Skip to menu Skip to content Skip to footer
Professor Greg Hainge
Professor

Greg Hainge

Email: 
Phone: 
+61 7 336 56314

Overview

Background

Greg Hainge FAHA is a leading scholar in cultural studies, with expertise spanning French literature, sound studies, film and philosophy. The connecting thread across his diverse research is the interpretation of difficult texts, the work of making sense of what is unfamiliar, complex, or unlike ourselves. For Greg this is more than a scholarly method: he argues that the capacity to engage well with people, ideas and cultures different from our own is among the most important things a society can cultivate, and that nothing builds it more powerfully than learning other languages and understanding other cultures.

As Professor of French and Head of the School of Languages and Cultures at the University of Queensland, Greg is passionate about the importance of languages and knowledge of other cultures in education and is driving a large-scale program of work that seeks to flip the script on the importance of languages, which he sees as a critical skill for the future, never more so than right now given the rise of generative AI.

The author of three monographs and over 50 academic chapters and articles, Greg has also written articles for The Australian, and catalogue essays for major international exhibitions, including ‘David Lynch: Between Two Worlds’ at the Gallery of Modern Art, Queensland and 'Audiosphere' held at the Reina Sofia National Museum in Madrid.

Greg is a Fellow of the Australian Academy of the Humanities and a Senior Fellow of the Higher Education Academy. He is editor in chief of Culture, Theory and Critique and serves on the editorial boards of Contemporary French Civilization, Études Céliniennes, Corps: Revue Interdisciplinaire and French Screen Studies.

Availability

Professor Greg Hainge is:
Available for supervision
Media expert

Qualifications

  • Bachelor (Honours) of Arts, University of Nottingham
  • Masters (Coursework), University of Nottingham
  • Doctor of Philosophy, University of Nottingham
  • Postgraduate Diploma in Executive Leadership, The University of Queensland

Research interests

  • Sound studies.

    Special emphasis on noise, including its philosophical dimensions.

  • French cinema.

    Special emphasis on new extreme cinema: Noe, Grandrieux, Denis, de Van, etc.

  • 20th Century French literature

    Special emphasis on Celine.

  • Popular and experimental music.

    Special emphasis on Radiohead, Bjork, musique concrete, noise music, glitch.

  • American independent cinema

    Special emphasis on the Coen Brothers, David Lynch.

  • Photography

    Special emphasis on Bill Henson, Alexa Wright, Thomas Ruff, Antoine d'Agata.

  • Cultural Studies.

Research impacts

Greg Hainge studies how we make sense of the unfamiliar — film, photography, sound, music, and the cultures we reach through other languages. He's a clear, accessible voice on why languages matter more than ever in the age of AI, when the human work of interpreting and engaging with difference becomes more valuable, not less.

Greg is available to comment on: languages and language learning in Australia; French culture and cinema, including the films of David Lynch; sound, music and listening; and the value of the humanities in education and public life.

Works

Search Professor Greg Hainge’s works on UQ eSpace

100 works between 1995 and 2025

61 - 80 of 100 works

2007

Journal Article

The architect’s scalpel: The monstrous digital futures of Alexa Wright’s Precious

Hainge, G. (2007). The architect’s scalpel: The monstrous digital futures of Alexa Wright’s Precious. Social Semiotics, 17 (3), 327-340. doi: 10.1080/10350330701448652

The architect’s scalpel: The monstrous digital futures of Alexa Wright’s Precious

2007

Journal Article

Vinyl is dead, long live vinyl: the work of recording and mourning in the age of digital reproduction

Hainge, Greg (2007). Vinyl is dead, long live vinyl: the work of recording and mourning in the age of digital reproduction. Culture Machine, 9, 1-23.

Vinyl is dead, long live vinyl: the work of recording and mourning in the age of digital reproduction

2007

Journal Article

Le corps concret: Of bodily and filmic material excess in Philippe Grandrieux's cinema

Hainge, Greg (2007). Le corps concret: Of bodily and filmic material excess in Philippe Grandrieux's cinema. Australian Journal of French Studies, 44 (2), 153-171. doi: 10.3828/AJFS.44.2.153

Le corps concret: Of bodily and filmic material excess in Philippe Grandrieux's cinema

2006

Journal Article

Review of Le Grand Transit Moderne: Mobility, Modernity and French Naturalist Fiction by L. Duffy

Hainge, G. (2006). Review of Le Grand Transit Moderne: Mobility, Modernity and French Naturalist Fiction by L. Duffy. Carnet Austral, 24, 12-14.

Review of Le Grand Transit Moderne: Mobility, Modernity and French Naturalist Fiction by L. Duffy

2006

Journal Article

Review of Formless: Ways In and Out of Form by P. Crowley & P. Hegarty (eds)

Hainge, Greg. (2006). Review of Formless: Ways In and Out of Form by P. Crowley & P. Hegarty (eds). Carnet Austral, 25, 33-34.

Review of Formless: Ways In and Out of Form by P. Crowley & P. Hegarty (eds)

2006

Edited Outputs

Culture Theory and Critique

Culture Theory and Critique. (2006). 47 (2)

Culture Theory and Critique

2006

Journal Article

Tempest in another time: Shakespeare, Greenaway, Céline

Hainge, Greg. (2006). Tempest in another time: Shakespeare, Greenaway, Céline. Romanic Review, 97 (1), 15-32. doi: 10.1215/26885220-97.1.15

Tempest in another time: Shakespeare, Greenaway, Céline

2006

Book Chapter

Interdisciplinarity in rhizome minor: on avoiding rigor mortis through a rigorous approach to jazz, metal, wasps, orchids and other strange couplings

Hainge, G. (2006). Interdisciplinarity in rhizome minor: on avoiding rigor mortis through a rigorous approach to jazz, metal, wasps, orchids and other strange couplings. Rhizomes: connecting languages, cultures and literatures. (pp. 2-12) edited by Ramière, N. and Varshney, R.. Newcastle, UK: Cambridge Scholars Publishing.

Interdisciplinarity in rhizome minor: on avoiding rigor mortis through a rigorous approach to jazz, metal, wasps, orchids and other strange couplings

2005

Journal Article

Carax and the ambiguities - a book that needs to fail, perhaps: on Daly and Dowd's Leos Carax

Hainge, Greg (2005). Carax and the ambiguities - a book that needs to fail, perhaps: on Daly and Dowd's Leos Carax. Film-Philosophy, 9 (4).

Carax and the ambiguities - a book that needs to fail, perhaps: on Daly and Dowd's Leos Carax

2005

Journal Article

Surmodernites: Entre reve et technique

Hainge, Greg (2005). Surmodernites: Entre reve et technique. Contemporary French Civilization, 29 (1), 174-177.

Surmodernites: Entre reve et technique

2005

Book Chapter

To(rt)uring the Minotaur: Radiohead, Pop, Unnatural Couplings and Mainstream Subversion

Hainge, Greg (2005). To(rt)uring the Minotaur: Radiohead, Pop, Unnatural Couplings and Mainstream Subversion. Strobe-Lights and Blown Speakers: The Music and Art of Radiohead. (pp. 62-84) edited by J. Tate. Aldershot: Ashgate Publishers.

To(rt)uring the Minotaur: Radiohead, Pop, Unnatural Couplings and Mainstream Subversion

2005

Journal Article

No(i)stalgia: On the impossibility of recognising noise in the present

Hainge, Greg (2005). No(i)stalgia: On the impossibility of recognising noise in the present. Culture, Theory and Critique, 46 (1), 1-10. doi: 10.1080/14735780500102348

No(i)stalgia: On the impossibility of recognising noise in the present

2005

Edited Outputs

Culture, Theory and Critique

Culture, Theory and Critique. (2005). 46 (1)

Culture, Theory and Critique

2005

Book Chapter

Allegorical Geographies: Topographical Transposition and Allegorical Function in Louis-Ferdinand Céline’s Aesthetic Spaces

Hainge, Greg. (2005). Allegorical Geographies: Topographical Transposition and Allegorical Function in Louis-Ferdinand Céline’s Aesthetic Spaces. Discursive Geographies: Writing space and place in French. (pp. 25-38) edited by Jeanne Garane. Amsterdam, Netherlands: Rodopi.

Allegorical Geographies: Topographical Transposition and Allegorical Function in Louis-Ferdinand Céline’s Aesthetic Spaces

2005

Journal Article

The language of suffering: The place of pain in Louis-Ferdinand Céline's Féerie Pour Une Autre Fois I

Hainge, Greg (2005). The language of suffering: The place of pain in Louis-Ferdinand Céline's Féerie Pour Une Autre Fois I. L'Esprit Créateur, 45 (3), 18-28. doi: 10.1353/esp.2010.0339

The language of suffering: The place of pain in Louis-Ferdinand Céline's Féerie Pour Une Autre Fois I

2004

Journal Article

"Pagan poetry", piercing, pain and the politics of becoming

Hainge, Greg (2004). "Pagan poetry", piercing, pain and the politics of becoming. Scan: Journal of Media Arts Culture, 1 (3), 1-9.

"Pagan poetry", piercing, pain and the politics of becoming

2004

Book Chapter

Is Pop Music?

Hainge, Greg (2004). Is Pop Music?. Deleuze and Music. (pp. 36-53) edited by I. Buchanan and M. Swiboda. Edinburgh: Edinburgh University Press.

Is Pop Music?

2004

Journal Article

The sound of time is not tick tock: the loop as a direct image of time in Noto's Endless Loop Edition (2) and the drone music of Phill Niblock

Hainge, Greg (2004). The sound of time is not tick tock: the loop as a direct image of time in Noto's Endless Loop Edition (2) and the drone music of Phill Niblock. InVisible Culture, 1 (8).

The sound of time is not tick tock: the loop as a direct image of time in Noto's Endless Loop Edition (2) and the drone music of Phill Niblock

2004

Book Chapter

The Death of Education, a Sad Tale: Of Anti-Pragmatic Pragmatics and the Loss of the Absolute in Australian Tertiary Education

Hainge, Greg (2004). The Death of Education, a Sad Tale: Of Anti-Pragmatic Pragmatics and the Loss of the Absolute in Australian Tertiary Education. Innovation and Tradition: Arts, Humanities and the Knowledge Economy. (pp. 35-45) edited by Kenway, Jane, Bullen, Elizabeth and Robb, Simon. New York: Peter Lang.

The Death of Education, a Sad Tale: Of Anti-Pragmatic Pragmatics and the Loss of the Absolute in Australian Tertiary Education

2004

Book Chapter

Weird or Loopy? Specular Spaces, Feedback and Artifice in Lost Highway’s Aesthetics of Sensation

Hainge, Greg (2004). Weird or Loopy? Specular Spaces, Feedback and Artifice in Lost Highway’s Aesthetics of Sensation. The Cinema of David Lynch: American Dreams, Nightmare Visions. (pp. 136-150) edited by Annette Davison and Erica Sheen. London: Wallflower Press.

Weird or Loopy? Specular Spaces, Feedback and Artifice in Lost Highway’s Aesthetics of Sensation

Funding

Past funding

  • 2012 - 2013
    The cultural impact of biotechnologies: Critical and creative perspectives
    UWA-UQ Bilateral Research Collaboration Award
    Open grant
  • 2008 - 2010
    Building student engagement, interaction and independent learning through a discipline-based community website: The French @Uq Learning Community
    UQ Teaching & Learning Strategic Grants
    Open grant
  • 2006
    Listening to Noise: Contemporary Modes of Acoustic Expression & Their Significance for Cultural Analysis
    UQ Early Career Researcher
    Open grant
  • 2005 - 2006
    Spatialities of Noise
    UQ New Staff Research Start-Up Fund
    Open grant

Supervision

Availability

Professor Greg Hainge is:
Available for supervision

Looking for a supervisor? Read our advice on how to choose a supervisor.

Supervision history

Current supervision

  • Doctor Philosophy

    Eve Began It: Eroticism and the Mystics Fast

    Associate Advisor

    Other advisors: Dr Karin Sellberg

Completed supervision

Media

Enquiries

Contact Professor Greg Hainge directly for media enquiries about:

  • David Lynch
  • French cinema
  • French literature
  • Noise

Need help?

For help with finding experts, story ideas and media enquiries, contact our Media team:

communications@uq.edu.au