in Contemporary ArtMagagnoli, Paolo (2016). The Internet as Ruin: Nostalgia for the Early World Wide Web in Contemporary Art. Transformations, 28. |
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2016 Journal Article 'Just Enough Critique’: the 8th Asia Pacific Triennial of Contemporary ArtMagagnoli, Paolo (2016). 'Just Enough Critique’: the 8th Asia Pacific Triennial of Contemporary Art. Seismopolite (13) |
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2015 Journal Article Mapping Artists’ Films: Exhibiting Cinema in Contemporary ArtMagagnoli, Paolo (2015). Mapping Artists’ Films: Exhibiting Cinema in Contemporary Art. Senses of Cinema (74) |
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2015 Book Documents of Utopia: The Politics of Experimental DocumentaryMagagnoli, Paolo (2015). Documents of Utopia: The Politics of Experimental Documentary. Columbia, CA, United States: Columbia University Press. doi: 10.7312/columbia/9780231172714.001.0001 |
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2013 Book Chapter 'Let meaning disintegrate': digital compression as revelation in the art of Sean SnyderMagagnoli, Paolo (2013). 'Let meaning disintegrate': digital compression as revelation in the art of Sean Snyder. The Versatile Image: Photography, Digital Technologies and the Internet. (pp. 223-240) edited by Alexandra Moschovi, Carol McKay and Arabella Plouviez. Leuven, België: Leuven University Press. |
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2013 Journal Article Capitalism as Creative Destruction: The Representation of the Economic Crisis in Hito Steyerl’s In Free FallMagagnoli, Paolo (2013). Capitalism as Creative Destruction: The Representation of the Economic Crisis in Hito Steyerl’s In Free Fall. Third Text, 27 (6), 723-734. doi: 10.1080/09528822.2013.857899 |
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2012 Journal Article Moulène, Rancière and 24 Objets de Grève: Productive Ambivalence or Reifying Opacity?Magagnoli, Paolo (2012). Moulène, Rancière and 24 Objets de Grève: Productive Ambivalence or Reifying Opacity?. Philosophy of Photography, 3 (1), 155-171. doi: 10.1386/pop.3.1.155_1 |
