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Professor Greg Hainge
Professor

Greg Hainge

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Phone: 
+61 7 336 56314

Overview

Background

Greg Hainge is a leading expert in cultural studies whose work reaches into the realms of French literature, film and philosophy, the films of David Lynch, sound and noise studies, the music of Radiohead and much much more. The analysis of challenging and difficult texts is the connecting thread that links the very diverse range of topics he has published on. Greg believes that engagement with difficult texts or objects of study are important because they require us to engage deep critical thinking, forcing us to formulate a response to something that we do not understand. Why does this matter? Because if we only engage with what we already know, we are not learning. Because we need to learn how to engage with things and people who are not like us if our societies are going to be healthy and thrive.

As Professor of French and Head of the School of Languages and Cultures at the University of Queensland, Greg is also passionate about the importance of languages and knowledge of other cultures in education and is driving a large-scale program of work that seeks to flip the script on the importance of languages, which he sees as a critical skill for the future, never more so than right now given the rise of generative AI.

The author of three monographs and over 50 academic chapters and articles, Greg has also written articles for The Australian, and catalogue essays for major international exhibitions, including ‘David Lynch: Between Two Worlds’ at the Gallery of Modern Art, Queensland and 'Audiosphere' held at the Reina Sofia National Museum in Madrid.

Greg is a Fellow of the Australian Academy of the Humanities and a Senior Fellow of the Higher Education Academy. He is editor in chief of Culture, Theory and Critique and serves on the editorial boards of Contemporary French Civilization, Études Céliniennes, Corps: Revue Interdisciplinaire and French Screen Studies.

Availability

Professor Greg Hainge is:
Available for supervision
Media expert

Qualifications

  • Bachelor (Honours) of Arts, University of Nottingham
  • Masters (Coursework), University of Nottingham
  • Doctor of Philosophy, University of Nottingham
  • Postgraduate Diploma in Executive Leadership, The University of Queensland

Research interests

  • Sound studies.

    Special emphasis on noise, including its philosophical dimensions.

  • French cinema.

    Special emphasis on new extreme cinema: Noe, Grandrieux, Denis, de Van, etc.

  • 20th Century French literature

    Special emphasis on Celine.

  • Popular and experimental music.

    Special emphasis on Radiohead, Bjork, musique concrete, noise music, glitch.

  • American independent cinema

    Special emphasis on the Coen Brothers, David Lynch.

  • Photography

    Special emphasis on Bill Henson, Alexa Wright, Thomas Ruff, Antoine d'Agata.

  • Cultural Studies.

Research impacts

Greg Hainge's work is essentially a critical engagement into the ways in which we understand the world. His works aims to find new points of entry into cultural objects and texts, to understand differently, for instance, the relations between the cinema and its spectator, or touch screen technologies and their users, photographs and their viewers, music and its listeners, etc. Aiming to strip away the assumptions of common sense apprehensions of the world, he seeks innovative ways to engage with cultural expressions that refuse simply to "represent" our world and instead seek to make us see it in a new light. This ability to develop our critical capacity has never been more important than at the present time, and it is for this reason that Greg has increasingly turned his focus towards publications aimed at a general public.

Works

Search Professor Greg Hainge’s works on UQ eSpace

97 works between 1995 and 2023

41 - 60 of 97 works

2011

Edited Outputs

Culture, Theory and Critique: Special Issue: The God Who Would Not Die: Theological Remnants and Traces of a Hidden God in Twentieth Century French Thought

Culture, Theory and Critique: Special Issue: The God Who Would Not Die: Theological Remnants and Traces of a Hidden God in Twentieth Century French Thought. (2011). 52 (2-3)

Culture, Theory and Critique: Special Issue: The God Who Would Not Die: Theological Remnants and Traces of a Hidden God in Twentieth Century French Thought

2011

Journal Article

Tekhne, technique, technologie

Hainge, Greg, De Nooy, Juliana and Hanna, Barbara E. (2011). Tekhne, technique, technologie. Australian Journal of French Studies, 48 (2), 121-128. doi: 10.3828/AJFS.48.2.121

Tekhne, technique, technologie

2011

Edited Outputs

Culture, Theory and Critique

Culture, Theory and Critique. (2011). 52 (2-3)

Culture, Theory and Critique

2010

Edited Outputs

Culture, Theory and Critique: Special Issue: The Politics of Nothing: Sovereignty and Modernity

Culture, Theory and Critique: Special Issue: The Politics of Nothing: Sovereignty and Modernity. (2010). 51 (2)

Culture, Theory and Critique: Special Issue: The Politics of Nothing: Sovereignty and Modernity

2010

Journal Article

Une voix déplacée: La ventriloquie chez Céline ou pour en finir avec le jugement historique

Hainge, Greg (2010). Une voix déplacée: La ventriloquie chez Céline ou pour en finir avec le jugement historique. Études Céliniennes, 5 (Hiver 2009-2010), 71-94.

Une voix déplacée: La ventriloquie chez Céline ou pour en finir avec le jugement historique

2010

Book Chapter

Red velvet : Lynch's cinemat(ograph)ic ontology

Hainge, Greg (2010). Red velvet : Lynch's cinemat(ograph)ic ontology. David Lynch in theory. (pp. 24-39) edited by Glezon, Francois-Xavier. Prague, Czech Republic: Litteraria Pragensia Books.

Red velvet : Lynch's cinemat(ograph)ic ontology

2010

Edited Outputs

Culture, Theory and Critique

Culture, Theory and Critique. (2010). 51 (2)

Culture, Theory and Critique

2009

Book Chapter

No sympathy for the devil, or, Lobby Music: Spaces of disjunction in Barton Fink, The Shining and Muzak

Hainge, Greg (2009). No sympathy for the devil, or, Lobby Music: Spaces of disjunction in Barton Fink, The Shining and Muzak. Moving Pictures/Stopping Places. Hotels and Motels on Film. (pp. 255-276) edited by Clarke, David B., Crawford Pfannhauser, Valerie and Doel, Marcus A.. Plymouth, UK: Lexington Books.

No sympathy for the devil, or, Lobby Music: Spaces of disjunction in Barton Fink, The Shining and Muzak

2009

Journal Article

Airport music: Muzak, 'Non-lieux' and film sound in Stéphanik's Stand-by and Lioret's Tombés du ciel

Hainge, Greg (2009). Airport music: Muzak, 'Non-lieux' and film sound in Stéphanik's Stand-by and Lioret's Tombés du ciel. Studies in French Cinema, 9 (3), 201-214. doi: 10.1386/sfc.9.3.201/1

Airport music: Muzak, 'Non-lieux' and film sound in Stéphanik's Stand-by and Lioret's Tombés du ciel

2008

Edited Outputs

Culture, Theory and Critique

Culture, Theory and Critique. (2008). 49 (1)

Culture, Theory and Critique

2008

Edited Outputs

Culture, Theory and Critique: Special Issue: The Histor(icit)y of Theory

Culture, Theory and Critique: Special Issue: The Histor(icit)y of Theory. (2008). 49 (1)

Culture, Theory and Critique: Special Issue: The Histor(icit)y of Theory

2008

Journal Article

Three non-places of supermodernity in the history of French cinema: 1967, 1985, 2000. Playtime, Subway and Stand-by

Hainge, G. (2008). Three non-places of supermodernity in the history of French cinema: 1967, 1985, 2000. Playtime, Subway and Stand-by. Australian Journal of French Studies, 45 (3), 197-211. doi: 10.3828/AJFS.45.3.197

Three non-places of supermodernity in the history of French cinema: 1967, 1985, 2000. Playtime, Subway and Stand-by

2008

Journal Article

A tale of (at least) two Hiroshimas: Nobuhiro Suwa's H Story and Alain Resnais's Hiroshima Mon Amour

Hainge, Greg (2008). A tale of (at least) two Hiroshimas: Nobuhiro Suwa's H Story and Alain Resnais's Hiroshima Mon Amour. Contemporary French Civilization, 32 (2), 147-174. doi: 10.3828/cfc.2008.8

A tale of (at least) two Hiroshimas: Nobuhiro Suwa's H Story and Alain Resnais's Hiroshima Mon Amour

2008

Journal Article

Unfixing the photographic image: Photography, indexicality, fidelity and normativity

Hainge, G. (2008). Unfixing the photographic image: Photography, indexicality, fidelity and normativity. Continuum: Journal of Media & Cultural Studies, 22 (5), 715-730. doi: 10.1080/10304310802311659

Unfixing the photographic image: Photography, indexicality, fidelity and normativity

2008

Book Chapter

L'Invention du Troisième Peuple: The utopian vision of Philippe Grandrieux's dystopias

Hainge, Greg (2008). L'Invention du Troisième Peuple: The utopian vision of Philippe Grandrieux's dystopias. Nowhere is perfect: French and Francophone utopias/dystopias. (pp. 228-239) edited by John West-Sooby. Newark, DE, United States: University of Delaware Press.

L'Invention du Troisième Peuple: The utopian vision of Philippe Grandrieux's dystopias

2008

Journal Article

The unbearable blandness of Being: The everyday and Muzak in Barton Fink and Fargo

Hainge, G. (2008). The unbearable blandness of Being: The everyday and Muzak in Barton Fink and Fargo. Post Script: Essays in Film and the Humanities, 27 (2), 38-47.

The unbearable blandness of Being: The everyday and Muzak in Barton Fink and Fargo

2007

Journal Article

The architect’s scalpel: The monstrous digital futures of Alexa Wright’s Precious

Hainge, G. (2007). The architect’s scalpel: The monstrous digital futures of Alexa Wright’s Precious. Social Semiotics, 17 (3), 327-340. doi: 10.1080/10350330701448652

The architect’s scalpel: The monstrous digital futures of Alexa Wright’s Precious

2007

Journal Article

Vinyl is dead, long live vinyl: the work of recording and mourning in the age of digital reproduction

Hainge, Greg (2007). Vinyl is dead, long live vinyl: the work of recording and mourning in the age of digital reproduction. Culture Machine, 9, 1-23.

Vinyl is dead, long live vinyl: the work of recording and mourning in the age of digital reproduction

2007

Journal Article

Le corps concret: Of bodily and filmic material excess in Philippe Grandrieux's cinema

Hainge, Greg (2007). Le corps concret: Of bodily and filmic material excess in Philippe Grandrieux's cinema. Australian Journal of French Studies, 44 (2), 153-171. doi: 10.3828/AJFS.44.2.153

Le corps concret: Of bodily and filmic material excess in Philippe Grandrieux's cinema

2007

Journal Article

Of glitch and men: The place of the human in the successful integration of failure and noise in the digital realm

Hainge, Greg (2007). Of glitch and men: The place of the human in the successful integration of failure and noise in the digital realm. Communication Theory, 17 (1), 26-42. doi: 10.1111/j.1468-2885.2007.00286.x

Of glitch and men: The place of the human in the successful integration of failure and noise in the digital realm

Funding

Past funding

  • 2012 - 2013
    The cultural impact of biotechnologies: Critical and creative perspectives
    UWA-UQ Bilateral Research Collaboration Award
    Open grant
  • 2008 - 2010
    Building student engagement, interaction and independent learning through a discipline-based community website: The French @Uq Learning Community
    UQ Teaching & Learning Strategic Grants
    Open grant
  • 2006
    Listening to Noise: Contemporary Modes of Acoustic Expression & Their Significance for Cultural Analysis
    UQ Early Career Researcher
    Open grant
  • 2005 - 2006
    Spatialities of Noise
    UQ New Staff Research Start-Up Fund
    Open grant

Supervision

Availability

Professor Greg Hainge is:
Available for supervision

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Supervision history

Current supervision

  • Doctor Philosophy

    Unfixing Self: Twenty-First Century Women's Phototexts in French

    Principal Advisor

    Other advisors: Associate Professor Amy Hubbell

  • Doctor Philosophy

    The (re)commencement of Aleatory Materialism: reading the appearances of the void across the oeuvre of Louis Althusser

    Principal Advisor

Completed supervision

Media

Enquiries

Contact Professor Greg Hainge directly for media enquiries about:

  • David Lynch
  • French cinema
  • French literature
  • Noise

Need help?

For help with finding experts, story ideas and media enquiries, contact our Media team:

communications@uq.edu.au