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2022 Book Chapter From holy grail to deepfake: the evolving digital face on screenBode, Lisa (2022). From holy grail to deepfake: the evolving digital face on screen. Faces on screen: new approaches. (pp. 288-302) edited by Alice Maurice. Edinburgh, United Kingdom: Edinburgh University Press. doi: 10.1515/9781474493802-023 |
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2019 Book Chapter The uncanny valleyBode, Lisa (2019). The uncanny valley. The animation studies reader. (pp. 59-68) edited by Nichola Dobson, Annabelle Honess Roe, Amy Ratelle and Caroline Ruddell. New York NY United States: Bloomsbury Academic. |
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2015 Book Chapter Fleshing it out: prosthetic makeup effects, motion capture and the reception of performanceBode, Lisa (2015). Fleshing it out: prosthetic makeup effects, motion capture and the reception of performance. Special effects: new histories, theories, contexts. (pp. 32-44) edited by Dan North, Bob Rehak and Michael Duffy. London , United Kingdom: British Film Institute, Palgrave Macmillan. |
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2022 Book Chapter 2015. Movies and female agencyBode, Lisa (2022). 2015. Movies and female agency. American cinema of the 2010s: themes and variations. (pp. 147-171) edited by Dennis Bingham. New Brunswick, NJ United States: Rutgers University Press. doi: 10.36019/9781978814868-008 |
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2016 Book Chapter The afterlives of Rudolph Valentino and Wallace Reid in the 1920s and 1930sBode, Lisa (2016). The afterlives of Rudolph Valentino and Wallace Reid in the 1920s and 1930s. Lasting screen stars: images that fade and personas that endure. (pp. 159-172) edited by Lucy Bolton and Julie Lobalzo Wright. London, United Kingdom: Palgrave Macmillan. doi: 10.1057/978-1-137-40733-7_12 |
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2007 Book Chapter 'Grave robbing' or 'career comeback'? On the digital resurrection of dead screen starsBode, L. (2007). 'Grave robbing' or 'career comeback'? On the digital resurrection of dead screen stars. History of Stardom Reconsidered. (pp. 36-40) edited by Kallioniemi, K., Karki, K., Makela, J. and Salmi, H.. Online - HPC (http://iipc.utu.fi/reconsidered/): Turku: International Institute for Popular Culture. |
