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Professor Greg Hainge
Professor

Greg Hainge

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Phone: 
+61 7 336 56314

Overview

Background

Greg Hainge is a leading expert in cultural studies whose work reaches into the realms of French literature, film and philosophy, the films of David Lynch, sound and noise studies, the music of Radiohead and much much more. The analysis of challenging and difficult texts is the connecting thread that links the very diverse range of topics he has published on. Greg believes that engagement with difficult texts or objects of study are important because they require us to engage deep critical thinking, forcing us to formulate a response to something that we do not understand. Why does this matter? Because if we only engage with what we already know, we are not learning. Because we need to learn how to engage with things and people who are not like us if our societies are going to be healthy and thrive.

As Professor of French and Head of the School of Languages and Cultures at the University of Queensland, Greg is also passionate about the importance of languages and knowledge of other cultures in education and is driving a large-scale program of work that seeks to flip the script on the importance of languages, which he sees as a critical skill for the future, never more so than right now given the rise of generative AI.

The author of three monographs and over 50 academic chapters and articles, Greg has also written articles for The Australian, and catalogue essays for major international exhibitions, including ‘David Lynch: Between Two Worlds’ at the Gallery of Modern Art, Queensland and 'Audiosphere' held at the Reina Sofia National Museum in Madrid.

Greg is a Fellow of the Australian Academy of the Humanities and a Senior Fellow of the Higher Education Academy. He is editor in chief of Culture, Theory and Critique and serves on the editorial boards of Contemporary French Civilization, Études Céliniennes, Corps: Revue Interdisciplinaire and French Screen Studies.

Availability

Professor Greg Hainge is:
Available for supervision
Media expert

Qualifications

  • Bachelor (Honours) of Arts, University of Nottingham
  • Masters (Coursework), University of Nottingham
  • Doctor of Philosophy, University of Nottingham
  • Postgraduate Diploma in Executive Leadership, The University of Queensland

Research interests

  • Sound studies.

    Special emphasis on noise, including its philosophical dimensions.

  • French cinema.

    Special emphasis on new extreme cinema: Noe, Grandrieux, Denis, de Van, etc.

  • 20th Century French literature

    Special emphasis on Celine.

  • Popular and experimental music.

    Special emphasis on Radiohead, Bjork, musique concrete, noise music, glitch.

  • American independent cinema

    Special emphasis on the Coen Brothers, David Lynch.

  • Photography

    Special emphasis on Bill Henson, Alexa Wright, Thomas Ruff, Antoine d'Agata.

  • Cultural Studies.

Research impacts

Greg Hainge's work is essentially a critical engagement into the ways in which we understand the world. His works aims to find new points of entry into cultural objects and texts, to understand differently, for instance, the relations between the cinema and its spectator, or touch screen technologies and their users, photographs and their viewers, music and its listeners, etc. Aiming to strip away the assumptions of common sense apprehensions of the world, he seeks innovative ways to engage with cultural expressions that refuse simply to "represent" our world and instead seek to make us see it in a new light. This ability to develop our critical capacity has never been more important than at the present time, and it is for this reason that Greg has increasingly turned his focus towards publications aimed at a general public.

Works

Search Professor Greg Hainge’s works on UQ eSpace

97 works between 1995 and 2023

81 - 97 of 97 works

2002

Journal Article

Seeing Silence: Filmic and Acoustic Convergences in the Work of Thierry Knauff and Francisco López

Hainge, Greg (2002). Seeing Silence: Filmic and Acoustic Convergences in the Work of Thierry Knauff and Francisco López. Culture, Theory and Critique, 43 (2), 155-170. doi: 10.1080/1473578022000038004

Seeing Silence: Filmic and Acoustic Convergences in the Work of Thierry Knauff and Francisco López

2002

Journal Article

In search of Frenchness lost? French Cinema in the 1990s: Continuity and Difference. Edited by Phil Powrie

Hainge, Greg (2002). In search of Frenchness lost? French Cinema in the 1990s: Continuity and Difference. Edited by Phil Powrie. Film-Philosophy, 6 (2).

In search of Frenchness lost? French Cinema in the 1990s: Continuity and Difference. Edited by Phil Powrie

2002

Journal Article

Platonic relations: the problem of the loop in contemporary electronic music

Hainge, Greg (2002). Platonic relations: the problem of the loop in contemporary electronic music. M/C: A Journal of Media and Culture, 5 (4)

Platonic relations: the problem of the loop in contemporary electronic music

2002

Journal Article

A Taste for the Decadent. Review of Agnès Hafez-Ergaut 'Le vertige du vide: Huysmans, Céline, Sartre. Lewiston, Queenston, Lampeter: The Edwin Mellen Press, 2000.

Hainge, Greg (2002). A Taste for the Decadent. Review of Agnès Hafez-Ergaut 'Le vertige du vide: Huysmans, Céline, Sartre. Lewiston, Queenston, Lampeter: The Edwin Mellen Press, 2000.. Southern Review: Communication, Politics & Culture, 35 (1), 139-141.

A Taste for the Decadent. Review of Agnès Hafez-Ergaut 'Le vertige du vide: Huysmans, Céline, Sartre. Lewiston, Queenston, Lampeter: The Edwin Mellen Press, 2000.

2002

Journal Article

A whisper or a scream? experimental music sounds a warning for the future of theory

Hainge, Greg (2002). A whisper or a scream? experimental music sounds a warning for the future of theory. Continuum: Journal of Media and Cultural Studies, 16 (3), 285-298. doi: 10.1080/1030431022000018654

A whisper or a scream? experimental music sounds a warning for the future of theory

2001

Journal Article

The art of automythography: The role of myth in Louis-Ferdinand Céline’s German trilogy

Hainge, Greg (2001). The art of automythography: The role of myth in Louis-Ferdinand Céline’s German trilogy. New Comparison, 32, 53-65.

The art of automythography: The role of myth in Louis-Ferdinand Céline’s German trilogy

2001

Book Chapter

Le fol amour du Dr Destouches, ou comment j'ai appris à ne plus m'en faire et à lire les pamphlets: Louis-Ferdinand Céline et Stanley Kubrick

Hainge, Greg (2001). Le fol amour du Dr Destouches, ou comment j'ai appris à ne plus m'en faire et à lire les pamphlets: Louis-Ferdinand Céline et Stanley Kubrick. Actualité de Céline. (pp. 143-158) Tusson: Du Lérot.

Le fol amour du Dr Destouches, ou comment j'ai appris à ne plus m'en faire et à lire les pamphlets: Louis-Ferdinand Céline et Stanley Kubrick

2001

Journal Article

Celine: from one end to the other

Hainge, G. (2001). Celine: from one end to the other. French Studies, 55 (4), 566-567. doi: 10.1093/fs/55.4.566-a

Celine: from one end to the other

2001

Conference Publication

L'insoutenable pesanteur de l'être et l'esthétique imperceptible: l'épisode de la brique dans Rigodon, Pesanteur et légèreté selon Céline

Hainge, Greg (2001). L'insoutenable pesanteur de l'être et l'esthétique imperceptible: l'épisode de la brique dans Rigodon, Pesanteur et légèreté selon Céline. XIIIe colloque international Louis-Ferdinand Céline, Prague, 2001. Paris: Société d'Études Céliniennes.

L'insoutenable pesanteur de l'être et l'esthétique imperceptible: l'épisode de la brique dans Rigodon, Pesanteur et légèreté selon Céline

2001

Book

Capitalism and schizophrenia in the later novels of Louis-Ferdinand Céline : D'un ... l'autre

Hainge, Greg (2001). Capitalism and schizophrenia in the later novels of Louis-Ferdinand Céline : D'un ... l'autre. New York, United States: Peter Lang Publishing.

Capitalism and schizophrenia in the later novels of Louis-Ferdinand Céline : D'un ... l'autre

2001

Journal Article

Impossible narratives: Colonial spaces of dissolution in Voyage au bout de la nuit and To have and to hold

Hainge, Greg (2001). Impossible narratives: Colonial spaces of dissolution in Voyage au bout de la nuit and To have and to hold. Australian Journal of French Studies, 38 (2), 253-271. doi: 10.3828/AJFS.38.2.253

Impossible narratives: Colonial spaces of dissolution in Voyage au bout de la nuit and To have and to hold

1999

Edited Outputs

Renaissance and Modern Studies

Renaissance and Modern Studies. (1999). 42 (Facism and Aesthetics)

Renaissance and Modern Studies

1999

Book Chapter

When the End is the Means; Becoming-Music

Hainge, Greg (1999). When the End is the Means; Becoming-Music. Louis-Ferdinand Céline’s German Trilogy’, Dialogues, 2. (pp. 77-83) edited by Amherst, Ann and Astbury , Katherine. Exeter: Elmbank Publications.

When the End is the Means; Becoming-Music

1999

Journal Article

Introduction

Hainge, Greg (1999). Introduction. Renaissance and Modern Studies, 42 (1), 1-4. doi: 10.1080/14735789909391485

Introduction

1999

Conference Publication

Céline: classique anti-classique

Hainge, Greg (1999). Céline: classique anti-classique. Classicisme de Céline; Actes du XIIe colloque international Louis-Ferdinand Céline pp.155-167, Paris, 1999. Paris: Société d’Études Céliniennes.

Céline: classique anti-classique

1996

Conference Publication

The Atomic Construction of Pablo Neruda’s Littérature Engagée: The Dialectical Poetics of Canto general

Hainge, Greg (1996). The Atomic Construction of Pablo Neruda’s Littérature Engagée: The Dialectical Poetics of Canto general. 4th Hispanic Studies Postgraduate Conference, London, 1996. London: Embajada de España, Consejería de Educación y Ciencia.

The Atomic Construction of Pablo Neruda’s Littérature Engagée: The Dialectical Poetics of Canto general

1995

Book Chapter

Quand je ne peut être autre; Féerie pour une autre fois de Louis-Ferdinand Céline

Hainge, Greg (1995). Quand je ne peut être autre; Féerie pour une autre fois de Louis-Ferdinand Céline. Le Moi littéraire. (pp. 85-93) edited by Russell King and Essais sur la Littérature Française et Francophone, 1. Nottingham: University of Nottingham, Department of French.

Quand je ne peut être autre; Féerie pour une autre fois de Louis-Ferdinand Céline

Funding

Past funding

  • 2012 - 2013
    The cultural impact of biotechnologies: Critical and creative perspectives
    UWA-UQ Bilateral Research Collaboration Award
    Open grant
  • 2008 - 2010
    Building student engagement, interaction and independent learning through a discipline-based community website: The French @Uq Learning Community
    UQ Teaching & Learning Strategic Grants
    Open grant
  • 2006
    Listening to Noise: Contemporary Modes of Acoustic Expression & Their Significance for Cultural Analysis
    UQ Early Career Researcher
    Open grant
  • 2005 - 2006
    Spatialities of Noise
    UQ New Staff Research Start-Up Fund
    Open grant

Supervision

Availability

Professor Greg Hainge is:
Available for supervision

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Supervision history

Current supervision

  • Doctor Philosophy

    Unfixing Self: Twenty-First Century Women's Phototexts in French

    Principal Advisor

    Other advisors: Associate Professor Amy Hubbell

  • Doctor Philosophy

    The (re)commencement of Aleatory Materialism: reading the appearances of the void across the oeuvre of Louis Althusser

    Principal Advisor

Completed supervision

Media

Enquiries

Contact Professor Greg Hainge directly for media enquiries about:

  • David Lynch
  • French cinema
  • French literature
  • Noise

Need help?

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communications@uq.edu.au