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Associate Professor

Diana Young

Email: 
Phone: 
+61 7 336 51210

Overview

Background

I am a scholar, curator, educator and designer.

My research is at the inter-section of cultural anthropology- material and visual culture- and museum studies with specialisms in the anthropology of art and design, and the 21st century 'ethnographic' museum. I research and publish on the role of colours as carriers of thought in art and in everyday creative design practices, and colours as local ecology and time. My additonal current research include Australian Indigenous art and the market; the role of museum management in institutional policy and history; digital imaging of museum objects and intellectual property; collection ecologies and bio-cultural materials; research led exhibtiions and contemporary exhibition curation and design. I have a long-standing association with the Anangu Pitjantjatjara Yankunytjatjara Lands (APY Lands) in South Australia where I carried out my doctoral fieldwork whilst a student at University College London, as part of the material culture group. I welcome doctoral students who wish to work on material and visual cultural research and musuem studies, or the interesction of these.

I have curated a number of research generated exhibitions including consultant curator for the 50th anniversary show of Ernabella Arts at Tandanya in South Australia, the retrospective of Kunmanara (Nyukana) Baker and, co-curated the touring show Art on a String with Object, and fifteen collaborative shows for the UQ Anthropology Museum.

I have directed the Master of Museum studies program at UQ for the last 5 years, commissioning a course in digital heritage and carrying out and implementing the recommendations of the academic program review. I continue to partner with GLAMs sector institutions for teaching and research. I am partnering with QAGOMA to collaborate on a new course about Learning and Outreach. I have taught Museum Theory and Practice, Collections, Museum Management, Exhibitions, Work Placement and convened the Masters Dissertation courses. Previously I taught Material and Visual culture and Museum Anthropology in the UQ Anthropology undergraduate program. I have taught at the Australian National University, Chelsea College of Art and University College London in the UK. I was first trained as an architect and worked in the UK construction industry as a designer and project manager.

As the first women to direct the UQ Anthropology Museum in its 75-year history I aimed to promote the work of women makers and artists in the museum’s collection and in the museum’s exhibition program. I am skilled at combining theory and practice, including teaching with objects, and at infrastructure implementation. I led the re configuring of the UQ Anthropology museum’s infrastructure transforming it back into a public institution with a rolling exhibition program generated by research of the museum’s collection. I led the creation of the first online publication of the collection to enable wide collection access. This included a purpose built digital catalogue and the creation and upload of more than 15,000 images of the cultural property cared for in the museum. The publication of the photographic collection in 2017 enabled these images can find new friends and family online. More than 60,000 people visited the UQAM’s new teaching, research and engagement facilities between 2012-2017. I raised more than AUS$1.1 million for the museum.

Availability

Associate Professor Diana Young is:
Available for supervision
Media expert

Qualifications

  • Masters (Coursework), University College London
  • Doctor of Philosophy, University College London

Research interests

  • Central Desert Art Histories

    My interest is in the development of the art histories of the Anangu Pitjantjatjara Yankunytjatjara Lands since the establishment of the mission at Ernabella (now Pukatja) in South Australia 1937. Overall this work is a contribution to reassessing Australia’s colonial history and the creativity of Aboriginal women artists who gained autonomy and an expansion of themselves through art practices. I have curated public exhibitions (1998 'Warka Iritii munu Kuwari Kutu/ Work from the past and the present 50 years of Ernabella Arts'; 2001 'Art on a string' ; 2009, 'Nyukana Baker. A Retrospective') and catalogues on this topic. This research includes fieldwork and archival study - both textual and photographic.

  • Colour as Material, Digital and Visual Culture.

    I am known for my role in developing the contemporary research of colours in anthropology using material culture theory. My work centres on the role of colours as images, materials and substances in social life. I welcome doctoral projects on the anthropology of colours.

  • Consumption Practices in Central Australia.

    This project was funded by an ARC Discovery ( 2013-Dec 2016) which researched the neglected history of consumption after colonisation among Australian Indigenous peoples. The research based on long term fieldwork. Findings from this recently completed research are in press.

  • Public Anthropology through Curatorial practice and the future of the ethnographic museum

    This research examines the role of so-called ethnographic museums now. I have collaborated in the curation of 17 public exhibitions in many venues in Australia including at UQ. I have developed collaborative research in museums with the aim of generating innovative exhibitions, using little seen objects combined with contemporary academic theory, to engage wide audiences.

  • Chromatic temporalities in human and non-human ecologies.

    Chroma is a productive way of assessing bio-cultural ideas about ruination and abundance. This research is taking shape by comparing, in various global locations, the role of chroma in studies of bio diversity and the contemporary re-colouring of cultural heritage, including museum objects.

  • Indigenous governance of Indigenous Cultural and Intellectual property in museums

    A collaborative research project with Indigenous stakeholders about developing processes for governance, research and care of their own ICIP currently held in museum collections.

Research impacts

As an influential curator of anthropology, I am at the forefront of object centred teaching and learning for university and school students. I directed the creation of a new research and teaching infrastructure for the UQ Anthropology Museum and transformed it into a public institution with loans to many state galleries and museums and to local projects. See the online catalogue at http://catalogue.anthropologymuseum.uq.edu.au/ and exhibtions at http://anthropologymuseum.uq.edu.au/exhibitions/. These digital sites have been visited by people in 157 different countries globally (Google analytics June 2017).

Key Exhibitions

2016 Director of curation Solomon Islands; Re enchantment and the colonial shadow, UQ Anthropology Museum. http://www.anthropologymuseum.uq.edu.au/solomon-islands

2015 commissioned Wild Australia. Meston’s Wild Australia show 1892-1893 curated by Michael Aird and Mandana Mapar, research Paul Memmott UQ Anthropology Museum; http://www.anthropologymuseum.uq.edu.au/wild-australia. Toured to Grafton Regional Gallery 2016.

2014 written on the body commissioned and co curated with Judy Watson UQ Anthropology Museum; http://www.anthropologymuseum.uq.edu.au/written-on-the-body

2013 Musical Landscapes of Lihir, commissioned, developed, director of curation with Kirsty Gillespie and the Lihir Development Project, New Ireland province Papua New Guinea, UQ Anthropology Museum; http://www.anthropologymuseum.uq.edu.au/musical-landscapes-of-lihir

2012 In the red on the vibrancy of things director/curator UQ Anthropology Museum, commissioned work Fiona Foley, Miyarrka media; http://www.anthropologymuseum.uq.edu.au/in-the-red-on-the-vibrancy-of-things

2012 What do objects want? director/curator UQ Anthropology Museum; http://www.anthropologymuseum.uq.edu.au/what-do-objects-want and on line exhibtion; https://catalogue.anthropologymuseum.uq.edu.au/search/?q=what+do+objects+want.

2009 Nyukana Baker; A retrospective, curator at the Jam Factory Adelaide for SALA (South Australia Living Artists festival). Australia Council funded.

2001-2005 co curated Art on a String. Threaded objects from the Western Desert and Arnhem Land, Object centre of Australian craft and design touring show (venues included Object Gallery Sydney, Museum of Victoria, Bathurst regional gallery, NSW, Araluen cultural centre, Alice Springs, Tandanya cultural centre, Adelaide). Australia Council funded.

1998 consultant curator for Ernabella Arts Inc., ‘Warka irititja munu kwari kutu. Work from the past and the present a celebration of 50 years of Ernabella Arts,’ Tandanya Cultural Centre Adelaide

Works

Search Professor Diana Young’s works on UQ eSpace

57 works between 1998 and 2023

41 - 57 of 57 works

2010

Other Outputs

The social life of things: UQ centenary exhibition

Young, Diana (2010). The social life of things: UQ centenary exhibition. St Lucia, QLD, Australia: The University of Queensland Anthropology Museum.

The social life of things: UQ centenary exhibition

2010

Other Outputs

Double Up: Pasifika Treasure in the University of Queensland Anthropology Museum

Young, Diana (2010). Double Up: Pasifika Treasure in the University of Queensland Anthropology Museum. St Lucia, Qld, Australia: The University of Queensland Anthropology Museum.

Double Up: Pasifika Treasure in the University of Queensland Anthropology Museum

2010

Other Outputs

Double up: Pasifika treasure in The University of Queensland, Anthropology Museum

Young, Diana and Willcock, Jane (2010). Double up: Pasifika treasure in The University of Queensland, Anthropology Museum. St. Lucia, QLD, Australia: The University of Queensland Anthropology Museum.

Double up: Pasifika treasure in The University of Queensland, Anthropology Museum

2010

Book Chapter

Dingo scalping and the frontier economy in the north west of South Australia

Young, Diana (2010). Dingo scalping and the frontier economy in the north west of South Australia. Indigenous participation in Australian economies. (pp. 91-107) edited by Ian Keen. Australia: ANU E-Press.

Dingo scalping and the frontier economy in the north west of South Australia

2010

Book Chapter

Dressing the body in the Western Desert, Australia

Young, Diana (2010). Dressing the body in the Western Desert, Australia. Berg encyclopedia of world dress and fashion. (pp. 37-41) edited by Joanne Eicher. Oxford, United Kingdom: Berg. doi: 10.2752/BEWDF/EDch7007

Dressing the body in the Western Desert, Australia

2009

Other Outputs

Nyukana Baker: Retrospective

Young, Diana (2009). Nyukana Baker: Retrospective. Adelaide, Australia: JamFactory Gallery.

Nyukana Baker: Retrospective

2006

Journal Article

On materiality - a review of two Australian exhibitions

Young, Diana (2006). On materiality - a review of two Australian exhibitions. Museum Anthropology, 29 (2), 133-139. doi: 10.1525/mua.2006.29.2.133

On materiality - a review of two Australian exhibitions

2006

Journal Article

Water as country in the Pitjantjatjara Yankunytjatjara lands South Australia

Young, Diana (2006). Water as country in the Pitjantjatjara Yankunytjatjara lands South Australia. World Views: Environment, Culture and Religion, 10 (2), 239-259. doi: 10.1163/156853506777965839

Water as country in the Pitjantjatjara Yankunytjatjara lands South Australia

2006

Book Chapter

The colours of things

Young, Diana (2006). The colours of things. The handbook of material culture. (pp. 173-185) edited by Christopher Tilley, Webb Keane, Susanne Kuechler, Mike Rowlands and Patricia Spyer. London: Sage Publications.

The colours of things

2005

Journal Article

The smell of greenness: cultural synaesthesia in the Western Desert

Young, Diana (2005). The smell of greenness: cultural synaesthesia in the Western Desert. Etnofoor, 18 (1), 61-77.

The smell of greenness: cultural synaesthesia in the Western Desert

2004

Journal Article

Review of Theories, technologies, instrumentalities of color: anthropological and historiographic perspectives by Barbara Saunders & Jaap van Brakel

Young, Diana (2004). Review of Theories, technologies, instrumentalities of color: anthropological and historiographic perspectives by Barbara Saunders & Jaap van Brakel. Journal of the Royal Anthropological Institute, 10 (3), 707-708. doi: 10.1111/j.1467-9655.2004.00208.x

Review of Theories, technologies, instrumentalities of color: anthropological and historiographic perspectives by Barbara Saunders & Jaap van Brakel

2004

Journal Article

The material value of colour: The estate agent's tale

Young, Diana (2004). The material value of colour: The estate agent's tale. Home Cultures, 1 (1), 5-22. doi: 10.2752/174063104778053572

The material value of colour: The estate agent's tale

2001

Other Outputs

Art on a String. Aboriginal Threaded objects from the central desert and Arnhem Land

Hamby, Louise and Young, Diana (2001). Art on a String. Aboriginal Threaded objects from the central desert and Arnhem Land. Sydney, Australia: Object-Australian Centre for Craft and Design.

Art on a String. Aboriginal Threaded objects from the central desert and Arnhem Land

2001

Book Chapter

The life and death of cars. Private cars on the Pitjantjatjara Lands, South Australia

Young, Diana (2001). The life and death of cars. Private cars on the Pitjantjatjara Lands, South Australia. Car cultures. (pp. 35-59) edited by Daniel Miller. London: Berg Publishers.

The life and death of cars. Private cars on the Pitjantjatjara Lands, South Australia

2001

Book

Art on a string: Aboriginal threaded objects from the Central Desert and Arnhem Land

Hamby, Louise and Young, Diana (2001). Art on a string: Aboriginal threaded objects from the Central Desert and Arnhem Land. Canberra, ACT, Australia: Object-Australian Centre for Craft and Design, Australian National University.

Art on a string: Aboriginal threaded objects from the Central Desert and Arnhem Land

1998

Other Outputs

Warka Irititja munu Kuwari kutu. Work from the past and the present. A celebration of Fifty Years of Ernabella Arts

Young, Diana and Ernabella Arts artists (1998). Warka Irititja munu Kuwari kutu. Work from the past and the present. A celebration of Fifty Years of Ernabella Arts. Tandanya Cultural centre Adelaide:

Warka Irititja munu Kuwari kutu. Work from the past and the present. A celebration of Fifty Years of Ernabella Arts

1998

Book Chapter

Punu metaphors and markets- wood carving in the Ernabella area

Young, Diana (1998). Punu metaphors and markets- wood carving in the Ernabella area. Warka iritita munu Kuwari kutu. Work from the past and the present: a celebration of Fifty years of Ernabella Arts. (pp. 38-43) Ernabella, SA, Australia: Ernabella Arts .

Punu metaphors and markets- wood carving in the Ernabella area

Funding

Past funding

  • 2017 - 2018
    Preservation needs assessment of University of Queensland Anthropology Museum photographic collection
    National Library of Australia
    Open grant
  • 2015 - 2016
    Significance Assessment of the University of Queensland Anthropology Museum Photographic Collection
    National Library of Australia
    Open grant
  • 2015 - 2016
    Operationalising research collections in archaeological science and museum studies
    UQ Major Equipment and Infrastructure
    Open grant
  • 2013 - 2016
    A desire for things: an investigation of the inter-relations of art making, consumption and exchange among Anangu Pitjantjatjara Yankunytjatjara.
    ARC Discovery Projects
    Open grant
  • 2012
    A social science e-research hub for data management, analysis and dissemination in material and visual culture
    UQ Major Equipment and Infrastructure
    Open grant
  • 2011 - 2013
    The Mobile Museum: Digital 3D objects and participatory design in the Pacific
    UQ Collaboration and Industry Engagement Fund
    Open grant
  • 2010
    Transforming Qualitative Research: Creating, preserving and re-using digital data
    UQ Major Equipment and Infrastructure
    Open grant

Supervision

Availability

Associate Professor Diana Young is:
Available for supervision

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Supervision history

Current supervision

  • Doctor Philosophy

    The role of coffee culture in social transformation and agricultural development in Ethiopia

    Principal Advisor

  • Doctor Philosophy

    The Kushüthara: a weaving study intesecting colour, pattern and socio-cultural relationships in the national dress in villages in north-east Bhutan.

    Principal Advisor

    Other advisors: Associate Professor Adam Bowles

  • Doctor Philosophy

    Threadbare: the Bhutanese textile industry. Contemporary innovation in Bhutanese weaving and its translation to market

    Principal Advisor

    Other advisors: Associate Professor Adam Bowles

Completed supervision

Media

Enquiries

Contact Associate Professor Diana Young directly for media enquiries about:

  • Anthropology of design
  • Art History - Anangu Pitjantjatjara Yankunytjara
  • Collecting cultural material in SE Queensland
  • Indigenous Australian art history
  • inter cultural colour concepts
  • Material and visual culture
  • museums

Need help?

For help with finding experts, story ideas and media enquiries, contact our Media team:

communications@uq.edu.au