Overview
Background
Dr Simon Perry’s research interests include Russian music (history and criticism, and analysis) and analysis of late nineteenth and early twentieth century music.
He is a BMus (Hons) and MMus graduate from The University of Melbourne and a PhD graduate of the School of Music at UQ.
He lectures mainly in music techniques and music history.
Availability
- Dr Simon Perry is:
- Available for supervision
- Media expert
Qualifications
- Bachelor (Honours) of Music, University of Melbourne
- Masters (Coursework), University of Melbourne
- Doctor of Philosophy, The University of Queensland
- Trinity College London, Trinity College London
Works
Search Professor Simon Perry’s works on UQ eSpace
2024
Book
Music research essentials
Perry, Simon, Lee, Kat, McCarthy, Adam and Berends, Felicity (2024). Music research essentials. Brisbane, Australia: The University of Queensland. doi: 10.14264/1ed3dc9
2015
Book Chapter
'The Beauty of Bravery': alternative modernisms, de-historicizing Grainger
Collins, Sarah and Perry, Simon (2015). 'The Beauty of Bravery': alternative modernisms, de-historicizing Grainger. Grainger the Modernist. (pp. 17-32) edited by Suzanne Robinson and Kay Dreyfus. Farnham, Surrey, United Kingdom: Ashgate Publishing. doi: 10.4324/9781315585772-7
2014
Book Chapter
Rimsky-Korsakov and Musorgsky: a posthumous collaboration?
Perry, Simon (2014). Rimsky-Korsakov and Musorgsky: a posthumous collaboration?. Collaborative creative thought and practice in music. (pp. 91-107) edited by Margaret Barrett. Burlington, VT, United States: Ashgate Publishing. doi: 10.4324/9781315572635-15
2013
Book Chapter
Pitch-notational analysis: a basis for an approach to understanding harmonic thinking in common-practice and post common-practice tonality
Perry, Simon (2013). Pitch-notational analysis: a basis for an approach to understanding harmonic thinking in common-practice and post common-practice tonality. Music Theory and its Methods: Structures, Challenges, Directions. (pp. 239-264) edited by Denis Collins. Frankfurt Am Main, Germany: Peter Lang.
2004
Journal Article
A voice unknown: Undercurrents in Mussorgsky's 'Sunless'
Perry, Simon (2004). A voice unknown: Undercurrents in Mussorgsky's 'Sunless'. Nineteenth Century Music, 28 (1), 15-49. doi: 10.1525/ncm.2004.28.1.15
2003
Journal Article
Agonising over orthography: Aspects of notation from Tristan to Opus 11, number 1
Perry, Simon (2003). Agonising over orthography: Aspects of notation from Tristan to Opus 11, number 1. Musicology Australia, 26, 1-37.
2001
Journal Article
Grainger's autobiographical writings: New light on old questions
Perry, S. D. (2001). Grainger's autobiographical writings: New light on old questions. Australasian Music Research, 5, 125-134.
1999
Journal Article
Musorgsky's 'Gnomus' composer's score as analytical text
Perry, S. D. (1999). Musorgsky's 'Gnomus' composer's score as analytical text. Context: Journal of Music Research, 15/16, 5-20.
1998
Other Outputs
Musorgsky's orthography : an approach to tonal structures in his music
Perry, Simon David (1998). Musorgsky's orthography : an approach to tonal structures in his music. PhD Thesis, School of Music, The University of Queensland. doi: 10.14264/157855
1998
Journal Article
Defining Russia musically: Historical and hermeneutical essays: Richard Taruskin
Perry, Simon (1998). Defining Russia musically: Historical and hermeneutical essays: Richard Taruskin. Musicology Australia, 21 (1), 73-77. doi: 10.1080/08145857.1998.10415961
Funding
Past funding
Supervision
Availability
- Dr Simon Perry is:
- Available for supervision
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Supervision history
Current supervision
-
Doctor Philosophy
Influence of early 20th-century European art music on the repertoire off piano music by Chinese composers
Principal Advisor
Other advisors: Dr Anna Grinberg
-
Doctor Philosophy
Painting musical images in Impressionism: multilayering and colouring in historically informed performance of French music between 1860-1930
Principal Advisor
Other advisors: Dr Anna Grinberg
Completed supervision
-
2023
Doctor Philosophy
Shakespeare's Merry Wives in Opera: Sexual Politics in Three Early Nineteenth- Century Adaptations of Shakespeare
Principal Advisor
Other advisors: Associate Professor Denis Collins, Dr Jennifer Clement
-
2023
Doctor Philosophy
Harmony, Form, and Literary Response in Selected Works of Lili Boulanger (1893¿1918)
Principal Advisor
Other advisors: Associate Professor Denis Collins
-
2023
Doctor Philosophy
The Musical Life at Ely Cathedral, 1800-1892
Principal Advisor
Other advisors: Associate Professor Denis Collins
-
2020
Doctor Philosophy
Music in the Italian Futurist Movement: A Re-Examination of its Role and Functions
Principal Advisor
Other advisors: Professor Greg Hainge
-
2020
Doctor Philosophy
Musical Language as a Gradual Process: Compositional Modes and Perceptions of Authenticity in Steve Reich's 'Different Trains' (1988) and 'WTC 9/11' (2010).
Principal Advisor
Other advisors: Associate Professor Eve Klein
-
2018
Doctor Philosophy
Russian Sacred Music of the Late Nineteenth Century: Differences and Similarities of the Moscow and St. Petersburg Schools in Theory and Practice in an Age of Reform.
Principal Advisor
Other advisors: Associate Professor Denis Collins
-
2018
Doctor Philosophy
Prokofiev's New Simplicity and Expressive Form
Principal Advisor
Other advisors: Dr Anna Grinberg
-
-
2016
Doctor Philosophy
Hubert Foss and the Politics of Musical Progress: Modernism and British Music Publishing
Principal Advisor
Other advisors: Honorary Professor Samantha Owens
-
2016
Master Philosophy
Interpreting the Early Lieder of Erich Korngold: A Performer`s Perspective on So Gott und Papa will (1910)
Principal Advisor
Other advisors: Honorary Professor Samantha Owens
-
2016
Master Philosophy
Capturing the Spirit of the French Clavecin School: Interpreting Couperin's 'Pièces de Clavecin, vingt-cinquième ordre' and Ravel's 'Le Tombeau de Couperin'
Principal Advisor
Other advisors: Dr Anna Grinberg
-
2014
Master Philosophy
Informed Performance Practice of Sonata for Viola and Piano, op 147 by Dmitri Shostakovich: A Study of Interpretation
Principal Advisor
-
2012
Master Philosophy
A Performer's Guide to the Prokofiev Violin Concerto No 1 in D major Op. 19
Principal Advisor
-
2012
Master Philosophy
Approaches to Performance in Chopin's Mazurkas: A critical commentary on selected mazurkas with specific reference to dance types, rubato and ornamentation
Principal Advisor
Other advisors: Professor Liam Viney
-
2010
Master Philosophy
Aspects of technique in Dvo¿ák¿s cello concerto: An approach based on a comparative study of relevant treatises
Principal Advisor
-
2010
Doctor Philosophy
The development of Cyril Scott's aesthetic thinking: An interpretation informed by literary and biographical sources
Principal Advisor
Other advisors: Associate Professor Richard Hutch
-
2008
Master Philosophy
The Final Violin Sonatas of Beethoven and Brahms: A Consideration of the Influence of Pierre Rode and Joseph Joachim
Principal Advisor
-
2008
Master Philosophy
Clarinet Music by Australian Women Composers: An Examination of its Under-Representation in Repertoire and Performance
Principal Advisor
-
2006
Doctor Philosophy
ECLECTICISM IN THE MUSIC OF ANTONIO CARLOS JOBIM: A CONSIDERATION OF SYLISTIC DIVERSITY
Principal Advisor
-
2006
Master Philosophy
SILENCE AND THE PERFORMER IN THE FLUTE WORKS OF TORU TAKEMITSU (1930-1996)
Principal Advisor
-
2006
Master Philosophy
THE EFFECTS OF COLLABORATION: A STUDY OF THE INFLUENCES OF VIOLINISTS ON THE VIOLIN REPERTOIRE OF SERGEI PROKOFIEV
Principal Advisor
-
2006
Doctor Philosophy
THE RHETORIC OF THE NORTH GERMAN ORGAN SCHOOL
Principal Advisor
Other advisors: Associate Professor Denis Collins
-
2005
Doctor Philosophy
Gendering the podium: the journeys of professional women conductors
Principal Advisor
Other advisors: Dr Liz Mackinlay
-
2005
Master Music
DELEUZE AND MUSIC: A CREATIVE APPROACH TO THE STUDY OF MUSIC
Principal Advisor
-
2004
Master Philosophy
TO BE ADVISED
Principal Advisor
-
2019
Doctor Philosophy
Interpreting and Performing the Chamber Music of Uzbek Soviet Composer Georgi Mushel: The Role of Folk Music
Associate Advisor
Other advisors: Professor Liam Viney
-
2017
Master Philosophy
From the Battlefield: Chamber Music from the Front Line of WWI
Associate Advisor
Other advisors: Professor Liam Viney
-
2017
Doctor Philosophy
The Critical Reception of Robert Schumann's Solo Piano Music in London, 1918-45
Associate Advisor
Other advisors: Honorary Professor Samantha Owens
-
2017
Master Philosophy
Bowing Techniques in Prokofiev's Violin Concerto No. 2: Exploring the Right Hand's Effect on Left-Hand Technique
Associate Advisor
-
2016
Master Philosophy
On Approaching a Performance of Paul Hindemith's Der Schwanendreher
Associate Advisor
-
2016
Master Philosophy
Benjamin Britten's Winter Words, Lyrics and Ballads of Thomas Hardy, Op. 52, For High Voice and Piano: An Analytically Informed Interpretation.
Associate Advisor
Other advisors: Professor Liam Viney
-
2016
Doctor Philosophy
Kindred Spirits: The beliefs, values, work and learning of independent classical artists
Associate Advisor
-
2011
Doctor Philosophy
Classical Music Networks: Creative industry, community and the arts in Australia
Associate Advisor
-
2011
Master Philosophy
The Influence of Nature on Two Works for Viola by Toru Takemitsu and Ross Edwards
Associate Advisor
-
2010
Doctor Philosophy
Folio of compositions with critical commentary
Associate Advisor
-
2009
Doctor Philosophy
Music, The Arts and The Dual Aesthetic In Seventeenth -and Early Eighteenth- Century English Thought
Associate Advisor
Other advisors: Associate Professor Denis Collins
-
2009
Master Philosophy
Bach's St Matthew Passion: its birth and attempted resurrections
Associate Advisor
Other advisors: Honorary Professor Samantha Owens
-
2007
Master Philosophy
FRANCK'S VIOLIN SONATA IN A MAJOR AND SAINT-SAENS' S VIOLIN SONATA IN D MINOR, OP. 75 NO. 1: CONTEXT AND COMPARISON
Associate Advisor
-
2006
Doctor Philosophy
PLAYING MUSICAL HOPSCOTCH: HOW INDIGENOUS AUSTRALIAN WOMEN PERFORM AROUND, WITHIN AND AGAINST ABORIGINALISM
Associate Advisor
Other advisors: Dr Liz Mackinlay
-
2006
Master Philosophy
AN EXPLORATION OF THE PERFORMER-COMPOSER DYNAMIC
Associate Advisor
-
2002
Master Music
ASPECTS OF RAVEL'S PIANO TRIO
Associate Advisor
-
2002
Master Music
ASPECTS OF NATIONALISM IN NINETEENTH-CENTURY SPANISH PIANO MUSIC: A CRITICAL COMMENTARY ON SELECTED WORKS BY GRANADOS, FALLA AND ALBENIZ
Associate Advisor
Media
Enquiries
Contact Dr Simon Perry directly for media enquiries about:
- History - music
- Modest Mussorgsky
- Music - Russian
- Music analysis
- Music history
- Mussorgsky - music
- Russian music
- Soviet music
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