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2016

Journal Article

The Internet as Ruin: Nostalgia for the Early World Wide Web in Contemporary Art

Magagnoli, Paolo (2016). The Internet as Ruin: Nostalgia for the Early World Wide Web in Contemporary Art. Transformations, 28.

The Internet as Ruin: Nostalgia for the Early World Wide Web in Contemporary Art

2016

Journal Article

'Just Enough Critique’: the 8th Asia Pacific Triennial of Contemporary Art

Magagnoli, Paolo (2016). 'Just Enough Critique’: the 8th Asia Pacific Triennial of Contemporary Art. Seismopolite (13)

'Just Enough Critique’: the 8th Asia Pacific Triennial of Contemporary Art

2015

Journal Article

Mapping Artists’ Films: Exhibiting Cinema in Contemporary Art

Magagnoli, Paolo (2015). Mapping Artists’ Films: Exhibiting Cinema in Contemporary Art. Senses of Cinema (74)

Mapping Artists’ Films: Exhibiting Cinema in Contemporary Art

2015

Book

Documents of Utopia: The Politics of Experimental Documentary

Magagnoli, Paolo (2015). Documents of Utopia: The Politics of Experimental Documentary. Columbia, CA, United States: Columbia University Press. doi: 10.7312/columbia/9780231172714.001.0001

Documents of Utopia: The Politics of Experimental Documentary

2013

Newspaper Article

Beatriz Santiago Munoz: the Black Cave

Magagnoli, Paolo (2013, 06 01). Beatriz Santiago Munoz: the Black Cave Art In America 64-65.

Beatriz Santiago Munoz: the Black Cave

2013

Newspaper Article

Adelita Husni-Bey: Playing Truant

Magagnoli, Paolo (2013, 04 01). Adelita Husni-Bey: Playing Truant Frieze 75-76.

Adelita Husni-Bey: Playing Truant

2013

Newspaper Article

Light from The Middle East

Magagnoli, Paolo (2013, 03 01). Light from The Middle East Camera Austria 82-83.

Light from The Middle East

2013

Journal Article

Capitalism as Creative Destruction: The Representation of the Economic Crisis in Hito Steyerl’s In Free Fall

Magagnoli, Paolo (2013). Capitalism as Creative Destruction: The Representation of the Economic Crisis in Hito Steyerl’s In Free Fall. Third Text, 27 (6), 723-734. doi: 10.1080/09528822.2013.857899

Capitalism as Creative Destruction: The Representation of the Economic Crisis in Hito Steyerl’s In Free Fall

2013

Book Chapter

'Let meaning disintegrate': digital compression as revelation in the art of Sean Snyder

Magagnoli, Paolo (2013). 'Let meaning disintegrate': digital compression as revelation in the art of Sean Snyder. The Versatile Image: Photography, Digital Technologies and the Internet. (pp. 223-240) edited by Alexandra Moschovi, Carol McKay and Arabella Plouviez. Leuven, België: Leuven University Press.

'Let meaning disintegrate': digital compression as revelation in the art of Sean Snyder

2012

Newspaper Article

Everything was Moving: Photography from the 60s and 70s

Magagnoli, Paolo (2012, 12 01). Everything was Moving: Photography from the 60s and 70s Camera Austria 55-58.

Everything was Moving: Photography from the 60s and 70s

2012

Newspaper Article

Zoe Leonard

Magagnoli, Paolo (2012, 06 01). Zoe Leonard Camera Austria 37-37.

Zoe Leonard

2012

Newspaper Article

Zarina Bhimji

Magagnoli, Paolo (2012, 03 01). Zarina Bhimji Camera Austria 68-68.

Zarina Bhimji

2012

Journal Article

The pull of violence: Paul Chan's trilogy of war

Magagnoli, Paolo (2012). The pull of violence: Paul Chan's trilogy of war. Afterall, 1 (31), 26-35. doi: 10.1086/668920

The pull of violence: Paul Chan's trilogy of war

2012

Journal Article

Moulène, Rancière and 24 Objets de Grève: Productive Ambivalence or Reifying Opacity?

Magagnoli, Paolo (2012). Moulène, Rancière and 24 Objets de Grève: Productive Ambivalence or Reifying Opacity?. Philosophy of Photography, 3 (1), 155-171. doi: 10.1386/pop.3.1.155_1

Moulène, Rancière and 24 Objets de Grève: Productive Ambivalence or Reifying Opacity?

2012

Journal Article

"European Cinema and Intertextuality: History, Memory and Politics", Ewa Mazierska

Magagnoli, Paolo (2012). "European Cinema and Intertextuality: History, Memory and Politics", Ewa Mazierska. Transnational Cinemas, 3 (2), 239-241. doi: 10.1386/trac.3.2.231_5

"European Cinema and Intertextuality: History, Memory and Politics", Ewa Mazierska

2012

Journal Article

Between Mimetic Exacerbation and Abstraction: Images of Atrocities in Contemporary Art

Magagnoli, Paolo (2012). Between Mimetic Exacerbation and Abstraction: Images of Atrocities in Contemporary Art. Akademisk Kvarter, 5, 89-100.

Between Mimetic Exacerbation and Abstraction: Images of Atrocities in Contemporary Art

2012

Journal Article

Spectres, Sven Augustijnen (2011). Belgium: Auguste Orts Production

Magagnoli, Paolo (2012). Spectres, Sven Augustijnen (2011). Belgium: Auguste Orts Production. Transnational Cinemas, 3 (1), 129-131. doi: 10.1386/trac.3.1.129_5

Spectres, Sven Augustijnen (2011). Belgium: Auguste Orts Production

2011

Other Outputs

Reclaiming the past: historical representation in contemporary photography and video art

Magagnoli, Paolo (2011). Reclaiming the past: historical representation in contemporary photography and video art. PhD Thesis, Department of Art History, University College London.

Reclaiming the past: historical representation in contemporary photography and video art

2011

Newspaper Article

Taryn Simon: A Living Man Declared Dead and Other Chapters

Magagnoli, Paolo (2011, 09 01). Taryn Simon: A Living Man Declared Dead and Other Chapters Camera Austria 72-72.

Taryn Simon: A Living Man Declared Dead and Other Chapters

2011

Journal Article

A method in madness: historical truth in Walid Raad's Hostage: The Bachar Tapes

Magagnoli, Paolo (2011). A method in madness: historical truth in Walid Raad's Hostage: The Bachar Tapes. Third Text, 25 (3), 311-324. doi: 10.1080/09528822.2011.573316

A method in madness: historical truth in Walid Raad's Hostage: The Bachar Tapes