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2020

Conference Publication

Examination of CCL26, CCL17 and CCL19 chemokines as biomarkers in HER2+breast cancer (BC) in the neo-adjuvant setting

Collins, Denis Martin, Browne, Alacoque, Madden, Stephen F., Gaynor, Nicola, Kay, Elaine W., Fay, Joanna, Sheehan, Katherine, Toomey, Sinead, Eustace, Alex J., Gallagher, William M., Hennessy, Bryan T. and Crown, John (2020). Examination of CCL26, CCL17 and CCL19 chemokines as biomarkers in HER2+breast cancer (BC) in the neo-adjuvant setting. 42nd Annual San Antonio Breast Cancer Symposium, San Antonio Tx, Dec 09-14, 2019. PHILADELPHIA: AMER ASSOC CANCER RESEARCH. doi: 10.1158/1538-7445.SABCS19-P1-10-13

Examination of CCL26, CCL17 and CCL19 chemokines as biomarkers in HER2+breast cancer (BC) in the neo-adjuvant setting

2020

Conference Publication

Using optical music recognition to encode 17th-century music prints: the canonic works of Paolo Agostini (c.1583–1629) as a test case

Stoessel, Jason, Collins, Denis and Bolland, Scott (2020). Using optical music recognition to encode 17th-century music prints: the canonic works of Paolo Agostini (c.1583–1629) as a test case. 7th International Conference on Digital Libraries for Musicology, Montreal, Canada, 16 October 2020. New York, United States: Association for Computing Machinery. doi: 10.1145/3424911.3425517

Using optical music recognition to encode 17th-century music prints: the canonic works of Paolo Agostini (c.1583–1629) as a test case

2017

Conference Publication

Panel Discussion:'What’s missing in music and emotion research?'

Schubert, Emery, MacKinnon, Dolly, Collins, Denis and Garrido, Sandra (2017). Panel Discussion:'What’s missing in music and emotion research?'. The 3rd Conference of the Australian Music & Psychology Society (AMPS) including the 5th International Conference on Music and Emotion (ICME)., School of Music, The University of Queensland, Brisbane, 7-9 December 2017..

Panel Discussion:'What’s missing in music and emotion research?'

2010

Conference Publication

Henry Purcell's Three Parts Upon a Ground and the traditions of English counterpoint

Collins, Denis (2010). Henry Purcell's Three Parts Upon a Ground and the traditions of English counterpoint. Seventh International Conference on Music Theory and Analysis, Belgrade, Serbia-Montenegro, May 15-17 2009. Belgrade, Serbia: University of Arts, Belgrade.

Henry Purcell's Three Parts Upon a Ground and the traditions of English counterpoint

2007

Conference Publication

'Sufficient to quench the thirst of the most insaciate scholler whatsoeuer': George Waterhouse's 1,163 canons on the plainsong Miserere

Collins, D. (2007). 'Sufficient to quench the thirst of the most insaciate scholler whatsoeuer': George Waterhouse's 1,163 canons on the plainsong Miserere. Canons and Canonic Techniques, 14th-16th Centuries, Katholieke Universiteit, Leuven, 4-6 October, 2005. Leuven, Belgium: Peeters.

'Sufficient to quench the thirst of the most insaciate scholler whatsoeuer': George Waterhouse's 1,163 canons on the plainsong Miserere

2004

Conference Publication

Compositional strategies in sixteenth-century three- and four-part canons

Collins, Denis (2004). Compositional strategies in sixteenth-century three- and four-part canons. International Congress of the Musicological Society of Japan (IMJ 2002): Musicology and Globalisation, Shizuoka, Japan, 2-5 November 2002. Tokyo, Japan: Musicological Society of Japan.

Compositional strategies in sixteenth-century three- and four-part canons

2002

Conference Publication

Metric space as a cognitive-structural model of musical pitch

Collins, D. B. and Pavlovic, B. (2002). Metric space as a cognitive-structural model of musical pitch. 7th International Conference on Music Perception and Cognition, Sydney, 17-21 July 2002. Adelaide: Causal Productions.

Metric space as a cognitive-structural model of musical pitch