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2025 Conference Publication Tragedy, translation, and fragmentationCole, Emma (2025). Tragedy, translation, and fragmentation. International Federation of Theatre Research, Cologne, Germany, 9-13 June 2025. |
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2025 Conference Publication The future of the fragmentCole, Emma (2025). The future of the fragment. Translations and Transformations: Thinking with the Ancients, Crawley, WA Australia, 23-24 April 2025. |
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2025 Book Chapter ANTIQUITY AND IMMERSIVITY: AN INTRODUCTIONCole, Emma (2025). ANTIQUITY AND IMMERSIVITY: AN INTRODUCTION. Experiencing Immersion in Antiquity and Modernity: From Narrative to Virtual Reality. (pp. 1-14) Bloomsbury Publishing Plc.. doi: 10.5040/9781350419124.ch-001 |
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2025 Book EXPERIENCING IMMERSION IN ANTIQUITY AND MODERNITY: FROM NARRATIVE TO VIRTUAL REALITYCole, Emma (2025). EXPERIENCING IMMERSION IN ANTIQUITY AND MODERNITY: FROM NARRATIVE TO VIRTUAL REALITY. Bloomsbury Publishing Plc.. doi: 10.5040/9781350419124 |
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2025 Book Chapter Dance, immersivity, and translation in Punchdrunk’s The Burnt CityCole, Emma (2025). Dance, immersivity, and translation in Punchdrunk’s The Burnt City. Translation in the Performing Arts: Embodiment, Materiality, and Inclusion. (pp. 39-54) Taylor and Francis. doi: 10.4324/9781003335573-4 |
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2024 Conference Publication Innovation and classical reception in contemporary artistic practiceCole, Emma (2024). Innovation and classical reception in contemporary artistic practice. Enacting Innovation: Science and Technology in Performance, Canberra, ACT Australia, 6 October 2024. |
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2024 Book The women of TroyEmma Cole ed. (2024). The women of Troy. London, United Kingdom: Methuen Drama. |
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2024 Journal Article The Apolline, the Dionysiac, and spectatorship in Punchdrunk’s masked performancesCole, Emma (2024). The Apolline, the Dionysiac, and spectatorship in Punchdrunk’s masked performances. Contemporary Theatre Review, 34 (2), 170-186. doi: 10.1080/10486801.2024.2334244 |
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2024 Journal Article Introduction: Simon Stone and CompanyCole, Emma and Hay, Chris (2024). Introduction: Simon Stone and Company. Contemporary Theatre Review, 34 (1), 1-9. doi: 10.1080/10486801.2024.2320525 |
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2024 Conference Publication Experiencing Immersion from Antiquity to ModernityCole, Emma (2024). Experiencing Immersion from Antiquity to Modernity. Australasian Society for Classical Studies Annual Conference, Melbourne, VIC, Australia, 12-15 Feburary 2024. |
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2023 Book Punchdrunk on the classics: experiencing immersion in The burnt city and beyondCole, Emma (2023). Punchdrunk on the classics: experiencing immersion in The burnt city and beyond. Cham, Switzerland: Springer International Publishing. doi: 10.1007/978-3-031-43067-1 |
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2023 Conference Publication Spectator Participation-as-Research for archiving the Creation and Experience of Punchdrunk’s The Burnt CityCole, Emma (2023). Spectator Participation-as-Research for archiving the Creation and Experience of Punchdrunk’s The Burnt City. Australasian Association for Theatre, Drama, and Performance Studies (ADSA) Annual Conference, Adelaide, SA, Australia, 27 November-1 December 2023. |
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2022 Other Outputs The Burnt CityCole, Emma (Dramaturg), Barrett, Felix and Doyle, Maxine (2022). The Burnt City. London, United Kingdom: Punchdrunk. |
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2022 Conference Publication Rehearsal observation and Spectator-Participation-as-Research in Punchdrunk's The Burnt CityCole, Emma (2022). Rehearsal observation and Spectator-Participation-as-Research in Punchdrunk's The Burnt City. Theatre and Performance Research Association (TaPRA) annual conference, Exeter, United Kingdom, 12-14 September 2022. |
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2021 Journal Article Correction to: Fragments, Immersivity, and Reception: Punchdrunk on Aeschylus’ Kabeiroi (International Journal of the Classical Tradition, (2021), 28, 4, (510-525), 10.1007/s12138-020-00578-9)Cole, Emma (2021). Correction to: Fragments, Immersivity, and Reception: Punchdrunk on Aeschylus’ Kabeiroi (International Journal of the Classical Tradition, (2021), 28, 4, (510-525), 10.1007/s12138-020-00578-9). International Journal of the Classical Tradition, 28 (4), 526-526. doi: 10.1007/s12138-021-00596-1 |
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2021 Journal Article Fragments, immersivity, and reception: Punchdrunk on Aeschylus’ KabeiroiCole, Emma (2021). Fragments, immersivity, and reception: Punchdrunk on Aeschylus’ Kabeiroi. International Journal of the Classical Tradition, 28 (4), 510-525. doi: 10.1007/s12138-020-00578-9 |
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2021 Journal Article Knowledge exchange and the creative industries: A reflective commentary on current practiceCole, Emma (2021). Knowledge exchange and the creative industries: A reflective commentary on current practice. Research for All, 5 (2), 194-204. doi: 10.14324/rfa.05.2.02 |
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2020 Book Chapter Drama, reception ofCole, Emma (2020). Drama, reception of. Oxford classical dictionary. (pp. 1-18) Oxford Classical Dictionary: Oxford University Press. doi: 10.1093/acrefore/9780199381135.013.8068 |
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2020 Journal Article Review of: Shane Butler (ed.), Deep classics: rethinking classical reception, London-New York: Bloomsbury Academic, 2016, ix+347 pp., $34.95 (pb), ISBN 978-1-4742-6051-0Cole, Emma (2020). Review of: Shane Butler (ed.), Deep classics: rethinking classical reception, London-New York: Bloomsbury Academic, 2016, ix+347 pp., $34.95 (pb), ISBN 978-1-4742-6051-0. Exemplaria Classica, 24, 459-460. doi: 10.33776/ec.v24i0.5022 |
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2019 Book Postdramatic tragediesCole, Emma (2019). Postdramatic tragedies. Oxford, United Kingdom: Oxford University Press. doi: 10.1093/oso/9780198817680.001.0001 |
