Overview
Availability
- Professor Liam Viney is:
- Available for supervision
Qualifications
- Doctoral Diploma of Musical Arts, Yale University
Works
Search Professor Liam Viney’s works on UQ eSpace
2014
Book Chapter
The Scattering of Light: shared insights into the collaborative and cooperative processes that underpin the development and performance of a commissioned work
Barrett, Margaret S., Ford, Andrew, Murphy, Patrick, Pollett, Patricia, Sellars, Elizabeth and Viney, Liam (2014). The Scattering of Light: shared insights into the collaborative and cooperative processes that underpin the development and performance of a commissioned work. Collaborative creative thought and practice in music. (pp. 17-31) edited by Margaret S. Barrett. Farnham, Surrey, United Kingdom: Ashgate. doi: 10.4324/9781315572635-10
2014
Book Chapter
Collaboration in duo piano performance: 'Piano Spheres'
Viney, Liam and Grinberg, Anna (2014). Collaboration in duo piano performance: 'Piano Spheres'. Collaborative creative thought and practice in music. (pp. 157-172) edited by Margaret S. Barrett. Farnham, Surrey, United Kingdom: Ashgate Publishing. doi: 10.4324/9781315572635-20
2013
Other Outputs
Ludwig van Beethoven (1770-1827): Fantasy for piano, chorus and orchestra, opus 80
UQ Symphony Orchestra, UQ Chorale, Viney, Liam and Potter, Warwick (2013). Ludwig van Beethoven (1770-1827): Fantasy for piano, chorus and orchestra, opus 80. Queensland Performing Arts Centre, Southbank, QLD, Australia: School of Music, The University of Queensland.
2013
Other Outputs
Viney-Grinberg duo live from Brisbane
Viney, Liam and Grinberg, Anna (2013). Viney-Grinberg duo live from Brisbane. Southbank, QLD, Australia: ABC Classic FM.
2013
Other Outputs
Performance of Mantra by Stockhausen and the world premiere of a new work by leading Australian composer Matthew Hindson
Viney, Liam and Grinberg, Anna (2013). Performance of Mantra by Stockhausen and the world premiere of a new work by leading Australian composer Matthew Hindson. Visy Theatre, Brisbane Powerhouse, Brisbane, Australia: Queensland Music Festival.
2013
Other Outputs
Four hands
Viney, Liam and Grinberg, Anna (2013). Four hands. Western Sydney, NSW, Australia: Campbelltown Arts Centre.
2013
Other Outputs
Evening Recital 3: Viney-Grinbery piano duo featuring Liam Viney and Anna Grinbert
Viney, Liam and Grinberg, Anna (2013). Evening Recital 3: Viney-Grinbery piano duo featuring Liam Viney and Anna Grinbert. Toowoomba, QLD, Australia: University of Southern Queensland.
2013
Other Outputs
Concert 6: A Triumphant Conclusion. Carl Vine: Cafe Concertino
Radke, Hayley, Viney, Liam, Seymour, Rebecca, de Vere, Charlotte Burbrook, King, Louise and Catchlove, Brian (2013). Concert 6: A Triumphant Conclusion. Carl Vine: Cafe Concertino. Stradbroke Island, QLD, Australia: Stradbroke Chamber Music Festival.
2013
Other Outputs
Concert 2: 5 + 1. Poulenc: Sextet for piano and winds
Viney, Liam, Radke, Hayley, Wilschut, Rianne, Newsome, Eve, Mitchell, David and Clark, Ysolt (2013). Concert 2: 5 + 1. Poulenc: Sextet for piano and winds. Stradbroke Island, QLD, Australia: Stradbroke Chamber Music Festival.
2013
Other Outputs
Olivier Messiaen: Visions de l'Amen
Viney, Liam and Grinberg, Anna (2013). Olivier Messiaen: Visions de l'Amen. South Bank, QLD, Australia: Queensland Conservatorium Griffith University.
2013
Other Outputs
Carnival of the animals: Canberra International Music Festival 2013
Viney, Liam and Grinberg, Anna (2013). Carnival of the animals: Canberra International Music Festival 2013. Albert Hall, Canberra, ACT, Australia: Canberra International Music Festival.
2013
Other Outputs
Rhapsody in red, white and blue
Viney, Liam and Grinberg, Anna (2013). Rhapsody in red, white and blue. Albert Hall, Canberra, ACT, Australia: Canberra International Music Festival.
2013
Other Outputs
Opening gala: the summoning
Viney, Liam and Grinberg, Anna (2013). Opening gala: the summoning. Albert Hall, Canberra, ACT, Australia: Canberra International Music Festival.
2013
Other Outputs
Recital for Canberra International Music Festival
Viney, Liam and Grinberg, Anna (2013). Recital for Canberra International Music Festival. Government House, Canberra, ACT, Australia: Canberra International Music Festival.
2013
Other Outputs
Viney-Grinberg Piano Duo recital
Viney, Liam and Grinberg, Anna (2013). Viney-Grinberg Piano Duo recital. Darlinghurst, NSW, Australia: Sydney Grammar School.
2013
Other Outputs
February House
Viney, Liam and Grinberg, Anna (2013). February House. Santa Monica, CA, USA: Jacaranda: Music at the Edge.
2012
Other Outputs
Duo piano recital of Australian works for Musica Viva
Viney, Liam and Grinberg, Anna (2012). Duo piano recital of Australian works for Musica Viva. Grafton, NSW, Australia: Pro Musica Grafton; Clarence Valley Conservatorium.
2012
Other Outputs
Colin McPhee: Balinese Ceremonial Music for two pianos; and Matthew Hindson: Big Bang for one piano, four hands
Viney, Liam and Grinberg, Anna (2012). Colin McPhee: Balinese Ceremonial Music for two pianos; and Matthew Hindson: Big Bang for one piano, four hands. South Bank, QLD, Australia: Queensland Conservatorium Griffith University.
2012
Other Outputs
Carl Vine: Sonata for one piano, four hands
Viney, Liam and Grinberg, Anna (2012). Carl Vine: Sonata for one piano, four hands. South Bank, QLD, Australia: Queensland Conservatorium Griffith University.
2012
Other Outputs
Rhythmic dance
Viney, Liam and Grinberg, Anna (2012). Rhythmic dance. Ferry Road Studios, Brisbane, QLD, Australia: ABC Classic FM.
Funding
Past funding
Supervision
Availability
- Professor Liam Viney is:
- Available for supervision
Before you email them, read our advice on how to contact a supervisor.
Supervision history
Current supervision
-
Doctor Philosophy
Navigating the guitar: negotiating composer-performer collaboration
Principal Advisor
Other advisors: Dr Robert Davidson
-
Doctor Philosophy
Moved to Tears An Exploration of How Acting Techniques Can Transform Classical Instrumental Music Performance
Principal Advisor
Other advisors: Dr Anna Grinberg
-
Doctor Philosophy
Transformational Interactivity: Creating technologically enhanced performance experiences as an exploration of Pauline Oliveros' Deep Listening philosophy
Associate Advisor
Other advisors: Associate Professor Eve Klein
-
Doctor Philosophy
Aesthetic and social responses to Western classical music concerts in live-in-situ and technologically mediated situational contexts
Associate Advisor
Other advisors: Dr Mary Broughton
-
Doctor Philosophy
Transformational Interactivity: Creating technologically enhanced performance experiences as an exploration of Pauline Oliveros' Deep Listening philosophy
Associate Advisor
Other advisors: Associate Professor Eve Klein
-
Doctor Philosophy
Transformational Interactivity: Creating technologically enhanced performance experiences as an exploration of Pauline Oliveros' Deep Listening philosophy
Associate Advisor
Other advisors: Associate Professor Eve Klein
Completed supervision
-
2020
Master Philosophy
The Guitarist and the Non-Guitarist Composer: an analysis of contrasting collaborative models and their impact on new works for solo classical guitar
Principal Advisor
-
2020
Doctor Philosophy
Reaching the depth of the mind through premeditated improvisation
Principal Advisor
Other advisors: Dr Robert Davidson
-
2019
Doctor Philosophy
Jazz up North Down Under: An inquiry into jazz performance, culture and identity through collaborative recitals in Queensland, Australia
Principal Advisor
Other advisors: Associate Professor Julie Ballantyne
-
2019
Doctor Philosophy
A Performer's Analysis of Leonard Bernstein's Serenade
Principal Advisor
Other advisors: Associate Professor Denis Collins
-
2019
Doctor Philosophy
Interpreting and Performing the Chamber Music of Uzbek Soviet Composer Georgi Mushel: The Role of Folk Music
Principal Advisor
Other advisors: Dr Simon Perry
-
2018
Master Philosophy
Applying skills, concepts and techniques from the study of Acting to Musical Performance: A practice-based, autoethnographic approach for Classical Guitar
Principal Advisor
-
2017
Master Philosophy
From the Battlefield: Chamber Music from the Front Line of WWI
Principal Advisor
Other advisors: Dr Simon Perry
-
2016
Master Philosophy
Benjamin Britten's Winter Words, Lyrics and Ballads of Thomas Hardy, Op. 52, For High Voice and Piano: An Analytically Informed Interpretation.
Principal Advisor
Other advisors: Dr Simon Perry
-
2016
Doctor Philosophy
The Significant Other: A Flutist's Role in Performer-Composer Collaborations
Principal Advisor
Other advisors: Dr Robert Davidson
-
2021
Doctor Philosophy
Adapting French harpsichord repertoire to the piano: Interpreting François Couperin's Pièces de clavecin
Associate Advisor
Other advisors: Dr Anna Grinberg
-
2021
Doctor Philosophy
Exploring Metaxis: An exploration of Metamodern and Wabi Sabi aesthetic philosophies in a folio of original compositions.
Associate Advisor
Other advisors: Dr Robert Davidson
-
2020
Doctor Philosophy
The Syntheticistic Compositional Approach
Associate Advisor
Other advisors: Dr Robert Davidson
-
2019
Doctor Philosophy
A new methodology for contemporary music nationalism, and an investigation of perspectives on Australian popular music from the 2010s
Associate Advisor
Other advisors: Associate Professor Eve Klein
-
2017
Doctor Philosophy
Folio of Compositions and Critical Commentary
Associate Advisor
Other advisors: Dr Robert Davidson
-
2015
Doctor Philosophy
Placing identity, identifying place: an investigation of the role of place and identity in the development of artistic thought and practice
Associate Advisor
Other advisors: Associate Professor Julie Ballantyne
-
2015
Doctor Philosophy
Reflections on Composition and Consciousness
Associate Advisor
Other advisors: Dr Robert Davidson
-
2014
Doctor Philosophy
Folio of compositions and compositional commentaries
Associate Advisor
Other advisors: Dr Robert Davidson
-
2012
Master Philosophy
Approaches to Performance in Chopin's Mazurkas: A critical commentary on selected mazurkas with specific reference to dance types, rubato and ornamentation
Associate Advisor
Other advisors: Dr Simon Perry
Media
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