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2024

Journal Article

The Apolline, the Dionysiac, and Spectatorship in Punchdrunk’s Masked Performances

Cole, Emma (2024). The Apolline, the Dionysiac, and Spectatorship in Punchdrunk’s Masked Performances. Contemporary Theatre Review, 34 (2), 170-186. doi: 10.1080/10486801.2024.2334244

The Apolline, the Dionysiac, and Spectatorship in Punchdrunk’s Masked Performances

2024

Journal Article

Introduction: Simon Stone and Company

Cole, Emma and Hay, Chris (2024). Introduction: Simon Stone and Company. Contemporary Theatre Review, 34 (1), 1-9. doi: 10.1080/10486801.2024.2320525

Introduction: Simon Stone and Company

2021

Journal Article

Correction to: Fragments, Immersivity, and Reception: Punchdrunk on Aeschylus’ Kabeiroi (International Journal of the Classical Tradition, (2021), 28, 4, (510-525), 10.1007/s12138-020-00578-9)

Cole, Emma (2021). Correction to: Fragments, Immersivity, and Reception: Punchdrunk on Aeschylus’ Kabeiroi (International Journal of the Classical Tradition, (2021), 28, 4, (510-525), 10.1007/s12138-020-00578-9). International Journal of the Classical Tradition, 28 (4), 526-526. doi: 10.1007/s12138-021-00596-1

Correction to: Fragments, Immersivity, and Reception: Punchdrunk on Aeschylus’ Kabeiroi (International Journal of the Classical Tradition, (2021), 28, 4, (510-525), 10.1007/s12138-020-00578-9)

2021

Journal Article

Fragments, immersivity, and reception: Punchdrunk on Aeschylus’ Kabeiroi

Cole, Emma (2021). Fragments, immersivity, and reception: Punchdrunk on Aeschylus’ Kabeiroi. International Journal of the Classical Tradition, 28 (4), 510-525. doi: 10.1007/s12138-020-00578-9

Fragments, immersivity, and reception: Punchdrunk on Aeschylus’ Kabeiroi

2021

Journal Article

Knowledge exchange and the creative industries: A reflective commentary on current practice

Cole, Emma (2021). Knowledge exchange and the creative industries: A reflective commentary on current practice. Research for All, 5 (2). doi: 10.14324/rfa.05.2.02

Knowledge exchange and the creative industries: A reflective commentary on current practice

2020

Journal Article

Review of: Shane Butler (ed.), Deep classics: rethinking classical reception, London-New York: Bloomsbury Academic, 2016, ix+347 pp., $34.95 (pb), ISBN 978-1-4742-6051-0

Cole, Emma (2020). Review of: Shane Butler (ed.), Deep classics: rethinking classical reception, London-New York: Bloomsbury Academic, 2016, ix+347 pp., $34.95 (pb), ISBN 978-1-4742-6051-0. Exemplaria Classica, 24, 459-460. doi: 10.33776/ec.v24i0.5022

Review of: Shane Butler (ed.), Deep classics: rethinking classical reception, London-New York: Bloomsbury Academic, 2016, ix+347 pp., $34.95 (pb), ISBN 978-1-4742-6051-0

2017

Journal Article

Review of: Greek Drama and its Reception - (B.) van Zyl Smit (ed.) A Handbook to the Reception of Greek Drama. Pp. xviii + 601, figs, ills. Malden, MA and Oxford: Wiley Blackwell, 2016. Cased, £120, €150, US$195. ISBN: 978-1-118-34775-1

Cole, Emma (2017). Review of: Greek Drama and its Reception - (B.) van Zyl Smit (ed.) A Handbook to the Reception of Greek Drama. Pp. xviii + 601, figs, ills. Malden, MA and Oxford: Wiley Blackwell, 2016. Cased, £120, €150, US$195. ISBN: 978-1-118-34775-1. The Classical Review, 67 (2), 555-557. doi: 10.1017/s0009840x17001044

Review of: Greek Drama and its Reception - (B.) van Zyl Smit (ed.) A Handbook to the Reception of Greek Drama. Pp. xviii + 601, figs, ills. Malden, MA and Oxford: Wiley Blackwell, 2016. Cased, £120, €150, US$195. ISBN: 978-1-118-34775-1

2016

Journal Article

Adapting Greek tragedy during the War on Terror: Martin Crimp’s Cruel and Tender

Cole, Emma (2016). Adapting Greek tragedy during the War on Terror: Martin Crimp’s Cruel and Tender. Journal of Adaptation in Film & Performance, 9 (1), 37-51. doi: 10.1386/jafp.9.1.37_1

Adapting Greek tragedy during the War on Terror: Martin Crimp’s Cruel and Tender

2015

Journal Article

The Method behind the madness: Katie Mitchell, Stanislavski, and the classics

Cole, Emma (2015). The Method behind the madness: Katie Mitchell, Stanislavski, and the classics. Classical Receptions Journal, 7 (3), 400-421. doi: 10.1093/crj/clu022

The Method behind the madness: Katie Mitchell, Stanislavski, and the classics