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2021 Journal Article Editorial the digital face and deepfakes on screenBode, Lisa, Lees, Dominic and Golding, Daniel (2021). Editorial the digital face and deepfakes on screen. Convergence: The International Journal of Research into New Media Technologies, 27 (4), 135485652110340-854. doi: 10.1177/13548565211034044 |
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2021 Journal Article Deepfaking Keanu: YouTube deepfakes, platform visual effects, and the complexity of receptionBode, Lisa (2021). Deepfaking Keanu: YouTube deepfakes, platform visual effects, and the complexity of reception. Convergence: The International Journal of Research into New Media Technologies, 27 (4), 135485652110304-934. doi: 10.1177/13548565211030454 |
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2018 Journal Article “It's a Fake!”: early and late incredulous viewers, trick effects, and CGIBode, Lisa (2018). “It's a Fake!”: early and late incredulous viewers, trick effects, and CGI. Film History, 30 (4), 1-21. doi: 10.2979/filmhistory.30.4.01 |
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2010 Journal Article No longer themselves? Framing digitally enabled posthumous "performance"Bode, Lisa (2010). No longer themselves? Framing digitally enabled posthumous "performance". Cinema Journal, 49 (4), 46-70. doi: 10.1353/cj.2010.0019 |
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2022 Journal Article Review of Alternative Realities, Carl Plantinga, Rutgers University Press, 2021Bode, Lisa (2022). Review of Alternative Realities, Carl Plantinga, Rutgers University Press, 2021. The British Journal of Aesthetics, 62 (4), 706-708. doi: 10.1093/aesthj/ayab045 |
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2021 Journal Article Seeking connections across constellations: a reflection on Tom O’ReganBode, Lisa (2021). Seeking connections across constellations: a reflection on Tom O’Regan. Continuum, 35 (3), 1-10. doi: 10.1080/10304312.2021.1902155 |
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2014 Journal Article Fade out/fade in: dead 1920s and 1930s Hollywood stars and the mechanisms of posthumous stardomBode, Lisa (2014). Fade out/fade in: dead 1920s and 1930s Hollywood stars and the mechanisms of posthumous stardom. Celebrity Studies, 5 (1-2), 90-92. doi: 10.1080/19392397.2014.887525 |
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2013 Journal Article Review of The horror sensorium: media and the sensesBode, Lisa (2013). Review of The horror sensorium: media and the senses. Screening the Past (36) |
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2010 Journal Article ‘Conspicuous absence’ and ‘morbid curiosity’: The promotion and reception of Saratoga (USA 1937)Bode, Lisa (2010). ‘Conspicuous absence’ and ‘morbid curiosity’: The promotion and reception of Saratoga (USA 1937). Screening the Past (28), 1-11. |
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2010 Journal Article Transitional tastes: Teen girls and genre in the critical reception of TwilightBode, Lisa (2010). Transitional tastes: Teen girls and genre in the critical reception of Twilight. Continuum: Journal of Media and Cultural Studies, 24 (5), 707-719. doi: 10.1080/10304312.2010.505327 |
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2009 Journal Article Performance, race, mock-documentary and the Australian national imaginary in The NomineesBode, Lisa (2009). Performance, race, mock-documentary and the Australian national imaginary in The Nominees. Post Script: Essays in Film and the Humanities, 28 (3), 68-81. |
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2008 Journal Article 'It's a joke, sir': Chris Lilley's comedy of character, performance and tabooBode, Lisa (2008). 'It's a joke, sir': Chris Lilley's comedy of character, performance and taboo. Metro Magazine, 157, 138-143. |
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2006 Journal Article From shadow citizens to teflon stars: Reception of the transfiguring effects of new moving image technologiesBode, L (2006). From shadow citizens to teflon stars: Reception of the transfiguring effects of new moving image technologies. Animation: An Interdisciplinary Journal, 1 (2), 173-189. doi: 10.1177/1746847706068901 |
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2005 Journal Article Digital doppelgängersBode, Lisa (2005). Digital doppelgängers. M/C Journal: A Journal of Media and Culture, 8 (3), 1-4. doi: 10.5204/mcj.2369 |
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2001 Journal Article Ananova in 'the kingdom of shadows'Bode, Lisa (2001). Ananova in 'the kingdom of shadows'. Convergence, 7 (1), 10-16. doi: 10.1177/135485650100700102 |
