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Dr Susan Holden
Dr

Susan Holden

Email: 
Phone: 
+61 7 336 53958

Overview

Background

Susan is an architect, educator and researcher at the University of Queensland with expertise in architectural design histories and theories, heritage and sustainability, and design governance and policy. Susan has experience in leading cross-disciplinary research involving stakeholders in academia, industry and government. She has been involved in large-scale national and international funded research projects and has ongoing collaborations at the University of Ghent, supported by the UQ-UGhent Strategic International Partnership. At UQ she is a member of the ATCH Research Centre (Architecture, Theory, Culture, History).

Prior to her academic career Susan worked in architectural practice for over 10 years in Australia and the UK, gaining experience on a range of project scales and types including community, civic, housing and urban design. She maintains strong connections to industry and is a Fellow of the Australian Institute of Architects and has contributed to its education and gender equity committees, and regional and state awards programs in urban design, public architecture, residential design and art-architecture. She currently contributes to the AIA National Gender Equity Committee Research and Publication Taskforce.

Susan’s current research follows three themes, which are explained further under Available Projects:

  • Material Values of the Built Environment: Heritage, Maintenance, Demolition, Salvage, Storage;
  • Design Expertise, Design Governance and the Architecture Profession; and
  • Quality in Architecture: Statements, Settings, Substance.

Susan is an author, editor or contributing author to 9 books. Her research and criticism is widely published in academic, professional and industry journals including Journal of Architecture, Interstices, European Journal of Creative Practices in Cities and Landscapes, AA Files, Leonardo, Fabrications and Architecture Australia. She regularly presents her research in national and international forums, including academic and industry conferences, at cultural institutions, and for continuing professional development. Susan has been an invited guest lecturer, guest critic and RHD guest critic at Ghent University, Monash University, and Griffith University. She has also been an invited chair and contributor to expert panels at the SCCI Architecture Hub Sydney, Museum of Brisbane, the UQ Art Museum and for the Committee for Brisbane. In 2012 Susan was a Visiting Professor in the VAMA (Visual Arts Media and Architecture) Masters Programme at the Vrije Universiteit Amsterdam. In 2013 she was an invited scholar at the Deutsches Forum für Kunstgeschichte in Paris. In 2018 and 2023 Susan was a visiting researcher at UGhent. Susan has extensive experience in research collaboration, research mentorship and research leadership, and she regularly co-authors with academic and industry collaborators and students.

Susan has been the recipient of a number of competitive awards and grants for her research. She was a Chief Investigator on the ARC funded Discover Project Is Architecture Art?: A history of categories, concepts and recent practices(2016-2022) which analyses the changing place of architecture in culture and cultural administration. This project produced three books: Pavilion Propositions: Nine Points on an Architectural Phenomenon (2018), Trading Between Architecture and Art: Strategies and Practices of Exchange (2019) and Valuing Architecture: Heritage and the Economics of Culture(2020), numerous academic and industry publications, and convened two conferences. Susan was also a Chief Investigator on the ARC funded Discovery Project Campus: Building Modern Australian Universities (2016-2020), which brought together experts from five Australian Universities in an inter-disciplinary team to research the landscape, architecture, planning and heritage of modern univeristy campuses in Australia. She is a contributing author to Campus: Building Modern Australian Universities (UWA Press, 2023). In 2021-24 Susan is leading research on the participation and career experience of women in design leadership roles in Australia, with support from the Australian Institute of Architects. Her ongoing research with UGhent collaborators has recieved support from the UQ Global Strategy and Seed Funding Scheme.

Susan has contributed extensively to the leadership of the Architecture, Design and Planning School at UQ, most recently as Chair of Research (2022), Chair of Teaching and Learning (2018-21) and Academic Advisor for the Master of Urban Development and Design Program (2021). Her research also informs teaching and curriculum development in the Faculty of Engineering, Architecture and Information Technology at UQ. In 2021 Susan contributed to two projects to develop Indigenous and inter-cultural content for built environment and design education, as part of teams led by indigenous experts.

Awards

2023 UQ Global Strategy and Partnerships Seed Funding (with Ashley Paine and John Macarthur)

2019 UQ Promoting Women Fellowship

2010 David Saunders Founders Grant Award (SAHANZ) (with Jared Bird)

2000 QIA Medallion (Australian Institute of Architects, Qld Chapter)

2000 Board of Architects Prize (Board of Architects, Queensland)

Memberships

Registered Architect, Board of Architects Queensland

Fellow, Australian Institute of Architects (FRAIA)

Society of Architectural Historians Australia and New Zealand (SAHANZ)

Availability

Dr Susan Holden is:
Available for supervision

Qualifications

  • Bachelor (Honours), The University of Queensland
  • Doctor of Philosophy, The University of Queensland

Research interests

  • Architecture and Design Policy

  • Design Governance, Quality Discourses and the Architecture Profession

  • Cultural Heritage and Sustainability

  • Material Value of the Built Environment

  • Architecture and Urban Design Histories

  • Campus Design

  • Australian Architecture

  • Contemporary Architecture and Design Practice

Research impacts

Susan has been the recipient of a number of competitive awards and grants for her research, including two ARC Discovery grants. The Is Architecture Art? project has brought together an international network of researchers to explore intersections between architecture and art as a way to better understand the place of architecture in contemporary culture and cultural policy. The Campus: Building Modern Australian Universities project produced the first comprehensive account of the development of the modern campus in Australia and connects this knowledge with discourses and practices concerned with the future of campus design.

Susan's research on design governance was showcased in the Architecture Australia 112/2 Research Dossier which featured a roundtable with Australia's State Government Architects and an interview with the Vlaams Bouwmeester (Flemish Government Architect). Her research on the heritage and sustainability values of concrete was presented in 2023 at the ICOMOS 23rd General Assembly and Scientific Symposium, in Sydney.

Susan’s expertise in the area of art and architecture has led to invitations to contribute to expert panels at the SCCI Architecture Hub Sydney, the Museum of Brisbane, the UQ Art Museum and for the Committee for Brisbane. Her analysis of contemporary architecture and practice has been published in Architecture Australia, NGV Magazine, Australian and New Zealand Journal of Art, Design Online and The Conversation. In 2016 Susan was part of the ABC commissioned documentary series Streets of Your Town which examined the architecture of the Australian suburbs.

Susan’s doctoral research on the design of the iconic Centre Pompidou in Paris, and the cultural significance of the international competition held for its design in 1971, was recognised by an invitation in 2012 to contribute to the Métamatic Research Initiative, an international research project involving academics, artists and curators, hosted by the Vrije Universiteit (VU) Amsterdam.

Susan is a recipient of the UQ Promoting Women Fellowship and a SAHANZ Saunders Founders Grant award.

Works

Search Professor Susan Holden’s works on UQ eSpace

59 works between 2003 and 2024

41 - 59 of 59 works

2018

Conference Publication

Core, courtyard, grid: civic form and the (late) modern campus in Australia

Holden, Susan and Logan, Cameron (2018). Core, courtyard, grid: civic form and the (late) modern campus in Australia. Australasian Urban History Planning History Conference, Melbourne, VIC, Australia, 31 January - 2 February 2018. Melbourne, VIC, Australia: RMIT Centre for Urban Research.

Core, courtyard, grid: civic form and the (late) modern campus in Australia

2017

Journal Article

The art of reverence

Paine, Ashley and Holden, Susan (2017). The art of reverence. Architecture Australia, 106 (4), 73-76.

The art of reverence

2016

Journal Article

Fragile Monuments

Holden, Susan (2016). Fragile Monuments. Design Online State Library of Queensland

Fragile Monuments

2016

Journal Article

Is architecture art?

Macarthur, John and Holden, Susan (2016). Is architecture art?. Architecture Australia, 105 (2), 46-50.

Is architecture art?

2015

Conference Publication

The institutionalisation of campus planning in Australia: Wally Abraham and the development of Macquarie University, 1964-1982

Holden, Susan (2015). The institutionalisation of campus planning in Australia: Wally Abraham and the development of Macquarie University, 1964-1982. Society of Architectural Historians, Australia and New Zealand (SAHANZ) Annual Conference, Sydney, NSW, Australia, 7-10 July 2015. Sydney, NSW, Australia: SAHANZ.

The institutionalisation of campus planning in Australia: Wally Abraham and the development of Macquarie University, 1964-1982

2014

Other Outputs

The 'Beaubourg Moment': Movement and the Temporality of Architecture

Holden, Susan (2014). The 'Beaubourg Moment': Movement and the Temporality of Architecture. PhD Thesis, School of Architecture, The University of Queensland.

The 'Beaubourg Moment': Movement and the Temporality of Architecture

2013

Conference Publication

A Double Disturbance: Kinetic movement in the ‘Culture Station’ projects of Jean Tinguely

Holden, Susan (2013). A Double Disturbance: Kinetic movement in the ‘Culture Station’ projects of Jean Tinguely. Symposium: „Métamatic Reloaded“ Tinguelys Zeichenmaschinen und ihr Potential für die Kunst von heute, Tinguely Museum, Basel, Switzerland, 20-23 March, 2013.

A Double Disturbance: Kinetic movement in the ‘Culture Station’ projects of Jean Tinguely

2013

Conference Publication

An open plan: The development of the Griffith University Nathan campus plan, 1966-1973

Holden, Susan and Bird, Jared (2013). An open plan: The development of the Griffith University Nathan campus plan, 1966-1973. Society of Architectural Historians, Australia and New Zealand (SAHANZ) Annual Conference, Gold Coast, QLD, Australia, 2-5 July, 2013. Gold Coast, QLD, Australia: SAHANZ: Society of Architectural Historians, Australia & New Zealand.

An open plan: The development of the Griffith University Nathan campus plan, 1966-1973

2012

Journal Article

Megastructures and monuments: the dilemma of finding a “permanent image of change” in the Plateau Beaubourg Competition, 1970-71

Holden, Susan (2012). Megastructures and monuments: the dilemma of finding a “permanent image of change” in the Plateau Beaubourg Competition, 1970-71. Fabrications : The Journal of the Society of Architectural Historians Australia and New Zealand, 21 (2), 82-111.

Megastructures and monuments: the dilemma of finding a “permanent image of change” in the Plateau Beaubourg Competition, 1970-71

2012

Other Outputs

In the moment: the timeliness of Tinguely

Holden, Susan (2012). In the moment: the timeliness of Tinguely. Shakin: the contemporary kinetic aesthetic e-catalogue. (pp. xx-xx) Surfers Paradise, QLD, Australia: Gold Coast City Gallery.

In the moment: the timeliness of Tinguely

2012

Conference Publication

The antinomy of the ‘space-time’ concept in modern architecture

Holden, Susan (2012). The antinomy of the ‘space-time’ concept in modern architecture. AAANZ Art Association of Australia and New Zealand Annual Conference 2012, Sydney, Australia, 12-14 July 2012. Camperdown, NSW, Australia: Art Association of Australia and New Zealand (AAANZ).

The antinomy of the ‘space-time’ concept in modern architecture

2009

Conference Publication

Megastructure revisited: The Australian entries to the Plateau Beaubourg competition, 1970-1971

Holden, Susan (2009). Megastructure revisited: The Australian entries to the Plateau Beaubourg competition, 1970-1971. Society of Architectural Historians, Australia and New Zealand (SAHANZ) Annual Conference, Auckland, New Zealand, 2-5 July 2009. Auckland, New Zealand: SAHANZ.

Megastructure revisited: The Australian entries to the Plateau Beaubourg competition, 1970-1971

2009

Conference Publication

Cybernetics and ‘Temporal Architecture’: Nicolas Schöffer and the making of the Centre Pompidou

Holden, Susan (2009). Cybernetics and ‘Temporal Architecture’: Nicolas Schöffer and the making of the Centre Pompidou. 17th Annual Conference of the Australian Society for French Studies: "Tekhne, Technique, Technologie", University of Queensland, St Lucia, Australia, 15 - 17 July 2009.

Cybernetics and ‘Temporal Architecture’: Nicolas Schöffer and the making of the Centre Pompidou

2008

Journal Article

Review of Deleuze and Guattari for Architects by Andrew Ballantyne, Thinkers for Architects Series, Routledge, 2007

Holden, Susan (2008). Review of Deleuze and Guattari for Architects by Andrew Ballantyne, Thinkers for Architects Series, Routledge, 2007. Fabrications, 18 (1), 128-131. doi: 10.1080/10331867.2008.10539626

Review of Deleuze and Guattari for Architects by Andrew Ballantyne, Thinkers for Architects Series, Routledge, 2007

2008

Conference Publication

Kinetic movement and the Centre Pompidou

Susan Holden (2008). Kinetic movement and the Centre Pompidou. Society of Architectural Historians, Australia and New Zealand (SAHANZ) Annual Conference, Geelong, Victoria, 3-6 July, 2008. Geelong, Australia: Society of Architectural Historians, Australia & New Zealand.

Kinetic movement and the Centre Pompidou

2007

Conference Publication

Finding the architecture in Deleuze: Heinrich Wolfflin as a source of Deleuze's baroque

Susan Holden (2007). Finding the architecture in Deleuze: Heinrich Wolfflin as a source of Deleuze's baroque. Panorama to Paradise: Proceedings of the XXIVth Annual Conference of SAHANZ, Adelaide, South Australia, 21-23 September 2007. Adelaide: Society of Architectural Historians, Australia & New Zealand.

Finding the architecture in Deleuze: Heinrich Wolfflin as a source of Deleuze's baroque

2004

Journal Article

Deep frame

Holden, Susan (2004). Deep frame. Houses (39), 86-91.

Deep frame

2004

Journal Article

Open dialogue

Holden, Susan (2004). Open dialogue. Houses, 37 (37), 72-77.

Open dialogue

2003

Journal Article

Surburban insight

Holden, Susan (2003). Surburban insight. Houses (35), 38-43.

Surburban insight

Funding

Past funding

  • 2016 - 2018
    Campus: building modern Australian universities (ARC Discovery Project administered by The University of Melbourne)
    University of Melbourne
    Open grant
  • 2016 - 2022
    Is architecture art? A history of categories, concepts and recent practices
    ARC Discovery Projects
    Open grant
  • 2012 - 2013
    Topology/Typology: Two critical concepts in post-war European architecture
    UQ New Staff Research Start-Up Fund
    Open grant

Supervision

Availability

Dr Susan Holden is:
Available for supervision

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Available projects

  • Design Expertise, Design Governance, and the Architecture Profession

    This research explores architecture in built environment governance, and more broadly the role of architecture and design in governing: in fostering civic engagement, demonstrating values, and defining a common good. It investigates the relatively recent establishment of design advisor roles in liberal democratic governments, and how this can be understood as a new site of professional production and an index of a changing profession. It explores the interrelationship between regulation, informal design governance processes, and processes that influence cultural change such as education. It draws on theories of governance and governmentality to understand the reliance of design governance processes on negotiated justifications of design quality and worth. This research has an international focus through collaborations with the University of Ghent and comparative analysis of European and UK design governance traditions and practices. A sub-theme focuses on women’s participation in design leadership, which builds on a pilot study undertaken in conjunction with the Australian Institute of Architects National Gender Equity Committee, to investigate women’s career experiences as design advisors in the public sector. The research aims to better understand the expertise involved in design governance and how it is changing the architecture profession.

  • Material Values of the Built Environment: Conservation, Maintenance, Demolition, Salvage, Storage

    There is growing demand to respond to wasteful building practices to address the climate emergency and zero carbon agendas. Adaptive reuse is a well-established strategy in architecture that sustains building fabric. The reuse of architectural salvage is another strategy focused at the material scale that is gaining traction, particularly for its potential to give local communities agency in managing their future environments. How best to support building and material reuse practices is a technical, logistical and governance challenge. However, it is also shaped by our cultural preferences, conventions, and taste. This research explores intersections of heritage and sustainability values in buildings, and the management of a building’s lifespan. It explores the cultural histories of building stewardship and material salvage in relation to concepts and categories of heritage conservation, such as mobile and immobile heritage; design, such as palimpsest, adhocism and umbaukultur; and sustainability, such as maintenance, retrofit and embodied carbon. It investigates how material management accounts for changing cultural values and, more literally, can change a material’s value. It analyses the institutional and economic contexts of material flows, and the cultural dimensions of material waste and reuse. Specific investigations include: the mediation of demolition; managing modern concrete; and the design of storage infrastructure for cultural heritage and material conservation.

  • Quality in Architecture: Statements, Settings, Substance

    This research investigates quality discourses as they are deployed and negotiated in the production of architecture. It explores the different ways that design quality is articulated, advocated, and evaluated, within and beyond the design professions, and how a qualitative understanding of the value of good design has been co-opted by management discourses (for example through quality assurance and quality control) and, at the same time, resists assimilation into quantitative measurement regimes. Drawing on infrastructure, management, and science and technology studies, it aims to situate quality in relation to other operative concepts in the design disciplines such as standards, standardisation, excellence, consensus, authorship, and taste. It identifies international examples and case studies of quality statements (such as design guidelines and policy statements), settings (such as design review panels, competitions, and city rooms) and substance (such as how spatial and material qualities convey civic and environmental worth).

  • Architecture as a Matter of Culture

    This research seeks to understand the significance of architecture beyond the construction and property economies, and to explores what it means to think of architecture as a matter of culture. It takes several approaches to this larger inquiry, placing architecture in relation to the history of cultural categories and hierarchies; the cultural and creative economies; the GLAM sector (galleries, libraries, archives, and museums); and the heritage sector. Specific research topics include the collection, curation, and commissioning of architecture by institutions in the GLAM sector; innovations in museum and art gallery design; architecture as a subject of cultural policy and cultural administration; the support of architecture by the Australia Council for the Arts; and data rich heritage futures.

  • Histories of Architecture and Urban Design

    This theme collects several strands of research on modern architecture and urban design. It includes research on key cultural and civic buildings of the twentieth century; concrete modernism; intersections between art and architecture in expanded forms of creative practice; the evolution of campus design; and the history of environmental and built environment education. It has a sub-focus on Australia and Queensland.

Supervision history

Current supervision

Completed supervision

Media

Enquiries

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