
Overview
Background
Greg Hainge is a leading expert in cultural studies whose work reaches into the realms of French literature, film and philosophy, the films of David Lynch, sound and noise studies, the music of Radiohead and much much more. The analysis of challenging and difficult texts is the connecting thread that links the very diverse range of topics he has published on. Greg believes that engagement with difficult texts or objects of study are important because they require us to engage deep critical thinking, forcing us to formulate a response to something that we do not understand. Why does this matter? Because if we only engage with what we already know, we are not learning. Because we need to learn how to engage with things and people who are not like us if our societies are going to be healthy and thrive.
As Professor of French and Head of the School of Languages and Cultures at the University of Queensland, Greg is also passionate about the importance of languages and knowledge of other cultures in education and is driving a large-scale program of work that seeks to flip the script on the importance of languages, which he sees as a critical skill for the future, never more so than right now given the rise of generative AI.
The author of three monographs and over 50 academic chapters and articles, Greg has also written articles for The Australian, and catalogue essays for major international exhibitions, including ‘David Lynch: Between Two Worlds’ at the Gallery of Modern Art, Queensland and 'Audiosphere' held at the Reina Sofia National Museum in Madrid.
Greg is a Fellow of the Australian Academy of the Humanities and a Senior Fellow of the Higher Education Academy. He is editor in chief of Culture, Theory and Critique and serves on the editorial boards of Contemporary French Civilization, Études Céliniennes, Corps: Revue Interdisciplinaire and French Screen Studies.
Availability
- Professor Greg Hainge is:
- Available for supervision
- Media expert
Fields of research
Qualifications
- Bachelor (Honours) of Arts, University of Nottingham
- Masters (Coursework), University of Nottingham
- Doctor of Philosophy, University of Nottingham
- Postgraduate Diploma in Executive Leadership, The University of Queensland
Research interests
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Sound studies.
Special emphasis on noise, including its philosophical dimensions.
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French cinema.
Special emphasis on new extreme cinema: Noe, Grandrieux, Denis, de Van, etc.
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20th Century French literature
Special emphasis on Celine.
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Popular and experimental music.
Special emphasis on Radiohead, Bjork, musique concrete, noise music, glitch.
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American independent cinema
Special emphasis on the Coen Brothers, David Lynch.
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Photography
Special emphasis on Bill Henson, Alexa Wright, Thomas Ruff, Antoine d'Agata.
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Cultural Studies.
Research impacts
Greg Hainge's work is essentially a critical engagement into the ways in which we understand the world. His works aims to find new points of entry into cultural objects and texts, to understand differently, for instance, the relations between the cinema and its spectator, or touch screen technologies and their users, photographs and their viewers, music and its listeners, etc. Aiming to strip away the assumptions of common sense apprehensions of the world, he seeks innovative ways to engage with cultural expressions that refuse simply to "represent" our world and instead seek to make us see it in a new light. This ability to develop our critical capacity has never been more important than at the present time, and it is for this reason that Greg has increasingly turned his focus towards publications aimed at a general public.
Works
Search Professor Greg Hainge’s works on UQ eSpace
2003
Journal Article
Frozen Music [Book Review]
Hainge, Greg (2003). Frozen Music [Book Review]. Southern Review: Communication, Politics & Culture, 36 (2), 80-81.
2002
Journal Article
Seeing Silence: Filmic and Acoustic Convergences in the Work of Thierry Knauff and Francisco López
Hainge, Greg (2002). Seeing Silence: Filmic and Acoustic Convergences in the Work of Thierry Knauff and Francisco López. Culture, Theory and Critique, 43 (2), 155-170. doi: 10.1080/1473578022000038004
2002
Journal Article
In search of Frenchness lost? French Cinema in the 1990s: Continuity and Difference. Edited by Phil Powrie
Hainge, Greg (2002). In search of Frenchness lost? French Cinema in the 1990s: Continuity and Difference. Edited by Phil Powrie. Film-Philosophy, 6 (2).
2002
Journal Article
Platonic relations: the problem of the loop in contemporary electronic music
Hainge, Greg (2002). Platonic relations: the problem of the loop in contemporary electronic music. M/C: A Journal of Media and Culture, 5 (4)
2002
Journal Article
A Taste for the Decadent. Review of Agnès Hafez-Ergaut 'Le vertige du vide: Huysmans, Céline, Sartre. Lewiston, Queenston, Lampeter: The Edwin Mellen Press, 2000.
Hainge, Greg (2002). A Taste for the Decadent. Review of Agnès Hafez-Ergaut 'Le vertige du vide: Huysmans, Céline, Sartre. Lewiston, Queenston, Lampeter: The Edwin Mellen Press, 2000.. Southern Review: Communication, Politics & Culture, 35 (1), 139-141.
2002
Journal Article
A whisper or a scream? experimental music sounds a warning for the future of theory
Hainge, Greg (2002). A whisper or a scream? experimental music sounds a warning for the future of theory. Continuum: Journal of Media and Cultural Studies, 16 (3), 285-298. doi: 10.1080/1030431022000018654
2001
Journal Article
Celine: from one end to the other
Hainge, G. (2001). Celine: from one end to the other. French Studies, 55 (4), 566-567. doi: 10.1093/fs/55.4.566-a
2001
Conference Publication
L'insoutenable pesanteur de l'être et l'esthétique imperceptible: l'épisode de la brique dans Rigodon, Pesanteur et légèreté selon Céline
Hainge, Greg (2001). L'insoutenable pesanteur de l'être et l'esthétique imperceptible: l'épisode de la brique dans Rigodon, Pesanteur et légèreté selon Céline. XIIIe colloque international Louis-Ferdinand Céline, Prague, 2001. Paris: Société d'Études Céliniennes.
2001
Book
Capitalism and schizophrenia in the later novels of Louis-Ferdinand Céline : D'un ... l'autre
Hainge, Greg (2001). Capitalism and schizophrenia in the later novels of Louis-Ferdinand Céline : D'un ... l'autre. New York, United States: Peter Lang Publishing.
2001
Journal Article
Impossible narratives: Colonial spaces of dissolution in Voyage au bout de la nuit and To have and to hold
Hainge, Greg (2001). Impossible narratives: Colonial spaces of dissolution in Voyage au bout de la nuit and To have and to hold. Australian Journal of French Studies, 38 (2), 253-271. doi: 10.3828/AJFS.38.2.253
2001
Journal Article
The art of automythography: The role of myth in Louis-Ferdinand Céline’s German trilogy
Hainge, Greg (2001). The art of automythography: The role of myth in Louis-Ferdinand Céline’s German trilogy. New Comparison, 32, 53-65.
2001
Book Chapter
Le fol amour du Dr Destouches, ou comment j'ai appris à ne plus m'en faire et à lire les pamphlets: Louis-Ferdinand Céline et Stanley Kubrick
Hainge, Greg (2001). Le fol amour du Dr Destouches, ou comment j'ai appris à ne plus m'en faire et à lire les pamphlets: Louis-Ferdinand Céline et Stanley Kubrick. Actualité de Céline. (pp. 143-158) Tusson: Du Lérot.
1999
Book Chapter
When the End is the Means; Becoming-Music
Hainge, Greg (1999). When the End is the Means; Becoming-Music. Louis-Ferdinand Céline’s German Trilogy’, Dialogues, 2. (pp. 77-83) edited by Amherst, Ann and Astbury , Katherine. Exeter: Elmbank Publications.
1999
Journal Article
Introduction
Hainge, Greg (1999). Introduction. Renaissance and Modern Studies, 42 (1), 1-4. doi: 10.1080/14735789909391485
1999
Conference Publication
Céline: classique anti-classique
Hainge, Greg (1999). Céline: classique anti-classique. Classicisme de Céline; Actes du XIIe colloque international Louis-Ferdinand Céline pp.155-167, Paris, 1999. Paris: Société d’Études Céliniennes.
1999
Edited Outputs
Renaissance and Modern Studies
Renaissance and Modern Studies. (1999). 42 (Facism and Aesthetics)
1996
Conference Publication
The Atomic Construction of Pablo Neruda’s Littérature Engagée: The Dialectical Poetics of Canto general
Hainge, Greg (1996). The Atomic Construction of Pablo Neruda’s Littérature Engagée: The Dialectical Poetics of Canto general. 4th Hispanic Studies Postgraduate Conference, London, 1996. London: Embajada de España, Consejería de Educación y Ciencia.
1995
Book Chapter
Quand je ne peut être autre; Féerie pour une autre fois de Louis-Ferdinand Céline
Hainge, Greg (1995). Quand je ne peut être autre; Féerie pour une autre fois de Louis-Ferdinand Céline. Le Moi littéraire. (pp. 85-93) edited by Russell King and Essais sur la Littérature Française et Francophone, 1. Nottingham: University of Nottingham, Department of French.
Funding
Past funding
Supervision
Availability
- Professor Greg Hainge is:
- Available for supervision
Before you email them, read our advice on how to contact a supervisor.
Supervision history
Current supervision
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Doctor Philosophy
The (re)commencement of Aleatory Materialism: reading the appearances of the void across the oeuvre of Louis Althusser
Principal Advisor
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Doctor Philosophy
The (re)commencement of Aleatory Materialism: reading the appearances of the void across the oeuvre of Louis Althusser
Principal Advisor
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Doctor Philosophy
Unfixing Self: Twenty-First Century Women's Phototexts in French
Principal Advisor
Other advisors: Associate Professor Amy Hubbell
Completed supervision
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2024
Doctor Philosophy
Unfixing Self: Twenty-First Century Women's Phototexts in French
Principal Advisor
Other advisors: Associate Professor Amy Hubbell
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2021
Doctor Philosophy
Gender Politics, Violence, and Affect in the films of Leila Djansi: Between Third Cinema and Mainstream Commercial Cinema in Africa
Principal Advisor
Other advisors: Associate Professor Amy Hubbell
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2017
Doctor Philosophy
Solutions to the problems of western civilisation in the novels of Michel Houellebecq
Principal Advisor
Other advisors: Dr Joe Hardwick
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2010
Doctor Philosophy
Philosophical conceptions of time, space, difference and repetition in the early novels of Alain Robbe-Grillet
Principal Advisor
Other advisors: Dr Joe Hardwick
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2020
Doctor Philosophy
Music in the Italian Futurist Movement: A Re-Examination of its Role and Functions
Associate Advisor
Other advisors: Dr Simon Perry
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2014
Doctor Philosophy
Profoundly Disturbing: The Aesthetics of Violence and the Everyday in European Art Cinema
Associate Advisor
Other advisors: Dr Lisa Bode, Professor Jason Jacobs
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2014
Doctor Philosophy
The Wounds of Indetermination: Deleuze, Cinema and Ethology.
Associate Advisor
Other advisors: Dr Aurelia Armstrong
Media
Enquiries
Contact Professor Greg Hainge directly for media enquiries about:
- David Lynch
- French cinema
- French literature
- Noise
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