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2017

Journal Article

Black, White, and Red Faces: Race and Performance at NIDA

Hay, Christopher (2017). Black, White, and Red Faces: Race and Performance at NIDA. Australasian Drama Studies, 70, 57-85.

Black, White, and Red Faces: Race and Performance at NIDA

2017

Conference Publication

The Importance of Being Neutral: Challenging Belonging in Actor Training

Hay, Chris (2017). The Importance of Being Neutral: Challenging Belonging in Actor Training. Australasian Association for Drama, Theatre and Performance Studies, Auckland University of Technology, June 2017.

The Importance of Being Neutral: Challenging Belonging in Actor Training

2017

Conference Publication

On the Inside: Audience Belonging and "The Comedy of Errors"

Hay, Chris and Dixon, Robin (2017). On the Inside: Audience Belonging and "The Comedy of Errors". Australasian Association for Drama, Theatre and Performance Studies, Auckland University of Technology, June 2017.

On the Inside: Audience Belonging and "The Comedy of Errors"

2016

Book

Knowledge, creativity and failure: a new pedagogical framework for creative arts

Hay, Chris (2016). Knowledge, creativity and failure: a new pedagogical framework for creative arts. London, United Kingdom: Palgrave Macmillan. doi: 10.1007/978-3-319-41066-1

Knowledge, creativity and failure: a new pedagogical framework for creative arts

2016

Conference Publication

The Avant-Garde Within the Institution

Hay, Chris and Dixon, Robin (2016). The Avant-Garde Within the Institution. Ten Questions About the Australian Avant-Garde, Sydney, Australia, November 2016.

The Avant-Garde Within the Institution

2016

Conference Publication

Resistance is Fertile: Failure as productive in the drama classroom

Hay, Chris (2016). Resistance is Fertile: Failure as productive in the drama classroom. Australasian Association for Drama, Theatre and Performance Studies, Toowoomba,QLD, Australia, June 2016.

Resistance is Fertile: Failure as productive in the drama classroom

2015

Journal Article

The corpse corpses: non-professional performers and misperformance

Hay, Chris (2015). The corpse corpses: non-professional performers and misperformance. Performance Paradigm, 11, 46-58.

The corpse corpses: non-professional performers and misperformance

2015

Journal Article

The academic lives of student actors: conservatoire training as degree-level atudy

Hay, Chris and Dixon, Robin (2015). The academic lives of student actors: conservatoire training as degree-level atudy. About Performance, 13, 115-136.

The academic lives of student actors: conservatoire training as degree-level atudy

2015

Conference Publication

Code Clashes in Drama Education

Hay, Chris (2015). Code Clashes in Drama Education. International Symposium on Performance Science, Kyoto, Japan, September 2015.

Code Clashes in Drama Education

2014

Journal Article

V-Effekt: death, mortality, and the Melbourne International Arts Festival

Hay, Chris (2014). V-Effekt: death, mortality, and the Melbourne International Arts Festival. Anthropology and Humanism, 39 (2), 174-183. doi: 10.1111/anhu.12055

V-Effekt: death, mortality, and the Melbourne International Arts Festival

2013

Conference Publication

Written on the Floor: Shared Theatre Space as Palimpsest

Hay, Chris (2013). Written on the Floor: Shared Theatre Space as Palimpsest. Performance Studies international, Stanford, CA, United States, June 2013.

Written on the Floor: Shared Theatre Space as Palimpsest

2012

Journal Article

"What is to count as knowledge": the Evolving Directing Program at the National Institute of Dramatic Art

Hay, Christopher (2012). "What is to count as knowledge": the Evolving Directing Program at the National Institute of Dramatic Art. Australasian Drama Studies, 60, 194-207.

"What is to count as knowledge": the Evolving Directing Program at the National Institute of Dramatic Art

2012

Conference Publication

Strategising to Survive — an Australian conservatoire's experience

Hay, Chris (2012). Strategising to Survive — an Australian conservatoire's experience. Performance Studies international, Leeds, United Kingdom, June 2012.

Strategising to Survive — an Australian conservatoire's experience

2012

Conference Publication

NIDA Goes To Berlin

Hay, Chris (2012). NIDA Goes To Berlin. Australasian Association for Theatre, Drama and Performance Studies, Brisbane, QLD, Australia, July 2012.

NIDA Goes To Berlin

2011

Conference Publication

Melbourne is a Place Where Nothing Ever Happens

Hay, Chris (2011). Melbourne is a Place Where Nothing Ever Happens. Death Down Under Conference, University of Sydney, June 2011.

Melbourne is a Place Where Nothing Ever Happens

2011

Conference Publication

What is to count as knowledge?: The Evolving Directing Program at NIDA

Hay, Chris (2011). What is to count as knowledge?: The Evolving Directing Program at NIDA. Knowledge/Culture/Social Change International Conference, University of Western Sydney, November 2011.

What is to count as knowledge?: The Evolving Directing Program at NIDA

2011

Conference Publication

Picturing Success: Imaging Collaborative Networks Amongst NIDA Directing Graduates

Hay, Chris and McGillivray, Glen (2011). Picturing Success: Imaging Collaborative Networks Amongst NIDA Directing Graduates. AusStage Symposium, Geelong, VIC, Australia, September 2011.

Picturing Success: Imaging Collaborative Networks Amongst NIDA Directing Graduates

2011

Conference Publication

Learning to Inhabit the Chair: Knowledge in the NIDA Directing Program

Hay, Chris (2011). Learning to Inhabit the Chair: Knowledge in the NIDA Directing Program. Australasian Association for Drama, Theatre and Performance Studies, Monash University, July 2011.

Learning to Inhabit the Chair: Knowledge in the NIDA Directing Program

2010

Conference Publication

“Edgy, rockin’ student-theatre": Emergent Directors and the Avant-Garde

Hay, Chris (2010). “Edgy, rockin’ student-theatre": Emergent Directors and the Avant-Garde. Australasian Association for Drama, Theatre and Performance Studies, Australian National University, Canberra, June 2010.

“Edgy, rockin’ student-theatre": Emergent Directors and the Avant-Garde