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Professor Greg Hainge
Professor

Greg Hainge

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Phone: 
+61 7 336 56314

Overview

Background

Greg Hainge FAHA is a leading scholar in cultural studies, with expertise spanning French literature, sound studies, film and philosophy. The connecting thread across his diverse research is the interpretation of difficult texts, the work of making sense of what is unfamiliar, complex, or unlike ourselves. For Greg this is more than a scholarly method: he argues that the capacity to engage well with people, ideas and cultures different from our own is among the most important things a society can cultivate, and that nothing builds it more powerfully than learning other languages and understanding other cultures.

As Professor of French and Head of the School of Languages and Cultures at the University of Queensland, Greg is passionate about the importance of languages and knowledge of other cultures in education and is driving a large-scale program of work that seeks to flip the script on the importance of languages, which he sees as a critical skill for the future, never more so than right now given the rise of generative AI.

The author of three monographs and over 50 academic chapters and articles, Greg has also written articles for The Australian, and catalogue essays for major international exhibitions, including ‘David Lynch: Between Two Worlds’ at the Gallery of Modern Art, Queensland and 'Audiosphere' held at the Reina Sofia National Museum in Madrid.

Greg is a Fellow of the Australian Academy of the Humanities and a Senior Fellow of the Higher Education Academy. He is editor in chief of Culture, Theory and Critique and serves on the editorial boards of Contemporary French Civilization, Études Céliniennes, Corps: Revue Interdisciplinaire and French Screen Studies.

Availability

Professor Greg Hainge is:
Available for supervision
Media expert

Qualifications

  • Bachelor (Honours) of Arts, University of Nottingham
  • Masters (Coursework), University of Nottingham
  • Doctor of Philosophy, University of Nottingham
  • Postgraduate Diploma in Executive Leadership, The University of Queensland

Research interests

  • Sound studies.

    Special emphasis on noise, including its philosophical dimensions.

  • French cinema.

    Special emphasis on new extreme cinema: Noe, Grandrieux, Denis, de Van, etc.

  • 20th Century French literature

    Special emphasis on Celine.

  • Popular and experimental music.

    Special emphasis on Radiohead, Bjork, musique concrete, noise music, glitch.

  • American independent cinema

    Special emphasis on the Coen Brothers, David Lynch.

  • Photography

    Special emphasis on Bill Henson, Alexa Wright, Thomas Ruff, Antoine d'Agata.

  • Cultural Studies.

Research impacts

Greg Hainge studies how we make sense of the unfamiliar — film, photography, sound, music, and the cultures we reach through other languages. He's a clear, accessible voice on why languages matter more than ever in the age of AI, when the human work of interpreting and engaging with difference becomes more valuable, not less.

Greg is available to comment on: languages and language learning in Australia; French culture and cinema, including the films of David Lynch; sound, music and listening; and the value of the humanities in education and public life.

Works

Search Professor Greg Hainge’s works on UQ eSpace

100 works between 1995 and 2025

41 - 60 of 100 works

2011

Journal Article

Formulating God: The ongoing place of theology in the philosophy of Gilles Deleuze

Hainge, Greg and Cullen, Jason (2011). Formulating God: The ongoing place of theology in the philosophy of Gilles Deleuze. Culture, Theory and Critique, 52 (2-3), 303-319. doi: 10.1080/14735784.2011.630888

Formulating God: The ongoing place of theology in the philosophy of Gilles Deleuze

2011

Journal Article

Larry Schehr

Pratt, Murray, Stephens, Elizabeth, Rolls, Alistair, Hardwick, Joe and Hainge, Greg (2011). Larry Schehr. Australian Journal of French Studies, 48 (3), 348-352. doi: 10.3828/ajfs.48.3.348

Larry Schehr

2011

Journal Article

Larry Schehr

Pratt, Murray, Stephens, Elizabeth, Rolls, Alistair, Hardwick, Joe and Hainge, Greg (2011). Larry Schehr. Australian Journal of French Studies, 48 (3). doi: 10.3828/AJFS.48.3.348

Larry Schehr

2011

Edited Outputs

Culture, Theory and Critique: Special Issue: The God Who Would Not Die: Theological Remnants and Traces of a Hidden God in Twentieth Century French Thought

Culture, Theory and Critique: Special Issue: The God Who Would Not Die: Theological Remnants and Traces of a Hidden God in Twentieth Century French Thought. (2011). 52 (2-3)

Culture, Theory and Critique: Special Issue: The God Who Would Not Die: Theological Remnants and Traces of a Hidden God in Twentieth Century French Thought

2011

Journal Article

Tekhne, technique, technologie

Hainge, Greg, De Nooy, Juliana and Hanna, Barbara E. (2011). Tekhne, technique, technologie. Australian Journal of French Studies, 48 (2), 121-128. doi: 10.3828/AJFS.48.2.121

Tekhne, technique, technologie

2011

Edited Outputs

Culture, Theory and Critique

Culture, Theory and Critique. (2011). 52 (2-3)

Culture, Theory and Critique

2010

Edited Outputs

Culture, Theory and Critique: Special Issue: The Politics of Nothing: Sovereignty and Modernity

Culture, Theory and Critique: Special Issue: The Politics of Nothing: Sovereignty and Modernity. (2010). 51 (2)

Culture, Theory and Critique: Special Issue: The Politics of Nothing: Sovereignty and Modernity

2010

Journal Article

Une voix déplacée: La ventriloquie chez Céline ou pour en finir avec le jugement historique

Hainge, Greg (2010). Une voix déplacée: La ventriloquie chez Céline ou pour en finir avec le jugement historique. Études Céliniennes, 5 (Hiver 2009-2010), 71-94.

Une voix déplacée: La ventriloquie chez Céline ou pour en finir avec le jugement historique

2010

Book Chapter

Red velvet : Lynch's cinemat(ograph)ic ontology

Hainge, Greg (2010). Red velvet : Lynch's cinemat(ograph)ic ontology. David Lynch in theory. (pp. 24-39) edited by Glezon, Francois-Xavier. Prague, Czech Republic: Litteraria Pragensia Books.

Red velvet : Lynch's cinemat(ograph)ic ontology

2010

Edited Outputs

Culture, Theory and Critique

Culture, Theory and Critique. (2010). 51 (2)

Culture, Theory and Critique

2009

Book Chapter

No sympathy for the devil, or, Lobby Music: Spaces of disjunction in Barton Fink, The Shining and Muzak

Hainge, Greg (2009). No sympathy for the devil, or, Lobby Music: Spaces of disjunction in Barton Fink, The Shining and Muzak. Moving Pictures/Stopping Places. Hotels and Motels on Film. (pp. 255-276) edited by Clarke, David B., Crawford Pfannhauser, Valerie and Doel, Marcus A.. Plymouth, UK: Lexington Books.

No sympathy for the devil, or, Lobby Music: Spaces of disjunction in Barton Fink, The Shining and Muzak

2009

Journal Article

Airport music: Muzak, 'Non-lieux' and film sound in Stéphanik's Stand-by and Lioret's Tombés du ciel

Hainge, Greg (2009). Airport music: Muzak, 'Non-lieux' and film sound in Stéphanik's Stand-by and Lioret's Tombés du ciel. Studies in French Cinema, 9 (3), 201-214. doi: 10.1386/sfc.9.3.201/1

Airport music: Muzak, 'Non-lieux' and film sound in Stéphanik's Stand-by and Lioret's Tombés du ciel

2008

Edited Outputs

Culture, Theory and Critique

Culture, Theory and Critique. (2008). 49 (1)

Culture, Theory and Critique

2008

Edited Outputs

Culture, Theory and Critique: Special Issue: The Histor(icit)y of Theory

Culture, Theory and Critique: Special Issue: The Histor(icit)y of Theory. (2008). 49 (1)

Culture, Theory and Critique: Special Issue: The Histor(icit)y of Theory

2008

Journal Article

Unfixing the photographic image: Photography, indexicality, fidelity and normativity

Hainge, G. (2008). Unfixing the photographic image: Photography, indexicality, fidelity and normativity. Continuum: Journal of Media & Cultural Studies, 22 (5), 715-730. doi: 10.1080/10304310802311659

Unfixing the photographic image: Photography, indexicality, fidelity and normativity

2008

Book Chapter

L'Invention du Troisième Peuple: The utopian vision of Philippe Grandrieux's dystopias

Hainge, Greg (2008). L'Invention du Troisième Peuple: The utopian vision of Philippe Grandrieux's dystopias. Nowhere is perfect: French and Francophone utopias/dystopias. (pp. 228-239) edited by John West-Sooby. Newark, DE, United States: University of Delaware Press.

L'Invention du Troisième Peuple: The utopian vision of Philippe Grandrieux's dystopias

2008

Journal Article

The unbearable blandness of Being: The everyday and Muzak in Barton Fink and Fargo

Hainge, G. (2008). The unbearable blandness of Being: The everyday and Muzak in Barton Fink and Fargo. Post Script: Essays in Film and the Humanities, 27 (2), 38-47.

The unbearable blandness of Being: The everyday and Muzak in Barton Fink and Fargo

2008

Journal Article

Three non-places of supermodernity in the history of French cinema: 1967, 1985, 2000. Playtime, Subway and Stand-by

Hainge, G. (2008). Three non-places of supermodernity in the history of French cinema: 1967, 1985, 2000. Playtime, Subway and Stand-by. Australian Journal of French Studies, 45 (3), 197-211. doi: 10.3828/AJFS.45.3.197

Three non-places of supermodernity in the history of French cinema: 1967, 1985, 2000. Playtime, Subway and Stand-by

2008

Journal Article

A tale of (at least) two Hiroshimas: Nobuhiro Suwa's H Story and Alain Resnais's Hiroshima Mon Amour

Hainge, Greg (2008). A tale of (at least) two Hiroshimas: Nobuhiro Suwa's H Story and Alain Resnais's Hiroshima Mon Amour. Contemporary French Civilization, 32 (2), 147-174. doi: 10.3828/cfc.2008.8

A tale of (at least) two Hiroshimas: Nobuhiro Suwa's H Story and Alain Resnais's Hiroshima Mon Amour

2007

Journal Article

The architect’s scalpel: The monstrous digital futures of Alexa Wright’s Precious

Hainge, G. (2007). The architect’s scalpel: The monstrous digital futures of Alexa Wright’s Precious. Social Semiotics, 17 (3), 327-340. doi: 10.1080/10350330701448652

The architect’s scalpel: The monstrous digital futures of Alexa Wright’s Precious

Funding

Past funding

  • 2012 - 2013
    The cultural impact of biotechnologies: Critical and creative perspectives
    UWA-UQ Bilateral Research Collaboration Award
    Open grant
  • 2008 - 2010
    Building student engagement, interaction and independent learning through a discipline-based community website: The French @Uq Learning Community
    UQ Teaching & Learning Strategic Grants
    Open grant
  • 2006
    Listening to Noise: Contemporary Modes of Acoustic Expression & Their Significance for Cultural Analysis
    UQ Early Career Researcher
    Open grant
  • 2005 - 2006
    Spatialities of Noise
    UQ New Staff Research Start-Up Fund
    Open grant

Supervision

Availability

Professor Greg Hainge is:
Available for supervision

Looking for a supervisor? Read our advice on how to choose a supervisor.

Supervision history

Current supervision

  • Doctor Philosophy

    Eve Began It: Eroticism and the Mystics Fast

    Associate Advisor

    Other advisors: Dr Karin Sellberg

Completed supervision

Media

Enquiries

Contact Professor Greg Hainge directly for media enquiries about:

  • David Lynch
  • French cinema
  • French literature
  • Noise

Need help?

For help with finding experts, story ideas and media enquiries, contact our Media team:

communications@uq.edu.au