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Professor Greg Hainge
Professor

Greg Hainge

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Phone: 
+61 7 336 56314

Overview

Background

Greg Hainge FAHA is a leading scholar in cultural studies, with expertise spanning French literature, sound studies, film and philosophy. The connecting thread across his diverse research is the interpretation of difficult texts, the work of making sense of what is unfamiliar, complex, or unlike ourselves. For Greg this is more than a scholarly method: he argues that the capacity to engage well with people, ideas and cultures different from our own is among the most important things a society can cultivate, and that nothing builds it more powerfully than learning other languages and understanding other cultures.

As Professor of French and Head of the School of Languages and Cultures at the University of Queensland, Greg is passionate about the importance of languages and knowledge of other cultures in education and is driving a large-scale program of work that seeks to flip the script on the importance of languages, which he sees as a critical skill for the future, never more so than right now given the rise of generative AI.

The author of three monographs and over 50 academic chapters and articles, Greg has also written articles for The Australian, and catalogue essays for major international exhibitions, including ‘David Lynch: Between Two Worlds’ at the Gallery of Modern Art, Queensland and 'Audiosphere' held at the Reina Sofia National Museum in Madrid.

Greg is a Fellow of the Australian Academy of the Humanities and a Senior Fellow of the Higher Education Academy. He is editor in chief of Culture, Theory and Critique and serves on the editorial boards of Contemporary French Civilization, Études Céliniennes, Corps: Revue Interdisciplinaire and French Screen Studies.

Availability

Professor Greg Hainge is:
Available for supervision
Media expert

Qualifications

  • Bachelor (Honours) of Arts, University of Nottingham
  • Masters (Coursework), University of Nottingham
  • Doctor of Philosophy, University of Nottingham
  • Postgraduate Diploma in Executive Leadership, The University of Queensland

Research interests

  • Sound studies.

    Special emphasis on noise, including its philosophical dimensions.

  • French cinema.

    Special emphasis on new extreme cinema: Noe, Grandrieux, Denis, de Van, etc.

  • 20th Century French literature

    Special emphasis on Celine.

  • Popular and experimental music.

    Special emphasis on Radiohead, Bjork, musique concrete, noise music, glitch.

  • American independent cinema

    Special emphasis on the Coen Brothers, David Lynch.

  • Photography

    Special emphasis on Bill Henson, Alexa Wright, Thomas Ruff, Antoine d'Agata.

  • Cultural Studies.

Research impacts

Greg Hainge studies how we make sense of the unfamiliar — film, photography, sound, music, and the cultures we reach through other languages. He's a clear, accessible voice on why languages matter more than ever in the age of AI, when the human work of interpreting and engaging with difference becomes more valuable, not less.

Greg is available to comment on: languages and language learning in Australia; French culture and cinema, including the films of David Lynch; sound, music and listening; and the value of the humanities in education and public life.

Works

Search Professor Greg Hainge’s works on UQ eSpace

100 works between 1995 and 2025

1 - 20 of 100 works

Featured

2020

Book Chapter

When is a door not a door? Transmedia to the nth degree in David Lynch’s multiverse

Hainge, Greg (2020). When is a door not a door? Transmedia to the nth degree in David Lynch’s multiverse. Transmedia directors: artistry, industry and new audiovisual aesthetics. (pp. 271-284) edited by Carol Vernallis, Holly Rogers and Lisa Perrott. New York, United States: Bloomsbury Academic. doi: 10.5040/9781501339295.0028

When is a door not a door? Transmedia to the nth degree in David Lynch’s multiverse

Featured

2018

Journal Article

Blanchot and the resonant spaces of literature, sound, art and thought

Hainge, Greg (2018). Blanchot and the resonant spaces of literature, sound, art and thought. Angelaki, 23 (3), 94-111. doi: 10.1080/0969725x.2018.1473931

Blanchot and the resonant spaces of literature, sound, art and thought

Featured

2017

Book

Philippe Grandrieux: sonic cinema

Hainge, Greg (2017). Philippe Grandrieux: sonic cinema. London: Bloomsbury Academic.

Philippe Grandrieux: sonic cinema

Featured

2015

Other Outputs

Neither here nor there: Lynch dissolves

Hainge, Greg (2015). Neither here nor there: Lynch dissolves. David Lynch: between two worlds. (pp. 31-44) Brisbane, Australia: Queensland Art Gallery/Gallery of Modern Art.

Neither here nor there: Lynch dissolves

Featured

2014

Journal Article

Three non-places of supermodernity in the history of French cinema: 1967, 1985, 2000. Playtime, Subway and Stand-by

Hainge, Greg (2014). Three non-places of supermodernity in the history of French cinema: 1967, 1985, 2000. Playtime, Subway and Stand-by. Australian Journal of French Studies, 51 (2-3), 234-249. doi: 10.3828/AJFS.2014.19

Three non-places of supermodernity in the history of French cinema: 1967, 1985, 2000. Playtime, Subway and Stand-by

Featured

2013

Book

Noise matters: Towards an ontology of noise

Hainge, Greg (2013). Noise matters: Towards an ontology of noise. New York, United States: Bloomsbury Academic.

Noise matters: Towards an ontology of noise

2025

Journal Article

Terra Nullius Times Two: Reading d’Agata after Lesueur and Vice Versa

Hainge, Greg (2025). Terra Nullius Times Two: Reading d’Agata after Lesueur and Vice Versa. Australian Journal of French Studies, 62 (2), 138-150. doi: 10.3828/ajfs.2025.12

Terra Nullius Times Two: Reading d’Agata after Lesueur and Vice Versa

2025

Journal Article

Plastic surgery: Under the Skin, suture, destructive plasticity and post-cinematic ontologies

Hainge, Greg (2025). Plastic surgery: Under the Skin, suture, destructive plasticity and post-cinematic ontologies. Film-Philosophy, 29 (1), 264-282. doi: 10.3366/film.2025.0301

Plastic surgery: Under the Skin, suture, destructive plasticity and post-cinematic ontologies

2023

Book Chapter

Distortion

Hainge, Greg (2023). Distortion. Sound affects: a user’s guide. (pp. 186-198) edited by Sharon Jane Mee and Luke Robinson. New York, NY, United States: Bloomsbury Publishing. doi: 10.5040/9781501388910.0024

Distortion

2021

Journal Article

Rapt in (destructive) plasticity: Demonlover and the annihilation of cinematic form

Hainge, Greg (2021). Rapt in (destructive) plasticity: Demonlover and the annihilation of cinematic form. French Screen Studies, 23 (1), 1-15. doi: 10.1080/26438941.2021.1935561

Rapt in (destructive) plasticity: Demonlover and the annihilation of cinematic form

2021

Journal Article

“Un film français et fier de l’être”: Gaspar Noé’s Climax in Context

Hainge, Greg (2021). “Un film français et fier de l’être”: Gaspar Noé’s Climax in Context. Australian Journal of French Studies, 58 (1), 100-116. doi: 10.3828/ajfs.2021.09

“Un film français et fier de l’être”: Gaspar Noé’s Climax in Context

2021

Other Outputs

Painting with numbers: the fine art of digital chronophotography

Hainge, Greg (2021). Painting with numbers: the fine art of digital chronophotography. Sleep has her house . (pp. 31-42) edited by Scott Barley. London, United Kingdom: Scott Barley.

Painting with numbers: the fine art of digital chronophotography

2021

Book Chapter

Sound is silence

Hainge, Greg (2021). Sound is silence. The Oxford handbook of sound art. (pp. 255-271) edited by Jane Grant, John Matthias and David Prior. Oxford, United Kingdom: Oxford University Press. doi: 10.1093/oxfordhb/9780190274054.013.20

Sound is silence

2020

Journal Article

Immediacy, causality, plasticity: Catherine Malabou and the future undoing of philosophy

Hainge, Greg and Iveson, Richard (2020). Immediacy, causality, plasticity: Catherine Malabou and the future undoing of philosophy. Culture, Theory and Critique, 61 (1), 1-3. doi: 10.1080/14735784.2020.1815359

Immediacy, causality, plasticity: Catherine Malabou and the future undoing of philosophy

2020

Other Outputs

Anti Social Media Social Music

Hainge, Greg (2020). Anti Social Media Social Music. Audiosphere. (pp. 129-137) edited by Francisco López. Madrid, Spain: Museo Nacional Centro de Arte Reina Sofia.

Anti Social Media Social Music

2020

Journal Article

Delirium, Disruption and Death: On Stéphane Vanderhaeghe’s Charøgnards (Quidam éditeur, 2015)

Hainge, Greg (2020). Delirium, Disruption and Death: On Stéphane Vanderhaeghe’s Charøgnards (Quidam éditeur, 2015). Electronic Book Review doi: 10.7273/vvqz-8173

Delirium, Disruption and Death: On Stéphane Vanderhaeghe’s Charøgnards (Quidam éditeur, 2015)

2020

Book Chapter

The uncanny hinterland of things: on Chambers’s An atmospherics of the city and speculative realism

Hainge, Greg (2020). The uncanny hinterland of things: on Chambers’s An atmospherics of the city and speculative realism. Still loitering: Australian essays in honour of Ross Chambers. (pp. 83-97) edited by Valentina Gosetti and Alistair Rolls. Oxford, United Kingdom: Peter Lang.

The uncanny hinterland of things: on Chambers’s An atmospherics of the city and speculative realism

2017

Journal Article

Review of Tim Palmer, Irreversible. New York: Palgrave, 2015

Hainge, Greg (2017). Review of Tim Palmer, Irreversible. New York: Palgrave, 2015. H-France Review, 17 (100), 1-3.

Review of Tim Palmer, Irreversible. New York: Palgrave, 2015

2016

Journal Article

Adapted voices: transpositions of Céline’s ‘Voyage au bout de la nuit’ and Queneau’s ‘Zazie dans le métro’. By Armelle Blin-Rolland.

Hainge, Greg (2016). Adapted voices: transpositions of Céline’s ‘Voyage au bout de la nuit’ and Queneau’s ‘Zazie dans le métro’. By Armelle Blin-Rolland.. French Studies, 70 (4), 617-617. doi: 10.1093/fs/knw184

Adapted voices: transpositions of Céline’s ‘Voyage au bout de la nuit’ and Queneau’s ‘Zazie dans le métro’. By Armelle Blin-Rolland.

2016

Journal Article

Art matters: philosophy, art history and art’s material presence

Hainge, Greg (2016). Art matters: philosophy, art history and art’s material presence. Culture, Theory and Critique, 57 (2), 137-141. doi: 10.1080/14735784.2016.1161903

Art matters: philosophy, art history and art’s material presence

Funding

Past funding

  • 2012 - 2013
    The cultural impact of biotechnologies: Critical and creative perspectives
    UWA-UQ Bilateral Research Collaboration Award
    Open grant
  • 2008 - 2010
    Building student engagement, interaction and independent learning through a discipline-based community website: The French @Uq Learning Community
    UQ Teaching & Learning Strategic Grants
    Open grant
  • 2006
    Listening to Noise: Contemporary Modes of Acoustic Expression & Their Significance for Cultural Analysis
    UQ Early Career Researcher
    Open grant
  • 2005 - 2006
    Spatialities of Noise
    UQ New Staff Research Start-Up Fund
    Open grant

Supervision

Availability

Professor Greg Hainge is:
Available for supervision

Looking for a supervisor? Read our advice on how to choose a supervisor.

Supervision history

Current supervision

  • Doctor Philosophy

    Eve Began It: Eroticism and the Mystics Fast

    Associate Advisor

    Other advisors: Dr Karin Sellberg

Completed supervision

Media

Enquiries

Contact Professor Greg Hainge directly for media enquiries about:

  • David Lynch
  • French cinema
  • French literature
  • Noise

Need help?

For help with finding experts, story ideas and media enquiries, contact our Media team:

communications@uq.edu.au