Skip to menu Skip to content Skip to footer
Professor Greg Hainge
Professor

Greg Hainge

Email: 
Phone: 
+61 7 336 56314

Overview

Background

Greg Hainge is a leading expert in cultural studies whose work reaches into the realms of French literature, film and philosophy, the films of David Lynch, sound and noise studies, the music of Radiohead and much much more. The analysis of challenging and difficult texts is the connecting thread that links the very diverse range of topics he has published on. Greg believes that engagement with difficult texts or objects of study are important because they require us to engage deep critical thinking, forcing us to formulate a response to something that we do not understand. Why does this matter? Because if we only engage with what we already know, we are not learning. Because we need to learn how to engage with things and people who are not like us if our societies are going to be healthy and thrive.

As Professor of French and Head of the School of Languages and Cultures at the University of Queensland, Greg is also passionate about the importance of languages and knowledge of other cultures in education and is driving a large-scale program of work that seeks to flip the script on the importance of languages, which he sees as a critical skill for the future, never more so than right now given the rise of generative AI.

The author of three monographs and over 50 academic chapters and articles, Greg has also written articles for The Australian, and catalogue essays for major international exhibitions, including ‘David Lynch: Between Two Worlds’ at the Gallery of Modern Art, Queensland and 'Audiosphere' held at the Reina Sofia National Museum in Madrid.

Greg is a Fellow of the Australian Academy of the Humanities and a Senior Fellow of the Higher Education Academy. He is editor in chief of Culture, Theory and Critique and serves on the editorial boards of Contemporary French Civilization, Études Céliniennes, Corps: Revue Interdisciplinaire and French Screen Studies.

Availability

Professor Greg Hainge is:
Available for supervision
Media expert

Qualifications

  • Bachelor (Honours) of Arts, University of Nottingham
  • Masters (Coursework), University of Nottingham
  • Doctor of Philosophy, University of Nottingham
  • Postgraduate Diploma in Executive Leadership, The University of Queensland

Research interests

  • Sound studies.

    Special emphasis on noise, including its philosophical dimensions.

  • French cinema.

    Special emphasis on new extreme cinema: Noe, Grandrieux, Denis, de Van, etc.

  • 20th Century French literature

    Special emphasis on Celine.

  • Popular and experimental music.

    Special emphasis on Radiohead, Bjork, musique concrete, noise music, glitch.

  • American independent cinema

    Special emphasis on the Coen Brothers, David Lynch.

  • Photography

    Special emphasis on Bill Henson, Alexa Wright, Thomas Ruff, Antoine d'Agata.

  • Cultural Studies.

Research impacts

Greg Hainge's work is essentially a critical engagement into the ways in which we understand the world. His works aims to find new points of entry into cultural objects and texts, to understand differently, for instance, the relations between the cinema and its spectator, or touch screen technologies and their users, photographs and their viewers, music and its listeners, etc. Aiming to strip away the assumptions of common sense apprehensions of the world, he seeks innovative ways to engage with cultural expressions that refuse simply to "represent" our world and instead seek to make us see it in a new light. This ability to develop our critical capacity has never been more important than at the present time, and it is for this reason that Greg has increasingly turned his focus towards publications aimed at a general public.

Works

Search Professor Greg Hainge’s works on UQ eSpace

98 works between 1995 and 2025

61 - 80 of 98 works

2007

Journal Article

Of glitch and men: The place of the human in the successful integration of failure and noise in the digital realm

Hainge, Greg (2007). Of glitch and men: The place of the human in the successful integration of failure and noise in the digital realm. Communication Theory, 17 (1), 26-42. doi: 10.1111/j.1468-2885.2007.00286.x

Of glitch and men: The place of the human in the successful integration of failure and noise in the digital realm

2006

Journal Article

Review of Formless: Ways In and Out of Form by P. Crowley & P. Hegarty (eds)

Hainge, Greg. (2006). Review of Formless: Ways In and Out of Form by P. Crowley & P. Hegarty (eds). Carnet Austral, 25, 33-34.

Review of Formless: Ways In and Out of Form by P. Crowley & P. Hegarty (eds)

2006

Edited Outputs

Culture Theory and Critique

Culture Theory and Critique. (2006). 47 (2)

Culture Theory and Critique

2006

Journal Article

Tempest in another time: Shakespeare, Greenaway, Céline

Hainge, Greg. (2006). Tempest in another time: Shakespeare, Greenaway, Céline. Romanic Review, 97 (1), 15-32. doi: 10.1215/26885220-97.1.15

Tempest in another time: Shakespeare, Greenaway, Céline

2006

Book Chapter

Interdisciplinarity in rhizome minor: on avoiding rigor mortis through a rigorous approach to jazz, metal, wasps, orchids and other strange couplings

Hainge, G. (2006). Interdisciplinarity in rhizome minor: on avoiding rigor mortis through a rigorous approach to jazz, metal, wasps, orchids and other strange couplings. Rhizomes: connecting languages, cultures and literatures. (pp. 2-12) edited by Ramière, N. and Varshney, R.. Newcastle, UK: Cambridge Scholars Publishing.

Interdisciplinarity in rhizome minor: on avoiding rigor mortis through a rigorous approach to jazz, metal, wasps, orchids and other strange couplings

2006

Journal Article

Review of Le Grand Transit Moderne: Mobility, Modernity and French Naturalist Fiction by L. Duffy

Hainge, G. (2006). Review of Le Grand Transit Moderne: Mobility, Modernity and French Naturalist Fiction by L. Duffy. Carnet Austral, 24, 12-14.

Review of Le Grand Transit Moderne: Mobility, Modernity and French Naturalist Fiction by L. Duffy

2005

Journal Article

Carax and the ambiguities - a book that needs to fail, perhaps: on Daly and Dowd's Leos Carax

Hainge, Greg (2005). Carax and the ambiguities - a book that needs to fail, perhaps: on Daly and Dowd's Leos Carax. Film-Philosophy, 9 (4).

Carax and the ambiguities - a book that needs to fail, perhaps: on Daly and Dowd's Leos Carax

2005

Book Chapter

To(rt)uring the Minotaur: Radiohead, Pop, Unnatural Couplings and Mainstream Subversion

Hainge, Greg (2005). To(rt)uring the Minotaur: Radiohead, Pop, Unnatural Couplings and Mainstream Subversion. Strobe-Lights and Blown Speakers: The Music and Art of Radiohead. (pp. 62-84) edited by J. Tate. Aldershot: Ashgate Publishers.

To(rt)uring the Minotaur: Radiohead, Pop, Unnatural Couplings and Mainstream Subversion

2005

Journal Article

No(i)stalgia: On the impossibility of recognising noise in the present

Hainge, Greg (2005). No(i)stalgia: On the impossibility of recognising noise in the present. Culture, Theory and Critique, 46 (1), 1-10. doi: 10.1080/14735780500102348

No(i)stalgia: On the impossibility of recognising noise in the present

2005

Edited Outputs

Culture, Theory and Critique

Culture, Theory and Critique. (2005). 46 (1)

Culture, Theory and Critique

2005

Book Chapter

Allegorical Geographies: Topographical Transposition and Allegorical Function in Louis-Ferdinand Céline’s Aesthetic Spaces

Hainge, Greg. (2005). Allegorical Geographies: Topographical Transposition and Allegorical Function in Louis-Ferdinand Céline’s Aesthetic Spaces. Discursive Geographies: Writing space and place in French. (pp. 25-38) edited by Jeanne Garane. Amsterdam, Netherlands: Rodopi.

Allegorical Geographies: Topographical Transposition and Allegorical Function in Louis-Ferdinand Céline’s Aesthetic Spaces

2005

Journal Article

The language of suffering: The place of pain in Louis-Ferdinand Céline's Féerie Pour Une Autre Fois I

Hainge, Greg (2005). The language of suffering: The place of pain in Louis-Ferdinand Céline's Féerie Pour Une Autre Fois I. L'Esprit Créateur, 45 (3), 18-28. doi: 10.1353/esp.2010.0339

The language of suffering: The place of pain in Louis-Ferdinand Céline's Féerie Pour Une Autre Fois I

2005

Journal Article

Surmodernites: Entre reve et technique

Hainge, Greg (2005). Surmodernites: Entre reve et technique. Contemporary French Civilization, 29 (1), 174-177.

Surmodernites: Entre reve et technique

2004

Journal Article

"Pagan poetry", piercing, pain and the politics of becoming

Hainge, Greg (2004). "Pagan poetry", piercing, pain and the politics of becoming. Scan: Journal of Media Arts Culture, 1 (3), 1-9.

"Pagan poetry", piercing, pain and the politics of becoming

2004

Journal Article

The sound of time is not tick tock: the loop as a direct image of time in Noto's Endless Loop Edition (2) and the drone music of Phill Niblock

Hainge, Greg (2004). The sound of time is not tick tock: the loop as a direct image of time in Noto's Endless Loop Edition (2) and the drone music of Phill Niblock. InVisible Culture, 1 (8).

The sound of time is not tick tock: the loop as a direct image of time in Noto's Endless Loop Edition (2) and the drone music of Phill Niblock

2004

Book Chapter

The Death of Education, a Sad Tale: Of Anti-Pragmatic Pragmatics and the Loss of the Absolute in Australian Tertiary Education

Hainge, Greg (2004). The Death of Education, a Sad Tale: Of Anti-Pragmatic Pragmatics and the Loss of the Absolute in Australian Tertiary Education. Innovation and Tradition: Arts, Humanities and the Knowledge Economy. (pp. 35-45) edited by Kenway, Jane, Bullen, Elizabeth and Robb, Simon. New York: Peter Lang.

The Death of Education, a Sad Tale: Of Anti-Pragmatic Pragmatics and the Loss of the Absolute in Australian Tertiary Education

2004

Book Chapter

Weird or Loopy? Specular Spaces, Feedback and Artifice in Lost Highway’s Aesthetics of Sensation

Hainge, Greg (2004). Weird or Loopy? Specular Spaces, Feedback and Artifice in Lost Highway’s Aesthetics of Sensation. The Cinema of David Lynch: American Dreams, Nightmare Visions. (pp. 136-150) edited by Annette Davison and Erica Sheen. London: Wallflower Press.

Weird or Loopy? Specular Spaces, Feedback and Artifice in Lost Highway’s Aesthetics of Sensation

2004

Journal Article

Come on Feel the Noise: Technology and its Dysfunctions in the Music of Sensation

Hainge, Greg (2004). Come on Feel the Noise: Technology and its Dysfunctions in the Music of Sensation. To The Quick (5), 42-58.

Come on Feel the Noise: Technology and its Dysfunctions in the Music of Sensation

2004

Book Chapter

Is Pop Music?

Hainge, Greg (2004). Is Pop Music?. Deleuze and Music. (pp. 36-53) edited by I. Buchanan and M. Swiboda. Edinburgh: Edinburgh University Press.

Is Pop Music?

2003

Journal Article

Le Prologue de Guignol’s band comme porte vers l'espace lisse, ou, chronique manquée d'une réussite à venir

Hainge, Greg (2003). Le Prologue de Guignol’s band comme porte vers l'espace lisse, ou, chronique manquée d'une réussite à venir. Essays in French Literature, 40, 57-79.

Le Prologue de Guignol’s band comme porte vers l'espace lisse, ou, chronique manquée d'une réussite à venir

Funding

Past funding

  • 2012 - 2013
    The cultural impact of biotechnologies: Critical and creative perspectives
    UWA-UQ Bilateral Research Collaboration Award
    Open grant
  • 2008 - 2010
    Building student engagement, interaction and independent learning through a discipline-based community website: The French @Uq Learning Community
    UQ Teaching & Learning Strategic Grants
    Open grant
  • 2006
    Listening to Noise: Contemporary Modes of Acoustic Expression & Their Significance for Cultural Analysis
    UQ Early Career Researcher
    Open grant
  • 2005 - 2006
    Spatialities of Noise
    UQ New Staff Research Start-Up Fund
    Open grant

Supervision

Availability

Professor Greg Hainge is:
Available for supervision

Before you email them, read our advice on how to contact a supervisor.

Supervision history

Current supervision

  • Doctor Philosophy

    The (re)commencement of Aleatory Materialism: reading the appearances of the void across the oeuvre of Louis Althusser

    Principal Advisor

  • Doctor Philosophy

    The (re)commencement of Aleatory Materialism: reading the appearances of the void across the oeuvre of Louis Althusser

    Principal Advisor

  • Doctor Philosophy

    Unfixing Self: Twenty-First Century Women's Phototexts in French

    Principal Advisor

    Other advisors: Associate Professor Amy Hubbell

Completed supervision

Media

Enquiries

Contact Professor Greg Hainge directly for media enquiries about:

  • David Lynch
  • French cinema
  • French literature
  • Noise

Need help?

For help with finding experts, story ideas and media enquiries, contact our Media team:

communications@uq.edu.au