
Overview
Background
Greg Hainge is a leading expert in cultural studies whose work reaches into the realms of French literature, film and philosophy, the films of David Lynch, sound and noise studies, the music of Radiohead and much much more. The analysis of challenging and difficult texts is the connecting thread that links the very diverse range of topics he has published on. Greg believes that engagement with difficult texts or objects of study are important because they require us to engage deep critical thinking, forcing us to formulate a response to something that we do not understand. Why does this matter? Because if we only engage with what we already know, we are not learning. Because we need to learn how to engage with things and people who are not like us if our societies are going to be healthy and thrive.
As Professor of French and Head of the School of Languages and Cultures at the University of Queensland, Greg is also passionate about the importance of languages and knowledge of other cultures in education and is driving a large-scale program of work that seeks to flip the script on the importance of languages, which he sees as a critical skill for the future, never more so than right now given the rise of generative AI.
The author of three monographs and over 50 academic chapters and articles, Greg has also written articles for The Australian, and catalogue essays for major international exhibitions, including ‘David Lynch: Between Two Worlds’ at the Gallery of Modern Art, Queensland and 'Audiosphere' held at the Reina Sofia National Museum in Madrid.
Greg is a Fellow of the Australian Academy of the Humanities and a Senior Fellow of the Higher Education Academy. He is editor in chief of Culture, Theory and Critique and serves on the editorial boards of Contemporary French Civilization, Études Céliniennes, Corps: Revue Interdisciplinaire and French Screen Studies.
Availability
- Professor Greg Hainge is:
- Available for supervision
- Media expert
Fields of research
Qualifications
- Bachelor (Honours) of Arts, University of Nottingham
- Masters (Coursework), University of Nottingham
- Doctor of Philosophy, University of Nottingham
- Postgraduate Diploma in Executive Leadership, The University of Queensland
Research interests
-
Sound studies.
Special emphasis on noise, including its philosophical dimensions.
-
French cinema.
Special emphasis on new extreme cinema: Noe, Grandrieux, Denis, de Van, etc.
-
20th Century French literature
Special emphasis on Celine.
-
Popular and experimental music.
Special emphasis on Radiohead, Bjork, musique concrete, noise music, glitch.
-
American independent cinema
Special emphasis on the Coen Brothers, David Lynch.
-
Photography
Special emphasis on Bill Henson, Alexa Wright, Thomas Ruff, Antoine d'Agata.
-
Cultural Studies.
Research impacts
Greg Hainge's work is essentially a critical engagement into the ways in which we understand the world. His works aims to find new points of entry into cultural objects and texts, to understand differently, for instance, the relations between the cinema and its spectator, or touch screen technologies and their users, photographs and their viewers, music and its listeners, etc. Aiming to strip away the assumptions of common sense apprehensions of the world, he seeks innovative ways to engage with cultural expressions that refuse simply to "represent" our world and instead seek to make us see it in a new light. This ability to develop our critical capacity has never been more important than at the present time, and it is for this reason that Greg has increasingly turned his focus towards publications aimed at a general public.
Works
Search Professor Greg Hainge’s works on UQ eSpace
2011
Journal Article
Larry Schehr
Pratt, Murray, Stephens, Elizabeth, Rolls, Alistair, Hardwick, Joe and Hainge, Greg (2011). Larry Schehr. Australian Journal of French Studies, 48 (3), 348-352. doi: 10.3828/ajfs.48.3.348
2011
Edited Outputs
Culture, Theory and Critique: Special Issue: The God Who Would Not Die: Theological Remnants and Traces of a Hidden God in Twentieth Century French Thought
Culture, Theory and Critique: Special Issue: The God Who Would Not Die: Theological Remnants and Traces of a Hidden God in Twentieth Century French Thought. (2011). 52 (2-3)
2011
Journal Article
Tekhne, technique, technologie
Hainge, Greg, De Nooy, Juliana and Hanna, Barbara E. (2011). Tekhne, technique, technologie. Australian Journal of French Studies, 48 (2), 121-128. doi: 10.3828/AJFS.48.2.121
2011
Edited Outputs
Culture, Theory and Critique
Culture, Theory and Critique. (2011). 52 (2-3)
2010
Edited Outputs
Culture, Theory and Critique: Special Issue: The Politics of Nothing: Sovereignty and Modernity
Culture, Theory and Critique: Special Issue: The Politics of Nothing: Sovereignty and Modernity. (2010). 51 (2)
2010
Journal Article
Une voix déplacée: La ventriloquie chez Céline ou pour en finir avec le jugement historique
Hainge, Greg (2010). Une voix déplacée: La ventriloquie chez Céline ou pour en finir avec le jugement historique. Études Céliniennes, 5 (Hiver 2009-2010), 71-94.
2010
Book Chapter
Red velvet : Lynch's cinemat(ograph)ic ontology
Hainge, Greg (2010). Red velvet : Lynch's cinemat(ograph)ic ontology. David Lynch in theory. (pp. 24-39) edited by Glezon, Francois-Xavier. Prague, Czech Republic: Litteraria Pragensia Books.
2010
Edited Outputs
Culture, Theory and Critique
Culture, Theory and Critique. (2010). 51 (2)
2009
Book Chapter
No sympathy for the devil, or, Lobby Music: Spaces of disjunction in Barton Fink, The Shining and Muzak
Hainge, Greg (2009). No sympathy for the devil, or, Lobby Music: Spaces of disjunction in Barton Fink, The Shining and Muzak. Moving Pictures/Stopping Places. Hotels and Motels on Film. (pp. 255-276) edited by Clarke, David B., Crawford Pfannhauser, Valerie and Doel, Marcus A.. Plymouth, UK: Lexington Books.
2009
Journal Article
Airport music: Muzak, 'Non-lieux' and film sound in Stéphanik's Stand-by and Lioret's Tombés du ciel
Hainge, Greg (2009). Airport music: Muzak, 'Non-lieux' and film sound in Stéphanik's Stand-by and Lioret's Tombés du ciel. Studies in French Cinema, 9 (3), 201-214. doi: 10.1386/sfc.9.3.201/1
2008
Edited Outputs
Culture, Theory and Critique
Culture, Theory and Critique. (2008). 49 (1)
2008
Edited Outputs
Culture, Theory and Critique: Special Issue: The Histor(icit)y of Theory
Culture, Theory and Critique: Special Issue: The Histor(icit)y of Theory. (2008). 49 (1)
2008
Journal Article
Unfixing the photographic image: Photography, indexicality, fidelity and normativity
Hainge, G. (2008). Unfixing the photographic image: Photography, indexicality, fidelity and normativity. Continuum: Journal of Media & Cultural Studies, 22 (5), 715-730. doi: 10.1080/10304310802311659
2008
Book Chapter
L'Invention du Troisième Peuple: The utopian vision of Philippe Grandrieux's dystopias
Hainge, Greg (2008). L'Invention du Troisième Peuple: The utopian vision of Philippe Grandrieux's dystopias. Nowhere is perfect: French and Francophone utopias/dystopias. (pp. 228-239) edited by John West-Sooby. Newark, DE, United States: University of Delaware Press.
2008
Journal Article
The unbearable blandness of Being: The everyday and Muzak in Barton Fink and Fargo
Hainge, G. (2008). The unbearable blandness of Being: The everyday and Muzak in Barton Fink and Fargo. Post Script: Essays in Film and the Humanities, 27 (2), 38-47.
2008
Journal Article
Three non-places of supermodernity in the history of French cinema: 1967, 1985, 2000. Playtime, Subway and Stand-by
Hainge, G. (2008). Three non-places of supermodernity in the history of French cinema: 1967, 1985, 2000. Playtime, Subway and Stand-by. Australian Journal of French Studies, 45 (3), 197-211. doi: 10.3828/AJFS.45.3.197
2008
Journal Article
A tale of (at least) two Hiroshimas: Nobuhiro Suwa's H Story and Alain Resnais's Hiroshima Mon Amour
Hainge, Greg (2008). A tale of (at least) two Hiroshimas: Nobuhiro Suwa's H Story and Alain Resnais's Hiroshima Mon Amour. Contemporary French Civilization, 32 (2), 147-174. doi: 10.3828/cfc.2008.8
2007
Journal Article
The architect’s scalpel: The monstrous digital futures of Alexa Wright’s Precious
Hainge, G. (2007). The architect’s scalpel: The monstrous digital futures of Alexa Wright’s Precious. Social Semiotics, 17 (3), 327-340. doi: 10.1080/10350330701448652
2007
Journal Article
Vinyl is dead, long live vinyl: the work of recording and mourning in the age of digital reproduction
Hainge, Greg (2007). Vinyl is dead, long live vinyl: the work of recording and mourning in the age of digital reproduction. Culture Machine, 9, 1-23.
2007
Journal Article
Le corps concret: Of bodily and filmic material excess in Philippe Grandrieux's cinema
Hainge, Greg (2007). Le corps concret: Of bodily and filmic material excess in Philippe Grandrieux's cinema. Australian Journal of French Studies, 44 (2), 153-171. doi: 10.3828/AJFS.44.2.153
Funding
Past funding
Supervision
Availability
- Professor Greg Hainge is:
- Available for supervision
Before you email them, read our advice on how to contact a supervisor.
Supervision history
Current supervision
-
Doctor Philosophy
Unfixing Self: Twenty-First Century Women's Phototexts in French
Principal Advisor
Other advisors: Associate Professor Amy Hubbell
-
Doctor Philosophy
The (re)commencement of Aleatory Materialism: reading the appearances of the void across the oeuvre of Louis Althusser
Principal Advisor
-
Doctor Philosophy
The (re)commencement of Aleatory Materialism: reading the appearances of the void across the oeuvre of Louis Althusser
Principal Advisor
Completed supervision
-
2024
Doctor Philosophy
Unfixing Self: Twenty-First Century Women's Phototexts in French
Principal Advisor
Other advisors: Associate Professor Amy Hubbell
-
2021
Doctor Philosophy
Gender Politics, Violence, and Affect in the films of Leila Djansi: Between Third Cinema and Mainstream Commercial Cinema in Africa
Principal Advisor
Other advisors: Associate Professor Amy Hubbell
-
2017
Doctor Philosophy
Solutions to the problems of western civilisation in the novels of Michel Houellebecq
Principal Advisor
Other advisors: Dr Joe Hardwick
-
2010
Doctor Philosophy
Philosophical conceptions of time, space, difference and repetition in the early novels of Alain Robbe-Grillet
Principal Advisor
Other advisors: Dr Joe Hardwick
-
2020
Doctor Philosophy
Music in the Italian Futurist Movement: A Re-Examination of its Role and Functions
Associate Advisor
Other advisors: Dr Simon Perry
-
2014
Doctor Philosophy
Profoundly Disturbing: The Aesthetics of Violence and the Everyday in European Art Cinema
Associate Advisor
Other advisors: Dr Lisa Bode, Professor Jason Jacobs
-
2014
Doctor Philosophy
The Wounds of Indetermination: Deleuze, Cinema and Ethology.
Associate Advisor
Other advisors: Dr Aurelia Armstrong
Media
Enquiries
Contact Professor Greg Hainge directly for media enquiries about:
- David Lynch
- French cinema
- French literature
- Noise
Need help?
For help with finding experts, story ideas and media enquiries, contact our Media team: