
Overview
Background
Greg Hainge is a leading expert in cultural studies whose work reaches into the realms of French literature, film and philosophy, the films of David Lynch, sound and noise studies, the music of Radiohead and much much more. The analysis of challenging and difficult texts is the connecting thread that links the very diverse range of topics he has published on. Greg believes that engagement with difficult texts or objects of study are important because they require us to engage deep critical thinking, forcing us to formulate a response to something that we do not understand. Why does this matter? Because if we only engage with what we already know, we are not learning. Because we need to learn how to engage with things and people who are not like us if our societies are going to be healthy and thrive.
As Professor of French and Head of the School of Languages and Cultures at the University of Queensland, Greg is also passionate about the importance of languages and knowledge of other cultures in education and is driving a large-scale program of work that seeks to flip the script on the importance of languages, which he sees as a critical skill for the future, never more so than right now given the rise of generative AI.
The author of three monographs and over 50 academic chapters and articles, Greg has also written articles for The Australian, and catalogue essays for major international exhibitions, including ‘David Lynch: Between Two Worlds’ at the Gallery of Modern Art, Queensland and 'Audiosphere' held at the Reina Sofia National Museum in Madrid.
Greg is a Fellow of the Australian Academy of the Humanities and a Senior Fellow of the Higher Education Academy. He is editor in chief of Culture, Theory and Critique and serves on the editorial boards of Contemporary French Civilization, Études Céliniennes, Corps: Revue Interdisciplinaire and French Screen Studies.
Availability
- Professor Greg Hainge is:
- Available for supervision
- Media expert
Fields of research
Qualifications
- Bachelor (Honours) of Arts, University of Nottingham
- Masters (Coursework), University of Nottingham
- Doctor of Philosophy, University of Nottingham
- Postgraduate Diploma in Executive Leadership, The University of Queensland
Research interests
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Sound studies.
Special emphasis on noise, including its philosophical dimensions.
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French cinema.
Special emphasis on new extreme cinema: Noe, Grandrieux, Denis, de Van, etc.
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20th Century French literature
Special emphasis on Celine.
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Popular and experimental music.
Special emphasis on Radiohead, Bjork, musique concrete, noise music, glitch.
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American independent cinema
Special emphasis on the Coen Brothers, David Lynch.
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Photography
Special emphasis on Bill Henson, Alexa Wright, Thomas Ruff, Antoine d'Agata.
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Cultural Studies.
Research impacts
Greg Hainge's work is essentially a critical engagement into the ways in which we understand the world. His works aims to find new points of entry into cultural objects and texts, to understand differently, for instance, the relations between the cinema and its spectator, or touch screen technologies and their users, photographs and their viewers, music and its listeners, etc. Aiming to strip away the assumptions of common sense apprehensions of the world, he seeks innovative ways to engage with cultural expressions that refuse simply to "represent" our world and instead seek to make us see it in a new light. This ability to develop our critical capacity has never been more important than at the present time, and it is for this reason that Greg has increasingly turned his focus towards publications aimed at a general public.
Works
Search Professor Greg Hainge’s works on UQ eSpace
2007
Journal Article
Of glitch and men: The place of the human in the successful integration of failure and noise in the digital realm
Hainge, Greg (2007). Of glitch and men: The place of the human in the successful integration of failure and noise in the digital realm. Communication Theory, 17 (1), 26-42. doi: 10.1111/j.1468-2885.2007.00286.x
2006
Journal Article
Review of Formless: Ways In and Out of Form by P. Crowley & P. Hegarty (eds)
Hainge, Greg. (2006). Review of Formless: Ways In and Out of Form by P. Crowley & P. Hegarty (eds). Carnet Austral, 25, 33-34.
2006
Edited Outputs
Culture Theory and Critique
Culture Theory and Critique. (2006). 47 (2)
2006
Journal Article
Tempest in another time: Shakespeare, Greenaway, Céline
Hainge, Greg. (2006). Tempest in another time: Shakespeare, Greenaway, Céline. Romanic Review, 97 (1), 15-32. doi: 10.1215/26885220-97.1.15
2006
Book Chapter
Interdisciplinarity in rhizome minor: on avoiding rigor mortis through a rigorous approach to jazz, metal, wasps, orchids and other strange couplings
Hainge, G. (2006). Interdisciplinarity in rhizome minor: on avoiding rigor mortis through a rigorous approach to jazz, metal, wasps, orchids and other strange couplings. Rhizomes: connecting languages, cultures and literatures. (pp. 2-12) edited by Ramière, N. and Varshney, R.. Newcastle, UK: Cambridge Scholars Publishing.
2006
Journal Article
Review of Le Grand Transit Moderne: Mobility, Modernity and French Naturalist Fiction by L. Duffy
Hainge, G. (2006). Review of Le Grand Transit Moderne: Mobility, Modernity and French Naturalist Fiction by L. Duffy. Carnet Austral, 24, 12-14.
2005
Journal Article
Carax and the ambiguities - a book that needs to fail, perhaps: on Daly and Dowd's Leos Carax
Hainge, Greg (2005). Carax and the ambiguities - a book that needs to fail, perhaps: on Daly and Dowd's Leos Carax. Film-Philosophy, 9 (4).
2005
Book Chapter
To(rt)uring the Minotaur: Radiohead, Pop, Unnatural Couplings and Mainstream Subversion
Hainge, Greg (2005). To(rt)uring the Minotaur: Radiohead, Pop, Unnatural Couplings and Mainstream Subversion. Strobe-Lights and Blown Speakers: The Music and Art of Radiohead. (pp. 62-84) edited by J. Tate. Aldershot: Ashgate Publishers.
2005
Journal Article
No(i)stalgia: On the impossibility of recognising noise in the present
Hainge, Greg (2005). No(i)stalgia: On the impossibility of recognising noise in the present. Culture, Theory and Critique, 46 (1), 1-10. doi: 10.1080/14735780500102348
2005
Edited Outputs
Culture, Theory and Critique
Culture, Theory and Critique. (2005). 46 (1)
2005
Book Chapter
Allegorical Geographies: Topographical Transposition and Allegorical Function in Louis-Ferdinand Céline’s Aesthetic Spaces
Hainge, Greg. (2005). Allegorical Geographies: Topographical Transposition and Allegorical Function in Louis-Ferdinand Céline’s Aesthetic Spaces. Discursive Geographies: Writing space and place in French. (pp. 25-38) edited by Jeanne Garane. Amsterdam, Netherlands: Rodopi.
2005
Journal Article
The language of suffering: The place of pain in Louis-Ferdinand Céline's Féerie Pour Une Autre Fois I
Hainge, Greg (2005). The language of suffering: The place of pain in Louis-Ferdinand Céline's Féerie Pour Une Autre Fois I. L'Esprit Créateur, 45 (3), 18-28. doi: 10.1353/esp.2010.0339
2005
Journal Article
Surmodernites: Entre reve et technique
Hainge, Greg (2005). Surmodernites: Entre reve et technique. Contemporary French Civilization, 29 (1), 174-177.
2004
Journal Article
"Pagan poetry", piercing, pain and the politics of becoming
Hainge, Greg (2004). "Pagan poetry", piercing, pain and the politics of becoming. Scan: Journal of Media Arts Culture, 1 (3), 1-9.
2004
Journal Article
The sound of time is not tick tock: the loop as a direct image of time in Noto's Endless Loop Edition (2) and the drone music of Phill Niblock
Hainge, Greg (2004). The sound of time is not tick tock: the loop as a direct image of time in Noto's Endless Loop Edition (2) and the drone music of Phill Niblock. InVisible Culture, 1 (8).
2004
Book Chapter
The Death of Education, a Sad Tale: Of Anti-Pragmatic Pragmatics and the Loss of the Absolute in Australian Tertiary Education
Hainge, Greg (2004). The Death of Education, a Sad Tale: Of Anti-Pragmatic Pragmatics and the Loss of the Absolute in Australian Tertiary Education. Innovation and Tradition: Arts, Humanities and the Knowledge Economy. (pp. 35-45) edited by Kenway, Jane, Bullen, Elizabeth and Robb, Simon. New York: Peter Lang.
2004
Book Chapter
Weird or Loopy? Specular Spaces, Feedback and Artifice in Lost Highway’s Aesthetics of Sensation
Hainge, Greg (2004). Weird or Loopy? Specular Spaces, Feedback and Artifice in Lost Highway’s Aesthetics of Sensation. The Cinema of David Lynch: American Dreams, Nightmare Visions. (pp. 136-150) edited by Annette Davison and Erica Sheen. London: Wallflower Press.
2004
Journal Article
Come on Feel the Noise: Technology and its Dysfunctions in the Music of Sensation
Hainge, Greg (2004). Come on Feel the Noise: Technology and its Dysfunctions in the Music of Sensation. To The Quick (5), 42-58.
2004
Book Chapter
Is Pop Music?
Hainge, Greg (2004). Is Pop Music?. Deleuze and Music. (pp. 36-53) edited by I. Buchanan and M. Swiboda. Edinburgh: Edinburgh University Press.
2003
Journal Article
Le Prologue de Guignol’s band comme porte vers l'espace lisse, ou, chronique manquée d'une réussite à venir
Hainge, Greg (2003). Le Prologue de Guignol’s band comme porte vers l'espace lisse, ou, chronique manquée d'une réussite à venir. Essays in French Literature, 40, 57-79.
Funding
Past funding
Supervision
Availability
- Professor Greg Hainge is:
- Available for supervision
Before you email them, read our advice on how to contact a supervisor.
Supervision history
Current supervision
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Doctor Philosophy
The (re)commencement of Aleatory Materialism: reading the appearances of the void across the oeuvre of Louis Althusser
Principal Advisor
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Doctor Philosophy
The (re)commencement of Aleatory Materialism: reading the appearances of the void across the oeuvre of Louis Althusser
Principal Advisor
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Doctor Philosophy
Unfixing Self: Twenty-First Century Women's Phototexts in French
Principal Advisor
Other advisors: Associate Professor Amy Hubbell
Completed supervision
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2024
Doctor Philosophy
Unfixing Self: Twenty-First Century Women's Phototexts in French
Principal Advisor
Other advisors: Associate Professor Amy Hubbell
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2021
Doctor Philosophy
Gender Politics, Violence, and Affect in the films of Leila Djansi: Between Third Cinema and Mainstream Commercial Cinema in Africa
Principal Advisor
Other advisors: Associate Professor Amy Hubbell
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2017
Doctor Philosophy
Solutions to the problems of western civilisation in the novels of Michel Houellebecq
Principal Advisor
Other advisors: Dr Joe Hardwick
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2010
Doctor Philosophy
Philosophical conceptions of time, space, difference and repetition in the early novels of Alain Robbe-Grillet
Principal Advisor
Other advisors: Dr Joe Hardwick
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2020
Doctor Philosophy
Music in the Italian Futurist Movement: A Re-Examination of its Role and Functions
Associate Advisor
Other advisors: Dr Simon Perry
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2014
Doctor Philosophy
Profoundly Disturbing: The Aesthetics of Violence and the Everyday in European Art Cinema
Associate Advisor
Other advisors: Dr Lisa Bode, Professor Jason Jacobs
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2014
Doctor Philosophy
The Wounds of Indetermination: Deleuze, Cinema and Ethology.
Associate Advisor
Other advisors: Dr Aurelia Armstrong
Media
Enquiries
Contact Professor Greg Hainge directly for media enquiries about:
- David Lynch
- French cinema
- French literature
- Noise
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