Overview
Background
Greg Hainge is a leading expert in cultural studies whose work reaches into the realms of French literature, film and philosophy, the films of David Lynch, sound and noise studies, the music of Radiohead and much much more. The analysis of challenging and difficult texts is the connecting thread that links the very diverse range of topics he has published on. Greg believes that engagement with difficult texts or objects of study are important because they require us to engage deep critical thinking, forcing us to formulate a response to something that we do not understand. Why does this matter? Because if we only engage with what we already know, we are not learning. Because we need to learn how to engage with things and people who are not like us if our societies are going to be healthy and thrive.
As Professor of French and Head of the School of Languages and Cultures at the University of Queensland, Greg is also passionate about the importance of languages and knowledge of other cultures in education and is driving a large-scale program of work that seeks to flip the script on the importance of languages, which he sees as a critical skill for the future, never more so than right now given the rise of generative AI.
The author of three monographs and over 50 academic chapters and articles, Greg has also written articles for The Australian, and catalogue essays for major international exhibitions, including ‘David Lynch: Between Two Worlds’ at the Gallery of Modern Art, Queensland and 'Audiosphere' held at the Reina Sofia National Museum in Madrid.
Greg is a Fellow of the Australian Academy of the Humanities and a Senior Fellow of the Higher Education Academy. He is editor in chief of Culture, Theory and Critique and serves on the editorial boards of Contemporary French Civilization, Études Céliniennes, Corps: Revue Interdisciplinaire and French Screen Studies.
Availability
- Professor Greg Hainge is:
- Available for supervision
- Media expert
Fields of research
Qualifications
- Bachelor (Honours) of Arts, University of Nottingham
- Masters (Coursework), University of Nottingham
- Doctor of Philosophy, University of Nottingham
- Postgraduate Diploma in Executive Leadership, The University of Queensland
Research interests
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Sound studies.
Special emphasis on noise, including its philosophical dimensions.
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French cinema.
Special emphasis on new extreme cinema: Noe, Grandrieux, Denis, de Van, etc.
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20th Century French literature
Special emphasis on Celine.
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Popular and experimental music.
Special emphasis on Radiohead, Bjork, musique concrete, noise music, glitch.
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American independent cinema
Special emphasis on the Coen Brothers, David Lynch.
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Photography
Special emphasis on Bill Henson, Alexa Wright, Thomas Ruff, Antoine d'Agata.
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Cultural Studies.
Research impacts
Greg Hainge's work is essentially a critical engagement into the ways in which we understand the world. His works aims to find new points of entry into cultural objects and texts, to understand differently, for instance, the relations between the cinema and its spectator, or touch screen technologies and their users, photographs and their viewers, music and its listeners, etc. Aiming to strip away the assumptions of common sense apprehensions of the world, he seeks innovative ways to engage with cultural expressions that refuse simply to "represent" our world and instead seek to make us see it in a new light. This ability to develop our critical capacity has never been more important than at the present time, and it is for this reason that Greg has increasingly turned his focus towards publications aimed at a general public.
Works
Search Professor Greg Hainge’s works on UQ eSpace
Featured
2020
Book Chapter
When is a door not a door? Transmedia to the nth degree in David Lynch’s multiverse
Hainge, Greg (2020). When is a door not a door? Transmedia to the nth degree in David Lynch’s multiverse. Transmedia directors: artistry, industry and new audiovisual aesthetics. (pp. 271-284) edited by Carol Vernallis, Holly Rogers and Lisa Perrott. New York, United States: Bloomsbury Academic. doi: 10.5040/9781501339295.0028
Featured
2018
Journal Article
Blanchot and the resonant spaces of literature, sound, art and thought
Hainge, Greg (2018). Blanchot and the resonant spaces of literature, sound, art and thought. Angelaki, 23 (3), 94-111. doi: 10.1080/0969725x.2018.1473931
Featured
2017
Book
Philippe Grandrieux: sonic cinema
Hainge, Greg (2017). Philippe Grandrieux: sonic cinema. London: Bloomsbury Academic.
Featured
2015
Other Outputs
Neither here nor there: Lynch dissolves
Hainge, Greg (2015). Neither here nor there: Lynch dissolves. David Lynch: between two worlds. (pp. 31-44) Brisbane, Australia: Queensland Art Gallery/Gallery of Modern Art.
Featured
2014
Journal Article
Three non-places of supermodernity in the history of French cinema: 1967, 1985, 2000. Playtime, Subway and Stand-by
Hainge, Greg (2014). Three non-places of supermodernity in the history of French cinema: 1967, 1985, 2000. Playtime, Subway and Stand-by. Australian Journal of French Studies, 51 (2-3), 234-249. doi: 10.3828/AJFS.2014.19
Featured
2013
Book
Noise matters: Towards an ontology of noise
Hainge, Greg (2013). Noise matters: Towards an ontology of noise. New York, United States: Bloomsbury Academic.
2023
Book Chapter
Distortion
Hainge, Greg (2023). Distortion. Sound affects: a user’s guide. (pp. 186-198) edited by Sharon Jane Mee and Luke Robinson. New York, NY, United States: Bloomsbury Publishing. doi: 10.5040/9781501388910.0024
2021
Journal Article
Rapt in (destructive) plasticity: Demonlover and the annihilation of cinematic form
Hainge, Greg (2021). Rapt in (destructive) plasticity: Demonlover and the annihilation of cinematic form. French Screen Studies, 23 (1), 1-15. doi: 10.1080/26438941.2021.1935561
2021
Journal Article
“Un film français et fier de l’être”: Gaspar Noé’s Climax in Context
Hainge, Greg (2021). “Un film français et fier de l’être”: Gaspar Noé’s Climax in Context. Australian Journal of French Studies, 58 (1), 100-116. doi: 10.3828/ajfs.2021.09
2021
Other Outputs
Painting with numbers: the fine art of digital chronophotography
Hainge, Greg (2021). Painting with numbers: the fine art of digital chronophotography. Sleep has her house . (pp. 31-42) edited by Scott Barley. London, United Kingdom: Scott Barley.
2021
Book Chapter
Sound is silence
Hainge, Greg (2021). Sound is silence. The Oxford handbook of sound art. (pp. 255-271) edited by Jane Grant, John Matthias and David Prior. Oxford, United Kingdom: Oxford University Press. doi: 10.1093/oxfordhb/9780190274054.013.20
2020
Journal Article
Immediacy, causality, plasticity: Catherine Malabou and the future undoing of philosophy
Hainge, Greg and Iveson, Richard (2020). Immediacy, causality, plasticity: Catherine Malabou and the future undoing of philosophy. Culture, Theory and Critique, 61 (1), 1-3. doi: 10.1080/14735784.2020.1815359
2020
Other Outputs
Anti Social Media Social Music
Hainge, Greg (2020). Anti Social Media Social Music. Audiosphere. (pp. 129-137) edited by Francisco López. Madrid, Spain: Museo Nacional Centro de Arte Reina Sofia.
2020
Journal Article
Delirium, Disruption and Death: On Stéphane Vanderhaeghe’s Charøgnards (Quidam éditeur, 2015)
Hainge, Greg (2020). Delirium, Disruption and Death: On Stéphane Vanderhaeghe’s Charøgnards (Quidam éditeur, 2015). Electronic Book Review doi: 10.7273/vvqz-8173
2020
Book Chapter
The uncanny hinterland of things: on Chambers’s An atmospherics of the city and speculative realism
Hainge, Greg (2020). The uncanny hinterland of things: on Chambers’s An atmospherics of the city and speculative realism. Still loitering: Australian essays in honour of Ross Chambers. (pp. 83-97) edited by Valentina Gosetti and Alistair Rolls. Oxford, United Kingdom: Peter Lang.
2017
Journal Article
Review of Tim Palmer, Irreversible. New York: Palgrave, 2015
Hainge, Greg (2017). Review of Tim Palmer, Irreversible. New York: Palgrave, 2015. H-France Review, 17 (100), 1-3.
2016
Journal Article
Adapted voices: transpositions of Céline’s ‘Voyage au bout de la nuit’ and Queneau’s ‘Zazie dans le métro’. By Armelle Blin-Rolland.
Hainge, Greg (2016). Adapted voices: transpositions of Céline’s ‘Voyage au bout de la nuit’ and Queneau’s ‘Zazie dans le métro’. By Armelle Blin-Rolland.. French Studies, 70 (4), 617-617. doi: 10.1093/fs/knw184
2016
Journal Article
Art matters: philosophy, art history and art’s material presence
Hainge, Greg (2016). Art matters: philosophy, art history and art’s material presence. Culture, Theory and Critique, 57 (2), 137-141. doi: 10.1080/14735784.2016.1161903
2016
Edited Outputs
Culture, Theory and Critique
Culture, Theory and Critique. (2016). 57 (2)
2016
Book Chapter
Material music: speculations on non-human agency in music
Hainge, Greg (2016). Material music: speculations on non-human agency in music. Music's immanent future: the Deleuzian turn in music studies. (pp. 207-217) edited by Sally Macarthur, Judy Lochhead and Jennifer Shaw. Abingdon, Oxon, United Kingdom: Routledge. doi: 10.4324/9781315597027-23
Funding
Past funding
Supervision
Availability
- Professor Greg Hainge is:
- Available for supervision
Before you email them, read our advice on how to contact a supervisor.
Supervision history
Current supervision
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Doctor Philosophy
Unfixing Self: Twenty-First Century Women's Phototexts in French
Principal Advisor
Other advisors: Associate Professor Amy Hubbell
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Doctor Philosophy
The (re)commencement of Aleatory Materialism: reading the appearances of the void across the oeuvre of Louis Althusser
Principal Advisor
Completed supervision
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2024
Doctor Philosophy
Unfixing Self: Twenty-First Century Women's Phototexts in French
Principal Advisor
Other advisors: Associate Professor Amy Hubbell
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2021
Doctor Philosophy
Gender Politics, Violence, and Affect in the films of Leila Djansi: Between Third Cinema and Mainstream Commercial Cinema in Africa
Principal Advisor
Other advisors: Associate Professor Amy Hubbell
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2017
Doctor Philosophy
Solutions to the problems of western civilisation in the novels of Michel Houellebecq
Principal Advisor
Other advisors: Dr Joe Hardwick
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2010
Doctor Philosophy
Philosophical conceptions of time, space, difference and repetition in the early novels of Alain Robbe-Grillet
Principal Advisor
Other advisors: Dr Joe Hardwick
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2020
Doctor Philosophy
Music in the Italian Futurist Movement: A Re-Examination of its Role and Functions
Associate Advisor
Other advisors: Dr Simon Perry
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2014
Doctor Philosophy
Profoundly Disturbing: The Aesthetics of Violence and the Everyday in European Art Cinema
Associate Advisor
Other advisors: Dr Lisa Bode, Professor Jason Jacobs
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2014
Doctor Philosophy
The Wounds of Indetermination: Deleuze, Cinema and Ethology.
Associate Advisor
Other advisors: Dr Aurelia Armstrong
Media
Enquiries
Contact Professor Greg Hainge directly for media enquiries about:
- David Lynch
- French cinema
- French literature
- Noise
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