|
2022 Book Chapter From holy grail to deepfake: the evolving digital face on screenBode, Lisa (2022). From holy grail to deepfake: the evolving digital face on screen. Faces on screen: new approaches. (pp. 288-302) edited by Alice Maurice. Edinburgh, United Kingdom: Edinburgh University Press. doi: 10.1515/9781474493802-023 |
|
Featured 2021 Journal Article Editorial the digital face and deepfakes on screenBode, Lisa, Lees, Dominic and Golding, Daniel (2021). Editorial the digital face and deepfakes on screen. Convergence: The International Journal of Research into New Media Technologies, 27 (4), 135485652110340-854. doi: 10.1177/13548565211034044 |
|
Featured 2021 Journal Article Deepfaking Keanu: YouTube deepfakes, platform visual effects, and the complexity of receptionBode, Lisa (2021). Deepfaking Keanu: YouTube deepfakes, platform visual effects, and the complexity of reception. Convergence: The International Journal of Research into New Media Technologies, 27 (4), 135485652110304-934. doi: 10.1177/13548565211030454 |
|
Featured 2019 Book Chapter The uncanny valleyBode, Lisa (2019). The uncanny valley. The animation studies reader. (pp. 59-68) edited by Nichola Dobson, Annabelle Honess Roe, Amy Ratelle and Caroline Ruddell. New York NY United States: Bloomsbury Academic. |
|
2018 Journal Article “It's a Fake!”: early and late incredulous viewers, trick effects, and CGIBode, Lisa (2018). “It's a Fake!”: early and late incredulous viewers, trick effects, and CGI. Film History, 30 (4), 1-21. doi: 10.2979/filmhistory.30.4.01 |
|
Featured 2017 Book Making believe: screen performance and special effects in popular cinemaBode, Lisa (2017). Making believe: screen performance and special effects in popular cinema. New Brunswick, NJ, United States: Rutgers University Press. doi: 10.36019/9780813580005 |
|
Featured 2015 Book Chapter Fleshing it out: prosthetic makeup effects, motion capture and the reception of performanceBode, Lisa (2015). Fleshing it out: prosthetic makeup effects, motion capture and the reception of performance. Special effects: new histories, theories, contexts. (pp. 32-44) edited by Dan North, Bob Rehak and Michael Duffy. London , United Kingdom: British Film Institute, Palgrave Macmillan. |
|
Featured 2010 Journal Article No longer themselves? Framing digitally enabled posthumous "performance"Bode, Lisa (2010). No longer themselves? Framing digitally enabled posthumous "performance". Cinema Journal, 49 (4), 46-70. doi: 10.1353/cj.2010.0019 |
|
2022 Journal Article Review of Alternative Realities, Carl Plantinga, Rutgers University Press, 2021Bode, Lisa (2022). Review of Alternative Realities, Carl Plantinga, Rutgers University Press, 2021. The British Journal of Aesthetics, 62 (4), 706-708. doi: 10.1093/aesthj/ayab045 |
|
2022 Book Chapter 2015. Movies and female agencyBode, Lisa (2022). 2015. Movies and female agency. American cinema of the 2010s: themes and variations. (pp. 147-171) edited by Dennis Bingham. New Brunswick, NJ United States: Rutgers University Press. doi: 10.36019/9781978814868-008 |
|
2021 Journal Article Seeking connections across constellations: a reflection on Tom O’ReganBode, Lisa (2021). Seeking connections across constellations: a reflection on Tom O’Regan. Continuum, 35 (3), 1-10. doi: 10.1080/10304312.2021.1902155 |
|
2016 Book Chapter The afterlives of Rudolph Valentino and Wallace Reid in the 1920s and 1930sBode, Lisa (2016). The afterlives of Rudolph Valentino and Wallace Reid in the 1920s and 1930s. Lasting screen stars: images that fade and personas that endure. (pp. 159-172) edited by Lucy Bolton and Julie Lobalzo Wright. London, United Kingdom: Palgrave Macmillan. doi: 10.1057/978-1-137-40733-7_12 |
|
2014 Journal Article Fade out/fade in: dead 1920s and 1930s Hollywood stars and the mechanisms of posthumous stardomBode, Lisa (2014). Fade out/fade in: dead 1920s and 1930s Hollywood stars and the mechanisms of posthumous stardom. Celebrity Studies, 5 (1-2), 90-92. doi: 10.1080/19392397.2014.887525 |
|
2013 Journal Article Review of The horror sensorium: media and the sensesBode, Lisa (2013). Review of The horror sensorium: media and the senses. Screening the Past (36) |
|
2010 Journal Article ‘Conspicuous absence’ and ‘morbid curiosity’: The promotion and reception of Saratoga (USA 1937)Bode, Lisa (2010). ‘Conspicuous absence’ and ‘morbid curiosity’: The promotion and reception of Saratoga (USA 1937). Screening the Past (28), 1-11. |
|
2010 Journal Article Transitional tastes: Teen girls and genre in the critical reception of TwilightBode, Lisa (2010). Transitional tastes: Teen girls and genre in the critical reception of Twilight. Continuum: Journal of Media and Cultural Studies, 24 (5), 707-719. doi: 10.1080/10304312.2010.505327 |
|
2009 Journal Article Performance, race, mock-documentary and the Australian national imaginary in The NomineesBode, Lisa (2009). Performance, race, mock-documentary and the Australian national imaginary in The Nominees. Post Script: Essays in Film and the Humanities, 28 (3), 68-81. |
|
2008 Journal Article 'It's a joke, sir': Chris Lilley's comedy of character, performance and tabooBode, Lisa (2008). 'It's a joke, sir': Chris Lilley's comedy of character, performance and taboo. Metro Magazine, 157, 138-143. |
|
2008 Conference Publication 'Casting from Forest Lawn Cemetary': Re-Animating dead screen starsBode, Lisa (2008). 'Casting from Forest Lawn Cemetary': Re-Animating dead screen stars. ISEA2008: The 14th International Symposium on Electronic Art, Singapore, 25 July - 3 August 2008. Singapore: ISEA2008 Pte Ltd. |
|
2007 Book Chapter 'Grave robbing' or 'career comeback'? On the digital resurrection of dead screen starsBode, L. (2007). 'Grave robbing' or 'career comeback'? On the digital resurrection of dead screen stars. History of Stardom Reconsidered. (pp. 36-40) edited by Kallioniemi, K., Karki, K., Makela, J. and Salmi, H.. Online - HPC (http://iipc.utu.fi/reconsidered/): Turku: International Institute for Popular Culture. |
