Overview
Background
Denis Collins is a world authority on the history of compositional techniques, especially counterpoint, in Western art music from the late Middle Ages to the time of J.S. Bach. He is also an expert on the history of music theory, including the legacy of the Russian composer and theorist Sergei Ivanovich Taneyev. Denis's research draws upon digital applications to music, musical iconography, and music perception and cognition. He has been Lead Chief Investigator on two Discovery Projects awarded by the Australian Research Council: "Canonic techniques and musical change from c.1330 to c.1530" (2015-17) and "The art and science of canon in the music of early 17th-century Rome" (2018-20). He was an Associate Investigator at the ARC's Centre of Excellence for the History of Emotions in Europe, 1100-1800. He has published extensively in Australian and international music journals and edited volumes and he presents the results of his research regularly at international conferences and symposia. He is Editor-in-Chief of Musicology Australia, the official journal of the Musicological Society of Australia.
Availability
- Associate Professor Denis Collins is:
- Available for supervision
- Media expert
Qualifications
- Bachelor of Arts, University College Dublin
- Bachelor of Music, University College Dublin
- Masters (Coursework), Stanford University
- Doctor of Philosophy, Stanford University
Research interests
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Musicology
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Music Theory
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Counterpoint in Medieval and Early Modern music
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Music of J.S. Bach
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Digital applications to music research
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Music and visual culture
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Music and the history of emotions
Research impacts
Denis is deeply committed to the success of musicological research in Australia and to highlighting its many positive contributions to the cultural life of the nation. Through collaboration with scholars and music organisations nationally and internationally, he positions the results of his research for the broader community. Activities include workshops and performances by choral and instrumental groups of historical repertoire studied as part of his projects. Denis is the co-founder of the Canons Database (www.canons.org.au) which serves as the foremost online resource for musical canons and is aimed at a very broad community of music enthusiasts from scholars and performers to general audiences worldwide.
Works
Search Professor Denis Collins’s works on UQ eSpace
Featured
2022
Journal Article
'Some disturbance to the ear when the voices enter': invertible canons at the octave in motets by Zarlino and Willaert
Collins, Denis (2022). 'Some disturbance to the ear when the voices enter': invertible canons at the octave in motets by Zarlino and Willaert. Journal of the Alamire Foundation, 14 (2), 247-282. doi: 10.1484/J.JAF.5.131812
Featured
2019
Journal Article
Zelenka and the combinative impulse: contrapuntal techniques in the Miserere in D Minor, ZWV 56
Collins, Denis (2019). Zelenka and the combinative impulse: contrapuntal techniques in the Miserere in D Minor, ZWV 56. Musicology Australia, 41 (2), 199-225. doi: 10.1080/08145857.2019.1703488
Featured
2019
Journal Article
New light on the mid-fourteenth-century chace: canons hidden in the Tournai manuscript
Stoessel, Jason and Collins, Denis (2019). New light on the mid-fourteenth-century chace: canons hidden in the Tournai manuscript. Music Analysis, 38 (1-2), 155-203. doi: 10.1111/musa.12116
Featured
2019
Book Chapter
Dürer, Music, and Melencolia I
Collins, Denis (2019). Dürer, Music, and Melencolia I. The Persistence of Melancholia in Arts and Culture. (pp. 49-67) edited by Andrea Bubenik . New York, NY United States: Routledge. doi: 10.4324/9780429468469-4
Featured
2018
Journal Article
Approaching renaissance music using Taneyev's theories of movable counterpoint
Collins, Denis (2018). Approaching renaissance music using Taneyev's theories of movable counterpoint. Acta Musicologica, 90 (2), 178-201.
Featured
2018
Journal Article
Horizontal-shifting counterpoint and parallel-section constructions in contrapuncti 8 and 11 from J. S. Bach’s Art of Fugue
Collins, Denis B. (2018). Horizontal-shifting counterpoint and parallel-section constructions in contrapuncti 8 and 11 from J. S. Bach’s Art of Fugue. Music Theory Online, 24 (4) 2. doi: 10.30535/mto.24.4.2
Featured
2018
Book
J.S. Bach in Australia: studies in reception and performance
Denis Collins, Kerry Murphy and Samantha Owens eds. (2018). J.S. Bach in Australia: studies in reception and performance. Melbourne, Australia: Lyrebird Press.
2024
Journal Article
Editorial
Collins, Denis (2024). Editorial. Musicology Australia, 46 (1), 1-2. doi: 10.1080/08145857.2024.2403194
2023
Book Chapter
Crosses, circles and shared identities in riddle canons by Elway Bevin and Giovanni Maria Nanino
Collins, Denis (2023). Crosses, circles and shared identities in riddle canons by Elway Bevin and Giovanni Maria Nanino. Belonging, detachment and the representation of musical identities in visual culture. (pp. 177-196) edited by Antonio Baldassarre and Arabella Teniswood-Harvey. Vienna, Austria: Hollitzer. doi: 10.2307/jj.5211766.10
2023
Journal Article
Colloquy: a case for a critical edition of the complete works of Jan Dismas Zelenka (1679–1745)
Stockigt, Janice B., Talbot, Michael, Frampton, Andrew, Kiernan, Frederic and Collins, Denis (2023). Colloquy: a case for a critical edition of the complete works of Jan Dismas Zelenka (1679–1745). Musicology Australia, 44 (2), 143-182. doi: 10.1080/08145857.2022.2187988
2023
Book Chapter
Bevin, Elway
Hooper, Graham (original author) and Collins, Denis (2023). Bevin, Elway. Grove music online. (pp. 1-4) edited by Collins, Denis. Oxford, United Kingdom: Oxford University Press. doi: 10.1093/gmo/9781561592630.article.02990
2022
Book Chapter
'La grandezza del numero sonoro': canonic techniques, combinatorics, and early scientific thought in seventeenth-century Rome
Stoessel, Jason and Collins, Denis (2022). 'La grandezza del numero sonoro': canonic techniques, combinatorics, and early scientific thought in seventeenth-century Rome. Music and science from Leonardo to Galileo. (pp. 155-186) edited by Rudolf Rasch. Turnhout, Belgium: Brepols.
2022
Journal Article
Review of Paul Walker, Fugue in the Sixteenth Century (Oxford: Oxford University Press, 2020)
Collins, Denis (2022). Review of Paul Walker, Fugue in the Sixteenth Century (Oxford: Oxford University Press, 2020). BACH: Journal of the Riemenschneider Bach Institute, 53 (1), 130-137. doi: 10.1353/bach.2022.0008
2021
Other Outputs
Songs of Love and War: Claudio Monteverdi (1567–1643), selections from Madrigali Guerrieri et Amorosi
Collins, Denis (2021). Songs of Love and War: Claudio Monteverdi (1567–1643), selections from Madrigali Guerrieri et Amorosi. South Bank, Qld: Opera Queensland Ltd.
2020
Conference Publication
Using optical music recognition to encode 17th-century music prints: the canonic works of Paolo Agostini (c.1583–1629) as a test case
Stoessel, Jason, Collins, Denis and Bolland, Scott (2020). Using optical music recognition to encode 17th-century music prints: the canonic works of Paolo Agostini (c.1583–1629) as a test case. 7th International Conference on Digital Libraries for Musicology, Montreal, Canada, 16 October 2020. New York, United States: Association for Computing Machinery. doi: 10.1145/3424911.3425517
2020
Other Outputs
Mendelssohn String Quartets: An ear for the past with an eye to the future
Collins, Denis (2020). Mendelssohn String Quartets: An ear for the past with an eye to the future. Mt Barker Summit, SA, Australia: ABC Classic.
2019
Journal Article
Review of Jan Dismas Zelenka, Six Settings of Ave regina coelorum (ZWV 128) edited by Frederic Kieran
Collins, Denis (2019). Review of Jan Dismas Zelenka, Six Settings of Ave regina coelorum (ZWV 128) edited by Frederic Kieran. Context: Journal of Music Research, 45, 89-91.
2019
Book Chapter
Emotion and communities of musical expression in the high renaissance
Collins, Denis (2019). Emotion and communities of musical expression in the high renaissance. Musica movet: affectus, ludus, corpus. (pp. 91-101) edited by Milena Medić. Belgrade, Serbia: Faculty of Music, University of Arts.
2019
Book Chapter
Music and dance
Collins, Denis and Nevile, Jennifer (2019). Music and dance. A Cultural History of the Emotions in the Late Medieval, Reformation and Renaissance Age. (pp. 49-67) edited by Andrew Lynch and Susan Broomhall. London, United Kingdom: Bloomsbury Academic.
2018
Book Chapter
Introduction
Collins, Denis, Murphy, Kerry and Owens, Samantha (2018). Introduction. J.S. Bach in Australia: studies in Reception and performance. (pp. 1-7) edited by Denis Collins, Kerry Murphy and Samantha Owens. Melbourne, Australia: Lyrebird Press.
Funding
Current funding
Past funding
Supervision
Availability
- Associate Professor Denis Collins is:
- Available for supervision
Before you email them, read our advice on how to contact a supervisor.
Supervision history
Current supervision
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Doctor Philosophy
Shifting priorities in representations of female musicians in Renaissance art
Principal Advisor
Other advisors: Associate Professor Andrea Bubenik
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Master Philosophy
Vibrato Use in Contemporary Performance of Paul Hindemith's Sonata for Solo Viola, Op. 25 No. 1
Principal Advisor
Other advisors: Mr Patrick Murphy
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Doctor Philosophy
Rhetoric and Symbolism in Late Elizabethan Music
Principal Advisor
Other advisors: Honorary Professor Samantha Owens
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Doctor Philosophy
Shifting priorities in representations of female musicians in Renaissance art
Principal Advisor
Other advisors: Associate Professor Andrea Bubenik
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Doctor Philosophy
The Enduring Legacy of Monophonic Byzantine Chant in Australia: Educational Possibilities for Greek-to-English Chant Adaptation in Greek Orthodox Communities
Associate Advisor
Other advisors: Dr Anne Levitsky
Completed supervision
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2023
Master Philosophy
Articulation and Timbre in Violin-Viola Duets: Case Studies from the Compositions of Martinu, Mozart and Bruch
Principal Advisor
Other advisors: Dr Anna Grinberg
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2020
Doctor Philosophy
Counterpoint and Performance of Guitar Music ¿ Historical and Contemporary Case Studies
Principal Advisor
Other advisors: Associate Professor Eve Klein
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2017
Master Philosophy
Mozart's Violin Concerto No. 5 in A Major: Changing Performance Practices
Principal Advisor
Other advisors: Dr Michael O'Loghlin
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2017
Doctor Philosophy
"O dolorosa gioia": Death as Paradox in the Late Madrigals of Carlo Gesualdo (1566-1613)
Principal Advisor
Other advisors: Honorary Professor Samantha Owens
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2016
Master Philosophy
Approaches to Harmony in Selected Works from Gesualdo's Madrigali e Cinque Voci
Principal Advisor
Other advisors: Honorary Professor Samantha Owens
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2016
Doctor Philosophy
Relationships between the Twelfth-Century Aquitanian Polyphonic Versus and Two-Part Conductus Repertories
Principal Advisor
Other advisors: Honorary Professor Samantha Owens
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2015
Master Philosophy
The Solo Violin Works of Bach and Telemann: A Comparison of Formal and Stylistic Models and Fugal Writing for Solo Violin
Principal Advisor
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2014
Master Philosophy
François Rabbath's A New Technique for Double Bass and its orchestral application
Principal Advisor
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2014
Master Philosophy
A performance guide to Mozart's Symphonie Concertante in E flat major (K. 364) based on the formation of style and interpretation.
Principal Advisor
Other advisors: Honorary Professor Samantha Owens
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2013
Master Philosophy
Playing J. S. Bach's viola da gamba sonatas on the modern cello: editorial practices and performing protocols
Principal Advisor
Other advisors: Dr Michael O'Loghlin
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2012
Master Philosophy
Les Concours and the Modern French Flute School: Stylistic Considerations for Performance.
Principal Advisor
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2009
Doctor Philosophy
Music, The Arts and The Dual Aesthetic In Seventeenth -and Early Eighteenth- Century English Thought
Principal Advisor
Other advisors: Dr Simon Perry
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2008
Master Philosophy
The Nature of Orchestral Noise
Principal Advisor
Other advisors: Associate Professor Wayne Wilson
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2008
Doctor Philosophy
The Evaluation of a Tertiary-Level Distance-Mode Aural Training Programme
Principal Advisor
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2005
Master Philosophy
A CRITICAL COMMENTARY EXPLORING THE POTENTIAL INCLUSION OF OPERATIC ARIA IN THE TRADITIONAL SONG RECITAL. REFERENCES TO JOHANNES BRAHMS VIER ERNSTE GESANGE OP. 121, FUNF LIEDER OPUS 105 AND BASS ARIAS FROM MACBETH AND SIMON BOCCANEGRA BY GIUSEPPE VERDI
Principal Advisor
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2005
Master Philosophy
THE EVOLUTION OF THE CAPRICE FOR SOLO VIOLIN WITH REFERENCE TO THE CAPRICES BY LOCATELLI, PAGANINI AND REITZ
Principal Advisor
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2005
Master Philosophy
ART, MUSIC AND THE HARPSICHORD IN SEVENTEENTH AND EIGHTEENTH CENTURY FRANCE
Principal Advisor
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2003
Master Music
History and development of violin and cello duets
Principal Advisor
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2002
Doctor Philosophy
THE VIOLA DA GAMBA MUSIC OF THE BERLIN SCHOOL
Principal Advisor
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2023
Doctor Philosophy
Shakespeare's Merry Wives in Opera: Sexual Politics in Three Early Nineteenth- Century Adaptations of Shakespeare
Associate Advisor
Other advisors: Dr Jennifer Clement, Dr Simon Perry
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2023
Doctor Philosophy
Harmony, Form, and Literary Response in Selected Works of Lili Boulanger (1893¿1918)
Associate Advisor
Other advisors: Dr Simon Perry
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2023
Doctor Philosophy
The Musical Life at Ely Cathedral, 1800-1892
Associate Advisor
Other advisors: Dr Simon Perry
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2020
Master Philosophy
A performing edition of Gabrielli's 7 Ricercari for Violoncello Solo, with an historical investigation and recommendations for performance.
Associate Advisor
Other advisors: Dr Michael O'Loghlin
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2019
Doctor Philosophy
A View from the Summit: Dedications to Human Tragedy, Folio of Compositions and Critical Commentary
Associate Advisor
Other advisors: Associate Professor Eve Klein
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2019
Doctor Philosophy
A Performer's Analysis of Leonard Bernstein's Serenade
Associate Advisor
Other advisors: Professor Liam Viney
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2018
Doctor Philosophy
Russian Sacred Music of the Late Nineteenth Century: Differences and Similarities of the Moscow and St. Petersburg Schools in Theory and Practice in an Age of Reform.
Associate Advisor
Other advisors: Dr Simon Perry
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2017
Master Philosophy
Considerations for the execution of multiple-stops in german solo violin repertoire from 1676 to 1735
Associate Advisor
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2014
Doctor Philosophy
Folio of Compositions and Critical Commentary
Associate Advisor
Other advisors: Dr Robert Davidson
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2010
Doctor Philosophy
Electroacoustic music with moving images: A practice-led research project
Associate Advisor
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2009
Master Philosophy
De la sonorité - The Bel Canto flute method of Marcel Moyse
Associate Advisor
Other advisors: Honorary Professor Samantha Owens
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2008
Master Philosophy
The relationship between the music audiation capacities and language comprehension capacities of children aged five years
Associate Advisor
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2007
Doctor Philosophy
INTELLECTUAL QUALITY AND HIGHER ORDER-THINKING IN MUSIC EDUCATION
Associate Advisor
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2006
Master Philosophy
MICRO-INTONATION AND THE VIOLA: A STUDY OF JUST INTONATION, THE PYTHAGOREAN SCALE AND EQUAL TEMPERAMENT IN RELATION TO THE PERFORMANCE OF UNACCOMPANIED VIOLA REPERTOIRE
Associate Advisor
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2006
Doctor Philosophy
THE RHETORIC OF THE NORTH GERMAN ORGAN SCHOOL
Associate Advisor
Other advisors: Dr Simon Perry
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2004
Master Philosophy
Lamentation settings by Doyague rediscovered in Manila: a contextual study and critical transcription
Associate Advisor
Media
Enquiries
Contact Associate Professor Denis Collins directly for media enquiries about:
- Baroque music
- Canon - music
- Contrapuntal procedures - renaissance and Baroque music
- History of music theory
- Music cognition
- Music theory - history of
- Renaissance music
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